"Richard Linklater's trilogy of critically-acclaimed 'Before' films - Before Sunrise, Before Sunset and Before Midnight - depict the ongoing relationship and romantic destiny of two characters played by Julie Delpy and Ethan Hawke. This collection of specially commissioned chapters explores the many philosophical issues raised in the films, including: the nature of love, romanticism and marriage the meaning of life the passage and experience of time the narrative self gender death. Including an introduction by the (...) editors summarising the trilogy, and an interview with Julie Delpy in which she discusses the key themes of the films and the importance of studying philosophy, The Philosophy of Richard Linklater's Before Trilogy is essential reading for students of philosophy, aesthetics and film studies, and also of interest to those in closely related subjects such as literature and gender studies"--. (shrink)

Richard Linklater’s celebrated Before trilogy chronicles the love of Jesse (Ethan Hawke) and Céline (Julie Delpy) who first meet up in Before Sunrise, later reconnect in Before Sunset and finally experience a fall-out in Before Midnight. Not only do these films present storylines and dilemmas that invite philosophical discussion, but philosophical discussion itself is at the very heart of the trilogy. This book, containing specially commissioned chapters by a roster of international contributors, explores the many (...) philosophical themes that feature so vividly in the interactions between Céline and Jesse, including: the nature of love, romanticism and marriage the passage and experience of time the meaning of life the art of conversation the narrative self gender death Including an interview with Julie Delpy in which she discusses her involvement in the films and the importance of studying philosophy. (shrink)

Melancholy is a central expressive property of the Before films and key to understanding and appreciating the trilogy as a whole. That, in a nutshell, is the thesis I develop in this paper. In the first section, I present a philosophical account of melancholy in general and aesthetic melancholy in particular. Melancholy is understood here as the profound and bittersweet emotional experience that occurs when we vividly grasp a harsh truth about human existence in such a way that we (...) come to appreciate certain aspects of life more deeply. The second section of the paper focuses on the many intense as well as more subtle moments of melancholy in the various encounters between Celine and Jesse. These moments, I argue, are partly prompted by the environment and the circumstances in which they find themselves. But both of them also actively seek out and create such moments by the stories they tell and the reflections they engage in. That seems part of who they are as individuals and, I contend, it may be part of what attracts them to each other. In the third section, I address ‘film expression’, as opposed to ‘character expression’, and argue that melancholy is not just present in the characters’ dialogue and in their facial and bodily expressions but is also expressed through various cinematic means. The final section centres on the audience and the reception of the Before trilogy. I introduce the distinction between expression and expressiveness and suggest that the films may have resonated deeply with some viewers because they are so expressive of melancholy. (shrink)

According to the book blurb (p. iv), the themes explored in the volume include the nature of love, romanticism, and marriage; the passage and experience of time; the meaning of life; the art of conversation, the narrative self; gender; and death. All these topics are indeed touched upon to a greater or lesser extent. I find this book to be, in its essence, an investigation of love and romance. So, my main question here is: what can we learn about romantic (...) life from this philosophical exploration of the Before trilogy? (shrink)

I argue that Before Sunrise, Before Sunset, and Before Midnight are best seen as an example of memento mori art. Memento mori, the admonition to remember death, can take many forms, but the idea remains the same, namely that an awareness of our inevitable end should bear on how we live. I show how Richard Linklater’s warning works in each of the movies and argue that with the Before trilogy he makes a Frankfurt-style case that (...) romantic love is life’s summum bonum--i.e. "the ultimate ground of practical rationality.". (shrink)

This article examines the Kierkegaardian existentialism set in motion by Richard Linklater's Before trilogy: Before Sunrise, Before Sunset, and Before Midnight. In doing so, it asserts the efficacy of cinema as a medium of existential import, one that is particularly suited to give form to Søren Kierkegaard's project. The identification of three existential stages of life – the aesthetic, ethical, and religious – is perhaps Kierkegaard's most notable contribution to philosophy. This article contends that Linklater's (...) aesthetic strategy – namely, his distinctive use of long dialogic takes and open endings – grapples with these existential categories: the aesthetic and ethical existence-spheres, as well as the border zone of irony that rests between them. By mapping the shifting utility of the long take and open endings throughout the trilogy, the article charts the differing existential states of the trilogy's enduring couple, Jesse and Céline, as well as the ensuing complications that arise from their clash. In particular, the Before trilogy demonstrates the difficulty of reconciling aesthetic desire and ethical responsibility. Focusing on this dilemma, the article goes on to discuss how the differing existential states of Jesse and Céline prevent a proper appropriation of the ethical requirement into their lives, and that this existential disparity is what eventually surfaces the dysfunction of their romantic union. (shrink)

