Results for 'Art criticism Philosophy.'

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  1. The wake of art: Criticism, philosophy, and the ends of taste.Gregg Horowitz & Tom Huhn - 1998 - In Arthur Coleman Danto (ed.), The wake of art: essays: criticism, philosophy and the ends of taste. Australia: G+B Arts Int'l.
     
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  2.  70
    On Arthur C. Danto's The Wake of Art: Criticism, Philosophy, and the End of Taste.Dave Beech - 2002 - Historical Materialism 10 (2):255-266.
  3. Art, criticism and the language of philosophy-on the contribution of Bloch.Dj Schmidt - 1987 - Philosophische Rundschau 34 (4):299-306.
     
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  4.  20
    Are Art Criticism, Art Theory, Art Instruction, and the Novel Global Phenomena?James Elkins - 2018 - Journal of World Philosophies 3 (1):79-92.
    As visual art becomes more international, ways of writing about art become more uniform. This essay proposes that two disciplines concerned with contemporary visual art, art criticism and art theory, are on the verge of being effectively homogeneous around the world. They share concepts, artists, artworks, institutions, and bibliographic references. For comparison, I consider two other fields that may also be increasingly uniform: studio art instruction and the novel. The last, in particular, is the subject of a large literature; (...)
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  5.  46
    Aesthetics and philosophy of art criticism.Jerome Stolnitz - 1960 - Boston,: Houghton Mifflin.
  6.  26
    Aesthetics and Philosophy of Art Criticism; A Critical Introduction.Joseph Margolis - 1964 - Philosophy and Phenomenological Research 24 (4):599-600.
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  7. Aesthetics and Philosophy of Art Criticism; a Critical Introduction. [REVIEW]Monroe C. Beardsley - 1960 - Journal of Philosophy 57 (19):623-625.
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  8.  14
    The wake of art: essays: criticism, philosophy and the ends of taste.Arthur Coleman Danto - 1998 - Australia: G+B Arts Int'l. Edited by Gregg Horowitz & Tom Huhn.
    Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical (...)
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  9.  66
    Is There Kantian Art Criticism?Rachel Zuckert - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 343-356.
    Kant’s theory of taste might suggest that there cannot be any legitimate, useful art criticism, which guides others’ art appreciation: on the Kantian view, each of us must judge for him- or herself, autonomously, not follow the judgments of others; and no empirical concepts, or empirical knowledge, is supposed to be relevant for making a judgment of taste. Thus, it would seem, we should not follow others who have superior knowledge of art, because they have such knowledge. Despite these (...)
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  10.  37
    Aesthetics and Philosophy of Art Criticism[REVIEW]Harry Berger - 1961 - New Scholasticism 35 (2):260-265.
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  11.  60
    Aesthetics and Philosophy of Art Criticism. Jerome Stolnitz.Manuel Bilsky - 1961 - Ethics 71 (2):143-144.
  12.  29
    Philosophical Problems in Contemporary Art Criticism: Objectivism, Poststructuralism, and the Axiom of Authorship.Kyle Barrowman - 2017 - Journal of Ayn Rand Studies 17 (2):153-200.
    This article argues that, propaedeutic to the construction of an Objectivist aesthetics, scholars must refute the irrational/immoral philosophical premises that have been destroying the philosophy of art. Due to the troubling combination of its contemporaneity, extremism, and considerable influence, poststructuralism, which, since the 1960s, has served as the default philosophical foundation for philosophers of art, is the target of this article. This article contends that the road to an Objectivist aesthetics must first be cleared of philosophical debris like poststructuralism before (...)
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  13.  41
    The Future of Art Criticism: Objectivism Goes to the Movies.Kyle Barrowman - 2018 - Journal of Ayn Rand Studies 18 (2):165-228.
    By virtue of an extended consideration of problems and possibilities in the discipline of film studies toward the goal of constructing an Objectivist aesthetics of cinema, this article examines some of the most pressing issues facing contemporary art criticism. Opposing tenets of an Aristotelian aesthetic tradition against tenets of a Kantian aesthetic tradition, the author attempts to resolve a number of long-standing aporias in the Objectivist aesthetics and in the philosophy of art more broadly in the hopes of charting (...)
