Alex Oliver and Timothy Smiley provide a new account of plural logic. They argue that there is such a thing as genuinely plural denotation in logic, and expound a framework of ideas that includes the distinction between distributive and collective predicates, the theory of plural descriptions, multivalued functions, and lists.

abstract Using as a background the ongoing crisis afflicting the international cricket scene over whether or not to boycott Zimbabwe, this paper seeks to explore the moral complexities surrounding the case of the sporting boycott in general as a response to morally odious regimes. Rather than attempting to provide some easy formula by which to determine justifiable from unjustifiable boycotts, we take as our starting point many of the arguments raised in the national press and explore and develop these arguments (...) in order to shed light on the fundamental problems underlying the use of sporting boycotts as moral tools. The paper thus aims to show the inadequacy of the standard responses on both sides of the fence and, hopefully, clears the ground for future, more informed approaches to the issue. (shrink)

In this article I explore background questions with reference to two recent strands in anti-foundationalist theory: Richard Rorty's neo-pragmatism, and Keith Jenkins's postmodernist treatment of historiography. Both approaches seek fresh perspectives on our relationship to history which reject the aspiration towards a perspective positioned at any kind of Archimedean point, beyond the clutches of time and chance. Both might be called 'historicist' in the sense that rather than seeking to play down or to escape the flux of contingency, they seek (...) to embrace it. And both, it seems, seek a kind of 'zero point', as Adorno once called it: a plea to 'forget' the stain of past thinking and experience in order to begin on a new footing.4 They offer forms of therapy; a relief from anxieties to which only bad philosophical habits have made us subject. (shrink)

Anonymous, Vita Aeschyli 9 preserves the following startling report concerning Aeschylus:Some say that at the performance of the Eumenides, by bringing on the chorus one by one, as he did, he terrified the audience so that children swooned and fetuses were aborted.