This article addresses the role and meaning of prayer as well as the language of piety and praise in Nietzsche’s writings, notably in Zarathustra. This essay was first presented as a talk in German at the 2017 Nietzsche colloquium in Sils Maria, the theme of which was “Zarathustra und Dionysos”. In preparing it for a publication in English, the argument has been reworked and expanded and references have been added, while partly preserving the tone and structure of the oral delivery. (...) I am grateful to the instructive comments and suggestions of the anonymous reviewers for Nietzsche-Studien. Nietzsche can be read as an uncompromising critic of religion but also as the initiator of a new form of faith, described by some scholars as a “Dionysian piety”. The analysis takes its lead from the way in which Z refers to his yes-saying as also saying “amen”, exploring how Nietzsche explicitly incorporates the language of religious discourse into his writing. Examining passages where he explicitly questions the adoption of confessional language and prayer, it criticizes as overly simplistic the view of his thinking as seeking a new piety. The discussion of the significance of prayer from a psychological, linguistic, and poetological perspective highlights the experience of “inspiration” as a key to the adoption of confessional language in Z. In an interpretation of the last part of this book, it shows how its concluding scenes coalesce precisely around the role and possibility of prayer and piety, and how a crisis in the narrative is triggered by the inability of Zarathustra’s visitors to properly understand his message in this regard. A concluding interpretation of the section “Before Sunrise” in the third part of the book shows how it gathers the philosophical stakes involved in Nietzsche’s understanding of prayer, piety, and confessional praise. (shrink)

Judging works of art is one thing. Loving a work of art is something else. When you visit a museum like the Louvre you make hundreds of judgements in the space of just a couple of hours. But you may grow to love only one or a handful of works over the course of your entire life. Depending on the art form you are most aligned with, this can be a painting, a novel, a poem, a song, a work of (...) architecture, or some other art object or performance. As it happens, however, we have fallen in love with a series of films: Before Sunrise, Before Sunset, and Before Midnight. But what does it mean to love a film? What’s the difference between liking a film, loving a film, and being a film lover? How rational or irrational is it to fall in love with a film? What are the constitutive elements of such a love? These are the questions we seek to address in this paper. -/- . (shrink)

In this paper, we discuss Babylonian observations of a “massing of the planets” reported in two Astronomical Diaries, BM 32562 and BM 46051. This extremely rare astronomical phenomenon was observed in Babylon between 20 and 30 March 185 BC shortly before sunrise when all five planets were simultaneously visible for about 10 to 15 min close to the horizon in the eastern morning sky. These two observational texts are not only interesting as records of an extremely rare planetary (...) configuration, but also because the observers appear to be confused by the presence of all planets simultaneously and mix them up in their reports, and the two reports of the same observations are so different that we are forced to conclude that they were carried out by two different observers. There is an additional astronomical event which makes this planetary configuration even more unique: the exact conjunction of the planets Mars and Jupiter in the afternoon of 25 March 185 BC. An exact conjunction, where two planets are so close together that they appear as one object in the sky, is also extremely rare. Although this exact conjunction between Mars and Jupiter occurred during the day so that it was not observable, it was correctly predicted by the Babylonian scholars: a remarkable achievement and a nice illustration of their astronomical craftsmanship. Finally, our study clearly exposes one of the limitations of Babylonian naked-eye astronomy. When first appearances of the planets Mercury, Mars and Saturn are expected around the same date, it is nearly impossible to correctly identify them because their expected positions are only approximately known while they have about the same visual magnitude so that they become visible at about the same altitude above the horizon. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.1 (2003) 112-125 [Access article in PDF] You Make My Heart Sing David Rothenberg Last March I went to Pittsburgh to play music live with birds. The plan was to arrive at dawn, to catch the wary singers at their best—in the early morning chorus, when the most sound was happening. I met my friend Michael Pestel at the gates of the National Aviary, a (...) mostly forgotten federal institution in a rundown neighborhood. I had never heard of the aviary before Pestel told me what a great place it was to jam with the more-than-human world. The staff was rumored to be friendly, and they liked to let musicians in during the early hours before the public, mostly guided schoolchildren, would storm the gates.Pestel was there with his flute and various homemade stringed instruments. I had clarinets and saxophones, coaxed out of their cases, a bit tired from the long ride, but ready to hear what these birds had up their sleeves. We headed for the marsh room, a vaulted expanse with an observation deck and waterbirds from all over the world. I strained my ears to catch some pretty rocking bird beats, but they sounded familiar. Too familiar—the aviary was blaring Marvin Gaye at top volume to these birds at six o'clock in the morning. They were definitely squawkin' and squealin'."I cannot work in these conditions," muttered Pestel. "We've got to get these people to turn that racket down.""Didn't you warn them we were coming?""No," he shook his head. "You can't do that. Art always arrives without warning." [End Page 112]"You sure they'll let us do this?""No problem, man, I've come here many times before. These people know me. These birds know me."Marvin was turned down. The sprinklers were turned down (rain must start in the rainforest room every day before sunrise). How else to keep the gaudy barbets happy? Does a blue-crowned motmot (Momotus momota) or a violaceous euphonia (Euphonia violacea) really want to hear strange instrumental shrieks before breakfast? Weren't they content with "What's Going On?"Athanasius Kircher 1 knew the birds were onto something even in 1650:And then Wittgenstein had the nerve to warn us that if a lion could talk, we would not understand him. 2 When a lion roars, we do understand him (or her). If a cat purrs, we understand her, too. If the voice of an animal is not heard as message but as art, interesting things start to happen: Nature is no longer inscrutable, some alien puzzle, but instead immediately something beautiful, a source of exuberant song, a tune with some space for us to enter, at once a creative place for humanity to join in.We set up on the wooden deck, listening out over the water. Instruments out of their cases, recording equipment wired and set to go. An American crow (Corvus brachyrhynchos) was in the center of the action, sitting on a branch at the side of the room. He cocked his head, eyed us knowingly. Looking like there was something he wanted to say. [End Page 113]Pestel played a long, low sliding note, followed by a scratchy puff of air. Something strange swooped down next to my feet, shuffled its large black wings. Some kind of ungainly turkey... I read from a plaque on the railing that it was a Palawan peacock pheasant (Polyplectron emphanum). Its quizzical gaze was mute."What are you looking at?" I glared. He stepped cautiously toward the microphone cable, ready to gobble it in his hooked, formidable beak."Hey," I brushed him off. "Stop dancing. Sing!" But no, he was the prancing, silent type.All of a sudden there was a strange voice. A human voice? "Who." I heard. "Who. Who what where why. Who what where why."It was the crow. But not just any crow. He spoke."Did you hear that?" I coaxed Pestel up from the flute."Oh," he said. "That's Mickey. He's been here for years.""Does... (shrink)

