Protagonists of the latter are Jacques Derrida and Jurgen Habermas. This book carefully conveys the contradiction between discourse theory and deconstruction.

This paper offers a theory of spatial indexicals like _here_ and _there_ on which such expressions are variables associated with presuppositional constraints on their values. I show how this view handles both referential and bound uses of these indexicals, and I propose an account of what counts as the location of the context on a given occasion. The latter is seen to explain a wide range of facts about what the spatial indexicals can refer to.

Information generally comes from less than fully reliable sources. Rationality, it seems, requires that one take source reliability into account when reasoning on the basis of such information. Recently, Bovens and Hartmann (2003) proposed an account of the conjunction fallacy based on this idea. They show that, when statements in conjunction fallacy scenarios are perceived as coming from such sources, probability theory prescribes that the “fallacy” be committed in certain situations. Here, the empirical validity of their model was assessed. The (...) model predicts that statements added to standard conjunction problems will change the incidence of the fallacy. It also predicts that statements from reliable sources should yield an increase in fallacy rates (relative to unreliable sources). Neither the former (Experiment 1) nor the latter prediction (Experiment 3) was confirmed, although Experiment 2 showed that people can derive source reliability estimates from the likelihood of statements in a manner consistent with the tested model. In line with the experimental results, model fits and sensitivity analyses also provided very little evidence in favor of the model. This suggests that Bovens and Hartmann’s present model fails to explain fully people’s judgements in standard conjunction fallacy tasks. (shrink)

This paper will address René Girard’s critique of the “humanization of nothingness” in modern Western philosophy. I will first explain how the “desire for death” is related to a phenomenon that Girard refers to as “obstacle addiction.” Second, I will point out how mankind’s desire for death and illusory will to self-divinization gradually tend to converge within the history of modern Western humanism. In particular, I will show how this convergence between self-destruction and self-divinization gradually takes shape through the evolution (...) of the concept of “the negative” from Hegel to Kojève, Sartre and Camus. Finally, we shall come to see that in Girard’s view “the negative” has tended to become an ever-preoccupying and unacknowledged symptom of mankind’s addiction to “model/obstacles” of desire. (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 46 Heft: 1 Seiten: 236-238.

This paper argues that Wittgenstein does not assimilate certainties to either linguistic norms or empirical propositions but assigns them to a liminal space between rule and experience. This liminal space is also brought into play in remarks written at the same time as those compiled in On Certainty, but attributed to different bodies of text. The paper maintains that certainties express the agreement and constancy in judgements without which – as Wittgenstein contends in his Philosophical Investigations – rule-following would not (...) be possible. It is shown that this intrinsic relation between rule-following and certainties can explain the liminal status of the latter. (shrink)

The COVID-19 pandemic has been shaped by preexisting political, social, and economic relations and governance structures, and will remold these structures going forward. This review essay considers three books on global health politics written by Simon Rushton, Clare Wenham, and Jeremy Youde. Here, I explore what these books collectively and individually can tell us about these preexisting dynamics, the events of the first eighteen months of the COVID-19 pandemic, and possible future directions in the politics of global health. I argue (...) that they provide a firm basis for understanding the inequitable burdens of the pandemic, while juxtaposing these inequities against the narratives of shared vulnerability that sit at the heart of the global health security regime. They also help us make sense of the surveillance, detection, containment, and response mechanisms we have seen during the pandemic; the failures to address the systemic dynamics that drive disease outbreaks; and the national and international politics that have shaped the pandemic response. However, COVID-19 has also vividly and brutally demonstrated how global health hierarchies, racism, border politics, and neoliberal forms of knowledge production have led to a stratified burden of the pandemic. These areas are less apparent in the three books, but ought to be situated front and center in future critical scholarship on global health security. (shrink)

Implantable neurotechnology devices such as Brain Computer Interfaces and Deep Brain Stimulators are an increasing part of treating or exploring potential treatments for neurological and psychiatric disorders. While only a few devices are approved, many promising prospects for future devices are under investigation. The decision to participate in a clinical trial can be challenging, given a variety of risks to be taken into consideration. During the consent process, prospective participants might lack the language to consider those risks, feel unprepared, or (...) simply not know what questions to ask. One tool to help empower participants to play a more active role during the consent process is a Question Prompt List. QPLs are communication tools that can prompt participants and patients to articulate potential concerns. They offer a structured list of disease, treatment, or research intervention-specific questions that research participants can use as support for question asking. While QPLs have been studied as tools for improving the consent process during cancer treatment, in this paper, we suggest they would be helpful in neurotechnology research, and offer an example of a QPL as a template for an informed consent tool in neurotechnology device trials. (shrink)

