Results for ' polyphony oratory'

493 found
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  1.  7
    The art of life.Hermann Keyserling - 1937 - London,: Selwyn & Blount. Edited by Krishnarao Shivarai Shelvankar.
    Philosophy is an art.--On right designation.--On the art of oratory.--The mystery of polarisation.--On concentration.--On polyphony.--Utopians and prophets.--Fruitful disorder.--The conflict between youth and age.--The individual and the spirit of the age.--The limited number of important cultural forms.--The significance of Chinese art.--Death and re-birth.--On the future of the Mediterranean civilisations.--Life is and art.--The culture of beauth.
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  2.  22
    Educational Polyphony.Yael Naot-Ofarim & Sonia Solomonic - 2015 - Studies in Philosophy and Education 35 (4):385-397.
    While much has been written about relativism, multiculturalism and dialogue the case of education is special as in education the teacher aims to promote a set of values. This role of the teacher as bearing a worldview to be advanced is rarely addressed in the literature and is the focus of this paper. In the first section we explore the concept of polyphony and the vision it presents for education. We then turn to the idea of dialogue as developed (...)
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  3.  17
    Polemic polyphony : Voices of the fools and the righteous in Sheikh Jarrah, East Jerusalem.Chaim Noy - 2022 - Pragmatics and Society 13 (5):815-836.
    Bakhtin famously argued that language-as-used is essentially dialogic. One pragmatic implication concerns how dialogicity is established in various contexts. In political discourse, polemic polyphony emerges from the juxtaposition of adversarial voices of political actors: a dialogue in which different voices index different ideological orientations. Polyphonic ensembles establish discoursal scenes and make them recognizable, enabling distinctions such as those between ‘us’ and ‘them’, and between heroes and villains. Overall, they assist speakers in the semiotic mediation of political relations.
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  4.  37
    Harmony, polyphony, ornamentation: Musical rhetoric in jonson's hymenaei and crashaw's “musicks duell ”.Adam Piette - 1998 - Angelaki 3 (2):119 – 132.
    (1998). Harmony, polyphony, ornamentation: Musical rhetoric in jonson's hymenaei and crashaw's “musicks duell”. Angelaki: Vol. 3, The love of music, pp. 119-132.
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  5.  30
    Polyphony of Anxiety. The Interview with Stefano Micali about His Book Phenomenology of Anxiety.Adriana J. Mickiewicz - 2023 - Principia 70 (Tom 70):175-186.
    Polyphony of Anxiety. The Interview with Stefano Micali about His Book Phenomenology of Anxiety.
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  6.  24
    Linguistic polyphony in UN speeches on climate change: an analysis of implicit argumentation.Guofeng Wang, Xiuzhen Wu, Yupei Xiang & Yingzi Qu - 2024 - Critical Discourse Studies 21 (2):146-163.
    This study employs quantitative and qualitative methodologies mainly to examine how UNFCCC Executive Secretaries use concessive but-constructions and linguistic polyphony to implicitly argue points of view and convey stance in speeches on climate change. Our findings indicate that, in order to achieve its goals for global climate governance while adhering to humanitarian and diplomatic principles, UNFCCC speeches delivered to the Parties to the Convention and the Stakeholders emphasize the urgent need for concerted action on climate change while implicitly expressing (...)
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  7.  42
    Diversity as Polyphony: Reconceptualizing Diversity Management from a Communication-Centered Perspective.Hannah Trittin & Dennis Schoeneborn - 2017 - Journal of Business Ethics 144 (2):305-322.
    In this paper, we propose reconceptualizing diversity management from a communication-centered perspective. We base our proposal on the observation that the literature on diversity management, both in the instrumental and critical traditions, is primarily concerned with fostering the diversity of organizational members in terms of individual-bound criteria. By drawing on Bakhtin’s notion of polyphony as well as the ‘communicative constitution of organizations’ perspective, we suggest reconsidering diversity as the plurality of ‘voices’ which can be understood as the range of (...)
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  8.  21
    The polyphony principle.Bree Beal - 2022 - Behavioral and Brain Sciences 45:e222.
