Falling in Love with a Film (Series)

In Hans Maes & Katrien Schaubroeck (eds.), Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration. New York: Routledge (2021)
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Abstract

Judging works of art is one thing. Loving a work of art is something else. When you visit a museum like the Louvre you make hundreds of judgements in the space of just a couple of hours. But you may grow to love only one or a handful of works over the course of your entire life. Depending on the art form you are most aligned with, this can be a painting, a novel, a poem, a song, a work of architecture, or some other art object or performance. As it happens, however, we have fallen in love with a series of films: Before Sunrise, Before Sunset, and Before Midnight. But what does it mean to love a film? What’s the difference between liking a film, loving a film, and being a film lover? How rational or irrational is it to fall in love with a film? What are the constitutive elements of such a love? These are the questions we seek to address in this paper.

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Author Profiles

Katrien Schaubroeck
University of Antwerp
Hans Maes
KU Leuven

Citations of this work

Existential Aesthetics.Hans Maes - 2022 - Journal of Aesthetics and Art Criticism 80.

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References found in this work

The View from Nowhere.Thomas Nagel - 1986 - Revue de Métaphysique et de Morale 92 (2):280-281.
The Reasons of Love.Harry G. Frankfurt - 2004 - Princeton, NJ: Princeton University Press.
The View from Nowhere.Thomas Nagel - 1986 - Tijdschrift Voor Filosofie 50 (4):729-730.
Enticing Reasons.Jonathan Dancy - 2004 - In R. Jay Wallace, Philip Pettit, Samuel Scheffler & Michael Smith (eds.), Reason and Value: Themes From the Moral Philosophy of Joseph Raz. New York: Clarendon Press. pp. 91-118.

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