Results for 'Belgian drama '

964 found
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  1.  22
    Navigating ethnicity, nationalism and Pan-Africanism – Kimbanguists, identity and colonial borders.Mika Vähäkangas - 2021 - HTS Theological Studies 77 (3):8.
    The Kimbanguists, whose church is based on the healing and proclamation ministry of Simon Kimbangu in 1921 in the Belgian Congo, challenge colonially defined borders and identities in multiple ways. Anticolonialism is in the DNA of Kimbanguism, yet in a manner that contests the colonially inherited dichotomy between religion and politics. Kimbanguists draw from holistic Kongo traditions, where the spiritual and material/political are inherently interwoven. Kimbangu’s home village, Nkamba, is the centre of the world for them, and Kongo culture (...)
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  2.  12
    La Belgique ou l'illusion de la cohabitation.Marc Lits - 2008 - Hermes 51:167.
    Le docu-fiction diffusé par la chaîne publique belge en décembre 2006 a servi de révélateur à la reconnaissance publique du clivage grandissant entre les deux communautés francophones et flamandes qui cohabitent dans ce pays. Les réalités culturelles, linguistiques et politiques sont de plus en plus hétérogènes, et favorisent des mouvements centrifuges qui manifestent que l'identité belge ne repose plus sur une base communément partagée. La diversité et le souhait d'une séparation négociée l'emportent désormais sur la volonté d'un "vivre-ensemble".The docu-drama (...)
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  3. Fellow-fellow-fellow.Franco Belgian Me - 2000 - Complexity 1999:1998.
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  4. Andrea peghinelli.Point in British Contemporary Drama - 2012 - Journal for Communication and Culture 2 (1):20-30.
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  5. Fascismo disfrazado de socialismo.de Araña de La la Tela, Corrupcion Del Psoe En Andalucia, Bfn-José Mourinho, Berto Y. Fuenafuente-Un Poco de & Humor Para Lidiar El Drama - forthcoming - Gnosis.
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  6.  19
    The Social Origins of the Greek Drama.A. D. Winspear - 1942 - Science and Society 6 (3):273 - 277.
  7.  66
    Belgian Nurses' Views on Codes of Ethics: Development, Dissemination, Implementation.Ellen Verpeet, Bernadette Dierckx de Casterlé, Joke Lemiengre & Chris Gastmans - 2006 - Nursing Ethics 13 (5):531-545.
    The aim of this study was to explore how Belgian nurses view issues related to the development, dissemination and implementation of a code of ethics for nurses. Fifty nurses took part in eight focus groups. The participants stated that, on the whole, a code of ethics for nurses would be useful. They stressed that a code should be a practical and useful instrument developed by nurses for nurses, and that it should be formulated and presented in a practical way, (...)
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  8. Teori kajian strukturlisme sastra, model Greimas dalam drama Sang kuriang karya Ututy Tatang Sontani.M. Hum Lina Meilinawati Rahayu - 2021 - In Suwardi Endraswara (ed.), Teori sastra sepanjang zaman: tokoh, konsep, dan aplikasi. Yogyakarta: Graha Ilmu.
     
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  9.  9
    Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries by Jonathan Dollimore.Jacob Blevins - 2004 - Intertexts 8 (2):201-203.
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  10. Brian J. Braman, Meaning and Authenticity: Bernard Lonergan and Charles Taylor on the Drama ofAuthentic Human Existence Reviewed by.Jennifer Davis - 2009 - Philosophy in Review 29 (6):397-399.
     
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  11. Why Nietzsche Still? Reflections on Drama, Culture, and Politics. Edited by Alan D. Schrift.J. Mitscherling - 2003 - The European Legacy 8 (6):824-824.
     