Suetonius says that Augustus was born on the ninth day before the Kalends of October , in the year when Cicero and Antonius were consuls , a little before sunrise,1 and also that he was born under Capricorn.2 Mr. H. W. Garrod, in his recent edition of Manilius,3 maintains that the date which Suetonius gives belonged to the pre- Julian calendar, and corresponded with December 20 of the Julian. Remarking that, ‘ according to our present reckonings,’ the (...) sun enters Capricorn on December 22, he adds that ‘the astronomers of Cicero's time placed the beginnings of the sign some 7 degrees in advance of our reckonings. If, therefore,’ he concludes, ‘ Augustus was born on Sept. 22 paulo ante solis exortum, Capricorn was his natal sign.’. (shrink)

In 1773, the Scottish traveller Patrick Brydone published an account of visiting Mount Etna, in which he drew on three distinct categories of thought: the scientific, the aesthetic, and the cultural. He carried his barometer up the volcano to measure it; he was overwhelmed with awe on viewing the sunrise from its summit; and he carefully set his account in the context of different mythological and philosophical explanations of Etna, largely drawn from the writings of classical authors. In preceding (...) centuries, Thomas Burnet’s Theory of the Earth and Athanasius Kircher’s Mundus Subterraneus viewed mountains as laboratories for better understanding nature, for evoking a sense of eschatological awe, and as embedded in long traditions of cultural appreciation. Earlier still, Pietro Bembo in 1496 recounted his journey to the summit of Etna which wove together personal observation, classical insights, and aesthetic admiration. In an ancient example, the first-century anonymous Aetna poem urged readers to move beyond mythological explanations for volcanic activity and to instead enjoy true aesthetic pleasure in investigating the volcano and its causes for themselves. This article offers a close reading of these texts in order to demonstrate three key points. The first is that an intense aesthetic experience of volcanoes can be found in accounts predating the eighteenth-century articulation of the ‘natural sublime’. The second is that the compulsion to investigate and understand natural phenomena, as a key element of aesthetic appreciation, is also evident before the Enlightenment. Third, the article suggests that a sense of Etna as ‘classic ground’—as a feature which both intensified the viewer’s interest in its natural phenomena and produced an ‘interested’ aesthetic experience of its natural greatness—likewise extends back even to the ancient texts from which later travellers would draw their own cultural associations. (shrink)

Genes cannot be selfish or unselfish, any more than atoms can be jealous, elephants abstract or biscuits teleological. This should not need mentioning, but Richard Dawkins's book The Selfish Gene has succeeded in confusing a number of people about it, including Mr J. L. Mackie. What Mackie welcomes in Dawkins is a new, biological-looking kind of support for philosophic egoism. If this support came from Dawkins's producing important new facts, or good new interpretations of old facts, about animal life, this (...) could be very interesting. Dawkins, however, simply has a weakness for the old game of Brocken-spectre moralizing—the one where the player strikes attitudes on a peak at sunrise, gazes awe-struck at his gigantic shadow on the clouds, and reports his observations as cosmic truths. He is an uncritical philosophic egoist in the first place, and merely feeds the egoist assumption into his a priori biological speculations, only rarely glancing at the relevant facts of animal behaviour and genetics, and ignoring their failure to support him. There is nothing empirical about Dawkins. Critics have repeatedly pointed out that his notions of genetics are unworkable. I shall come to this point later, but I shall not begin with it, because, damning though it is, it may seem to some people irrelevant to his main contention. It is natural for a reader to suppose that his over-simplified drama about genes is just a convenient stylistic device, because it seems obvious that the personification of them must be just a metaphor. Indeed he himself sometimes says that it is so. But in fact this personification, in its literal sense, is essential for his whole contention; without it he is bankrupt. His central point is that the emotional nature of man is exclusively self-interested, and he argues this by claiming that all emotional nature is so. Since the emotional nature of animals clearly is not exclusively selfinterested, nor based on any long-term calculation at all, he resorts to arguing from speculations about the emotional nature of genes, which he treats as the source and archetype of all emotional nature. This strange convoluted drama must be untwisted before the full force of the objections from genetics can be understood. (shrink)

