ExcerptFred Siegel’s passing on May 7th of this year was a profound loss for us all. A frequent guest and participant at our events, he contributed to Telos from the 1980s to the 2020 publication of his last book, The Crisis of Liberalism: Prelude to Trump. His ideas had a defining impact on Paul Piccone and the journal’s development, laying the foundations for what would become the Telos populist critique of liberalism. With a keen ear for the right turn of (...) phrase to describe a complex idea, he titled his seminal essay for Telos “Is Archie Bunker Fit to Rule? Or: How Immanuel Kant Became One of the Founding Fathers.”1 Setting Archie Bunker as the representative of democracy against the intellectual Immanuel Kant, Siegel succinctly crystallized what was at stake as well as the audacity of his argument, especially for a Telos readership that was inclined to support German philosophy over American pop culture. In making his case for Archie Bunker, Siegel attacked with eloquence and perspicacity the intellectual foundations of liberal thinking. (shrink)

The end of World War II marked the beginning of a new chapter in German Leibniz scholarship, with conferences all over the country gearing up to commemorate the 300th anniversary of his birth in 1946, and participants intent on promoting Leibniz as a pan-European thinker. Just a few years earlier, for obvious reasons, the outlook could not have been more different. To take one example, Oskar Becker, in his lecture, “Leibniz, the German Thinker and Good European,” had divided the different (...) versions of Leibniz up along strictly national lines: “In the international Leibniz literature of today the different aspects of his philosophy… are shown in the views of one nation from this, of another nation from that side. Thus for the West European scholars Louis Couturat and Bertrand Russell Leibniz is fundamentally a logician, while for the Germans he is fundamentally a metaphysician.”. (shrink)

There has been considerable interest in recent years in German social thinkers of the Weimar era. Generally, this has focused on reactionary and nationalist figures such as Schmitt and Heidegger. In this book, Austin Harrington offers a broader account of the German intellectual legacy of the period. He explores the ideas of a circle of left-liberal cosmopolitan thinkers who responded to Germany's crisis by rejecting the popular appeal of nationalism. Instead, they promoted pan-European reconciliation based on notions of a shared (...) European heritage between East and West. Harrington examines their concepts of nationhood, religion, and 'civilization' in the context of their time and in their bearing on subsequent debates about European identity and the place of the modern West in global social change. The result is a groundbreaking contribution to current questions in social, cultural and historical theory. (shrink)

This paper argues that Foucault’s genealogy of racism deserves appreciation due to the highly original concept of racism as biopolitical government. Modern racism, according to Foucault, is not merely an irrational prejudice, a form of socio-political discrimination, or an ideological motive in a political doctrine; rather, it is a form of government that is designed to manage a population. The paper seeks to advance this argument by reconstructing Foucault’s unfinished project of a genealogy of racism. Initially, the paper situates the (...) genealogy of racism within the context of Foucault’s work. It belongs to a period of transition between the mature and the late part of Foucault’s work, more specifically a period of transition from discipline to governmentality. The paper proceeds by reading closely key passages from the 1976 lectures at Collège de France in which Foucault proposes to rethink racism as a form of biopolitical government. While Foucault’s genealogy of racism remains an incomplete project, lacking for example any substantial treatment of European colonialism, the paper proposes to expand the Foucauldian analysis by linking it to the pan-German discourse between 1890 and 1914. Finally, the paper reflects on some of the implications of the Foucauldian analysis, in particular attempts to understand and counter contemporary forms of racism. Foucault’s genealogy of racism, in short, shows us the constructedness of our racialized world and challenges us to develop new and more effective strategies to change it. (shrink)

lts early roots reaching as far as 1954, the great Buropean Post War Conference, which lasted three years from 1972 to 1975, had to overcome the vicissitudes of the Cold War and the setbacks of thediplomatie normalization between Bast and West afterwards, before taking its final shape. Hence the multiple changes of its characteristics and purposes over the years.Resulting from a global rapprochement between the Super Powers and a cautious modus vivendi between the German twin States in Burope, the CSCB, (...) although an old Russian dream, was finally seen by the other parties as a calculated risk and possibly a beneficial one.In the end, Western scepticism and criticism of the Helsinki Final Act were less founded on the actual outcome then on traditional reluctance towards the Bast and more vocal because of a darkening international outlook : the deepening economie crisis, the political disarray in Southern Burope and a disheartened public opinion.A more sober view might nevertheless appreciate not only the balance of modest mutual gains for all participants, but moreover the outline and hope for a «rebirth of Europe's historical identity» as well as the first diplomatic acceptance of the BBC-entity and last, but not least, the «inevitability of reason», as expressed in the policy of détente and the general «vested interest» in it. (shrink)

