Shipwreck with Spectator traces the evolution of the complex of metaphors related to the sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. This elegant essay exemplifies Blumenberg's ideas about the ability of the historical study of metaphor to illuminate essential aspects of being human. Originally published in the same year as his monumental Work on Myth, Shipwreck with Spectator traces the evolution of the complex of metaphors (...) related to the sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. The sea is one of humanity's oldest metaphors for life, and a sea journey, Blumenberg observes, has often stood for our journey through life. We all know the role that shipwrecks can play in this journey, and at some level we have all played witness to others' wrecks, standing in safety and knowing that there is nothing we can do to help, yet fixed comfortably or uncomfortably in our ambiguous role as spectator. Through Blumenberg's seemingly inexhaustible knowledge of letters, from ancient texts through nineteenth-century reminiscences and modern speeches, we see layer upon layer revealed in the meaning humans have given to these metaphors; and in this way we begin to understand what metaphors can do that more straightforward modes of expression cannot. This edition of Shipwreck with Spectator also includes "Prospect for a Theory of Nonconceptuality," an essay that recounts the evolution of Blumenberg's ideas about metaphorology in the years following his early manifesto "Paradigms for a Metaphorology.". (shrink)

From the ancient Egyptian tale of a Shipwrecked Sailor through to Sinbad and Robinson Crusoe, the stranded castaway living and philosophizing alone on a strange, desert island is a theme which has captured the imaginations of writers spanning cultures and millennia. Most familiar to Western literary historians is Daniel Defoe’s Robinson Crusoe, which inspired generations of writers from Jonathan Wyss and William Golding to Michel Tournier and J.M.Coetzee. However, little attention has been paid to Defoe’s antecedents, such as the remarkable (...) HayyIbn Yaqzan by twelfth-century Arab physician and philosopher, Muhammad Ibn Tufayl. Mahmoud Baroud here conducts a detailed comparative textual analysis of Hayy Ibn Yaqzan and Robinson Crusoe, and concludes that Daniel Defoe was likely to have been deeply influenced by Ibn Tufayl’s Arabic text. This book will be of interest to students and scholars of comparative literature, along with medieval Arabic literature, culture, and philosophy. (shrink)

In 2007, a private corporation specializing in deep-sea salvage retrieved a treasure-laden shipwreck in international waters southwest of the Iberian Peninsula. The wreck was that of a Spanish warship that sunk during the Napoleonic wars. Following the discovery, a legal dispute arose in U.S. federal courts, between the corporate salvors, the Kingdom of Spain, and other litigants. At issue in the legal proceedings was the status of the shipwreck and whether it was protected by sovereign immunity. At the (...) heart of this case are differing political imaginations concerning the authority of states and the role of corporations in the contemporary global order. Through a close reading of court documents and the narratives in which the courts’ rulings are embedded, we demonstrate that the case is symptomatic of the tension in neoliberal sovereignty between two overlapping and at times competing political rationalities: the neoliberal logic of capital and commerce and the logic of sovereign prerogative. (shrink)