    Bermúdez's “rational framing effects” are consequences of a counterintuitive phenomenon that I call “normative polyphony”: the reality that a single action may, with logical consistency, sustain diverse positive and negative judgments. I show that normative polyphony emerges from “ontological polyphony” – that is, diverse possible framings of relevant details – and illustrate this “polyphony principle” through a reading of Dostoevsky's (1993) Crime and Punishment.
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  9.  19
    (1 other version)Greek Oratory: Tradition and Originality.Stephen Usher - 1999 - Oxford University Press UK.
    Speakers address audiences in the earliest Greek literature, but oratory became a distinct genre in the late fifth century and reached its maturity in the fourth. This book traces the development of its techniques by examining the contribution made by each orator. Dr Usher makes the speeches come alive for the reader through an in-depth analysis of the problems of composition and the likely responses of contemporary audiences. His study differs from previous books in its recognition of the richness (...)
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  10.  47
    Oratory and Rhetoric in Renaissance Medicine.Nancy G. Siraisi - 2004 - Journal of the History of Ideas 65 (2):191-211.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 65.2 (2004) 191-211 [Access article in PDF] Oratory and Rhetoric in Renaissance Medicine Nancy G. Siraisi Hunter College In Renaissance medical practice rhetoric had an ambiguous reputation. Many authors warned physicians against use of persuasion or repeated some version of the truism that patients are cured not by eloquence but by medicines. On the other hand, physicians were also reminded that by (...)
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  11.  31
    Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings.Nikola Chardonnens & Michael Lackner (eds.) - 2014 - De Gruyter.
    Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature (...)
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  12.  17
    Hellenistic Oratory: Continuity and Change.Christos Kremmydas & Kathryn Tempest (eds.) - 2013 - Oxford University Press.
    This collection of fourteen essays explores the pervasive influence and dynamic character of oratory during the Hellenistic period and survey its different manifestations in diverse literary genres and socio-political contexts, especially the dialogue between the Greek oratorical tradition and the developing oratorical practices at Rome.
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  13.  32
    La Polyphonie des Temps chez Vintila Horia.Cecilia Popescu Latiş - 2008 - Proceedings of the Xxii World Congress of Philosophy 26:93-101.
    La communication se rapporte à la richesse des interprétations temporelles par l’intermédiaire de Vintila Horia, l’une des personnalités du XX‐e siècle, qui l’applique à l’histoire du monde par ses personnages, leurs époques et les conceptions de vie correspondantes, phénomène exprimé à l’aide de l’art littéraire d’une complexité particulière, invitant à la méditation et aux réactions nécessaires. Le but de sa création est d’éclaircir la personnalité humaine dans sa variété expressive, modulée par le contexte philosophique dans lequel chacun réagit conformément à (...)
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  14.  40
    Polyphony and polarization in public discourses: hegemony and dissent in a Slovene policy debate.Kristof Savski - 2019 - Critical Discourse Studies 17 (4):377-393.
    Contemporary public discourses are, despite the growing array of technologies and spaces for participation, becoming increasingly characterized by polarization – the formation of two distinct and r...
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  15.  8
    Transversal Polyphonies: A Reflection with Miguel D. Norambuena on Félix Guattari's Trip to Chile.Paulina E. Varas - 2019 - Deleuze and Guattari Studies 13 (3):377-394.
    This article is based on a series of conversations with the social psychologist Miguel D. Norambuena regarding Félix Guattari's visit to Chile in 1991. The conversation deals with different events, ranging from the process of dictatorial repression in Chile with the political exile of Miguel D., experiences of intersection between Chilean revolutionary processes and the experiences of May 1968, as well as forms of production of subjectivity in the neoliberal scenario of the 1980s. Different tools for practical reflection take place (...)
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  16.  17
    Oratory and Theatre in the Late Roman Republic.George Bogdan Cristea - 2024 - Hermes 152 (2):165-190.
  17. Mpai oratory.A. S. Abarry - 1993 - In Kariamu Welsh-Asante, The African aesthetic: keeper of the traditions. Westport, Conn.: Greenwood Press. pp. 85--101.
