Elise Crull claims that by invoking decoherence it is possible to obviate many “fine grained” issues often conflated under the common designation of measurement problem, and to make substantial progresses in the fields of quantum gravity and quantum cosmology, without any early incorporation of a particular interpretation in the quantum formalism. We point out that Crull is mistaken about decoherence and tacitly assumes some kind of interpretation of the quantum formalism.

The paper presents an inquiry into the question regarding the compatibility of Bohmian mechanics, intended as a non-local theory of moving point-like particles, with background independence. This issue is worth being investigated because, if the Bohmian framework has to be of some help in developing new physics, it has to be compatible with the most well-established traits of modern physics, background independence being one of such traits. The paper highlights the fact that the notion of background independence in the context (...) of spacetime physics is slippery and interpretation-laden. It is then suggested that the best-matching framework developed by Julian Barbour might provide a robust enough meaning of background independence. The structure of Bohmian dynamics is evaluated against this framework, reaching some intermediate results that speak in favor of the fact that Bohmian mechanics can be made background independent. (shrink)

I call illocutionary externalism (IE) the approach to the study of illocutionary force that I favor. IE is inspired by Austin's seminal ideas on performatives and speech acts. According to IE, in the analysis of a paradigmatic illocutionary force we must essentially mention some aspects of the social and natural environment that cannot be reduced to the (de dicto) speakers' mental states, no matter how these are individuated. A difficult problem for IE derives from the possibility of making explicit the (...) force of an utterance. This fact invites us to focus our attention on the utterer (the person who makes the force explicit) and his mental states (illocutionary intentions), and to support a mentalist approach in the study of forces. In this article I shall argue for the compatibility of IE with the phenomenon of the explicitability of illocutionary force. (shrink)

In this essential rereading of Spinoza's (1632-1677) philosophical and political writings, Negri positions this thinker within the historical context of the development of the modern state and its attendant political economy.

The study of Buddhist texts can inform us of the way scriptures were composed, as well as illuminate the reasons behind their production. This study examines the phenomenon of borrowing and reusing portions of texts without attributing them to their ‘legitimate authors’ within the Buddhist world of contemporary Tibet. It shows that not only is such a practice not at all infrequent and is often socially accepted, but that it is used in this case as a platform to advance specific (...) claims and promote an explicit agenda. Therefore, rather than considering these as instances of plagiarism, this essay looks at the practice of copying and borrowing as an exercise in intertextuality, intended as the faithful retransmission of ancient truths, and as an indication of the public domain of texts in Tibet. (shrink)

Strategies purporting to determine the meaning of inner states of belief-content in terms of their inferential role usually assume the inner structure of the human inferential competence to be that of first order logic plus identity. Considerations of computational complexity and cumbersomeness of representation tend to undermine the plausibility of combining such strategies with this assumption. In this paper I contend that appealing to rules of default reasoning won’t make things turn out any better for the inferential role functionalist.

Recent neuro-psychoanalytic literature has emphasized the view that our subjective identity rests on ancient subcortical neuro-psychic processes expressing unthinking forms of experience, which are “affectively intense without being known” (Solms and Panksepp, 2012). Devoid of internal representations, the emotional states of our “core-Self” (Panksepp, 1998b) are entirely “projected” towards the external world and tend to be discharged through instinctual action-patterns. However, due to the close connections between the subcortical and the cortical midline brain, the emotional drives may also find a (...) way to be reflected within an intrinsic self-referential processing, evident when the organism is not actively engaged with the external world. Thanks to such endogenous functioning, the core-Self emotional dispositions are not overtly executed, but they are organized within coherent dynamic mental structures, called “feeling-toned complexes” by C.G. Jung and “unconscious phantasies” by Melanie Klein. The intrinsic self-referential dynamism of the ‘brainmind’ originated from REM sleep arousal and then evolved in the resting-state activity of a complex of cortico-limbic midline brain structures (CMS), also called Default Mode Network (DMN). From our neuro-ethological perspective, it is sustained by an “introverted” SEEKING activity leading to the subjective exploration of internally constructed virtual scenarios. This “mind wandering” function, implicated in dreaming, fantasy processing, remembering and thinking, is the essence of the imaginative function and constitutes the first form of reflection, where intentions and drives gain a primordial form of conscious (but not self-conscious) representation. During postnatal development, this original (“archetypal”) imaginative function is slowly attuned in a relational “transitional” space and may be expressed first in non-verbal and eventually in abstract-verbal social communicative patterns. Our view has noticeable implications for psychotherapy. Instead of trying to directly modify interpersonal, extrinsic relationships (a top-down approach), dysfunctional emotional-relational patterns may be modified by a process in which the patient is helped to let-go of the perceived feeling-objects in favor of an immersion, via the actual feeling, from the superficial level of perception towards a void feeling-state, empty of images. Only starting from this “anoetic” feeling-state, the deep imaginal creative and re-structuring self-referential activity may be reactivated by a process of spontaneous imagination. (shrink)