We don't understand the reactionary mind. As a result, argues Mark Lilla in this timely book, the ideas and passions that shape today's political dramas are unintelligible to us. The reactionary is anything but a conservative. He is as radical and modern a figure as the revolutionary, someone shipwrecked inthe rapidly changing present, and suffering from nostalgia for an idealized past and an apocalyptic fear that history is rushing toward catastrophe. And like the revolutionary his political engagements are motived by (...) highly developed ideas. Lilla unveils the structure of reactionary thinking, beginning with three twentieth-century philosophers--Franz Rosenzweig, Eric Voegelin, and Leo Strauss --who attributed the problems of modern society to a break in the history of ideas and promoted a return to earlier modes of thought. He then examines the enduring power of grand historical narratives of betrayal to shape political outlooks ever since the French Revolution. These narratives are employed to serve different, and sometimes expressly opposed, ends. They appear in the writings of Europe's right-wing cultural pessimists and Maoist neocommunists, American theoconservatives fantasizing about the harmony of medieval Catholic society and radical Islamists seeking to restore a vanished Muslim caliphate. The revolutionary spirit that inspired political movements across the world for two centuries may have died out. But the spirit of reaction that rose to meet it has survived and is proving just as formidable a historical force. We live in an age when thetragicomic nostalgia of Don Quixote for a lost golden age has been transformed into a potent and sometimes deadly weapon. Mark Lilla helps us to understand why. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 9, Page 1302-1328, November 2022. Robinson Crusoe is a mythic character who lives not only in the popular imaginary but through the history of political and social thought. Defoe’s protagonist lives marooned on his island, isolated and apart from society. The narrative is a perfect naturalisation of the ‘bourgeois’ world, dependent on an ontology of the self-sufficient individual. This article analyses this lineage in the social contract theory of Hobbes, Locke and Rousseau. Later, (...) Hegel used the novel to illustrate his dialectic of mastery/servitude. Challenging the atomism of the state of nature, Hegel’s theory of recognition gives an account of positive freedom, where the individual is formed in and through social interdependence. This sociality is continued by Marx, who satirises Defoe's novel in his value-form critique of political economy. The value-form provides insight into Robinson's island labour and Marx's difference with Locke's labour theory of value. For Marx, the myth of ‘natural man’ hides the domination of capitalist development and Robinson Crusoe reflects the internalisation of the abstract rationality of commodity society. However, Marx's immanent critique of the novel points to a radical idea of social life and freedom. (shrink)

This essay assesses Quentin Meillassoux’s numerological approach to Mallarmé’s problematic but formally innovative poem “Un Coup de dés,” using a semiotic methodology to reveal the deficiencies of that approach from the viewpoint of literary theory. Section 1 describes my expanded version of Michael Riffaterre’s semiotic theory of the structure of modern poetry. Poems are generated by two underlying propositions, each of which governs the structure of a set of symbolic images on the textual surface. These “matricial” propositions are linked by (...) a syntagmatic relation. The primary text functions as subject-sign of the Peircean semiotic triad; its object-sign is an intertextual model. The interpretant of these two textual signs is assembled by the reader and has a sociolectic counterpart – or context – which has similar lexical content but contrasting internal structure. This contrast may produce a change in the preconceptions of the reader. Section 2 examines Meillassoux’s approach to Mallarmé’s poem, which is preoccupied with a “number” supposedly encrypted in the text. This is not convincingly related to the propositional structure of the poem. In Section 3, the text is interpreted using a semiotics-based methodology. The poem is generated by two matrices: one concerning the “Master” versus the storm, and the second concerning the power of Chance. The relation linking the matrices is clarified. This analysis is compared with that of Meillassoux throughout. Section 4 resumes the differences between Meillassoux’s concentration on the “number” and the “siren,” and my analysis which centres on the relation between the Master (symbolising traditional poets and their preferred metre) and the Constellation (symbolising the wide range of new future poetic metres and formats). Meillassoux’s approach turns out to be unconvincing. (shrink)

Czech history defies dominant Western progressive historical narratives and moral evolutionism. Czech free-market democracy was defeated and betrayed three times in 1938, 1948, and 1968. The Czech Protestants were defeated in the fifteenth and seventeenth centuries. Consequently, Czechs have a different perspective on the traditional questions of speculative philosophy of history: Where are we coming from? Where are we going? What does it mean? They ask further: where and why did history go wrong?Jan Patocka , the leading Czech philosopher and (...) the author of Charter 77 of human rights, traced the repeated historical tragedies of the Czechs to the origins of their national movement in the imperial liberation of the serfs in the eighteenth century, debating the dominant nationalistic belief in national historical continuity, leading to linguistic nationalism. Patocka accused his nation of being "petty," of low social origins and interests, unlike their elitist neighbors. Despite his obsession with aristocracies bent on any transcendence, Patocka thought that the Czechs should have fought the Nazis in 1938 for the transcendental ideal of democracy. Linguistic nationalism led the Czechs and their leaders to choose life in slavery in their Hegelian conflict with the German masters.The Czech reception of Patocka's philosophy of Czech history has been mixed. I criticize the philosophical, political, and historical shortcomings of Patocka's discussion. Contemporary Czech attitudes to their history are forgetfulness; new Czech historicism tracing a continuity from Jan Hus to Václav Havel; and a search for historical truth and philosphical understanding of history that has political implications. (shrink)

