While the story of Stanislav Petrov – the Soviet Lieutenant Colonel who likely saved the world from nuclear holocaust in 1983 – is often trotted out to advocate for the view that human beings ought to be kept “in the loop” of automated weapons’ responses, I argue that the episode in fact belies this reading. By attending more closely to the features of this event – to Petrov’s professional background, to his familiarity with the warning system, and to his decisions (...) to defy his protocol – it becomes clear that Petrov was not seamlessly working “in his loop,” but reassessing it entirely. I claim that this exhibits a paradox intrinsic to all automated loops: namely, that their optimum function in fact rests on unforeseen human interventions that cannot be reliably codified ex ante, that is, that good judgment cannot simply be “programmed into” their protocols. This dependence, moreover, reveals automation’s ineluctable need for virtue ethics – not in the usual sense (whereby ethics deliberates about, say, possible damages and loss of life), but in the sense that ethical judgment, rightly understood, entails the reassessment of all of the conditions surrounding a decision, including whether a protocol should be followed at all. (shrink)

Americans read more than 10 magazines per month. Despite the profound effect this exposure has on individuals and society, little research has been done into ethical standards of magazines. Results of this pilot study of 100 consumer magazines indicate a considerable lack of standard practices and few ethical guidelines.

In an early scene of Sarah Grand’s novel The Beth Book, the child protagonist attempts to create a cure for rheumatism. Having read about the curative properties of snails in a “story of French life”, she corks up garden snails in a blacking bottle and places them in the oven to render into “snail oil”, envisaging rubbing patients with her product. This misguided attempt to create a cure explodes, and “boiling animal matter” bespatters the kitchen. This vignette indicates three previously (...) overlooked topics that run through the novel. First is that Beth produces medical treatments and home remedies from a young age and continues to do so into adulthood. Second is the influence of the Family Herald magazine, which, I demonstrate, is fundamental in forming Beth’s early medical interests. Finally, it foreshadows numerous other instances in which animal bodies function as material in the pursuit of healing and care. The Beth Book is a text of New Woman fiction, significant for its political and moral agendas in relation to the women’s rights movement. In scholarship, this context tends to overshadow the medical culture, objects, and encounters which evidence day-to-day life in the novel. This article examines how ephemeral reading material and animals, both living and dead, function in acts of care and the pursuit of healing. (shrink)

I argue that good communication is vital to philosophy’s project of understanding truth. I consider what good communication would involve, especially with regards to the needs of a popular philosophy magazine such as Philosophy Now. What makes a good or bad article? And how can one edit oneself for clarity? Finally I consider the difference the internet makes. and some of its implications for future philosophers.

ArgumentThis article is based on a detailed survey of three British popular science magazines published during the interwar years. It focuses on the authors who wrote for the magazines, using the information to analyze the ways in which scientists and popular writers contributed to the dissemination of information about science and technology. It shows how the different readerships toward which the magazines were directed determined the proportion of trained scientists who provided material for publication. The most serious magazine,Discovery, featured (...) almost exclusively material written by professional scientists, while the most popular,Armchair Science, favored writers who were not professional scientists, but who probably had some technical knowledge. Another magazine,Conquest, tried to provide a balance between authoritative and popular articles; however, it survived for only a few years. (shrink)

The article deals with the history of the journal Tumult. Vierteljahresschrift für Konsensstörung and its self-designation as a ›self-thinker‹ borrowed from Arthur Schopenhauer and Karl Heinz Bohrer. The ›self-thinker‹ in the sense of a heroic resistance narrative is positioned in the magazine as a radical contrasting figure to an ostensibly conformist social consensus. Against this background, the literary texts presented in Tumult are discussed in terms of their political program.

Ah! Nana est un journal de bande dessinée publié entre 1976 et 1978. Adapté d’un magazine apparu aux USA en 1970, le Wimmen’s comix, sa spécificité est d’être réalisé par des femmes et de viser un lectorat féminin. C’est pourquoi il représente une aventure pionnière dans le monde de la bande dessinée française. Son contenu reflète les préoccupations féministes de son temps, pour aborder des sujets les plus délicats comme les plus tabous de la société de la fin des (...) années 1970, parmi lesquels la sexualité féminine, l’inceste ou les différentes violences subies par les femmes. Des dossiers consacrés à une thématique particulière sont appuyés par une mise en image sans détours, crue et parfois cruelle. Il en faut beaucoup pour bouleverser les mentalités. Les femmes d’Ah! Nana en ont-elles trop fait? En tout cas ce projet était trop original pour survivre à cette époque. Il est un échec commercial que le poids de la censure condamne définitivement. Mais il reste une tentative, jusqu’ici jamais reconduite en France, de permettre aux femmes de s’exprimer dans la bande dessinée et il rend compte de leurs difficultés à être publiées. (shrink)

