In lieu of an abstract, here is a brief excerpt of the content:How the Days Fit the Works in Hesiod’s Works And DaysAndré LardinoisEver since the nineteenth century, scholars have questioned the authenticity of the catalogue, at the end of Hesiod’s Works and Days, of favorable and unfavorable days (765–828; hereafter termed Days). Ul-rich von Wilamowitz–Moellendorff omitted the entire section from his 1928 edition, and Friedrich Solmsen bracketed it in the Oxford Classical Text.1 Even scholars who defend the passage, Martin (...) West for example, are willing to concede that there is a misfit; West argues that the whole poem is a compilation of loose passages, and the Days is no exception.2 I argue here for the authenticity of the Days by demonstrating the connection of that passage to the poem’s other themes. By “authentic” I mean that the same poet who composed most of lines 1–764—minor interpolations, of course, cannot be excluded—also gave the Days its present form.3 It is possible that this poet worked from one or more preexisting calendars in verse, but if so, he went out of his way to integrate [End Page 319] them into the rest of the poem.4 This must have occurred before the end of the sixth century b.c.e., when Heraclitus refers to the passage as Hesiodic.5In a celebrated article Hermann Fränkel has shown how the idea that humans are “ephemeral”—not in the modern sense of “short– lived,” but of “having to live from day to day”—pervades archaic Greek literature.6 I believe that Hesiod expresses the same thought in Works and Days, particularly through his inclusion of the calendar of good and bad days at the end of the poem. This final section on the Days is therefore crucial to our understanding of the poem. In my analysis the Days refers back to themes which are treated more fully in the earlier parts of the poem, just as these earlier parts already allude to the idea that humans have to live from day to day. In this way the various themes of the poem, as well as the cosmological spheres they represent, are interconnected. Before examining the various themes of Works and Days, however, let us review the different arguments for and against the authenticity of the Days.QUESTIONS ABOUT AUTHENTICITYAmong recent critics, Solmsen (1963) and Walter Marg (1970, 383–86) have formulated the strongest objections against the authenticity of the Days. They point to (1) the irrational beliefs expressed in the passage, which would contradict the rational outlook of Hesiod in the rest of the poem, and (2) the fact that in the rest of the poem time is not reckoned by days of the lunar month but by the movement of the sun and the constellations. They further argue that (3) the passage on the Days is hard to reconcile with some of the instructions in the part of the poem dealing with agricultural work (286–617), (4) it is inconsistent with the [End Page 320] description of Hesiod’s farm in that earlier part of the poem, (5) lacks internal coherence, and (6) does not show Hesiod’s customary style and wit.West (1978, 346–50) has responded to most of these objections. To his arguments I here add some of my own and those of other recent critics. First of all, belief in lucky and unlucky days was widespread in antiquity,7 and similar “irrational” beliefs are found not only in W&D 724–59 (which Solmsen and Marg, following Wilamowitz, therefore want to athetize as well), but also in W&D 391–92, where Perses is instructed “to strip to sow, strip to plow, and strip to reap.” West rightly suspects that the reluctance of some critics to allow for irrational or superstitious beliefs in a classical poet like Hesiod lies behind the rejection of these lines in Works and Days.8Solmsen himself expressed doubt about the significance of the fact that the Works largely measures time by the movement of the sun and the constellations (286–617), whereas the Days are arranged according to the lunar month. In the Works reference is made... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Solon and Early Greek Poetry: The Politics of ExhortationGregory HaysElizabeth Irwin. Solon and Early Greek Poetry: The Politics of Exhortation. Cambridge Classical Studies. Cambridge: Cambridge University Press, 2005. xiv + 350 pp. Cloth, $90.Thirty years ago we understood archaic Greek elegy pretty well—or so we imagined. The elegists sang of the new developments of the archaic period, above all the rise of the polis. They wrote first-person poetry (...) celebrating their own individuality; most modern anthologies open emblematically with Archilochus's... They invoked the phraseology of epic only to reject its values: Homer's aristocratic warriors retreated in disarray before the bandy-legged general of the mercenary Archilochus. The arrival of the citizen soldier was reflected in Tyrtaeus and Callinus, whose exhortations hoplites chanted as they marched into battle. Solon was a little harder to accommodate in this picture: an odd hybrid of Jeremiah and Polonius, rising to occasional grandeur, but weak on logic and organization. Still, his praise of Eunomia helped bridge the gap between Homeric naiveté and the abstract thinking of the fifth century. And of course there was that law code...This explanatory model reflects the Geistesgeschichte approach of Bruno Snell, Hermann Fränkel, and Werner Jaeger, and it has been notably tenacious. But as a tool for explaining elegy (and lyric generally) it has come to seem pretty dated. Archilochus's "I" was problematized as early as 1964 in K. J. Dover's contribution to the Fondation Hardt Archiloque volume. But it was in the 1980s that the ice really started to break up. In an influential article (JHS 106 [1986] 13-35), [End Page 427] Ewen Bowie stressed the symposium's centrality as the performative context for elegy, thus making conservative aristocrats the genre's primary consumers (so much for the citizen soldier and the rising middle class!). The rise of "cultural poetics" left archaic society—and its poets—looking much less familiar. Finally, the conventional relationship between elegy and epic was being reexamined. Many supposed Homeric allusions melted away under closer examination (notably in Robert Fowler's The Nature of Early Greek Lyric [Toronto, 1987]). Recent scholarship has proposed dramatically later dates for the stabilization of the Homeric poems, calling into question their priority to lyric even in a chronological sense. The old picture of elegy as an archaic response to a monolithic "epic" has given way to theories of an ongoing and dynamic dialogue between (and within) both genres.These trends are reflected in Elizabeth Irwin's study of Solon, a revised version of her 1999 Cambridge dissertation. It also reflects renewed interest in the poet, appearing soon after commentaries by Maria Noussia (2001) and Christoph Mülke (2002) and almost simultaneously with a collective volume edited by Josine Blok and André Lardinois (Solon of Athens: New Historical and Philological Approaches [Leiden, 2006]), to which Irwin has contributed. Along with Solon, Irwin focuses on Callinus and Tyrtaeus, and one of her stated goals is "to help us unlearn what we think we know about this poetry and its historical significance" (18).The book is divided into three parts. In part 1 ("The Politics of Exhortation") Irwin examines the tradition of martial exhortation represented by Tyrtaeus and Callinus. The conventional view had these poets discarding Homer's individualistic front-fighters in favor of the new citizen-armies of the polis— is now a civic virtue. But as Irwin observes, "fighting for one's fatherland" is not alien to Iliadic values. For her, the similarities between martial elegy and epic outweigh any differences. As she notes, the evocation of future warfare in sympotic elegy mirrors a corresponding appeal to past feasting in the exhortations of the Iliad. Martial elegy provides (or sees itself as providing) an off-duty complement to Homeric warriors' battlefield vaunts—the sort of thing Sarpedon might have directed to Glaucus back in Lycia while the slave-boys were refilling the goblets. Such Iliadic self-fashioning constructs its sympotic audience not simply as heroic, but specifically as a heroic elite. While martial elegy may pay lip service to the polis, its center of gravity is elsewhere. Thus Tyrtaeus fragment 11W can conclude with patronizing advice to the... (shrink)