This paper revisits Fleeming Jenkin’s anonymous review of Charles Darwin’s _Origin of Species_, published in the _North British Review_ in June 1867. This review is usually revered for its impact on Darwin’s theory of descent with modification. Its classical interpretation states that Jenkin, a Professor of Engineering at the University of Edinburgh, made a compelling case against natural selection based on the fact of “blending inheritance” and the “swamping” of advantageous variations. Those themes, however, are strikingly absent from Jenkin’s text. (...) They were later read into Jenkin’s text by scholars trying to explain how Darwinian selection was reconciled with Mendelian genes and the birth of the Modern Synthesis. While many scholars have tried to measure Jenkin’s effect on Darwin, the value of the 1867 review remains unclear. This paper re-examines its content and concludes that Jenkin’s “able review” was in fact written by an engineer whose competencies in biology were very low. Focusing on the figure of the shipwrecked white sailor isolated on an island inhabited by Black people, this paper also underlines the racial assumptions behind Jenkin’s review. “Blending inheritance” is thus a theme linked to theoretical reworkings on the question of race and skin colors, taking its root in Galton’s typology of heredity. Darwin was probably mostly unimpressed by Jenkin’s review. The problems raised by the review were not so much “blending inheritance” and “swamping” but a conundrum of problems related to the effects of intercrossing on variation and reversion. (shrink)

The paper focuses on the metaphor of existence as a way of philosophical talking about life. Metaphorology was introduced by Hans Blumenberg (1920–1996), one of the most important and innovative thinkers of the 20th century. The works of Blumenberg fall generally within the category of the hermeneutics of metaphor. It is, for him, the question of substituting the study of the more hidden work of metaphors, symbols, and myths for the traditional history of concepts and doctrines. One can say there (...) are two inextricable elements of Blumenberg’s thought: (1) a theory of nonceptuality as essential to philosophizing and (2) an exploration of culture understood as humanity’s unceasing attempts to relieve itself of the weight of the absolutism of reality. Metaphors play an important role in the philosophical language: they are not impediments to clear thinking and clear expression, but rather they are images, iconic constants used by philosophers. Metaphors are able to grasp the reality better than philosophical concepts. According to Blumenberg, metaphors are a kind of reality models, the work of human imagination. One of such models is the metaphor of seafaring/shipwreck and the present article focuses on multiple actualisations of the metaphor in Blumenberg’s philosophy. (shrink)

By examining the theories of justice developed by Joseph Butler and David Hume, the author discloses the conceptual limits of their moral naturalism. Butler was unable to accommodate the possibility that justice is, at least to some extent, a social convention. Hume, who more presciently tried to spell out the conventional character of justice, was unable to carry through that project within the framework of his moral naturalism. These limits have gone unnoticed, largely because Butler and Hume have been misinterpreted, (...) their relation misconstrued. Exegetes have persistently misunderstood the differences that divide them, have misconceived the notion of "public utility" in Hume's account of justice, have wrongly interpreted Butler as a forerunner of Immanuel Kant, and have altogether missed the degree to which Hume stands in the tradition of Thomas Aquinas. (shrink)