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  12. Book Reviews-Natural History-Life's Splendid Drama.P. J. Bowler & B. Bracegirdle - 1999 - Annals of Science 56 (1):104.
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  13.  15
    Derrida E glissant, a trama da relação eo drama da diferença.Paula Glenadel - 2006 - In Alcides Cardoso dos Santos, Fabio Durão, Maria das Graças G. Villa da Silva & Michael Naas (eds.), Desconstruções e contextos nacionais. Rio de Janeiro, RJ: 7 Letras. pp. 188.
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  14.  86
    The problem of convention in drama.Ralph Berry - 1969 - British Journal of Aesthetics 9 (3):222-230.
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  15. Attending to adolescent experience: Tragic drama as a stimulus and a model.Lucy Elvis & Michela Dianetti - 2024 - Journal of Philosophy in Schools 11 (2):43-60.
    This article argues that the Community of Philosophical Inquiry (CPI) can productively use tragedy as a stimulus. We do this by following Ann Margaret Sharp’s interest in Simone Weil and supplementing it with Iris Murdoch’s writing on art and literature. Weil and Murdoch provide accounts of the moral value of attention that are both timely and enriching for the practice of philosophy for and with young people. This approach hinges on (i) an understanding of the particular affordances of tragedy as (...)
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  16.  17
    Man as Spectator and Actor in the Drama of Existence.Shmuel Sambursky - 1992 - In Edna Ullmann-Margalit (ed.), The Scientific Enterprise. Kluwer Academic Publishers. pp. 263--267.
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  17.  12
    The assassination of the scholar Abu Marwan Al-Tubni: Familial and judicial drama.Christian Müller - 2005 - Al-Qantara 26 (2):425 - 448.
    [es] La muerte violenta del sabio Abū Marwān al-Ṭubnī en 457/1065 despertó una gran curiosidad dadas las circunstancias excepcionales en las que se produjo: al-Ṭubnī fue encontrado muerto en su lecho, atravesado por más de sesenta puñaladas, recayendo sobre los miembros de su propia familia, que vivían en diversas partes de la casa, las principales sospechas. Basado en una serie de fuentes historiográficas y jurídicas, este artículo reconstruye las investigaciones llevadas a cabo por las autoridades policiales así como las discusiones (...)
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  18. Myth and Society in the Attic Drama.H. S. Dawson - 1942 - Classical Weekly 36:285-286.
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  19. La Alegoría en El origen del Drama Barroco Alemán de Walter Benjamin y en Las Flores del Mal de Baudelaire.Lucía Oliván Santaliestra - 2004 - A Parte Rei 36:10.
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  20. Passage 2011: An Actionistic Transalpine Drama.Christian Schoen (ed.) - 2013 - Hirmer Publishers.
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  21. Drama.James R. Hamilton - 2009 - In Higgins Davies (ed.), Blackwell Companion to Aesthetics.
    Hamilton explains why "drama" is a category of literature rather than of theater, even though it is appropriate to describe many theatrical performances as "dramatic." Consideration of the possibilities of theatrical performance are especially important to this category of literature, but need not be (and often are not) decisive in constraining interpretations of dramatic works.
     
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  22. Selecting the memory, controlling the myth : the propaganda of legal foundations in early modern drama.Eric Heinze - 2018 - In Kalliopē Chainoglou, Barry Collins, Michael Phillips & John Strawson (eds.), Injustice, memory and faith in human rights. New York: Routledge, Taylor & Francis Group.
     
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  23.  24
    On Heroes and Villains in the Linares Drama.Christine Mitchell - 1989 - Journal of Law, Medicine and Ethics 17 (4):339-346.
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  24.  15
    Unapocalyptic Theology: History and Eschatology in Balthasar's Theo‐Drama.Steffen Lösel - 2001 - Modern Theology 17 (2):201-225.
  25.  58
    Euripides - Gilbert Norwood: Essays on Euripidean Drama. Pp. 197. Cambridge: University Press, 1954. Cloth, 35 s. net.D. W. Lucas - 1956 - The Classical Review 6 (01):17-20.
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  26.  24
    Memory, Images, and the English Corpus Christi Drama. By Theodore K. Lerud.Patrick Madigan - 2010 - Heythrop Journal 51 (1):112-113.
  27. Heidegger, Winnicott, and The Velveteen Rabbit: Anxiety, Toys, and the Drama of Metaphysics.Kirsten Jacobson - 2011 - In Peter R. Costello (ed.), Philosophy in Children's Literature. Lexington Books. pp. 1-20.
  28.  9
    Belgian socialism at the liberation 1944-1950.Steven Philip Kramer - 1978 - Res Publica 20 (1):115-139.
    The period 1944-1950 witnessed the successful reconstruction of the Belgian Socialist Party. Despite some modifications of structure and leadership personnel, the party retained many of its pre-war characteristics. There was no significant modernization of doctrine. In particular, its role as a party of government was accentuated. The PSB played amajor role in increasing social welfare programs and restoring the Belgian economy, but made few structural reforms. Despite opposition to a division of the world into blocs, it was eventually (...)
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  29. Creation and the Persistence of Evil: The Jewish Drama of Divine Omnipotence.Jon D. Levenson - 1988
     