The Grolier Club of New York has been mounting exhibitions of books and prints since 1884, and many of them are recognized as landmark treatments of their subjects. Most of them have also been accompanied by published catalogs or related books. A recent instance was the exhibition, in the early months of 2021, drawn from Steven Lomazow's vast collection of American magazines, consisting of over eighty-three thousand separate issues from 1731 to the present. The substantial and profusely illustrated book that (...) has resulted is a welcome new survey of the subject, for it contains not only a record of the comprehensive exhibition but also fifteen essays written by Lomazow and seven other contributors (five chronological chapters, ten topical ones).The appearance of this book is an occasion for thinking about the status of magazines as research material. Although there is a considerable literature devoted to the history of magazines, they still do not always receive the attention they deserve. For example, author bibliographies generally give detailed physical descriptions of an author's books but simply list the magazine contributions. The illogic of this approach should be obvious, for magazines are printed matter, just as books are, and are thus subject to all the same complications. Two examples will illustrate how copies of supposedly identical issues can vary. In the nineteenth century, individual issues were often reprinted when the supply ran low, so that the publisher would be able to make up complete volumes for sale in a publisher's binding at the end of the year; these second printings were not labeled as such, but they could of course contain textual differences, both intentional and accidental. In the twentieth century, some American magazines had regional “editions” in which the text was shifted around in order to accommodate different advertising, keyed to local markets (the New Yorker is an example); as a result, page citations for a given contribution might not be the same in different copies (and cutting of text could also occur).The illogic of neglecting magazines has implications for biographical, as well as bibliographical and textual, study. There are many instances in which periodical publication was crucial for an author's career. It often provided an author's first public exposure and at any point in a career might have reached a larger audience than the books. Collectors, on whom preservation of the evidence initially depends, have been as guilty as bibliographers of slighting magazines. For instance, they have traditionally paid attention to anthologies that contain first book appearances of particular works (because they are “books”), without recognizing that issues of magazines are also anthologies (and frequently of more significance for promoting an author's reputation). Preservation relies also on institutional libraries to do their part; but (although “little magazines” now seem to be safe from further destruction) mainstream and mass-circulation magazines (both present and past) are continually being discarded by libraries in favor of digital reproductions. And reproductions are no more adequate as substitutes for the originals of magazines than they are for books, since they do not provide a basis for studying the unreproducible physical details that affect the reading experience and are essential for bibliographical research. Furthermore, since copies of a magazine issue can vary (just as copies of a book can), the number of copies that are preserved is a serious concern.These are among the considerations that make one glad to see Lomazow's book, for here is a collector who has focused on magazines for their own sake. Even though his book does not go into the matters I have raised, it can still serve to publicize the cause. One hopes that it, along with the wide attention his exhibition received, will stimulate appreciation of the importance of magazines in cultural history and the consequent need to collect and preserve them. (shrink)

Packed with practical, hands on guidance, PC Magazine’s Guide to Printing Great Digital Photos is the perfect book for computer users who are looking to get that little bit extra out of their color printer investment. Digital print expert David Karlins guides readers through everything –from selecting the right kinds of ink and paper, calibrating your computer monitor and making colors match, to getting your images ready for printing and giving your photos that professional touch with a bit of (...) editing. Readers also learn tips for printing photo projects such as invitations, stationary and greeting cards and even t-shirts! Coverage includes: Taking digital photos that will print well Optimal file size and resolution for great digital printing Editing your digital artwork for printing Matching monitor and print colors Choosing the right paper and coating Matching papers to in ks Borderless printing Matting and framing Special printing projects such as t-shirts, greeting cards, stationary and more. (shrink)

You have the camera, or intend to. You have the desire. Now, you have personalized instruction from PC Magazine "The play of light and color on the human imagination." That's how Daniel and Sally Wiener Grotta define photography. They'll lead you through choosing a digital camera and using all its amazing features, but photography is more than technology. These renowned experts liberally share their knowledge of lighting, settings, focus, file formats, communicating with pictures, and more. Read a little, then (...) go shoot some pictures, study them, and read some more. See what you and that camera can do -- together. Go one-on-one with the pros Choose a camera that fits your needs Understand resolution, compression, pixels, and file formats Use shutter speed, lighting, and depth of field Learn about white balance and color adjustment Organize your shots on the camera Shoot photos for company publications or online auctions Pick up tips for getting great photos Get your pictures out of the camera, easily Edit, print, and e-mail photos. (shrink)

Face ao papel central que as revistas desempenharam nas transformações culturais e na criação de movimentos doutrinários e cívicos, entre o final do século XIX e o final do século XX, procura--se caracterizar esta modalidade de imprensa a partir dos traços distintivos que lhe permitiram unir, segundo diferentes propósitos e modalidades, pensamento e actualidade.