This article analyzes the published testimonies of French shipwreck survivors to trace the emergence of a settler colonial ideal in nineteenth-century France. Emerging from the encounters of French survivors with the men of the Anglo-World, this ideal encouraged compassionate, paternalist authority as a solution to the ongoing conflict of paternal despotism and disorderly fraternal freedom in France. The community of sentiment imagined in shipwreck testimonies was gendered and racialized, cultivating white compassion across colonial empires. These transimperial affective ties (...) allowed the settler colonial ideal to persist in the early twentieth century, despite the abandonment of further projects for French settlement. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 43.4 (2005) 490-491 [Access article in PDF] Husain Sarkar. Descartes' Cogito: Saved from the Great Shipwreck. New York: Cambridge University Press, 2003. Pp. xviii + 305. Cloth, $65.00. Descartes's first critics attacked his cogito, ergo sum as deficient; his present critics attack it as excessive. Either way, it is an Archimedean point in Descartes's world and merits a book-length study. In this (...) book, Husain Sarkar makes a powerful case that the cogito is not an argument, but rather an "experiment," generating an intuition enabling Descartes to retrieve a timber from what Bourdin called the "great shipwreck" of the hyperbolic doubt.Sarkar places the experiment within his own fresh readings of Descartes's philosophy. They will be illuminating to new Descartes scholars. Some readings will seem perverse or cryptic. Constructive passages illuminate more, polemic passages less, as when Sarkar finds seven flaws in Hintikka's cogito interpretation. Despite the polemic excesses, Sarkar writes with modesty, epitomized by his slogan, "Reason with them in the most courteous manner."With verve and imagination Sarkar presents the cogito as an experiment which can be carried out in any world at all and yields an intuition that qualifies as a Cartesian first principle. He suggests various implications of his interpretation—for example, for the epistemic role of will: "The will initially learns the limits that it must recognize only at the foot of the cogito... It is in the state of the cogito that the will learns what it means to be ineluctably inclined toward affirming a proposition, and what it is to be free" (256).What is the content of the intuited 'I exist'? Sarkar calls upon Robert Adams's notion of a "primitive thisness," entirely distinct from a substance's properties or "suchnesses," and upon David Lewis's thesis that besides knowing propositions a person can know a self-ascription of a property. Still, he makes no headway at all. True, the question is extraordinarily [End Page 490] difficult. It has not yielded appreciably to brilliant phenomenologists or brilliant students of direct reference and indexicality or, for that matter, me. The content of 'I' statements is a topic for another book, and no one I know of is writing it.In the book's centerpiece, Sarkar marshals a series of attacks on the cogito as argument. Sometimes they miss—more polemic overkill. Usually they hit home. Their cumulative effect is persuasive.Descartes says that "I think, therefore I exist" is the first principle of his philosophy (VI, 32; VIIIA, 7; V, 147: references are to the Adam and Tannery edition). But if the cogito were an argument, one of its premises would become his first principle.An argument requires movement of thought and that requires reliance on memory (X, 370 and 408), and in the cogito Descartes strips memory of its credentials (VII, 24, superseding the assurances of X, 368).An argument relies on logical principles, but Descartes suspects these and reasoning generally. In the First Meditation he calls into doubt the simplest mathematics; elsewhere he generalizes from mathematics to "self-evident principles" and to "all the arguments I had previously taken as demonstrative proofs" (VI, 32; IXB, 6; similar aspersions are cast in V, 137 and 139). (But see also Mark Olson, "Descartes' First Meditation: Mathematics and the Laws of Logic" JHP 26 [1988]: 407–438.)I'll add a wrinkle. Descartes's mouthpiece Eudoxus says you can use your own doubt to deduce facts that are even more certain than those commonly built upon the great principle that it is impossible that a thing should both exist and at the same time not exist (X, 522). The conclusion of any argument rests on such logical principles. If the cogito were an argument, its certainty could not exceed theirs. Descartes suggests here that it does.Sarkar also cites Descartes's denigrations of "logic," but these often pertain not to reasoning generally but to syllogistic logic. Thus Margaret Wilson took the cogito to be a nonsyllogistic argument. Still, Sarkar effectively deploys... (shrink)

1. The maritime community has strong masculine roots. According to the International Maritime Organization,1 women today represent only 1.2% percent of the global seafarer workforce. Most of those...

With an overwhelming volume of studies on Venice's port architecture and coastal protection, the challenge remains to convey to lay readers how the science of hydraulics was applied. This article reports an experiment in creating a vivid narrative of the movement and effects of sand over a relatively short period of twelve years (1610-1622), which, in this case, started with the fifteen-year-old carcass of a shipwreck at risk of capsizing. I emulate how the erosion of sandbanks triggered by the (...) stranded wreck affected the subsequent silting of the canal. This, in turn, influenced the relationships between land and sea, access and obstruction, and arrivals and departures. Such a microhistory of sand offers a broad picture of the maritime know-how and technology that came into play. Finally, the essay reflects on microhistory's potential to explore port architecture’s technicalities. This approach yields an understanding of the exquisitely practical, in-depth details of the engineering response to significant, contemporary, normal, and catastrophic events. (shrink)