One of the hypotheses about mental representation of conversion (i.e. zero-derivation) claims that converted forms are a product of a costly mental process that converts a word’s category into another one when needed, i.e., depending on the syntactic context in which the word appears. The empirical evidence for the claim is based primarily on self-paced reading experiments by Stolterfoht, Gese, and Maienborn (2010) in which they explored the assumed conversion of German verbs into adjectives in two syntactic contexts with participle (...) II. In our priming study, we show that the effects that had been attributed to the conversion process are in fact frequency effects. In addition, based on our data we argue that participle II has the same word class in both syntactic contexts, as assumed by traditional German grammars. The same pattern of frequency effects was observed for German native speakers and advanced L2 German learners. (shrink)

Schlaglichtartig wird in die Biographie eines der wichtigsten Freud-Schüler eingeführt: Wilhelm Reich (1897–1957). Dass dieser aus einem – im Vergleich zu Freud – positiven Menschenbild radikalere Sozialkritik ableitete und offen politisch »links«, dann auch antifaschistisch agierte, trug maßgeblich zum Zerwürfnis mit Freud um 1930 und zur Ächtung Reichs in der IPA ab 1933 bei. Im selben Jahr veröffentlichte Reich seine Schrift »Massenpsychologie des Faschismus«. Dort baut er nicht nur auf Erkenntnissen Freuds auf, er führt diese auch weiter. Reich, der zur (...) Niederschlagung des ­Faschismus beitragen wollte, deckt die Entstehung und Wirkung jener typischen Charakterstrukturen auf, die die Basis der faschis­tischen Bewegungen in Europa bildeten. Ausführlich beschreibt er, wie diese Strukturen durch patriarchalische Sozialisierung, ins­besondere ­Sexualunterdrückung, hergestellt werden. Sein Augenmerk richtet er zudem auf das Wechselspiel zwischen Geführten und Führern: Im Unterschied zu Freud möchte Reich letzteren keine »eigene Psycho­logie« zubilligen, sondern versteht sie als austauschbare Gallionsfiguren, die die – nicht zuletzt neurotischen – Charakterstrukturen einer Masse besonders effizient repräsentieren. (shrink)

In his Leçons VII (Le désir politique de dieu) Pierre Legendre applies the idea or expression of ‘instituting time’ (‘instituer le temps’), that is, working with time as a malleable material, but at the same time conceptualising time as dogmatic time, especially in the interpretation of law. As an example of this concept he refers to the English Common Law, a ‘style’ of ‘governing by solving cases’. This text will analyse the notion of two times of law—inaugural/mythological and historical—and how (...) it applies to Common Law judgments, as well as to Institutional Writers that are characteristic of Scots Law in particular. (shrink)

We introduce and study a simple generic model of neutral evolution of genotypes, designed to provide a feasible and general method for quantifying excess evolutionary activity|the extent to which evolutionary activity is the product of adaptive evolution. We compare the behavior of the generic neutral model against two other models: Packard's agent-based model of the evolution of sensory-motor functionality and a neutral \shadow" of Packard's model. Diversity and evolutionary activity of these three models across the mutation rate spectrum illustrate the (...) feasibility and general applicability of the generic neutral model, con rm the appropriateness of using neutral models to quantify the extent of the continual adaptive success of genotypes, and reveal power-law dependences of evolutionary activity on mutation rate. (shrink)

This paper seeks to contribute to the sociology of nations, a literature that is only starting to carve out its place in the social sciences. The paper offers a reconceptualization of “nations” as “national cultures”, employing an evolutionary perspective and a systemic framework in which “nations” are understood as cultural systems of a special kind. National cultures are intimately tied to natural languages, and the acquisition of a national culture occurs as part and parcel of the acquisition of a natural (...) language. Acquiring a natural language is a prerequisite for learning other cultural systems (artefactual languages as well as other natural languages). National cultures function as metacultures. They are also the reference cultures for modern states and their citizens, a political dimension of nations that is of paramount importance, though it will only be touched on in this paper. National cultures should be considered as the most fundamental type of cultural system today. (shrink)