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  14.  56
    Rosalind Krauss and American philosophical art criticism: from formalism to beyond postmodernism.David Carrier - 2002 - Westport, Conn.: Praeger.
    Machine generated contents note: Introduction: The Rise of Philosophical Art Criticism 1 -- Chapter 1. In the Beginning Was Formalism 17 -- Chapter 2. The Structuralist Adventure 33 -- Chapter 3. The Historicist, Antiessentialist Definition of Art 55 -- Chapter 4. Resentment and Its Discontents 71 -- Chapter 5. The Deconstruction of Structuralism 87 -- Afterword: The Fate of Philosophical Art Criticism 111.
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  15.  47
    Art and philosophy: Rivals or partners?Llewellyn Negrin - 2005 - Philosophy and Social Criticism 31 (7):801-822.
    Ever since the time of Hegel, there has been a growing philosophization of art in which artists increasingly make works where visual/formal concerns are supplanted by philosophical questions concerning the definition of art itself. At the same time, however, an equally vociferous defence of art against its subsumption by philosophy has been made by theorists such as Nietzsche, Sontag and Barthes who have sought to rescue the sensuous immediacy of art from the abstractness of philosophical thought by advocating a more (...)
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  16.  13
    Aesthetic Inquiry: Essays on Art Criticism and the Philosophy of Art. [REVIEW]Richard W. Peltz - 1968 - Journal of Aesthetic Education 2 (4):131.
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  17.  17
    Art Criticism Now. [REVIEW]J. S. - 1942 - Journal of Philosophy 39 (2):54.
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  18. Aesthetics and Philosophy of Art Criticism.Richard Kuhns - 1961 - Journal of Aesthetics and Art Criticism 19 (3):351-352.
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  19.  35
    Concrete and general in art criticism.Leo Stein - 1928 - Journal of Philosophy 25 (25):691-694.
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  20.  49
    Art and Philosophy.Nicholas Wolterstorff - 1981 - Journal of Aesthetics and Art Criticism 39 (4):455-459.
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  21.  24
    The referends of art criticism.A. Myrton Frye - 1941 - Philosophical Review 50 (1):74-80.
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  22.  58
    Art and philosophy.Joseph Margolis - 1980 - Atlantic Highlands, N.J.: Humanities Press.
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  23.  18
    Just What Is It That Makes Today’s Art-Philosophy So Boring and Art-Criticism So Different, So Much More Appealing.Karlheinz Lüdeking - 2017 - In Anja Weiberg & Stefan Majetschak (eds.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Arts. Proceedings of the 39th International Wittgenstein Symposium in Kirchberg. Boston: De Gruyter. pp. 71-86.
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  24.  15
    The Main Approaches in the Art Criticism Examination of Naive Art: Positions of Western European and Domestic Researchers.Авдеева В.В - 2022 - Philosophy and Culture (Russian Journal) 12:66-78.
    The subject of this article is naive art, one of the important artistic trends of the XX - early XXI centuries. The object of the study is the main approaches of experts to the study of naive art. At the first stage: 1930s–1950s – a historical approach was formed, which is associated with the definition of naive art as one of the forms of amateur art, "hobby". At the second stage – the 1960s-1990s, the traditional approach is considered, which includes (...)
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  25. How a European Views the Journal of Aestehtics and Art Criticism.Rolf Dieter Herrmann - 1971 - Journal of Aesthetics and Art Criticism 29:499-506.
    How have the theories of aesthetics which were worked out in europe evolved in america? are there widely differing standpoints between european and american aestheticians? what herrmann tried to do, to shed light on these questions, was to look over the issues of "the journal of aesthetics and art criticism" since 1941. thomas munro, a pupil of john dewey and founder of the journal tried to provide in the united states a broader and more open-ended and undogmatic platform for (...)
     
