Life and works of Ācārya Madhva, chief proponent of the Dvaita school of Vedanta.

Complete works of a Bengali Marxist philosopher and author.

Complete works of Śaṅkarācārya, Hindu philosopher; with commentary and Bengali translation.

Sanskrit text with Hindi translation on Jaina monasticism and ethics.

Study on Life divine, work on metaphysics and spiritual life by Aurobindo Ghose, 1872-1950.

The relationship between preaching, music and liturgy. In the Reformed liturgy in South Africa the sermon has traditionally been reserved a special place, taking precedence over the liturgy and music. In this article an argument is put forward for a better balance between preaching, liturgy and music in the Reformed liturgy in churches in South Africa. In order to do so, the South African Reformed liturgical context is briefly sketched and thereafter a theological and liturgical-historical argument is presented. Existing approaches (...) with regard to the relationship between liturgy, music and preaching by some established scholars are discussed before the implications of the argument are examined in conclusion. (shrink)

Two works, with commentaries, on Jaina ethics.

V. 1, Catuḥsūtryantapūrṇānandīyavyākhyāsaṃhitayā Śrīgovindānandapraṇītayā Ratnaprabhayā samanvitam; v. 2, Śrīgovindānandapraṇītayā Ratnaprabhayā samanvitam.

Not being satisfied with the interpretation offered by Sankara and his followers, or some other teachers the author has attempted in the following pages to present to the readers his own interpretation of the work as he has understood it. But in no way does he claim that his interpretation is the interpretation, i.e., the interpretation intended by Gaudapada himself. In the present volume the author has given a new edition of the text of the Agamasastra based on a number (...) of MSS and different editions, followed by an English translation. After this comes his annotation. At the end there are Appendixes including the text and English translation of the Mandukya Upanisad, VAriants of the MSS used for the edition of the text of the Agamasastra, and different indexes. (shrink)

Study of Dīdhitiprakāśikā of Gadhādharabhaṭṭācārya, 17th/18th cent., commentary on Pramāṇyavāda, portion of Tattvacintāmaṇi of Gaṅgeśa, dealing with the concept of authenticity of proofs).

Treatise on the basic tenets of Viśiṣṭādvaita school in Hindu philosophy as propounded by Ramanuja, 1017-1137, founder of sect.

Classical Nyaya treatise on the concept of self (ātman) refuting the Buddhist exposition of the subject.

This article is about changes in dominant modes of social conduct, particularly involving relationships between the sexes. Changes in behavioural codes and ideals were noted in the course of a comparative analysis of etiquette books published in the Netherlands from 1930 to 1985. There was a gap of approximately thirteen years during which, with one exception, no books on this subject were published. There was, however, an upsurge of books on liberation and self-realization, coupled with a relative loosening of behavioural (...) codes and ideals. Since the start of the 1980s, there appears to have been a tightening of these codes and ideals, both as regards relationships between men and women and in general. These changes are presented as developments in the sense of informalization and formalization, aspects of civilizing processes. The article commences with a short elaboration upon the concepts of informalization and formalization, goes on to present the results of the comparative analysis of the etiquette books, and concludes that nowadays a formalization of preceding informalization is taking place, a stage in the long-term process of informalization. (shrink)

Rituals in dying and mourning have a social and a psychic aspect: they have the twin function of diminishing the danger of succumbing to intense emotions (fear, despair, powerlessness and grief) by evoking a feeling of solidarity, and of enhancing the sense of being connected to a larger community, on which basis these emotions are acknowledged as well as dimmed and kept under control. As the changes in mourning ritual of the last half of the 20th century demonstrate, the relation (...) or balance between these social and psychic functions of mourning rituals has been changing. From the 1960s onward, many traditional rituals came under suspicion and were pushed aside. Since the 1980s, a quest for new rituals has emerged. The article will address the question of what has changed in the social and individual regulation of these feelings by comparing old, mostly religious rituals, to more recent ones. The latter will be interpreted as part of a highly individualized quest for societal recognition and solidarity, demonstrating how processes of individualization, `solidarization' and globalization are interconnected. (shrink)

Commentary on Praśastapādācārya's Praśastapādabhāṣya, compendium of the Vaiśeṣika philosophy; includes text.

Contributed articles on Śaṅkarācārya, Hindu philosophy, and religious life.

O ponto de partida do presente ensaio é o entendimento de que a arte constitui um dos motivos catalisadores, se não mesmo um dos temas maiores da reflexão de Maurice Merleau-Ponty. Na interpretação do autor, o filósofo da percepção, aquele que, de todos os pensadores contemporâneos, conferiu ao corpo po um estatuto que a reflexão do século XX ainda não lhe concedera, chegou à arte por necessidade intrínseca do seu próprio caminho especulativo, vindo a reflexão sobre a expressão artística a (...) dar um contributo essencial para a constituição do seu próprio pensamento, contributo esse que se vai adensando, desde a Fenomenologia da Percepção até O Visível e o Invisível e O Olho e o Espírito, a ponto de poder dizer-se que na arte, particularmente na arte moderna, encontrou Merleau-Ponty uma filosofia à l'oeuvre, apesar da ausência do conceito, a que é, de facto, alheia a expressão artística. José Bettencourt da Câmara é professor no Departamento de Artes da Universidade de Évora.. In Editorial. (shrink)

On Dvaita Vedanta philosophy and doctrines of Nimbarka, sect in Vaishnavism; with Hindi interpretation.

_Five Faces of Modernity_ is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: _modernity_, _avant-garde_, _decadence_, _kitsch_, and _postmodernism_. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if (...) we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise. _Five Faces of Modernity_ attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as _classicism_, _baroque_, _romanticism_, _realism_, or _symbolism_ and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity. (shrink)