This volume examines modern scepticism in all main philosophical areas: epistemology, science, metaphysics, morals, and religion. It features sixteen essays that explore its importance for modern thought. The contributions present diverse, mutually enriching interpretations of key thinkers, from Montaigne to Nietzsche. The book includes a look both at the relationship between Montaigne and Pascal and at Montaigne’s criticism of religious rationalism. It turns its attention to an investigation into the links between ancient scepticism and Bacon’s Doctrine of the Idols, as (...) well as into the ancient problem of the criterion in Cartesian philosophy. Next, three essays focus on more general topics, like modern sceptical disturbances, clandestine literature and irreligion. Two essays investigate the role of scepticism in Bayle’s moral thinking and his theory of religious toleration. Hume’s sceptical philosophy is the subject of two papers by distinguished scholars. In addition, many contributors address the presence of scepticism in Kant and in the German Idealism, such as the role of Schulze's scepticism in the works of the young Hegel. The book closes with a paper on Nietzsche and scepticism, and an essay on the role of Popkin’s and Schmitt’s works on modern scepticism. This collection continues along a rich, fruitful path opened by Richard H. Popkin and pursued by many important scholars, like Gianni Paganini, John-Christian Laursen, and José Raimundo Maia Neto. It re-establishes that necessary dialogue between researchers of scepticism from all over the Americas, which began with Popkin, Oswaldo Porchat and Ezequiel de Olaso long ago. This insightful reflection on modern European scepticism will also serve as an important resource in the history of modern philosophy. (shrink)

F. Nietzsche does interesting indications on the anthropological foundation of language in his lessons on classical rhetoric, at the University of Basel in 1874. Many quotations of Gerber and Humboldt, and older notions, drawn from the Aristotle's Rhetoric are discussed in this dissertation. Many studies highlighted Nietzsche's attempts during thirty years (1976-2006) to draw a consistent anthropological foundation of the language. Some of them shed light on the metaphor, described from the point of view of anthropology, as an innovative perspective (...) on the philosophy of rhetoric. Would metaphor be a verbal vehicles for conveying scientific and philosophical concepts by attaching unusual importance to the veracity or the truthfulness of a claim? Is that in contradiction to any conceptual truth? Some interpreters suggest that metaphors seen as linguistic products fail to explain the unnatural way meaning is transmitted from the unconscious musicality of language. If imperceptible bonds move the meaning of a word in the musicality of language, then to transmit a message by non verbal means or metaphors relates to a subjectively felt musicality of language. Meaning is expressed, not because there are words with fixed meaning in a conventional way, but because the word is seen in the first place as an action. Living language, seen as metaphorical by essence, is a view shared by German idealism, on the so-called origins of language. A consequence of this view on language is a wide reinterpretation of the reason, from the point of view of a rhetorical turn. Schopenhauer, Von Hartmann and Lichtenberg are some thinkers who pointed out the possibility of a pan-psychist notion of reason that inspired Nietzsche, and later Piaget (e. g. his theory of analogy is built on similar roots). A first part of this dissertation presents the historical genesis of doctrines that don't see language as an innate substratum of the conscious mind, but as rhetorical and conditioned by environment in the wide sense. In the second part, we read the main arguments of contemporary studies in cognitive sciences, discovering new structural similarities compared to the 19th Century views of Nietzsche. In the third part, we discuss the form of poetic imagination regarding a relation between metaphor and melancholy in Greek empirical medicine. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Phantom Mediators: Reflections on the Nature of the Violence in AlgeriaRéda Bensmaïa (bio)Translated by Hassan MelehyIn order to justify himself, each person depends on the crime of the other. There is a casuistry of blood where an intellectual, it seems to me, has no place, except to take up arms himself. When violence responds to violence in an exasperating delirium that makes the simple language of reason impossible, (...) the role of intellectuals cannot be, as we read every day, to excuse from afar one act of violence and condemn another, which has the effect both of angering the one condemned of violence to the point of rage and of encouraging the one who is not condemned to more violence. If they themselves don’t join the combatants, their role (a more obscure one, to be sure!) must be only to work in the direction of an appeasement so that reason may again have a chance.—Albert Camus, Actuelles IIIAt a secondhand bookstore in Santa Monica, I found a story by Friedrich Torberg: “Mein ist die Rache” (“Vengeance is Mine”). The author describes the sadistic practices of a concentration-camp commandant in 1943 who drives a group of Jewish prisoners to commit suicide one after the other. It is almost unbearable to read. One reader, apparently an emigré German Jew, added some bitter marginal notes after the war. On the last page this reader penciled in, “America is full of Jews who love Germany and long for it.”The night after I read this book, a question occurred to me that has stayed on my mind ever since and that I want to pass on to you: What would we all give, each one of us, each individual German, for this not to have happened? It’s a”pan-German” question. Perhaps we will know something more about ourselves if each one of us tries to answer it individually, as honestly and above all as concretely as possible. And doesn’t it lead to three other questions that are worrying us?: What was? What remains? What will be?—Christa Wolf, “Parting from Phantoms”A few weeks after reading Christa Wolf’s text, the same questions continue to haunt me. “Pan-Maghrebian” questions: what would we be willing to give, each one of us, each Algerian in any case, for what is happening now never to have occurred?What was? What remains? What will be? These are the questions that have guided me in the different steps of writing the text I offer here.In the very fine article he contributed under the heading of “The Intellectual and Society” to the Encyclopaedia Universalis, philosopher François Châtelet wrote, “If we confine ourselves to the three historical groups we have arbitrarily taken as examples—the Greek sophist, the ‘judge’ of the Russell Tribunal, and the eighteenth-century philosopher, it is clear that the would-be intellectual claims to be the teacher and the advocate of political [End Page 85] freedom, of the rights of the person, the architect of a transparent society in which the individual and the citizen coincide.“Doubtless,” added Châtelet, “one aspect or another prevails on him, according to the circumstances; but a certain structure subsists, which may allow us to define, superficially and differentially, intellectuals as a group and an agency” [my emphasis].Beginning with this definition, I would like to examine the following questions: What is the status of intellectuals in a country like Algeria? How can it be explained that they have been and still are the victims of the violence that strikes them today?Given the current situation of international politics, the example of Algeria is inevitable, because in the opinion of numerous analysts what is happening in that country is a test case, a limit case that may serve as an indicator of what the future holds for the formerly colonized countries. For many analysts, the evolution of the political situation in Algeria may also serve as an analytical operator in the large ideological movements that are shaking not only the countries of the Maghreb but also the Arab-Muslim world in its totality. And in... (shrink)

