A survey of democratic institutions and republics reveals the aristocratic origins of democracy.

Current thinking and research on consciousness and the brain.

Time is analyzed as being those processes by which a system notes the processes which comprise its own existence. The directionality of time is given by the concepts, past, present, and future. To understand the meaning of these concepts, a set of experiments was carried out with four male subjects in which areas of time were expanded or ablated by means of post-hypnotic suggestions. These operations were carried out singly or in combination. The data suggest that the present is primarily (...) associated with stimulus input, the past with the criteria for defining that input as well as the development of response inhibitions and the future with the directionality of that input. Marked personality changes which range from the occurence of catatonic-like states to obsessive types of reaction and manic-like reactions are associated with different combinations of time alterations. Some of the changes are in accord with the serialist position on time of J. W. Dunne. The concept of death is very important both with regard to one’s view of time and how one lives. While it is important to live in the present, the present has no meaning without at least a past or a future. Implications of these findings for psychopathology in general and schizophrenia in particular are considered. (shrink)

This work makes three valuable contributions to the study of human slips and errors.

This paper explores a remarkable convergence of ideas and evidence, previously presented in separate places by its authors. That convergence has now become so persuasive that we believe we are working within substantially the same broad framework. Taylor's mathematical papers on neuronal systems involved in consciousness dovetail well with work by Newman and Baars on the thalamocortical system, suggesting a brain mechanism much like the global workspace architecture developed by Baars (see references below). This architecture is relational, in the sense (...) that it continuously mediates the interaction of input with memory. While our approaches overlap in a number of ways, each of us tends to focus on different areas of detail. What is most striking, and we believe significant, is the extent of consensus, which we believe to be consistent with other contemporary approaches by Weiskrantz, Gray, Crick and Koch, Edelman, Gazzaniga, Newell and colleagues, Posner, Baddeley, and a number of others. We suggest that cognitive neuroscience is moving toward a shared understanding of consciousness in the brain. (shrink)

After suggesting an operational definition for fringe experiences—as opposed to clearly conscious and clearly unconscious phenomena—we examine three empirical cases: The tip-of-the-tongue experience, the fringe experience of "wrongness," and the case of conscious focus on abstract, hard-to-image conscious contents. In each case, Mangan′s four major claims are explored in some detail. Most tasks seem to involve a combination of conscious experiences, complex unconscious representations, and multiple fringe experiences. The chief disagreement from this analysis involves vague experiences that are generally believed (...) to be focal: The case of currently topical abstract concepts, which are not reported as conscious images or percepts. In the interest of caution, it may be better to speak of "conscious access" to focal abstract concepts, rather than "conscious experience" of such concepts. There may be other vague but focally conscious phenomena, such as an intention to act, the signal for executing a prepared action, and so on. Mangan′s points are generally supported, with some qualifications. (shrink)

Une métaphore puissante, signifiante à l’excès - un système solaire - commande la course de Nietzsche comme de Platon, ordonne la pensée de la naissance et du déclin, programme le lever de Zarathoustra. D’une telle héliologie, Platon, Hegel, Nietzsche sont les moments majeurs. Et parce qu’un soleil décrit révolutions et orbites, dans un mouvement renversant, parce qu’un soleil toujours chasse l’autre et prend sa relève, parce que la clarté de midi équivaut à la nuit pure, c’est la double question, philosophique, (...) du renversement de Platon et du rapport à Hegel que l’on voudrait poser en déclinant ces versions du soleil. Le travail où cette recherche s’effectue, se propose comme une « description » de Nietzsche. Description nécessairement orientée selon un axe double : d’une part, dresser — au sein d’une théorie du système signifiant explicitement articulée dès la Naissance de la Tragédie — un exact inventaire des règles et limites imposées au texte par la langue naturelle, et par la métaphysique (platonicienne) qui la soutient ; mais, d’autre part, il aura suffi d’éveiller ainsi la puissance rhétorique et métaphorique de la langue, pour que le texte de Nietzsche se trouve affecté d’une lecture instable, libérant et déployant les figures qui l’occupent et l’écrivent. Figures dont l’analyse emprunte inévitablement à Freud ses concepts et ses opérations. (shrink)

Body ecology by cosmosis refers to the experience of immersion, or the incorporation of the elements of nature through a body practice, leisure or sport. In this article, we propose comprehensive u...

La musique a exercé depuis les temps les plus reculés une telle fascination sur l’esprit humain que l’homme n’a eu de cesse de créer des instruments nouveaux, de les perfectionner, de travailler sa voix pour lui donner la plus parfaite expression, de rechercher de nouvelles harmonies, de se laisser guider par son inspiration afin de concevoir les plus belles oeuvres. Mais d’où vient cette inspiration qui permit à certains êtres de léguer à l’humanité des chefs-d'oeuvre qui, plusieurs siècles après leur (...) naissance, continuent à élever notre âme? Et quel est, ou quel devrait être, le rôle véritable de la musique? C’est ce que nous découvrirons en lisant ces lignes. Les articles de cette oeuvre collégiale, conçue dans le cadre de l’Université Rose-Croix Internationale, apportent un éclairage original et vécu sur le rôle de la musique dans le domaine spécifique de la spiritualité. Ils explorent l’apport de musiciens de génie et se penchent également sur le comportement de l’auditeur, qui ne peut être purement passif s’il veut bénéficier pleinement des influences les plus subtiles de la musique. Par ailleurs, ces articles analysent l’importance de l’interprétation, qui est essentielle, tant pour la transmission que pour la réception de l’oeuvre musicale. (shrink)

In addition to this much-needed clarification of the uses and abuses of the term "modernity," Yack here provides a fresh look at familiar modern ideas and practices such as nationalism, constitutionalism, and liberal democratic politics. Our world, the author suggests, offers us far stranger and more unexpected combinations that are dreamt of in modernist and postmodernist philosophies. His critique of the tendency to treat modernity as an integrated and coherent whole will expand the reader's vision to take in the broader (...) landscape of surprising and inconsistent features in the social and political world that surrounds us. The Fetishism of Modernities will be of interest to social, political and cultural theorists, intellectual historians and philosophers, as well as anyone with a stake in current debates about modernity and postmodernity. (shrink)

Le christianisme est-il en train de s’éteindre, comme le répètent les oracles de la décadence? Une quinzaine de chrétiens ont accepté de se livrer à une opération vérité. Ils ont décidé de prendre le temps et la plume pour livrer un témoignage de leur foi chrétienne, une attestation approfondie et critique des « raisons » qu’ils ont de croire.

Takes the reader back to first principles, re-reading the key texts to reveal what the philosopher actually said.

Ecrire en philosophie consiste à rechercher "le problème d'une oeuvre", affirme Deleuze après Bergson. En s'inspirant de cette recommandation, l'auteur cherche à construire le problème de l'oeuvre du "premier" Deleuze, d'Empirisme et subjectivité à Différence et répétition. Le problème central est celui de la définition de la pensée : que signifie penser et s'orienter dans la pensée? Comment commencer sans présupposés? Ce volume examine le point de départ de la pensée de Deleuze qui consiste dans la critique de l'image de (...) la pensée comme représentation. Il restitue fidèlement sa pensée sans simplification ni jargon. (shrink)