In the Qurʾān, the night which encompass half of human life, is expressed by various concepts. From sunset to sunrise (night), various moments of the time frame are also named with different words and concepts. On the other hand, besides sleep and rest, some worship and actions that are asked to be done at night are also mentioned in the Qur’ānic verses. Also sleep at night and the night itself is mentioned as a proof of Allah and an important (...) blessing for us. When we say “night”, people first think of sleep and rest. However, as it is understood from the Qur’ānic verses, the night should not be seen only as a sleep time and rest time. Such that one of the first commandments to the Prophet Muḥammad was to wake up at night and perform various worship and deeds. Also, it is emphasized in the Qurʾān that night worship and actions influence and leave permanent impacts on human being. In this context, in this study, we tried to identify the concepts and expressions stated in the Qurʾān expressing the night-time or the time slices in it by taking into account the references in the Qur’ānic verses. Moreover, we have also examined worship and actions performed or recommended to do at night. Again, we have researched how the worship and actions performed in the calm and darkness of the night will contribute to human being. Thus, we tried to determine how the Qurʾān addresses the "night" which is the preparation time for the next day and the assessment time of the previous day.Summary: One lives half of his life during the day and the other half at night. However, he plans his daily tasks mostly according to daytime, and spends his nights mostly for sleep and rest. On the other hand, sparing the night completely for sleep and rest means that a long period of life passes passively by. That is why we have decided to do a night-time study that expresses an important time frame for human being. Although there are some ḥadīth about the importance of night worship in the sources, we tried to conduct our research within the framework of the Qur’ānic verses about the night. To determine the meaning and the importance attributed to the night by the Qurʾān, we have examined the Qur’ānic verses referring to night-time, night events and worship and actions that are desired to be done during these times. We concluded our research by making use of the main sources of tafsīr and relevant copyrighted works, articles, papers and encyclopedia articles.During the research we saw that the Qurʾān refers to the night and some time periods in it with different names. In this context, we see that concepts such as leyl (ليل), beyāt (بيات), fajr (فجر), seḥar (سحر), ğāsik (غاسق), ʿashiyy (عشيّ) and asīl (أصيل) are used in the āya. In many Qur’ānic verses, phrases reffering an entire day with specific composition such as day-night and morning-evening are used. In the composition of day and night, night is always mentioned first. In the compositions in the form of morning-evening, we see that sometimes the morning is mentioned first, and sometimes the evening. In addition to these, there are expressions such as before the sunrise, sunset, stay until evening that evokes night-time in the Qurʾān.Another point that draws attention in the research is that there are vows on the night or on certain times in the night in the Qurʾān. We can say that the vows in question are an indication of the importance that Allah gives to the night and some time in it. In fact, Allah points to the night, the functions of the night and its relationship with the day as a āyah (proof) of his existence, might and uniqueness.On the other hand, there are many good and bad historical events that happened during the night in the Qurʾān. First of all, it should be noted that the beginning of the waḥy (devine revalation), which is one of the biggest historical events, took place at night. The Qurʾān describes this night, which is mentioned as Laylat al-Qadr, as better than a thousand months. Again, it is mentioned in the Qurʾānic verses that Prophet Moses and Lūṭ left their countries by taking advantage of the darkness of the night with the believers to get rid of the evil of the oppressors. Also, deniers sometimes chose especially the night-time to carry out cheats and traps for the prophets and believers, and even attempts to assassinate. The fact that the night is dark, quiet and calm obsufucates such negative actions. For this reason, the Qurʾān recommended to take refuge in the Lord of the daybreak from the evil of the darkness.The research demonstrates that the Qurʾān asks people to perform various worships and actions in certain time periods of the night. In fact, even in the early days of waḥy, the Prophet was commanded to wake up at night and perform some worship and actions. In this context, he was asked to pray at night, read the Qurʾān by contemplating and understanding, and chant the name of his Lord. Actually, the Prophet is prepared for the heavy responsibility he took spiritually with such actions that he performed at night. Because a strong spirit and mind are necessary for facing up to what will happen during the next day. It is already stated in the Qurʾān that getting up at night has effective and permanent effects on people. Again, during the prophethood, The Prophet has advised to perform some actions such as sajdah (prostration), qiyām, tasbīḥ and tahajjud ṣalāt (night prayer) -as a special night prayer- during the night.In the Qurʾānic verses examined, some prayers and actions are asked to do at night and day regardless of time. Especially three of the farḍ of prayer (ṣalāt), namely evening, ʿišāʾ and fajr prayer (ṣalāt), are performed during the time defined as night. In addition, some aspects such as duʿāʾ (prayer), istighfār (ask for forgiveness), ṣadaqa and daʿwah (call) are mentioned in the Qurʾānic verses. It is an order or recommendation that all this be done at night as well as during the day. Especially for istighfār which means to ask for forgiveness, it is mentioned the time of dawning.As a result, we can say that there are some special features that make the night different from daytime. For instance, it prepares a suitable environment to sleep and rest for one who is tired mentally, spiritually and physically after the daytime; as the night has features such as darkness, silence and tranquility that man needs to rest and be calm. On the other hand, Allah does not want the night, which means half of human life, to be spent entirely with sleep and rest. As, one rests not only his body but also his mind and soul in the quiet and calm atmosphere of the night, Hereby, human-being starts the next day with a more vigorous mind, spirit and body. At night-time, while making an evaluation of the previous day's deeds and actions, people are also prepared spiritually and mentally for the next day's works.We can say that worship and deeds performed at night are more sincere than those performed during daytime, because man stays alone with his nafs and his Lord at night, away from the eyes. This can keep people away from riyā (pretension) and vanity that invalidates their deeds. Man's waking up and worshiping his Lord at a time when everyone is asleep shows his ikhlāṣ and sincerity. All these indicate that the time of responsibility for man is not limited to daytime. For this reason, people should think day and night together within the framework of his responsibilities and do their work accordingly. (shrink)