The Erlöserkirche at Bad Homburg was built between 1903 and 1908 at the instigation of Kaiser Wilhelm II. It combines a neo-Romanesque exterior with Norman-Sicilian mosaics inside. Both were „Germanic“ to the emperor, and the church embodied his all encompassing claim to the tradition of the medieval Holy Roman Empire of the German Nation. Alternatively, the contemporary Byzantinist Ernst Gerland pointed to a Byzantine origin of the Norman-Sicilian models (and thus subtly contradicted the „pan-Germanic“ myth). This „Byzantine“ reading has prevailed (...) ever since, but does not stand up to scrutiny. It only serves to obscure the „pan-Germanic“ concept of the church. This contribution restores the „Germanic“ understanding and makes the point that the latter must be acknowledged in order to make proper sense of the church’s art and architecture, but also in order to face (rather than to downplay and conveniently forget) the racist-chauvinist character of German imperialism. (shrink)

National Socialism did not only constitute a political doctrine; it was also a kind of worldview that left its mark on German and pan­-European culture of the 20th century. The drastic changes that were linked to Hitler’s takeover of power confronted writers and poets with a completely new reality and wholly new conditions of the creative process. Those who could not or would not emigrate had to submit themselves to the policies and norms decreed by the National Socialists. National Socialism (...) – a conglomerate of different ideologies and ideologemes – perverted certain middle­-class values and ultimately aimed towards the total subjugation of all areas of life, culture being among them. The fact that the German middle­-class partly shared the values propagated by the Nazis led to an overhasty and unjust assessment of the attitude of writers belonging to the so­-called ‘Inner Emigration’. The article at hand outlines the principles of National Socialist cultural politics as well as its relationship to artists. The complicated creative situation of writers and poets in the Third Reich will be shown by representative examples. (shrink)

Dietrich Bonhoeffer’s account of a transnational “confessing” church, developed with allusion to W.E.B. Du Bois, offers critical potential for addressing the problem of the global color line. To make this case, I first trace the ways in which Du Bois’s and Bonhoeffer’s German–American exchange studies contribute to their critical standpoints. Bonhoeffer’s “Protestantism without Reformation” is then examined to show that its view of American denominations is not mere German paternalism but a critique of how atomized churches can mask racial segregation, (...) even as it takes seriously America’s founding as a “nation of refugees.” Finally, Bonhoeffer’s references to intercultural encounter, particularly with respect to the Jewish diaspora in his later Ethics, provide for the extension of his ecclesiology beyond Germany and the “West.” Specifically, Du Bois’s own creedal language and pan-Africanism require that a truly global confession of the “form of Christ” must attend to unrecognized histories from the “Black Atlantic.”. (shrink)