There is much disagreement among many commentators of Hannah Arendt's work about whether her contributions to politics and philosophy contain a clandestine version of decisionism or, by contrast, represent an explicit attempt to break away from the elements of voluntarism, arbitrariness, and irrationality, which are considered to be inherent to any theory of the decision. Despite the many disagreements that set apart these two interpretations of Arendt, however, there is a common presupposition that both share. They are in agreement concerning (...) the decision: it is a threat and a vice, intrinsically dangerous and potentially totalitarian in nature, which ought to be expelled from any theory of politics with a normative content. As a result, the terms of the debate pertain solely to whether Arendt was a (crypto-) decisionist and not to the nature and evaluation of the decision as such. This paper argues, contrary to Arendt's critics, that although elements of a theory of the decision can be found scattered throughout many of her writings, she was nonetheless unswerving in her opposition to decisionism. But unlike her defenders, it also argues that had Arendt built on these elements to elaborate a systematic theory of the decision, she would have avoided many of the flaws and inconsistencies that plague her concept of politics. (shrink)

In Die idealistische Kritik des Willens [German Idealism’s Critique of the Will] Dorschel defends an understanding of freedom as choice against Immanuel Kant’s and Georg Wilhelm Friedrich Hegel’s ethical animadversions. He objects both to Kant’s claim that „a free will and a will under moral laws are one and the same thing“ („ein freier Wille und ein Wille unter sittlichen Gesetzen einerlei“) (Immanuel Kant, Grundlegung zur Metaphysik der Sitten AB 98) and to Hegel’s doctrine that „freedom of the will is (...) rendered real as law“ („die Freiheit des Willens als Gesetz verwirklicht“) (Georg Wilhelm Friedrich Hegel, Vorlesungen über die Philosophie der Weltgeschichte, ed. Georg Lasson. Felix Meiner, Leipzig 1923ff., p. 368). What renders freedom of the will real, Dorschel argues, is rather to exercise choice sensibly. (shrink)

Escape from worldly dealings can be sought on a number of routes – music may open one of them. For its matter, sound, is forever fleeting, and in its realm, before and beyond language, no duties and obligations arise. Yet these features are not, as they seem, rooted in the nature of music; rather, they were shaped thus in the history that art underwent in Europe during the 19th century.

‘Form’ was a fundamental category of European philosophy from its beginnings in ancient Greece until the 19th century. As Aristotle’s examples show, it originated in craft. Making a pot out of clay is a paradigm case of giving form to matter. During its long career in philosophy, this concept of humble origin expanded into a category for everything: In the 18th century, vide Kant, cognition could have a form (and even had to have it), or ethical decisions, or the experience (...) of beauty. Yet even vis-à-vis much simpler examples objections arise; already a rock, though it must have a shape, will not have form in the same sense as, e.g., a pot. In terms of being true to worldly phenomena, there is a high prize to pay for Western philosophy’s universalization of the concept of form. (shrink)

The relationship between art and knowledge is subject to historical change. In the early 19th century, the view was still prevalent that art was about eternal values, especially beauty, whereas science was entirely involved in historical time: The former was seen as contemplative, the latter as searching. But ever since, most artists have given up that stance and hence the once imagined detachment from historical time. They search, and sometimes research, too. Does that mean that art and science have come (...) closer? (shrink)

Ancient mythology related music to pain in a twofold way. Pain is the punishment inflicted for producing inferior music: the fate of Marsyas; music is sublimation of pain: the achievement of Orpheus and of Philomela. Both aspects have played defining roles in Western musical culture. Pain’s natural expression is the scream. To be present in music at all, pain needs to be transformed. So even where music expresses pain, at the same time it appeases that very pain. Unlike the scream, (...) musical dissonance is articulate. While pain’s presence in music has to be mediated and in a way remote, it can be more differentiated than any immediate natural expression of it. Pain itself offers no structure to those who are overcome by it; rather it tends to disintegrate their lives. Music, on the other hand, is audible order in time. Such order may thus appear to be merely imposed on pain; yet it can also reveal something about pain by way of contextualizing it. (shrink)

In the lied, music interprets poetry. Interpretation is not arbitrary. At the same time, there is no such thing as a single correct interpretation of something else – at any rate not of something as complex as a poem by Goethe. Mignon’s song of longing “Nur wer die Sehnsucht kennt, / weiß, was ich leide” can be taken to manifest subjectivity utterly barren within itself. Yet the ability to express that state of mind transcends it; it implies imagination of something (...) else. Thus the freedom achieved in the act of articulation points towards a different sphere of being – “nach jener Seite”. In 1826, Schubert rendered both complementary perspectives musically, the latter in his duet D 877/1, the former in his solo setting D 877/4. Yet that contrast – openness versus closure – conveys only the barest outline. In art, detail is forever crucial to interpretation. (shrink)