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  26. Philosophy and the Art of Poetry: A Survey of Some Contemporary Relations Among Poetic Criticism, Philosophy and Poetry.Victorino Tejera - 1956 - Dissertation, Columbia University
     
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  27. Testimony, Understanding, and Art Criticism.Allan Hazlett - forthcoming - In Alex King (ed.), Philosophy and Art: New Essays at the Intersection. Oxford University Press.
    I present a puzzle – the “puzzle of aesthetic testimony” – along with a solution to it that appeals to the impossibility of testimonial understanding. I'll criticize this solution by defending the possibility of testimonial understanding, including testimonial aesthetic understanding.
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  28.  54
    Art and Philosophy: Readings in Aesthetics.W. E. Kennick - 1979 - Journal of Aesthetics and Art Criticism 38 (1):87-88.
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  29.  77
    John Dewey and the question of artful criticism.Scott R. Stroud - 2011 - Philosophy and Rhetoric 44 (1):27-51.
    Defining “criticism” is a simple—but bedeviling—task. No less a critic and theorist than Edwin Black begins with the simple statement that “criticism is what critics do.” While he admits that this seems like an empty definition, Black does note that it has one redeeming feature—“It compels us to focus on the critic” (1978, 4). Criticism and those who engage in it are integrally connected, and any account of critical activity must deal with both the activity and its (...)
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  30. Beardsley, Monroe C. and Herbert M. Schueller, edd., Aesthetic Inquiry: Essays on Art Criticism and Philosophy of Art.Allan Shields - 1967 - Journal of Value Inquiry 1 (3/4):270.
     
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  31. The Aims of Art Criticism.James Grant - 2013 - Sztuka I Filozofia (Art and Philosophy) (42).
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  32. The Art and Philosophy of George Eliot.Moira Gatens - 2009 - Philosophy and Literature 33 (1):pp. 73-90.
    This volume of specially-commissioned essays provides accessible introductions to all aspects of George Eliot's writing by some of the most distinguished new and established scholars and critics of Victorian literature. The essays are comprehensive, scholarly and lucidly written, and at the same time offer original insights into the work of one of the most important Victorian novelists, and into her complex and often scandalous career. Discussions of her life, the social, political, and intellectual grounding of her work, and her relation (...)
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  33. The Ancient Quarrel Between Art and Philosophy in Contemporary Exhibitions of Visual Art.Jennifer A. McMahon - 2019 - Curator: The Museum Journal 62 (1):7-17.
    At a time when professional art criticism is on the wane, the ancient quarrel between art and philosophy demands fresh answers. Professional art criticism provided a basis upon which to distinguish apt experiences of art from the idiosyncratic. However, currently the kind of narratives from which critics once drew are underplayed or discarded in contemporary exhibition design where the visual arts are concerned. This leaves open the possibility that art operates either as mere stimulant to private reverie or, (...)
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  34.  13
    Art and Philosophy. [REVIEW]S. A. E. - 1964 - Review of Metaphysics 18 (1):187-187.
    This book of readings contains selections from Hospers, Stevenson, Black, Urmson, Hampshire and many others. Topics treated include the nature of art, aesthetic experience, creativity and art criticism.—S. A. E.
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  35.  18
    Benjamin and Adorno on Art and Art Criticism: Critique of Art.Thijs Lijster - 2017 - Amsterdam: Amsterdam University Press.
    Thijs Lijster considers the thought of Walter Benjamin and Theodor Adorno on such key topics as the relationship between art and historical experience, between avant-garde art and mass culture, and between the intellectual and the public.
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  36. Art Criticism Now. [REVIEW]Albert J. Steiss - 1942 - Thought: Fordham University Quarterly 17 (2):358-359.
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  37.  68
    Some problems in the philosophy of art criticism.Harriet Jeffery - 1947 - Journal of Aesthetics and Art Criticism 5 (4):296-301.
  38.  20
    Sushil Kumar Saxena, Art and Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid.Eliot Deutsch - 1996 - Journal of Aesthetics and Art Criticism 54 (2):188-188.
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  39.  31
    Art and philosophy: seven aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse Langer, Reid.Sushil Kumar Saxena - 1993 - Delhi: Pragati Publications.
  40.  35
    On Art, Religion, Philosophy: Introductory Lectures to the Realm of Absolute SpiritKunst und Freiheit: eine kritische Interpretation der Hegelschen Asthetik.John T. Goldthwait, G. W. F. Hegel, J. Glenn Gray & Andras Horn - 1971 - Journal of Aesthetics and Art Criticism 29 (4):538.
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  41. "Aesthetics and the Philosophy of Art Criticism": Jerome Stolnitz. [REVIEW]Ruth Saw - 1962 - British Journal of Aesthetics 2 (1):87.
     