Eighteenth-century Epicureanism is often viewed as radical, anti-religious, and politically dangerous. But to what extent does this simplify the ancient philosophy and underestimate its significance to the Enlightenment? Through a pan-European analysis of Enlightenment centres from Scotland to Russia via the Netherlands, France and Germany, contributors argue that elements of classical Epicureanism were appropriated by radical and conservative writers alike. They move beyond literature and political theory to examine the application of Epicurean ideas in domains as diverse as physics, natural (...) law, and the philosophy of language, drawing on the work of both major figures (Diderot, Helvétius, Smith and Hume) and of lesser-known but important thinkers (Johann Jacob Schmauss and Dmitrii Anichkov). -/- Table of Contents -/- Neven Leddy and Avi S. Lifschitz, Epicurus in the Enlightenment: an introduction -/- Elodie Argaud, Bayle’s defence of Epicurus: the use and abuse of Malebranche’s Méditations chrétiennes -/- Hans W. Blom, The Epicurean motif in Dutch notions of sociability in the seventeenth century -/- Thomas Ahnert, Epicureanism and the transformation of natural law in the early German Enlightenment -/- Charles T. Wolfe, A happiness fit for organic bodies: La Mettrie’s medical Epicureanism -/- Natania Meeker, Sexing Epicurean materialism in Diderot -/- Pierre Force, Helvétius as an Epicurean political theorist -/- Andrew Kahn, Epicureanism in the Russian Enlightenment: Dmitrii Anichkov and atomic theory -/- Matthew Niblett, Man, morals and matter: Epicurus and materialist thought in England from John Toland to Joseph Priestley -/- James A. Harris, The Epicurean in Hume -/- Neven Leddy, Adam Smith’s critique of Enlightenment Epicureanism -/- Avi S. Lifschitz, The Enlightenment revival of the Epicurean history of language and civilisation -/- Bibliography -/- Index. (shrink)

Notion polémique, l'idéalisme est assimilé à une posture intellectuelle oublieuse de son ancrage naturel et social. Dénoncée chez Nietzsche et Marx, elle est centrale chez Hegel. Explicitement assumée, revendiquée même, elle désigne l'orientation spéculative d'une pensée toujours en mouvement. "Toute vraie philosophie est un idéalisme", déclare Hegel. C'est cette notion, paradoxalement peu étudiée, qui sert de fil conducteur à Olivier Tinland dans sa reconstruction de la charpente conceptuelle de l'hégélianisme. Tout un pan de la philosophie allemande, dans la diversité de (...) ses orientations, sert de toile de fond à cet exposé de la démarche spécifique de Hegel, aboutissant à une forme élargie et particulièrement sophistiquée d'idéalisme. Un grand ouvrage de philosophie. (shrink)

An abrupt break in the prevailing modes of artistic expression, for many, marks the advent of modernism in the early twentieth century, but revisionary attempts to pin down a precise moment of its emergence remain disputed. History of a Shiver proffers a different approach, tracing the first inkling of modernism instead to the nineteenth century's fascination with music.As Jed Rasula deftly shows, melomania--the passion for music--gave rise to concepts like Richard Wagner's "endless melody" and the Gesamtkunstwerk, or total work of (...) art, which in turn infused the arts of the fin de siècle with an aura of expectancy, challenging them to induce musical effects by their own means. With each art aspiring to produce the effects of another artistic medium, a synesthetic yearning ran like a shiver through the body of art that would emerge over the next half century. Rasula traces this pan-arts polyphony from German Romantic theory to early experiments in "visual music," encompassing such diverse phenomena as American fixation on Arcadia, early film theory, and the lure of the fourth dimension. All the while, he keeps focus on the paramount historical consequence in elevating music to a new universal aesthetic standard, arguing that Wagnerism was first among modern "isms."In surveying this momentous interplay among arts, History of a Shiver ranges from literature, music and painting to theatre, cinema, dance, photography, and civic pageantry. It retells the story of modernism by recovering not an idea, but a feeling--the hair-raising potential for each painting, literary text, or musical composition to herald an unprecedented domain of human enterprise. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Some of My Mother’s ThingsLaurie Sieverts Snyder (bio) Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View (...) full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolutionSome of My Mother’s Things is an ongoing series of photographs of collections from my parents’ household. My mother, born in Danzig in 1908 and raised in Frankfurt, died in 1993 in Ithaca, New York. She was Jewish, but she never attended a synagogue or celebrated Jewish holidays. My father, born in Leipzig in 1906 and raised in Jena, died in Ithaca in 1979. He was not Jewish. In the United States, they became members of the Society of Friends.My parents emigrated to the United States in May 1938 with my two older brothers, who were no longer allowed to attend nursery school because of their half-Jewish status. My grandmother stayed behind, at her own request, and my parents made every effort to bring her to the United States. But she died in Frankfurt in December 1940. This tragedy pervaded my childhood and still haunts me as I play her music with her annotations or set the table on tablecloths that she embroidered. I also photograph her things: the bandages that she knitted and labeled, letters that she wrote, and the childhood letters she saved of her only daughter, my mother.My mother saved things: keys to every cabinet and drawer, suitcases, and doors. All her eyeglasses. She dug up the dahlias in the fall, stored them in a baby bathtub, and replanted them in the spring. She was an enthusiastic gardener. She was a violinist and her mother a pianist. The albums of music are now crumbling and brittle. Her music friends continue to use her music. The tablecloths, dozens of them, are mended and stained. I use a large square damask tablecloth as a bed sheet.I am always amazed at the things they brought with them when they emigrated by ship: furniture, rugs, books, linens, letters, toys, photographs, dishes, pots and pans. Then I remember that they could not bring money, so they brought everything else: including a box of bandages, one labeled in an early script: “a clean breast cloth from the beginning of the 19th century.” The label is sewn onto the linen cloth.After my mother’s death, I went through boxes of photographs. I found one yellow Kodak envelope, labeled in my mother’s handwriting: “Helmut’s ‘Weltreise.’” In the envelope were photographs of Daddy’s trip to America in 1937 when he was searching for a job and a place to move with his little family. He traveled by boat through Cuba, Mexico, and the Panama Canal to California and back across the United States by train. In the envelope are snapshots of my father, looking very handsome, age 31, standing at the ship’s rail with an attractive young woman. The photograph is labeled on the verso, in his handwriting, “meine kleine Freundin, Patricia Hays”—this is not my mother. My mother was in Frankfurt, waiting to hear where they would go, and during that time she lost her third baby.My mother wrote letters almost every day, and she kept a carbon copy on onionskin of each of her letters. She started writing letters as early as 1913. Most of the letters are in German. I don’t speak or write German, yet I feel compelled to store these relics of times past. When I traveled in Germany, I tried to speak German, but the words stuck in my throat.Related Articles: ImagesLaurie Sieverts Snyder Laurie Sieverts Snyder is a photographer and professor at... (shrink)