In Descartes' Cogito, Saved from the Great Shipwreck, Husain Sarkar convincingly argues that the Cartesian cogito as it appears in Meditation Two cannot be an argument but must be understood as an intuition emerging from the process of ('extraordinary') doubt. Sarkar mentions in the Preface that only the negative part of his thesis in intended to be decisive (X). However, as the book unfolds it becomes evident that his "positive" effort, his interpretation of the cogito as an intuition although (...) not decisive, is no less important. Sarkar shows how his reading of the cogito can account for other aspects of Descartes' writings (memory, the will, the theory of deduction) and offers this as further proof for the correctness of his interpretation. (shrink)

Perhaps the most famous proposition in the history of philosophy is Descartes' cogito 'I think, therefore I am'. Husain Sarkar claims in this provocative interpretation of Descartes that the ancient tradition of reading the cogito as an argument is mistaken. It should, he says, be read as an intuition. Through this interpretative lens, the author reconsiders key Cartesian topics: the ideal inquirer, the role of clear and distinct ideas, the relation of these to the will, memory, the nature of intuition (...) and deduction, the nature, content and elusiveness of 'I', and the tenability of the doctrine of the creation of eternal truths. Finally, the book demonstrates how Descartes' attempt to prove the existence of God is foiled by a new Cartesian Circle. (shrink)

The views of thirteenth century Catholic thinker Thomas Aquinas and twentieth century economist Milton Friedman on the social responsibility of business are contrasted by probing the foundations of their positions. The basis of Aquinas' normative stance in political economy is found in the metaphysical and moral realism of the classic tradition. The role Descartes and Hobbes played in overturning this philosophical starting point and ushering in an age of ideology is traced out. Friedman's commitment to Comte's vision of positivism is (...) revealed and what this entails for metaphysics, ethics, and economics is given. (shrink)

Nouvelles données sur les bijoux de l’épave d’Anticythère : analyse stylistique et chronologique. Cet article, qui traite des bijoux en or hellénistiques inédits provenant de l’épave d’Anticythère, propose une datation du milieu du iie s. av. J.-C. Les bijoux sont examinés parallèlement à des exemplaires de style et de fabrication semblables, comme en particulier une paire de boucles d’oreilles d’Éros-Attis provenant d’un trésor bien daté de l’île de Délos. Une analyse comparative des boucles d’oreilles d’Anticythère et de Délos, sur le (...) plan typologique et dans le cadre de la production d’un atelier, recoupe les récentes données chronologiques fournies par l’épigraphie pour la fabrication du Mécanisme d’Anticythère. (shrink)

In these collaborative, theoretical and performative pieces our aim is towards radical expansions of various formal parameters in western philosophy through art praxis that de-centres the roles played by the animal subject, industrial technologies, and soil in modernist paradigms. Exceeding these conventions demands pushing against/past blockages (aporias) to broader engagement with whatever refigured subjectivities are called into constellative gathering in the process. The immanent multiplicity of constellative (Soilogic) analysis ‘cuts in all directions’ in its insistence on attempting to ‘upend’ multiple (...) disciplines simultaneously rather than remaining mere cross-disciplinary embellishment between art and philosophy. Opening new ruptures in horizons of interpretation and maintaining them through artistic and philosophical agitation involves a ‘fidelity to the impossible’ (Young), and a reach beyond the known and tried. It is also a reach towards a blurring of Techne and poeisis in the inter(fur)faces of Dawn (a dark Horse), Gladys (a Goat), and the debris field of the zeppelin USS Macon that crashed into the ocean and sank off the coast of Monterey, CA in 1935. Initially we did so by painting portraits of Nietzsche and Benjamin on Dawn, putting them into conversation with each other on the question of Animality. We then attempted to make ‘haptic’ contact with the Macon while posing performative questions about interrelations, telepathies and hauntings among Animalities, Techne and more-than-humanist Materialities. (shrink)