Resumo: Os processos avaliativos, na universidade, são perpassados por um ethos que prima pela quantificação e pelo ranqueamento. Em decorrência, observa-se cada vez mais a descaracterização da avaliação na sua acepção qualitativa e, consequentemente, formativa. A afirmação desse ethos, na universidade, bem como na sociedade, é facilitada pelos algoritmos de big data, os quais estão na base da constituição da chamada “sociedade métrica”, em que há uma tendência geral para utilizar formas quantitativas para realizar classificações sociais. Neste texto, com respaldo (...) em revisão de literatura, objetiva-se refletir sobre dois processos de avaliação de docentes que atuam no ensino superior e que ultrapassam o espaço acadêmico pela sua dimensão pública espetacularizada: a) o ranqueamento da produção docente, por meio do índice h; e b) a avaliação realizada por estudantes em sites públicos, neste caso específico, o site de avaliação docente ratemyprofessors.com. A partir destas duas estratégias de avaliação, professores, pesquisadores e alunos envolvem-se em uma espécie de certame onde se mostrar, ser visto, monitorado, classificado passa a ser critério de aprovação (percebido) ou, no limite, perda de financiamentos e do próprio trabalho (cancelado). Palavras-chave: Avaliação Docente; Algoritmos; Sociedade Métrica; Cultura Digital. Entre el ranking y el rating: La evaluación digital del profesor en la era de la sociedad métrica Resumen: Los procesos de evaluación en la universidad están impregnados de un ethos que busca la cuantificación y el ranqueo. Como resultado, se observa cada vez más la descaracterización de la evaluación en su sentido cualitativo y, en consecuencia, formativo. La afirmación de este ethos, tanto en la universidad como en la sociedad, se ve facilitada por los algoritmos de big data, que están en la base de la constitución de la llamada “sociedad métrica”, en la que existe una tendencia generalizada a utilizar formas cuantitativas para realizar clasificaciones sociales. En este texto, apoyado en una revisión de la literatura, el objetivo es reflexionar sobre dos procesos de evaluación de profesores que laboran en la educación superior y que van más allá del espacio académico por su dimensión pública espectacularizada: a) el ranking de la producción docente, a través del índice h, b) la evaluación realizada por los estudiantes en los sitios web públicos, en este caso concreto, el sitio web de evaluación del profesorado ratemyprofessors.com. A partir de estas dos estrategias de evaluación, docentes, investigadores y estudiantes se involucran en una especie de certamen en el que mostrarse, ser visto, monitoreado, clasificado se convierte en un criterio de aprobación (percibido) o, en última instancia, pérdida de financiamiento y trabajo propio (cancelado). Palabras-clave: Evaluación Docente; Algoritmos; Sociedad Métrica; Cultura Digital. Between ranking and rating: Digital evaluation of professors in the metric society Abstract: Evaluation processes at universities are permeated by an ethos that emphasizes quantification and ranking. As a result, an increasing discharacterization of the qualitative and thus educational sense of evaluation is observed. The affirmation of this ethos in universities, and in society as a whole, is facilitated by big data algorithms, which are at the foundation of the constitution of the so-called ‘metric society’, in which there is a general trend to use quantitative forms to conduct social classifications. This text, supported by a review of the literature, reflects on two processes of evaluation of professors of higher education that go beyond the academic space because of their spectacularized public dimension: the ranking of professor production, by the “h index” and b) evaluations conducted by students on public online sites, in this case, the ratemyprofessors.com site. Based on these two evaluation strategies, professors, researchers, and students are involved in a dispute in which displaying oneself, being seen, monitored, and classified become criteria for (perceived) approval, or, at the limit, for a loss of financing for one’s work (canceling). Keywords: Evaluation Of Professors; Algorithms; Metric Society; Critical Theory; Digital Culture. Data de registro: 15/04/2022 Data de aceite: 13/12/2022. (shrink)

The paper presents a metaphysical characterization of spatiotemporal backgrounds from a realist perspective. The conceptual analysis is based on a heuristic sketch that encompasses the common formal traits of the major spacetime theories, such as Newtonian mechanics and general relativity. It is shown how this framework can be interpreted in a fully realist fashion, and what is the role of background structures in such a picture. In the end it is argued that, although backgrounds are a source of metaphysical discomfort, (...) still they make a spacetime theory easy to interpret. It is also suggested that this conclusion partially explains why the notion of background independence carries a lot of conceptual difficulties. (shrink)