Back in 2008, when I was still in the process of writing my PhD thesis on René Girard's mimetic theory and its applications to the narrative poetics of certain post-1960 Anglophone novels, I was struck by an interesting and perhaps inevitable geographical phenomenon. I had just been admitted to a European doctoral program that was centered in a German university but that included also other institutions, both north and south of our Central European headquarters. The "Northern" dimension was represented by (...) Sweden and my native Finland, whereas our "Southern" counterpart sent emissaries from Italy and Portugal. It did not take many sessions in our Pan-European research seminars for me to realize how valuable a... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:From Bookworms to Enchanted Hunters: Why Children ReadMaria Tatar (bio)Sensation SeekersThe laws governing the conservation of cultural energy are particularly effective when it comes to children’s literature. Peter Pan, Alice in Wonderland, The Chronicles of Narnia, The Yearling, The Wizard of Oz, Pinocchio, The Wind in the Willows, The Secret Garden, The Snow Queen: these are just a few of the volumes that continue to pull and tug on (...) young readers, drawing them into enchanted other worlds. Their propulsive force has moved from one generation to the next, setting minds into motion, renewing senses, and almost rewiring brains. Favoring expressive intensity over intellectual heft, the books of childhood use no-holds-barred melodramatic strategies until we are under their spell. We can all remember the jolts and shimmer of books we read as children, the moments that sent shivers up and down the spine.“Wow” moments saturate children’s stories, exploiting the emotive power of language for maximum effect.1 Think of the multiple evocations of the web created by the spider Charlotte in E. B. White’s book, how it “glistens” in the light and makes a pattern of “loveliness and mystery.” “What a curious feeling,” Alice declares in Lewis Carroll’s Alice in Wonderland once she has tasted the contents of a bottle marked “Drink me.” After that, the world she enters only becomes “curiouser and curiouser.” Dorothy lands in Oz and her eyes grow “bigger and bigger” at the “wonderful sights” she sees. They continue widening as she follows the Yellow Brick Road to Oz with her three companions. “A million golden arrows” point the way to Neverland, as the Darling children begin to experience the first in a series of bursts of beauty and rumbles of violence. Those rumbles create similar wow effects. Who can forget the moment when Iorek Byrnison, one [End Page 19]Maria Tatar Maria Tatar is the John L. Loeb Professor of Germanic Languages and Literatures at Harvard University, where she chairs the Program in Folklore and Mythology. She is the author of Classic Fairy Tales, The Annotated Brothers Grimm, The Annotated Hans Christian Andersen, and The Hard Facts of the Grimms’ Fairy Tales and has written for the New York Times, the New Republic, and Slate.com.Copyright © 2009 Board of Trustees of the University of Illinois... (shrink)