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  42.  25
    Art Criticism Now. [REVIEW]Theodore M. Greene - 1942 - Philosophical Review 51 (6):612-614.
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  43.  23
    Philosophy by other means: the arts in philosophy and philosophy in the arts.Robert B. Pippin - 2021 - London: University of Chicago Press.
    The relationship between philosophy and aesthetic criticism has occupied Robert Pippin throughout his illustrious career. Whether discussing film, literature, or modern and contemporary art, Pippin's claim is that we cannot understand aesthetic objects unless we reckon with the fact that some distinct philosophical issue is integral to their meaning. In his latest offering, Philosophy by Other Means, we are treated to a collection of essays that builds on this larger project, offering profound ruminations on philosophical issues in aesthetics along (...)
  44.  9
    Winckelmann's 'Philosophy of Art': a prelude to German classicism.John Harry North - 2012 - Newcastle upon Tyne, UK: Cambridge Scholars Press.
    It is the aim of this work to examine the pivotal role of Johann Joachim Winckelmann (1717-1768) as a judge of classical sculpture and as a major contributor to German art criticism. John Harry North seeks to identify the key features of his treatment of classical beauty, particularly in his famous descriptions of large-scale classical sculpture. Five case studies are offered to demonstrate the academic classicism that formed the core of his philosophy of art. North aims to establish Winckelmann's (...)
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  45.  38
    Art and Philosophy: A Symposium.David Thoreau Wieck - 1967 - Journal of Aesthetics and Art Criticism 25 (4):478-478.
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  46.  24
    The relation between esthetics and art-criticism.Katharine Gilbert - 1938 - Journal of Philosophy 35 (11):289-295.
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  47.  20
    Psychoanalytic theory of art: a philosophy of art on developmental principles.Richard Francis Kuhns - 1983 - New York: Columbia University Press.
    This book places the contribution of psychoanalysis to the understanding of art within a philosophical framework and seeks to show by argument and example the potential and unrealized power of psychoanalytic theory for a philosophy of art and culture.
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  48. Beck's Art Criticism and Semantic Discipline. [REVIEW]Chisholm Chisholm - 1943 - Philosophy and Phenomenological Research 4:463.
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  49.  92
    Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice.Francis Halsall, Julia Alejandra Jansen & Tony O'Connor (eds.) - 2008 - Stanford, Calif.: Stanford University Press.
    _Rediscovering Aesthetics_ brings together prominent international voices from art history, philosophy, and artistic practice to discuss the current role of aesthetics within and across their disciplines. Following a period in which theories and histories of art, art criticism, and artistic practice seemed to focus exclusively on political, social, or empirical interpretations of art, aesthetics is being rediscovered both as a vital arena for discussion and a valid interpretive approach outside its traditional philosophical domain. This volume is distinctive, because it (...)
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  50.  15
    New Bearings in Esthetics and Art Criticism. A Study in Semantics and Evaluation.Roderick M. Chisholm - 1945 - Philosophy and Phenomenological Research 5 (3):426-428.
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