"Australian Feminism: A Companion covers feminist theory, politics, and scholarship, feminist involvement in many facets of government and welfare, and feminist approaches to culture and to daily life. It provides both general and specialist readers with information concerning every aspect of the development of feminism in Australia. The distinctive features of Australian feminism, including its diversity, its engagement with the state, its openness to new ideas, and its connections with ideas and developments overseas, are fully explored."--BOOK JACKET.

Barbara Caine's fascinating analysis of feminism in England examines the relationship between feminist thought and actions, and wider social and cultural change over tow centuries. Professor Caine investigates the complex question surrounding the concept of a feminist 'tradition', and showshow much the feminism of any particular period related to the years preceding or following it. Though feminism may have lacked the kind of legitimating tradition evident in other forms of political thought, the ghost of Mary Wollstonecraft was something which all (...) nineteenth- and twentieth-centuryfeminists had to come to terms with. Her story was a constant reminder of the connection between the demand for political and legal rights, and its conflation with the issues of personal and sexual rebellion. Like Wollstonecraft, every woman pioneer into the public arena faced assaults on her honouras well as on her intellectual position. The author also addresses the language of feminism: the introduction and changing meanings of the term 'feminist';the importance of literary representations of women; and the question of how one defines feminism, and establishes boundaries between feminismand the 'woman question'. She ends with a discussion of the new emphasis, post-1980s, on the need to think about 'feminisms' in the plural, rather than any single kind of feminism. analysis of feminist organizations, debates, and campaigns shows a keen sense of the relationship between feministthought and actions, and wider social and cultural change. The result is a fascinating study with a new perspective on feminists and feminist traditions, which can be used both as an introductory text and as an interpretative work. Professor Caine examines the complex questions surrounding theconcept of a feminist 'tradition', and shows how much the feminism of any particular period related to the years preceding or following it. Though feminism may have lacked the kind of legitimating tradition evident in other forms of political thought, the ghost of Mary Wollstonecraft is seen here assomething which all nineteenth- and twentieth-century feminists had to come to terms with. Her story was a constant reminder of the connection between the demand for political and legal rights, and its conflation with the issues of personal and sexual rebellion. Like Mary Wollstonecraft, every womanpioneer into the public arena was faced with assaults on her honour as well as on her intellectual position. Professor Caine also addresses the language of feminism: the introduction and changing meanings of the term `feminist'; the importance of literary representations of women; and the questionof how one defines feminism, and establishes boundaries between feminism and the `woman question'. She ends with a discussion of the new emphasis, post-1980s, on the need to think about `feminisms' in the plural, rather than any single kind of feminism. (shrink)

This essay raises the question of gender in relation to the question of intellectuals in Britain, commenting on the gender blindness that made their exclusion so automatic in Collini's study. It looks at some women who might have been included, focussing particularly on Virginia Woolf as one who was not only a very significant public intellectual, but who in her essays entitled 'The Common Reader' also provided a definition and analysis of the role of an intellectual which is very different (...) from that suggested by Collini. Rather than offering expert advice, Woolf sought to help readers to develop their own critical insights. (shrink)

The fact that the term ‘feminism’ was only coined at the end of the 19th century and that there was no generally recognized founding figure in the battle for women’s rights makes it hard to delineate any widely accepted feminist tradition. Extensive interest in the ‘woman question’ across the century, however, led to widespread debate about sexual difference, gender hierarchy and the rights and duties of women. What would now be considered feminist ideas covered a wide range of issues including (...) the meaning of sexual difference, the intellectual and practical capacities of women, the oppressive nature of marital and family life as well as the entitlement of women to education and to legal and political rights. Feminist ideas were articulated in many different forms: in literature, periodical essays, and increasingly in the second half of the century in polemical pamphlets and journals. These ideas underwent considerable change across the century as the radicalism of the late 18th and early 19th centuries gave way to a more moderate approach in the mid 19th century - and then to a reassertion of sexual radicalism as part of feminism in the later 19th century. The figure of Mary Wollstonecraft — first as a source of inspiration, then as a pariah figure and finally as one anticipating the ‘new woman’ of the 19th century is seen here as encapsulating the pattern of feminist ideas across the century. (shrink)

Featuring the biographies of leading feminists of the era - Emily Davies, Frances Power Cobbe, Josephine Butler and Millicent Garrett Fawcett - this study explores feminist ideas and strategies of the late 19th century, analyzing the tensions which arose as feminism sought to achieve its aims.