This research tried to make a contribution to the discussion around the conditions, under which the ontological shift of the philosophical hermeneutics can be done. It began with an analysis of Gadamer's well-known formula: " Being that can be understood is language. (Sein, das verstanden werden kann, ist Sprache.)". Scholars interpret it differently. By means of the grammatical analysis, I showed on the one hand an interpretation of the formula from the perspective of pan‐lingualism as absurd, because they regard Being (...) and language as identical. On the other hand, an interpretation from the perspective of the linguistic ontology should be eliminated, according to which the being possesses a linguistic character, so that its unconcealment can complete itself without the effort ofunderstanding. The two interpretations come from a misunderstanding that they regard the subordinate clause of that formula as descriptive relative clause. There is still another interpretive problem, if we regard the subordinate clause as restrictive relative clause and thus interpret Gadamer's theory as linguistic idealism. However Gadamer indicates that such an interpretation remains on the level of German idealism, because it limits understanding to an intellectual grasping. Another reading of the subordinate clause as restrictive relative clause is appropriate, because it takes understanding as a practical ability (Können) into its consideration and at the same time emphasizes the non-identity between Being and language despite their ontological inseparableness. Gadamer finds out a linguistic theory, in order to support such kind of reading. He extends his principle of aesthetic non-differentiation to the range of language. By means of thislinguistic non-differentiation, the ontological shift of the hermeneutics can complete itself. (shrink)

The paper gives an account of Št?pan Launer’s conception od modernization as developed in his work The Nature of Slavdom. The theoretical background of the paper is the distinction between national-emancipatory project, based on ethnic identity, and the modernization project, which focused on education and shared political identity indifferent to the emancipatory agenda of the linguistic nationalism. The basis of Launer’s considerations is philosophy of history, deriving from Hegel’s thesis, according to which the subjects of progress are always nations, which (...) create the history and represent the standard. Launer does not believe in romantic philosophy of revealing a specific common identity. Rather, he claims, that a civilization/historical achievment is possible only through adopting contemporary educational standard. In this sense, the contribution of Slavdom to the history is possible only through creative adopting of the contemporary English -French-Italian-German educational standards, rather than on the basis of a primordial constitution od national entity with its ideologically justified historical mission. (shrink)

"Since at least 1980 Godard’s cinema has been explicitly looking for (its) music, as if for its outside. In Sauve qui peut (la vie) Paul Godard hears, and asks about it, coming through the hotel room wall, and it follows him down to the lobby, but remains “off,” like Marguerite Duras’s voice, in spite of his questions, until the final sequence. At that moment, at the end of the section entitled “Music,” the protagonist is at the same time struck by (...) a car and struck by the entrance of the music into the diegetic present of the film, as the camera pans past an orchestra playing on the sidewalk while Paul fades off under the quizzical gaze of his daughter. By 2004, with Notre musique , it would seem to have taken over the whole text, for the film was announced as being about the collaboration between Godard and German record label ECM. In the context of that film it is difficult to determine both what that music is and who we are, although this discussion will try to advance a hypothesis in that regard. In fact, my main contention will be that music in Godard’s films functions as something like the absent image ( s ), not those it has lost but rather its cinema to come, what remains to be discovered and live within it, the survival of it. Not a cinema that cannot be seen, rather the image that can perhaps only be heard; and not the romantic or psychedelic dream of a synaesthetic apotheosis either, rather the technological coincidence of sonimage that has also been the precise direction of Godard’s cinematic research for more than thirty years. For the argument I will be making here is inscribed within my own investigation of what I call “technological life,” the means by which, in “prosthetic” symbiosis, or “dorsal” umbrality, a form lives beyond the simplistic opposition of animate and inanimate, or against the reductive presuppositions of autokinetic ipseity...". (shrink)