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  18.  10
    Die Polyphonie der Wirklichkeit: Erkenntnistheorie und Ontologie in der Theologie Dietrich Bonhoeffers.Tomi Karttunen - 2004 - Joensuu: Joensuun yliopisto.
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  19.  30
    (1 other version)Characterization in Drama and Oratory—Poetics 1450a20.Lionel Pearson - 1968 - Classical Quarterly 18 (1):76-83.
    It may not occur to a modern reader of the Poetics to think that Aristotle is drawing contrasts between poetry and oratory. But there is one aspect of tragedy which must have forced him to think of a contrast with oratory, especially forensic oratory, even though he seems to make no special effort to draw it to the reader's attention. This is the matter of characterization. He does not believe that it is the purpose of tragedy to (...)
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  20.  14
    ‘The new oratory’: Public speaking practice in the digital, neoliberal age.Fiona Rossette-Crake - 2020 - Discourse Studies 22 (5):571-589.
    This study discusses the paradigm shift that has occurred in public speaking practice in the first two decades of the 21st century, conceptualised under the term ‘the New Oratory’. The New Oratory is a product of the digital revolution in that it brings together formats that are typically relayed via videos uploaded to the Internet, and serves as a vector of the new, digital economy. Drawing on previous critical work linking language and discourse to what is referred to (...)
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  21.  11
    Antiphon the Athenian: Oratory, Law, and Justice in the Age of the Sophists.Michael Gagarin - 2002 - University of Texas Press.
    "Gagarin demonstrates persuasively that Antiphon the logographer is identical with the Antiphon who made intellectual contributions on more abstract topics." —Mervin R. Dilts, Professor of Classics, New York University Antiphon was a fifth-century Athenian intellectual (ca. 480-411 BCE) who created the profession of speechwriting while serving as an influential and highly sought-out adviser to litigants in the Athenian courts. Three of his speeches are preserved, together with three sets of Tetralogies (four hypothetical paired speeches), whose authenticity is sometimes doubted. Fragments (...)
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  22. Polyphonie.Charles de Montet - 1944 - Philosophy 19 (73):177-181.
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  23.  27
    Polyphonie. By Dr Charles de Montet. (Neuchatel: Editions de la Baconnière. Pp. 259. Price unknown.).Ian W. Alexander - 1944 - Philosophy 19 (73):177-.
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  24.  25
    Mastering Oratory: The Mock-Trial in Apuleius’ Metamorphoses 3.3.1–7.1.Giuseppe La Bua - 2013 - American Journal of Philology 134 (4):675-701.
    The playful manipulation of ritual, literary, and legal elements marks the Festival of Laughter in Book 3 of the Metamorphoses (1–11) as one of the most innovative episodes of Apuleius’ novel. This article examines the rhetorical and judicial strategy adopted by the prosecutor and the defendant in the mock-trial. It also argues that Lucius’ defense speech is modeled on Cicero’s Pro Milone. By revitalizing the portrait of Cicero acting in defense of Milo, the learned novelist devises a new, amusing form (...)
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  25. 6. Oratory and History: Godwin’s History of the Life of William Pitt, Earl of Chatham.Victoria Myers - 2011 - In Victoria Myers & Robert Maniquis, Godwinian Moments: From the Enlightenment to Romanticism. University of Toronto Press. pp. 149-171.
     
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  26.  81
    Political Oratory and Conversation.Gary Remer - 1999 - Political Theory 27 (1):39-64.
  27. Polyphonie.Charles de Montet - 1940 - Neuchâtel,: La Baconnière.
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  28. Enkinaesthetic polyphony: the underpinning for first-order languaging.Susan A. J. Stuart & Paul J. Thibault - unknown
    We contest two claims: (1) that language, understood as the processing of abstract symbolic forms, is an instrument of cognition and rational thought, and (2) that conventional notions of turn-taking, exchange structure, and move analysis, are satisfactory as a basis for theorizing communication between living, feeling agents. We offer an enkinaesthetic theory describing the reciprocal affective neuro-muscular dynamical flows and tensions of co- agential dialogical sense-making relations. This “enkinaesthetic dialogue” is characterised by a preconceptual experientially recursive temporal dynamics forming the (...)