die besagten Begriffe zunachst als synonyme Bezeichnungen fUr die Methode der Philosophie betrachtet werden konnen. Erst am Ende der Abhandlung zeichnet sich die Moglichkeit einer Bedeutungstren nung zwischen EpocM und Reduktion ab - allerdings nicht mehr ganz im Sinne HusserIs. Die Aufgabe, Philosophie als absolute Wissenschaft zu begriinden, ist fUr HusserI im Grunde das Problem der Gewinnung eines Ver fahrens, durch das der sich philosophisch Besinnende die absolute Ge wiBheit erIangt, daB er im Gang seiner Besinnungen keine ungepriif ten, unkritisch (...) hingenommenen Erkenntnisse voraussetzt, kein Vorur teil mitgelten laBt, das die wissenschaftliche Reinheit des gedanklichen Gebaudes zerstOren wiirde. DaB die Philosophie es bisher nicht fertig gebracht hat, sich als solche absolut gerechtfertigte Wissenschaft zu konstituieren, bezeugt fUr HusserI ihre Unfahigkeit, in voller Radika litat alle Voraussetzungen aus dem Wege zu raumen, die der Voraus setzungslosigkeit einer absoluten Wissenschaft im Wege stehen. Ihrem eingeborenen Telos der Letztverantwortung hat die Philosophie nie gerecht werden konnen, obschon in ihrer Geschichte zu alIer Zeit ein Streben, eine intentio auf dieses ihr Ziel der absoluten Reinheit hin wirksam war. Diese intentio war stets die "Motivation", der "Ent wicklungstrieb" des philosophischen Denkens: "In einigen Philoso phien zeitweilig relativ befriedigt, und doch nie letztbefriedigt, wird die Philosophie zu immer neuen methodischen Besinnungen fortgetrieben; sie nimmt immer neue methodische Gestalten an und kommt dabei doch nie zu Ende. (shrink)

José Revueltas fue un prolífico escritor del que, hasta la fecha, se han publicados 26 tomos como parte de sus Obras completas. No obstante, los estudiosos de su vida y obra se han dado a la tarea de rescatar muchos textos olvidados en archivos o publicaciones periódicas que Revueltas o sus editores descartaron de dicho proyecto. Para contribuir en tan loable labor de rescate, en este artículo, primero, reconstruyo sucintamente el nacimiento del poeta José Revueltas; luego, comento las ediciones de (...) la poesía revueltiana y, finalmente, reproduzco seis poemas desconocidos por la crítica especializada. (shrink)

Este artículo muestra que el arte es para Cassirer una forma simbólica, no una copia de la realidad. La forma simbólica representauna peculiar síntesis entre un elemento sensible y un significado,de manera que el significado no existe al margen de la formasimbólica, sino que es ella misma. Por esta razón el símbolo provocaa pensar constantemente. El símbolo funda el sentido.Aquellacapacidad simbólica de síntesis es el poder de la metáfora. Lasformas simbólicas son formas del pensamiento metafórico. El arte,como modelo perfecto de (...) esa síntesis, es también modelo de pensamientometafórico, y por eso la obra de arte no puede ser sustituidapor filosofía. (shrink)

La construcción de la Fenomenología del espíritu de Hegel se vio afectada por la naciente conciencia histórica postilustrada, y por la historicidad de la razón que Hegel elabora allí. El contraste entre el final de la «Introducción» y el final del «Saber absoluto» deja ver que Hegel ofreció al final de la obra algo de lo que anunciaba al principio. Lo que se le abre al «yo» del final de la Introducción cuando llega al saber absoluto no es sólo el (...) sistema de la ciencia, sino la historia contingente organizada en la ciencia del saber que aparece. Se propone finalmente leer esta historicidad de la conciencia como aguda conciencia del presente. (shrink)

The term etonism is from «Etona» that means flag, marks, evidence, and reason in Kikôngo. The variants in Umbûndu: etonolo or etonuilo means, allegations, reasons, indulgence (tolerance). The Nyaneka form is etŏnya: 1) reasons, 2) allegations, 3) indulgence and 5) the justice and the tolerance. Etona is Angolan artist (sculptor/painter). In his sculpture they are morphologically evidenced three treatments in the surface of the matter, namely 1) flat treatment; 2) rude treatment and finally 3) accidental treatment. Each one is a (...) code: #1. The flat treatment indicates well-knowledge; a man of superior class; race or tribe or religion of majority; thought well-organized and structured. In painting, the hot intensity indicates dominance, prosperity, energy, intense desires; #2. The rude treatment reveals an acquired knowledge without academism, self-taught; medium class men; speech out of the scientific perimeters but with certain admissibility; race, tribe or religion of lot of people, but not of majority. In his painting, the neutral intensity marks the balance and inspires recomfort nurtured from two opposed poles (hot and cold); #3. The accidental part of the sculpture indicates some knowledge’s lack (pure empiricism); inferior class; race, tribe, religion of minority. In the painting, the cold intensity is naturally contrary of #1. Etonism is the tolerant reason between #1=I, #2=YOU and #3=HE. All of them form the coherent society that we call WE: the Etonian jusphilosophy that African peoples need for stability of their democracies and finishing their War. (shrink)