Erich Auerbach’s seminal Mimesis: The Representation of Reality in Western Literature was published more than sixty years ago and is deservedly considered a classic. The book brought into focus the fundamental difference that exists between the two basic approaches to the textual representation of reality in Western culture. These two “styles,” as Auerbach called them, were archetypically displayed in Homer’s poems and in the Old Testament, respectively. Auerbach’s differentiation is the starting point for Bandera’s insightful work, which expands and develops (...) on this theory in several key ways. One of the more significant differences between the two styles transcends and grounds all the others. It concerns the truth of each of the two archetypal texts, or rather, the attitude exhibited in those texts with regard to the truth of what they narrate. Auerbach, Bandera notes, is amazed at the Bible’s “passionate” concern for the truth of what it says—a concern he found absent in Homer. Bandera finds that what the prophet Isaiah called “a refuge of lies” defines Homer’s work. He draws on his own research and René Girard’s theory of the sacred to develop an enhanced perspective of the relationship between these texts. (shrink)

Cesáreo Villoria (1951), profesor jubilado de filosofía, fue docente de Filosofía y Ética en Enseñanza secundaria y Bachillerato, doctor en Filosofía con una tesis sobre la estética de Th. Adorno por la Universidad de Oviedo, ha publicado varios artículos sobre la Escuela de Francfort y la filosofía del último Ortega.;Elabora una obra sobre el problema de la historia en la filosofía alemana desde Hegel al presente.

This anthology of some 60 excerpts offers a comprehensive overview from across Machiavelli's work of his ideas on international relations. It includes an introductory chapter framing the volume and accompanying illustrative material to situate Machiavelli's work within the complex political events of his time.

The author traces the main outlines of the scientific work and teaching of the late Professor Giuliano Marini, who was a distinguished member of the Scientific Board of the «Archivio di storia della cultura» since its foundation in 1988.