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  29.  23
    Oratory and Political Career in the Late Roman Republic by Henriette van der Blom.Andrew R. Dyck - 2017 - Classical World: A Quarterly Journal on Antiquity 110 (3):427-428.
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  30.  46
    Oratory Ancient and Modern M. Edwards, C. Reid (edd.): Oratory in Action . Pp. viii + 216. Manchester and New York: Manchester University Press, 2004. Paper, £15.99. ISBN: 0-7190-6281-0 (0-7190-6280-2 hbk). [REVIEW]C. E. W. Steel - 2005 - The Classical Review 55 (02):488-.
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  31.  19
    Review: Oratory in Action. [REVIEW]C. E. W. Steel - 2005 - The Classical Review 55 (2):488-490.
  32.  11
    The Oratory of Andocides.George A. Kennedy - 1958 - American Journal of Philology 79 (1):32.
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  33.  32
    Communicative Dynamics and the Polyphony of Corporate Social Responsibility in the Network Society.Itziar Castelló, Mette Morsing & Friederike Schultz - 2013 - Journal of Business Ethics 118 (4):683-694.
    This paper develops a media theoretical extension of the communicative view on corporate social responsibility by elaborating on the characteristics of network societies, arguing that new media increase the speed and connectivity, and lead to higher plurality and the potential polarization of reality constructions. We discuss the implications for corporate social responsibility of becoming more polyphonic and sketch the contours of “communicative legitimacy.” Finally, we present this special issue and develop some questions for future research.
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  34.  9
    Classical moral philosophy and oratory in Finland, 1640-1713.Iiro Kajanto - 1990 - Helsinki: Suomalainen Tiedeakatemia.
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  35.  60
    Annoter la polyphonie dans les textes : le cas des passages entre guillemets.Fanny Rinck & Agnès Tutin - 2007 - Corpus 6:79-100.
    Dans cet article, nous présentons une étude de faisabilité sur l’annotation des passages entre guillemets, phénomènes linguistiques polyphoniques qui résistent souvent à une lecture univoque et à un schéma d’annotation simplificateur. La faisabilité de l’annotation a été testée à travers une étude inter-annotateurs qui a montré, avec un accord pour 80% des annotations effectuées, que des valeurs stables (dénomination, citation, autonymie, commentaires modalisants) pouvaient être postulées. Les cas de désaccord, en partie inévitables face à la complexité du phénomène, peuvent être (...)
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  36.  14
    Religious Discourse in Attic Oratory and Politics.Rebecca Van Hove - 2023 - Kernos 36:243-247.
    In this book, Andreas Serafim sets out to investigate the use of religious discourse, by which he means any reference to religious ideas, beliefs, and attitudes in public speaking contexts in classical Athens. Like Gunther Martin (Divine Talk: Religious Argumentation in Demosthenes, 2009), Serafim examines religion primarily as a tool for persuasion, but he differentiates himself from Martin’s book by offering a more comprehensive study: he aims to take into account all extant speeches from t...
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  37.  6
    (1 other version)Logik der Polyphonie.Ehrenfried Muthesius - 1934 - Berlin: Junker und Dünnhaupt.
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  38. Spaces of Polyphony.[author unknown] - 2012
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  39.  40
    Intersections between Paul Ricoeur’s Conception of Narrative Identity and Mikhail Bakhtin’s Notion of the Polyphony of Speech.Małgorzata Hołda - 2016 - Forum Philosophicum: International Journal for Philosophy 21 (2):225-247.
    Proposing his conception of narrative identity in Oneself as Another, Paul Ricoeur holds that human life is comprehensible, once the story of a man’s life has actually been told, and it is the narrative of one’s life which constructs one’s identity. Developing his theory of heteroglossia and the polyphony of human speech, explicated chiefly in Speech Genres and The Dialogic Imagination, Mikhail Bakhtin recognizes the intrinsically intertwining character of utterance and response. According to him, utterance is always addressed to (...)