The practice of attributing aesthetic properties to scientific and philosophical theories is commonplace. Perhaps one of the most famous examples of such an aesthetic judgement about a theory is Quine's in 'On what there is': "Wyman's overpopulated universe is in many ways unlovely. It offends the aesthetic sense of us who have a taste for desert landscapes". Many other philosophers and scientists, before and after Quine, have attributed aesthetic properties to particular theories they are defending or rejecting. One often (...) hears that a view is "elegant", "attractive", "beautiful", or even "sexy". [...] The general claim that aesthetic properties supervene on non-aesthetic properties is a largely debated one. In this paper, I wish to address this issue from an angle which has not been really explored so far: I shall neither concentrate on cases of artefacts nor of natural objects, like the beauty of a painting or the beauty of a sunrise, rather, my main centre of attention will be the somewhat more special, theoretical case of the beauty of philosophical theories (with a focus on metaphysical theories). As we will see, there are some interesting issues concerning claims that attribute aesthetic properties to theories, in part because, even if such claims are commonplace in philosophy and in science, little has been said about the nature of the relevant supervenience basis – that is, about what it is exactly that the beauty of a theory is supposed to supervene on. Moreover, we shall see that aesthetic properties of theories play a crucial role in theory choice and evaluation. Indeed, it seems that the aesthetic properties of a theory can be appealed to in theory evaluation and when it comes to preferring one theory over another. But before we ask ourselves what role the attribution of aesthetic properties to theories can play, I will adress the question how theories come to have their aesthetic properties in the first place. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Temple as Ship in Odyssey 6.10R. Drew GriffithLike the good eighth-century oecist that he was,1 the founder of Scheria, Phaeacian king Nausithous, son of Poseidon and grandfather of Nausicaa and Clytonaus, adorned his new city with temples of the gods (, Od. 6.10). This phrase, a hapax in Homer, occupies the same metrical seat immediately before the hephthemimeral caesura as the common ship formula (cf., 24.299, also a (...) hapax). It is plausible, therefore, that the bard who described the work of this ship-loving king used the formula as a formal model. The note argues that this bard thought that temples were ships in which gods traveled. Though this claim may seem surprising at first, cultic, architectural, and linguistic aspects of the epics all support it.Let us begin with cult. From Iliad 1 on, epiphanies are common (43-47, 194-95, 359-61).2 While some gods like Apollo work from afar, most need physical contact, for example, in helping suppliants, and human travel to Olympus like that of Otus and Ephialtes or Bellerophon is out of the question. Gods periodically irrupt into the natural world: Zeus comes down in lightning (e.g., Ar. Pax 42); drinkers take in Dionysus and grow giddy (e.g., Soph. Ant. 964); one sees Pan in any sudden skittishness of the flock (e.g., Eur. Med. 1172). The trick, then, is to channel the gods' [End Page 541] strength to make it propitious. Perhaps for this reason, the basic prayer is the cletic hymn (Men. Rhet. 334.25-336.4) that asks the god to come to the worshipper (carm. pop. 871.1 PMG; Sappho fr. 1.5, 25, 2.1 Lobel-Page, Voigt; Anacreon 357.7 PMG = fr. 14.7 Gentili; Pl. Leg. 712B; Apocalypse 22.20) and may describe a magic vehicle for the purpose (Sappho fr. 1.8-9 Lobel-Page, Voigt),3 like the self-moving aerial car, vimāna, of Sanskrit verse to which a boat is compared at Raghuvanśa 16.68.4 Those who pray often do so by the sea (Il. 1.34, 348-51; Od. 2.260-61; Pind. Ol. 1.71-73, 6.58), and ships may be the site of epiphanies (e.g., Hymn. Hom. Dion. 2, etc.; cf. Exekias ABV 146,21; Hymn Hom. Ap. 388-451).When the Trojan women dedicate a robe to Athena (Il. 6.269-78), we are not told that they use a ship to carry it, but in the similar offering at the Panathenaea, such was indeed the case.5 This ship may have been a comparatively late addition to the Athenian festival, but it has a good Bronze Age antecedent as proved by the Theran ship-fresco.6Turning now to architecture, we note that early temples were perhaps quite small, since as adyta (Il. 5.448, etc.) or abata, which worshippers did not enter,7 they have no functional lower size limit. Surviving Greek temples, all of archaic date or later, are imposing stone structures but bear traces of wooden prototypes, pillars having replaced roughhewn logs and decorative guttae treenails. Excavators have found terracotta model-shrines at Perachora and in the Argive Heraeum,8 some of which may have been portable like those of the Egyptian Amun, Mut, and Chonsu, the juggernaut of Puri in Orissa, or the Tent of Meeting, the earliest Israelite shrine (Exod. 33.7, etc.).Greek temples were astronomically oriented, typically facing sunrise on the foundation day (cf. Plut. Num. 14.4; Lucian De Domo 6), while snubbing humbler coordinates like roads or nearby buildings.9 In [End Page 542] this, they resemble Khufu's pyramid in Egypt, the so-called air shafts of which helped the pharaoh's soul sail to its eternal home in the constellation Orion, giving like an alidad the angles between the tomb itself, the pharaoh's "horizon of eternity," (3ḫ.t (nt), Papyrus Abbott 2.2; The Great Harris Papyrus 3.6),10 the pole-star, and his final destination.11 This fact suggests a link with navigation, for Greeks connected ships and stars, thanks to the navigator's art. With both magnetite and iron,12 but... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Two Processions To Eleusis And The Program Of The MysteriesNoel D. RobertsonA Persistent Difficulty in our Understanding of the Eleusinian Mysteries has been the date and composition of the great parade from Athens to Eleusis, near the midpoint of the celebration. The handbooks adopt a desperate remedy, an ad hoc doctrine about the festival calendar. But the evidence of Athenian inscriptions, which has grown steadily without being properly (...) analyzed, now imposes an unlooked– for solution. There were two processions on successive days, and only the first was integral to the worship. In this new light we can see better how the festival took shape around the original procession of initiates.A Calendar ProblemAn Athenian decree of ca. A.D. 220 lays it down that on 19 Boedromion the hiera, previously brought from Eleusis to Athens, shall be escorted from Athens to Eleusis by the company of ephebes.1 Admittedly, this is very late, and it is also a time of danger and disorder, as reflected in the decree. Yet the sole concern is to maintain the old ways (the very style of the decree is archaizing). The calendar day cannot be questioned.Plutarch, however, says repeatedly that on 20 Boedromion the statue of Iacchus is escorted from Athens to Eleusis.2 He must have known the occasion at first hand, and is moreover an expert on the calendar—on the character of each day of the month, treated in his work and in his commentary on Hesiod, and on all commemorative days in the year, many of which are noted in the Lives and the Essays. And this day, 20 Boedromion, was redolent of history as no other—of Salamis, of Alcibiades, of Phocion. Again, the calendar day cannot be questioned.The usual recourse has been to say that a single procession, with both the hiera and Iacchus, spanned two calendar days: the procession left Athens in the daytime, which was counted as 19 Boedromion, and arrived at Eleusis in the evening (and led into a nighttime celebration), which was counted as 20 Boedromion.3 Varro is cited in support. For in the book De Diebus of his great work Res Humanae, in discussing the possible limits for a calendar day (an interesting question before we settled on the midnight epoch), Varro stated that the Athenians reckoned the day from sunset to sunset.4 A daytime departure would then fall on one day, and an evening arrival on the next.On general grounds, this is not implausible. The day was so reckoned by the peoples of Mesopotamia, Assyrians and Babylonians and others, for both astronomical and ritual purposes, over thousands of years. Theirs is by far the largest body of ritual texts in the ancient world, and the entry for a given day often runs through evening, night, [End Page 548] and daytime as successive stages.5 But our faith in Varro receives a shock when he declares that the "Babylonians" reckon the day from sunrise to sunrise, in just the opposite way from the Athenians.6In fact the evidence proves, and it is now granted by all authorities, that the Greeks at large, and the Athenians among them, reckoned the day from sunrise to sunrise. Homer says "dawn," not "day," to mark the passage of time ("When the twelfth dawn had come..."). The Athenian idiom, "old and new," shows that the last day of the month, the day following the night of the lunar conjunction, was itself counted together with the night of the first new moon.7 It is no doubt conceivable that beside ordinary usage there was also a technical definition of a day for special purposes.8 Yet no trace of such a day survives.Greek astronomy reckons the day from sunrise to sunrise.9 Ritual texts scarcely ever disclose a full–day sequence, but when they do, the order is the reverse of Mesopotamian texts: from day to night.10 Apart [End Page 549] from the matter at hand, two other Athenian festivals present some difficulty with successive days, and the supposed evening epoch is again invoked by the handbooks.11 Yet in the one case, the festival of Bendis... (shrink)