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  30.  28
    Social Capital Bridging through Sociopolitical and Religious Referencing in Computer Mediated Communication. A Study Case of a Mediated Local Drama.Diana Cotrău & Alexandra Cotoc - 2018 - Journal for the Study of Religions and Ideologies 17 (50):109-124.
    The paper takes a Critical Discourse Analysis angle and joins Social Media Studies and Religious Studies perspectives of Computer Mediated Communication material to examine such strategies of online interpersonal communication as may foster civic solidarity on social networks sites over local incidents with national and international media coverage. Computer mediated discourse is often underpinned by ideological antagonism especially when tackling social, political, cultural and even religious issues. Our topic choice was occasioned by an infelicitous episode – a fire in a (...)
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  31.  22
    Sosyal Bilgiler Dersinde Yaratıcı Drama Yönteminin Kullanılmasına İlişkin Öğretmen Adaylarının Görüş.Ayşegül OĞUZ - 2015 - Journal of Turkish Studies 10 (Volume 10 Issue 15):667-667.
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  32.  14
    Tonsuring the Performer: Image, Text, and Narrative in the Ballad-Drama Shizuka.Elizabeth Oyler - 2009 - Japanese Journal of Religious Studies 36 (2):295-317.
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  33.  17
    On the New Greek Historical Drama.D. L. Page - 1950 - Classical Quarterly 44 (3-4):125-.
    See Lobel, Proc. British Academy xxxv. 1 ff., June 1950. I. col. ii. 1. γυ[ ]… εδον [ο]κ εκαсμ τι εκсματι = εκαсμι, ‘by guessing’, seems at least as likely as εκαсμ τι = εδωλν τι ‘[At first I could not make out who or what it was: but when] I saw Gyges [clearly,] not by guesswork, I was afraid of a plot for murder.’ For example: ΓΓ[γην сα][ε]εδον, [ο]κ εκсματι, κτλ. For the relation of εκαсμα to εκζω, cf. κλαсμα, (...)
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  34.  38
    Between East and West: Turkish drama in Macedonia: Cultural bridge between the people.Naum Panovski - 1996 - The European Legacy 1 (4):1427-1432.
  35.  27
    Belgian Solutions.Kris Goffin - 2024 - British Journal of Aesthetics 64 (4):700-702.
    Belgian Solutions is a photography project by Brussels-based German artist David Helbich. His works include sound art, performances, and conceptual works. Belgi.
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  36.  10
    The contribution of naturalised minorities to contemporary European drama currently performed in England.G. N. Lidstone - 1995 - History of European Ideas 20 (1-3):19-23.
  37.  30
    Socrates and Alcibiades: Plato’s Drama of Political Ambition and Philosophy by Ariel Helfer.Annie Larivée - 2018 - Journal of the History of Philosophy 56 (2):361-362.
    Helfer opens his book with a series of vigorous reflections that have the virtue of challenging some of the reader’s deeply seated beliefs concerning political emotions. While we moderns see political ambition mostly as a threat to the public good that needs to be checked, ancients, the author suggests, considered that passion in a positive light. Indeed, they regarded political ambition as the manifestation of a powerful desire to achieve noble deeds in the civic sphere, an aspiration they saw as (...)
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  38.  5
    Zur Diskussion über das “moderne Drama” im Nachmärz Realismus — Klassizität — epigonale Praxis.Jörg Schönert - 1979 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 53 (4):658-694.
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  39. Hallucinating Europe: Hamann and his impact on German Romantic drama.Christian Sinn - 2012 - In Lisa Marie Anderson (ed.), Hamann and the Tradition. Evanston, Ill.: Northwestern University Press.
     