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  40. M.T. Ciceronis Oratoris Clarissimi Rhetoricae Veteris Liber I.Marcus Tullius Cicero, Battista Torti & Marius Victorinus - 1482 - Baptista de Tortis.
     
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  41. The influence of forensic oratory on thucydides'principles of method.F. M. Cornford & J. H. Finley - 1999 - Classical Quarterly 49:62-73.
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  42. Disrupting the computer lab (oratory): Names, metaphors, and the wireless writing classroom.Meredith Zoetewey - 2004 - Kairos: A Journal of Rhetoric, Technology, and Pedagogy 9 (1).
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  43.  75
    Greek Oratory I. Eschine, Contre Timarque: Sur l'Ambassade infidèle. Texte établi et traduit par Victor Martin et Guy de Budé. Paris: Société d'Edition Les Belles Lettres, 1927. Isocrates, de Pace and Philippus. Ed. with a Historical Introduction and Commentary by M. L. W. Laistner. Published for Cornell University by Longmans, Green and Co., 1927. $2.50. [REVIEW]J. F. Dobson - 1928 - The Classical Review 42 (05):189-191.
  44.  35
    Between interpretation and the subject: Revisiting Bakhtin’s theory of polyphony.Hongbing Yu & Jie Zhang - 2021 - Semiotica 2021 (238):61-72.
    This paper affords a critical and historical reappraisal of Bakhtin’s theory of polyphony. It addresses the issue of the subjectivity of interpretation in the reception and formulation of this highly influential theory in literary semiotics. Following a revaluation of three major patterns of interpretation of polyphony that have emerged in the global field of literary theory since 1929, as well as Bakhtin’s shift in emphasis in 1963, we find that Bakhtin’s theorizing of polyphony, based on his seemingly (...)
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  45.  1
    M.T. Ciceronis oratoris clarissimi rhetoricae veteris liber I.Marcus Tullius Cicero, Giovanni da Legnano, Marius Victorinus & Antonio Zarotto - 1485 - Antonius Zarotus, for Johannes de Legnano.
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  46.  15
    Reading Republican Oratory: Reconstructions, Contexts, Receptions ed. by Christa Gray, et al.Andrew R. Dyck - 2019 - Classical World: A Quarterly Journal on Antiquity 112 (3):226-227.
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  47.  14
    The Downfall of Oratory: Our Undemocratic Arts.Elmer Edgar Stoll - 1946 - Journal of the History of Ideas 7 (1/4):3.
  48.  11
    Analysis of Farewell Sermon in the Context of Oratory Technique.Nesim Sönmez - 2023 - van İlahiyat Dergisi 11 (18):122-139.
    Oratory is an art based on words. Therefore, it can be said that rhetoric exists along with the history of humanity. The art of oratory is one of the most important tools used by genius personalities who influence people with their ideas in the world, while conveying their messages. Oratory develops more in nations where freedom of opinion exists. In places where there is freedom of thought, people convey their messages directly to their addressees without any worries. (...)
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  49.  45
    “A Rhetoric in Conduct”: The Gentleman of the University and the Gentleman of the Oratory.M. Katherine Tillman - 2008 - Newman Studies Journal 5 (2):6-25.
    Newman’s explicit presentation of the ideal type, “the gentleman,” appears first and foremost in his Oratory papers of 1847 and 1848, and appears only secondarily, and then but partially, four and five years later in his Dublin Discourses of 1852. This essay traces lines of similarity and of difference between these successive portraits and distinguishes both from the attractive, better-known sketch Newman presents as Lord Shaftesbury’s, the “beau ideal” of the man of the world.
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  50.  63
    Greek oratory S. Usher: Greek oratory: Tradition and originality . Pp. XI + 388. Oxford: Oxford university press, 1999. Cased, £55. Isbn: 0-19-815074-. [REVIEW]Michael Gagarin - 2000 - The Classical Review 50 (02):422-.
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