Georges Florovsky , with his “neo‐patristic synthesis”, is perhaps the most influential modern Orthodox theologian, having mentored and/or taught such theologians as Lossky and Zizioulas. However, his theology enshrines a troubling paradigm where a Pan‐Orthodox Eastern identity is asserted over against the heterodoxy of an Other which is often the West. The article traces this paradigm then argues that Florovsky's construction of Eastern Orthodoxy is dependent on German Romanticism and that his polemicism blinded him to this fact. It briefly suggests, (...) on the basis of the Chalcedonian definition, a new "dialectical" theology of ecclesial identity where identity is established in an encounter with the Other, rather than in demonizing it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 334-345 [Access article in PDF] Philosophy After Joyce:Derrida and Davidson Reed Way Dasenbrock A GOOD DEAL OF ATTENTION has been paid to James Joyce's influence on literature. Few novelists in the twentieth century have escaped Joyce's influence one way or another, and Robert Martin Adams has even dedicated a book, AfterJoyce, 1 to the proposition that the history of prose fiction is most properly (...) divided into two eras, before and after Joyce. One suspects that Joyce would have appreciated Adams's quasi-blasphemous periodizing.My focus here is Joyce's influence on a different intellectual and cultural realm, philosophy. Joyce's impact on philosophy clearly has not been of the same magnitude. Joyce is not one of those rare figures who have spanned fields or been as important an influence in another field as in his own, unlike Nietzsche, say, or a figure of concern to us here, Jacques Derrida. Joyce's impact on philosophy, thus, is not epoch-changing or field-changing in the way his impact on literature is. Wittgenstein and Heidegger are the two philosophers in the twentieth century whose work have comparably been assessed as epoch-changing. It is worth noting that both men are close contemporaries of Joyce: Wittgenstein, in particular, with his multilingual, Austro-Hungarian, and pan-European character, orientation towards the arts, defiance of so many philosophical conventions, and self-awareness of language, offers a fascinating parallel with Joyce, a parallel already explored to [End Page 334] some extent in the literature. If Joyce, Stravinsky, Picasso, and Le Corbusier, for example, can be said to exemplify modernist literature, music, painting, and architecture, then Wittgenstein is the exemplification of modernist philosophy. But Modernism, or at least so we are told, is out of fashion and out of date, yet Joyce remains our contemporary in ways many of his fellow modernists may not. Nowhere is this more clearly shown than in his continuing presence in contemporary philosophy.The conventional way of writing the history of philosophy in the twentieth century is to divide it into two camps, one oriented towards mathematics, science and logical analysis, a school of philosophy called the analytic or Anglo-American school, the other oriented towards literature and culture and an engagement with the history of philosophy, called the Continental school. That there are a number of problems with this way of mapping the field is by now widely accepted, but no one has successfully replaced this division with anything generally seen to be more adequate, so we continue to use the terms, if as Derrida might say "under erasure." If contemporary analytic philosophy has a single leading figure, I would assign that position to Donald Davidson; continental philosophy has distinct German and French variants, but clearly foremost on the French side is Jacques Derrida. One of the factors leading to our awareness that this bipolar model of the history of twentieth-century philosophy doesn't work very well has been a body of work pointing out a number of similarities between the work of these two philosophers. 2 But what hasn't been pointed out is that both philosophers are interested in Joyce. Thus, the work of Joyce is one of the places the two currents of philosophy merge or at least come into contact. In my opinion, neither Derrida nor Davidson is or deserves to be a crucial figure in Joyce criticism, but looking at their interest in Joyce allows us to trace a neglected chapter in Joyce's influence on the culture and thought of our time and to assess the similarities and differences between the work of these two philosophers.Derrida's work on Joyce includes two essays on Joyce, one an address to the 1984 Joyce Symposium in Frankfurt, "Ulysses Gramophone: Hear say yes in Joyce," 3 an essay which Margot Norris included in A Companion to James Joyce's Ulysses (in abridged form) as one of five exemplary or representative pieces of theoretical approaches to Ulysses (representing deconstruction, of course), and an earlier essay on Finnegans Wake, "Two Words for Joyce... (shrink)

This book first appeared in 1950 with a second edition in 1956. Kaufmann devotes much time to discussing secondary sources, "rival interpretations," as well as Nietzsche himself and the context of his thought. This third edition represents an expansion as well as a revision of the second. The third edition takes into account work published on Nietzsche since 1956 including new editions and translations of Nietzsche's own work. The impact of these new translations and editions is also discussed. Previously unpublished (...) letters are discussed, with one letter actually reproduced in facsimile. In the expansion Kaufmann did not include anything that would duplicate his own recent publications with the exception that he has substituted his own recent translations of Nietzsche. The bibliography, which did not appear in the second edition, and the index are expanded. There is a new twenty-eight page appendix on the "supressed" [[sic]] manuscripts in which Kaufmann discusses and pans some recent German editions of Nietzsche's works. Finally, there are numerous small additions and revisions in this third edition of a standard work.--S. O. H. (shrink)

In his account of his Düsseldorf conversations with G.E. Lessing shortly before the latter’s death in 1781, F.H. Jacobi records the Enlightenment poet and philosopher’s allusion to the Kabbalistic philosophy of Henry More, whom he cited in support of his shocking Spinozist creed of the hen kai pan. Origen’s first Christian philosophy hinges upon a conviction of universal divine goodness which cannot but share its riches with beings capable of participating in it by virtue of their own free will. From (...) this first Christian truth flow the infamous doctrines of the pre-existence of souls and, above all, the restitution of all things envisaged as a never-ending process of autonomous moral soul-making. Origen’s philosophy of divine goodness and human freedom appealed deeply to the Cambridge Platonists Ralph Cudworth and Henry More, who cited the Church Father in support of their metaphysics of God’s benignity and man’s free will. German rationalist G.W. Leibniz was also a close reader of Cudworth and More. Both his Theodicy and his Monadology—notably the notion of a best possible world created by a good God and inhabited by self-improving spiritual monads—are indebted to the Church Father’s Christian philosophy. G.E. Lessing, reviewing the controversial discussions about the apokatastasis in his day, staunchly defended Leibniz’s Origenist rationalism in several works devoted to his philosophical eschatology. Above all, he restated Origen’s notion of salvation as divine pedagogy in his celebrated Education of the Human Race. The present essay establishes the deeply Origenist character of the historic systems of these two seminal German rationalists, with their shared concern for God’s creative goodness and man’s free perfectibility. (shrink)