Tout en évitant la forme érudite, «Roseau pensant» évoque le genre de méditation que l'on rencontre chez S. Augustin,... Pascal (à qui l'on doit l'expression), et chez d'autres penseurs qui ont écrit ce qu'on appelle quelquefois un «Journal». Ici: méditations sur la vie intérieure, sur le sens de l'existence en rapport avec Dieu et le monde, genre philosophique où non seulement l'auteur confronte sa pensée à la pensée d'autrui, mais la soumet à l'expérience qu'il a faite de la vie au (...) cours d'une carrière de savant, de philosophe et de grand voyageur. (shrink)

If we return to the experiences of our youth, we perceive what had the power to awaken our curiosity and ambitions*. The non-conformism of the Surrealists was fostered by Romantic sources and every conceivable symbolism; even if in a roundabout manner, it was through them that the names of Klee and Kandinsky were first heard. The world of the marvellous, the only one decreed worthy of attention, opened out onto painting. The moderns of the group: Dali, Tanguy, Masson, received first (...) prize for poetic adventure, but they harked back to certain selected precursors—rightly or wrongly—for the same gifts that they had themselves: Uccello, Bosch, Dürer, Blake, and Gustave Moreau. And indeed, by retaining only the unexpected, the fantastic, and (often indulgently) the scandalous, a taste was maintained for emotional shock and association, as exemplified by the sustained style of André Breton, and the more supple prose of Aragon. (shrink)

En publiant les Principes de la philosophie du droit, Hegel ambitionnait de constituer la Science de l'Etat, et cela a l'encontre aussi bien de toute conception utopique que de toute interpretation partisane. Il disposait a cet effet des ressources theoriques presentees quelques annees auparavant dans la Science de la logique. Ce commentaire privilegie incontestablement l'aspect logique et processuel du propos hegelien. Il s'agit donc non seulement de reperer la presence de ces schemes logiques mais d'en eprouver la validite et d'en (...) verifier l'efficacite. Ce parcours logique ne fait appel qu'a l'energie et au dynamisme du pur penser - sans apport etranger, exterieur ou empirique - et a sa seule fecondite interne susceptible d'engendrer par elle-meme, de maniere immanente, la richesse et la totalite du sens. (shrink)

Plutôt qu’un quatrième pouvoir, les médias constituent un contre-pouvoir à l’ensemble des acteurs sociaux, État inclus. Les relations entre eux sont donc naturellement tendues. Cela n’empêche pas l’État de confier des missions de quasi-« service public » à des instances privées dont il détermine les rôles sans in­ter­venir pour autant dans leur mise en œuvre. En Belgique francophone, c’est le cas du Conseil de déontologie journalistique, initiative d’autorégulation des médias, dont les activités s’articulent à celles du législatif, de l’exécutif et (...) du judi­ciaire. Cette complémentarité constitue non seulement la concrétisation d’un prin­cipe de philosophie politique, la subsidiarité, mais elle est aussi une garantie du respect de l’indépendance de ce contre-pouvoir. (shrink)