The Internet of Things (IoT) is an emerging global infrastructure that employs wireless sensors to collect, store, and exchange data. Increasingly, applications for marketing and advertising have been articulated as a means to enhance the consumer shopping experience, in addition to improving efficiency. However, privacy advocates have challenged the mass aggregation of personally-identifiable information in databases and geotracking, the use of location-based services to identify one’s precise location over time. This paper employs the framework of contextual integrity related to privacy (...) developed by Nissenbaum (Privacy in context: technology, policy, and the integrity of social life. Stanford University Press, Stanford, 2010) as a tool to understand citizen response to implementation IoT-related technology in the supermarket. The purpose of the study was to identify and understand specific changes in information practices brought about by the IoT that may be perceived as privacy violations. Citizens were interviewed, read a scenario of near-term IoT implementation, and were asked to reflect on changes in the key actors involved, information attributes, and principles of transmission. Areas where new practices may occur with the IoT were then highlighted as potential problems (privacy violations). Issues identified included the mining of medical data, invasive targeted advertising, and loss of autonomy through marketing profiles or personal affect monitoring. While there were numerous aspects deemed desirable by the participants, some developments appeared to tip the balance between consumer benefit and corporate gain. This surveillance power creates an imbalance between the consumer and the corporation that may also impact individual autonomy. The ethical dimensions of this problem are discussed. (shrink)