Figures that caused in the first half of the sixteenth century. pan-European resonance, were known as Martin Luther - the great reformer of the Church, the founder of the Protestant movement and Philipp Melanchton - the German humanist, theologian and teacher, the evangelical reformer and systematist theology. Stanislav Orikhovsky-Roksolan, a well-known Ukrainian-Polish humanist, polemicist, philosopher and historian, who in the opinion of Polish scholar Jozef Lichtenstuhl, was "well-known in his time", will not stand at the very end, but even in (...) the philosophy of law in the sixteenth century Poland will occupy even the main place...; which, even in such an enlightened noble environment, remained illuminated. ". (shrink)

Roots are good to think with indeed most of us use them as a metaphor every day. A root can signify the hiddenness of our beginnings, or, in its bifurcating structure, the various possibilities in the life of an individual or a collective. This book looks at rootedness as a metaphor for the genealogical origins of people and their attachment to place and how this metaphor transformed so rapidly in twentieth-century Europe. Christy Wampole s case study is France, with its (...) contradictory legacies of Enlightenment universalism, anti-Semitism, and colonialism. At one time, French nationalist rhetoric portrayed the Jews as unrooted and thus unrighteous people. After the two world wars, the root metaphor figured in the new French philosophy (notably Deleuze and Guattari). And recently, Caribbean thinkers in Haiti, Guadeloupe, and Martinique have debated whether their roots were in Africa, France, the Caribbean, or in some pan-national network that could not be identified on a map. Walpole argues that while the metaphor was perhaps once useful in the establishment of communities and identities, that usefulness has expired. The longer we remain attached to the figure of rootedness, the more discord it sows. Giving up on the metaphor of rootedness, Wampole urges, allows us to see at last that we are in fact unbound by the land we inhabit.". (shrink)

Collection of research papers on various aspects of Hindu philosophy, Puranas and Sanskrit literature.

Writings on Hindu cosmology and science.

This study conducted a cross-sectional investigation of facial appearance dissatisfaction between patients before undergoing orthognathic surgery and a non-surgical sample to evaluate the potential influencing factors of facial appearance dissatisfaction. A sample of 354 participants completed a set of questionnaires concerning facial appearance dissatisfaction, interpersonal pressure, media pressure, and fear of negative appearance evaluation (112 patients, 242 controls). The patients reported higher facial appearance dissatisfaction, more media pressure, more interpersonal pressure, and a greater fear of negative appearance evaluation among others (...) than the control group. Moreover, regression analyses identified interpersonal pressure and fear of negative appearance evaluation as the main influencing factors on facial appearance dissatisfaction whether in the orthognathic patients or in the control groups. The associations between the perceptions of interpersonal pressure, fear of negative appearance evaluation, and facial appearance dissatisfaction support the possible utility of strengthening social experiences and psychological intervention in preventing and treating these appearance-concerns, especially for the orthognathic patients. (shrink)

ObjectiveCancer and its treatments affect patients’ fertility potential. This study examined the prevalence of reproductive concerns and their relationship with metacognitions among Chinese young adult female cancer survivors.MethodsA total of 318 YAFCS completed an online survey from March to December 2021. Participants reported sociodemographic characteristics, reproductive concerns and metacognitions. Reproductive concerns were measured using the Reproductive Concerns after Cancer scale, and metacognitions were measured by the Short Form of Metacognitions Questionnaire. We used Pearson correlation analysis to examine associations between metacognitions (...) and reproductive concerns across multiple domains and multivariable linear regression to determine the influencing factors of reproductive concerns.ResultsThe mean score of reproductive concern among YAFCS was 49.97 ± 12.52. A total of 57.9% of participants reported a high level of concern regarding at least one dimension of reproductive concerns, and they were most concerned about their child’s health and least concerned about partner disclosure of fertility status. We also found a moderate association between RCAC and MCQ-30 scores. In multivariate analyses, metacognitions, especially negative metacognitive beliefs had an impact on reproductive concerns among YAFCS.ConclusionHigher reproductive concerns were associated with higher metacognitions among YAFCS, especially with negative metacognitive beliefs. Oncology professionals should pay attention to assessing reproductive concerns in patients who want to have children or who have no children. Moreover, metacognitive beliefs may be an intervention target for alleviating reproductive concerns among YAFCS. (shrink)

On Ātman and self growth and improvement techniques.

本书通过对认识历史性的考察,弥补了马克思主义哲学认识论中长期缺失和忽略的一个环节,即认识主体的有限性和特殊性,以及在此基础上形成的认识论理解方式的变化。并通过对认识主体特殊性与历史性的强调,也更加明确 了理论本身在认识和实践中的重要意义。.

Articles on Mahābhārata, Hindu epic; chiefly with reference to the violation of moral values and ethics; published earlier as a weekly column of the supplement "Utsava", in Sāmanā, Marathi newspaper, during January to December 2002.