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  40.  21
    Shadow and Substance: Eucharistic Controversy and English Drama across the Reformation Divide by Jay Zysk.Yaakov Mascetti - 2020 - Common Knowledge 26 (2):359-359.
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  41.  66
    Losses of face: Rembrandt, Masaccio, and the drama of shame.Martha Hollander - 2003 - Social Research: An International Quarterly 70 (4):1327-1350.
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  42.  16
    „Seelenstärke“ und „Gemütsfreiheit“. Stoisches Ethos in Schillers ästhetischen Schriften und in seinem Drama Maria Stuart.Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr - 2008 - In Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr (eds.), Stoizismus in der Europäischen Philosophie, Literatur, Kunst Und Politikstoicism in European Philosophy, Literature, Art, and Politics. A Cultural History From Antiquity to Modernity: Eine Kulturgeschichte von der Antike Bis Zur Moderne. Berlin: Walter de Gruyter.
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  43.  45
    Plato's Republic as a Philosophical Drama on Doing Well.Ivor Ludlam - 2014 - Lexington Books.
    The Republic is widely recognized to be Plato’s masterpiece, but for centuries it has been the subject of much debate. Is it about the ideal state, or the soul, or art, or education, or something else altogether? Interpretations have been many and various, for two main reasons: studies have tended to concentrate on parts of this very long dialogue to the exclusion of other parts; and some of the opinions expressed in the dialogue are routinely regarded as being those of (...)
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  44.  14
    Belgian politics in 1991.Ivan Couttenier - 1992 - Res Publica 34 (3-4):347-370.
    Whereas the Belgian politica! world had planned a calm transitional political year leading to the January 1992 general elections, 1991 was a year of political turmoil resulting in the resignation of the cabinet and genera! elections. The Martens VIII cabinet had planned to implement the third and final phase of its constitutional reform package. However, in the fall tension rapidly rose inside the cabinet. White the majority parties were positioning themselves for the next elections, a row over arms sale (...)
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  45.  34
    Was Comedy a Genre in English Early Modern Drama?Andy Kesson - 2014 - British Journal of Aesthetics 54 (2):213-225.
    This article considers the changing pressures of genre on early modern plays and playwrights. The permanent London theatres of this time enjoyed only a brief cultural life (c. 1570s–1640s) but, despite this brevity, produced radical changes in the commercial, creative and aesthetic implications of genre. The article begins with the Shakespeare First Folio which, relatively late in this period (1623), set out three genres in the form of a list across its title page: Comedies, Histories and Tragedies. This triad has (...)
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  46. Belgian development cooperation and the promotion of good governance : testing the power of incentives in Central Africa.Sidney Leclercq & Geoffrey Matagne - 2018 - In Elena Aoun & Pierre Vercauteren (eds.), The state between interdependence and power in the contemporary world: a reassessment. Bruxelles: P.I.E. Peter Lang.
     
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  47. The chorus in Greek life and drama.Helen H. Bacon - forthcoming - Arion 3 (1).
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  48.  48
    Belgian euthanasia law: a critical analysis.R. Cohen-Almagor - 2009 - Journal of Medical Ethics 35 (7):436-439.
    Some background information about the context of euthanasia in Belgium is presented, and Belgian law on euthanasia and concerns about the law are discussed. Suggestions as to how to improve the Belgian law and practice of euthanasia are made, and Belgian legislators and medical establishment are urged to reflect and ponder so as to prevent potential abuse.
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  49.  23
    The semiotics of character names in the drama.Marvin Carlson - 1983 - Semiotica 44 (3-4).
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  50.  18
    Una Chaudhuri, Staging Place: The Geography of Modern Drama.James Hamilton - 1999 - Journal of Aesthetics and Art Criticism 57 (4):469-470.
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