Purpose The purpose of this paper is to explore the ethical issues surrounding information systems practice with a view to encouraging greater involvement in this aspect of IS research. Information integrity relies upon the development and operation of computer-based information systems. Those who undertake the planning, development and operation of these information systems have obligations to assure information integrity and overall to contribute to the public good. This ethical dimension of information systems has attracted mixed attention in the IS academic (...) discipline. Design/methodology/approach The authors are a multidisciplinary team providing a rich, diverse experience which includes professional and information ethics, management information systems, software engineering, data repositories and information systems development. Each author has used this experience to review the IS ethics landscape, which provides four complimentary perspectives. These are synthesised to tease out trends and future pointers. Findings It is confirmed that there is a serious lack of research being undertaken relating to the ethical dimension of the Information Systems field. There is limited crossover between the well-established multidisciplinary community of Computer Ethics research and the traditional Information Systems research community. Originality/value An outline framework is offered which could provide an opportunity for rich and valuable dialogue across the two communities. This is proposed as the starting point for a proactive research and practice action plan for information systems ethics. (shrink)

Purpose This paper aims to explore the technologization of peace work through “remote support monitors” that use social and digital media technologies like social media to alert local violence prevention actors to potentially violent situations during demonstrations. Design/methodology/approach Using a distributed cognition lens, the authors explore the information processing of monitors within peace organizations. The authors adopt a qualitative thematic analysis methodology composed of interviews with monitors and documents from their shared communication and discussion channels. The authors’ analysis seeks to (...) highlight how information is transformed between social and technical actors through the process of monitoring. Findings The authors’ analysis identifies that the technologization of monitoring for violence prevention to assist nonviolent activists produces two principal and related forms of transformation: appropriation and hidden attributes. Monitors “appropriate” information from sources to fit new ends and modes of representation throughout the process of detection, verification and dissemination. The verification and dissemination processes likewise render latent supporting informational elements, hiding the aggregative nature of information flow in monitoring. The authors connect the ideas of appropriation and hidden attributes to broader discourses in surveillance and trust that challenge monitoring and its place in peace work going forward. Originality/value To the best of the authors’ knowledge, this study is the first to focus on the communicative and information processes of remote support monitors. The authors demonstrate that adoption of social and digital media information of incipient violence and response processes for its mitigation suggests both a social and technical precarity for the role of monitoring. (shrink)

One of the most common contemporary approaches for developing an ethics of artificial intelligence (AI) involves elaborating guiding principles. This essay explores the limitations of this approach, using the history of bioethics as a comparative case. The examples of bioethics and recent AI ethics suggest that principles are difficult to implement in everyday practice, fail to direct individual action, and can frequently result in a pure proceduralism. The essay encourages an additional attention to virtue, which forms the dispositions of actors, (...) directs them to valued ends, and encourages right action in particular situation to complement principles. Practices and professions like medicine or warfighting that already have rich traditions of reflection on virtue ethics will be especially fruitful fields for developing an AI ethics of virtue. (shrink)

During the Nazi regime (1933–1945), more than 300 000 psychiatric patients were killed. The well‐calculated killing of chronic mentally ‘ill’ patients was part of a huge biopolitical program of well‐established scientific, eugenic standards of the time. Among the medical personnel implicated in these assassinations were nurses, who carried out this program through their everyday practice. However, newer research raises suspicions that psychiatric patients were being assassinated before and after the Nazi regime, which, I hypothesize, implies that the motives for (...) these killings must be investigated within psychiatric practice itself. An investigation of the impact of the interplay between the notes left by nurses and those by psychiatrists illustrates the active role of the psychiatric medical record in the killing of these patients. Using theoretical insights from Michel Foucault and philosopher Giorgio Agamben and analyzing one part of a particularly rich patient file found in the Langenhorn Psychiatric Asylum in the city of Hamburg, I demonstrate the role of the record in both constructing and deconstructing patient subjectivities. De‐subjectifying patients condemned them to specific zones in the asylum within which they were reduced to their ‘bare life’‐ a precondition for their physical assassination. (shrink)

This essay introduces this special issue on virtue ethics in relation to military AI. It describes the current situation of military AI ethics as following that of AI ethics in general, caught between consequentialism and deontology. Virtue ethics serves as an alternative that can address some of the weaknesses of these dominant forms of ethics. The essay describes how the articles in the issue exemplify the value of virtue-related approaches for these questions, before ending with thoughts for further research.

Textbooks are a significant element of the social studies curriculum and teacher pedagogical choice (Apple, 2004; Apple & Christian-Smith, 1991). Students’ views of American history are dramatically affected by the textbook narratives to which they are exposed, and teachers often tilt their curricular choices based on the textbooks available to them ( Luke, 2006 Schug, Western & Enochs, 1997 ). The history of our nation's armed conflicts is often presented, through our textbooks and our pedagogy, as a history of reluctant (...) violence, which promotes a particular moral agenda that exerts control over our students’ future beliefs and decisions. This is particularly important with regard to our textbook depictions of the U.S. Civil War, which holds a curricular status as a necessary and moral conflict. This study examines the manner in which U.S. history textbooks present the U.S. Civil War, as compared to relevant historiography, and presents recommendations for how teachers may approach the moral realities of war with their students. (shrink)

A preliminary investigation into the orientation of twelve Greek Byzantine churches towards the east is made in relation to the day of sunrise. Measurements were carried out using magnetic compass with inclinometer and GPS while declination corrections included a) local magnetic declination and b) refraction. The position of sunrise in the horizon as well as during morning hours was computed with in-house software. Accounting for the differences between Gregorian and Julian calendars, orientation of the nave towards spring and/or (...) autumn, i. e. around the two equinoxes, was found for most churches. Orientations toward the summer solstice and the name day of the saint were also found. (shrink)

In the midst of a long and unpredictable rules are in alignment with those set forth by the election season, American voters find themselves divine. Martin Luther King, Jr. made this exact asking very difficult questions: How is the..

In this era of “globalization”, nation-building has become a relatively neglected topic. In this essay, I use Thomas Hylland Eriksen’s textbook, Globalization, as a framework for exploring nation-building in China. I take his eight-concept chapter outline—disembedding, acceleration, standardization, interconnectedness, movement, mixing, vulnerability, and re-embedding—and apply it to dynamics of nation-building in China. In so doing, I tease out actual and potential relationships among the processes evident in Chinese nation-building and globalization. In addition, I explore some of the relationships, productivities and (...) pitfalls of “globalization” and “nation-building” as concepts. (shrink)

BackgroundA recent upsurge in nature-based exercise research demonstrates the potential added benefits of exercising in this context compared to more urban ones. Yet there is a lack of qualitative research investigating the lived experiences of those who participate in nature-based exercise events.ObjectiveTo explore the lived experience of individuals who were first-time participants in a nature-based running event.MethodSix participants who completed the Run Forrest trail run for the first time were individually interviewed. Semi-structured interviews were devised, and participants were invited to (...) talk about their experiences of running in the event. Interviews were analysed using interpretative phenomenological analysis.ResultsFollowing data analysis, two superordinate themes were constructed to resemble participant experiences. “Maintaining good health is vital” reflected participants’ personal theory of health and their perceived benefits of exercise. “Nature as a special place” reflected the atmospheric characteristics of the event, including the pre-event set-up and the actual running event itself.ConclusionAnalysis suggests that participants considered the event and natural environment to provide unique value adding opportunities that encouraged positive experiences. These results also reaffirm the positive benefits associated with nature-based exercise, including potential benefits to individual wellbeing. Further research in this context may strengthen our collective understanding regarding individual motivation towards such events. (shrink)