À partir des années 1930, émerge en France une nouvelle forme de presse destinée aux femmes où apparaît la thématique de la beauté. L’idée de beauté, qui était liée principalement au vêtement ou à la nature est redessinée par la ligne éditoriale de ces nouveaux périodiques qui la définissent désormais par les soins du corps. La plus ancienne de ces publications, Votre Beauté, est créée par Eugène Schueller, fondateur de L’Oréal. Cet article porte sur la manière dont est élaborée cette (...) nouvelle définition de la beauté, à la fois dans le contenu éditorial et dans les publicités de ce magazine. (shrink)

This study analyzes the interests of Spanish audiences in travel magazines within the current context of press consumption. The objectives are to identify the readers' reading frequency and reasons for reading, what contents interest them, and what aspects of the photographs attract them. The methodology involves a structured questionnaire completed by a representative sample of the Spanish population (n=1000). The main results reveal a low reading frequency, great interest in practical information, preference for landscape photography (over the age of 54) (...) and nightlife photography (young people), and indifference regarding the journalistic source of the images. These data provide relevant information on which to adapt travel magazines' content strategy. (shrink)

Digital manipulation of photographs raises a different set of questions for magazine editors than it does for news.paper editors. Interviews with editors of 13 consumer magazines reveal that digital alteration depends largely on the editorial profile of the magazine. All editors interviewed refused to digitally manipulate news photos; however, opinions varied on the treatment of feature and cover photos.

This my 3am interview with Richard Marshall about my work and its inspirations. It focuses on my research on parst and wholes, tropes, and abstract objects.

Don't enter the world of Digital SLR without this book! If you want to use your Digital SLR camera like a pro, let a pro show you how! Sally Wiener Grotta and Daniel Grotta have been covering the world of digital photography since 1991, and this book is like a private course in DSLR mastery. From understanding the parts of your camera to using the controls effectively to shooting stunning, beautiful, and meaningful photographs to editing your images, here's everything you (...) want to know tomake your investment in a Digital SLRpay off big in gorgeous pictures. Let the experts tell you how Here's advice from the undisputed digital camera experts for less than the cost of a memory card! The Grottas help you choose the right model, get the best shots, edit like a pro, and produce showstopping prints from your DSLR. Get professional guidance on * Choosing a Digital SLR camera that fits your needs and your budget * Understanding different types of image sensors * Selecting and working with lenses * Determining the right resolution for various photo types * Using the camera's controls to fine-tune your pictures * Working with RAW format * Learning the aesthetics of what makes a great photograph * Getting great shots of action, nature, and events * Seeing how light, shadow, contrast, and color affect the mood and intention of everything you shoot * Managing your image files efficiently * Editing your images for professional results. (shrink)

What is structuralism? The stock To explain why we should see Quine can translate the natives’ gavagai either as answer is that it is the brainas a structuralist, I would like to revive rabbit or as undetached rabbit’s part, so he child of Ferdinand de his widely discussed thought experican translate his peers’ rabbit either as Saussure, later fostered by Levi-Strauss, ment, featuring a field linguist decipherrabbit or as undetached rabbit’s part. Hence Foucault, Derrida and their allies. But I ing (...) an unknown language spoken by the cultural relativism appears to muthink we have only to confront the ausnatives somewhere in the middle of tate into an “individual relativism”, a terely scientific style of Saussure’s Course nowhere. On hearing the natives exkind of solipsistic skepticism in which de linguistique générale with that of the claiming “Gavagai!” whenever they see a we can be certain neither that we underwritings of the French structuralists to rabbit, the linguist records in his notestand the natives, nor even that we unrecognise an essential discontinuity. The book the tentative translation hypothderstand each other! French philosophers have developed esis gavagai = rabbit. Next, Quine asks us However this is not a conclusion only certain consequences of Saussure’s to imagine another linguist, who, ob- Quine would be willing to draw. He teaching; and, moreover, in a rather nonserving the same behaviour of the same does not say that we cannot understand Saussurean way. natives, proposes the hypothesis gavagai each other (nor even that we cannot un- In my recent book I put forward the = undetached rabbit’s part. Quine then conderstand the natives): that we can is conalternative thesis that the kind of strucsiders ways of deciding which of the tinually testified to by the indubitable turalism advanced by Saussure is in fact two linguists is correct, and concludes, successes of our communication. For present implicitly in the writings of to the astonishment of many readers, Quine, there is no other measure of unpeople not normally associated with the that there is no feasible way to decide; derstanding, save the smoothness and term, namely the (post)analytic phiand hence that both linguists are corfruitfulness of linguistic interaction, the losophers such as Willard Van Orman rect.. (shrink)

This study looks at the differences and changes observed in the visual design of the covers of French editions of women’s fashion magazines over a period of twenty-one years. To this end, the study aims to identify the changes that can be observed over the years in the design of the covers of the magazines Vogue, Elle, Marie Claire, and Cosmopolitan. However, the main aim of the study is to analyze how these visual signs on the covers of French magazines (...) are designed “differently” and how these signs create a “difference” in comparison to each other. By analyzing these visual elements, the aim of the study is to show the development of design trends and their impact on the visual communication strategies and brand identities of magazines. (shrink)

This paper aims to establish and identify the linguistic devices through which the niche printed media specifically targeting a young female local audience identify, shape and construct their ad- dressee by acknowledging their subcultural ideology. Our intention is to trace the measure of congruency between the two types of discourse: of the encoder and of the decoder. Such instantiations as were found at the level of text functions, discourse patterns and strategies, rhetorical and linguistic items testify to our conclusion that (...) the niche printed media – specifically teen-oriented music and lifestyle magazines – gratify a local community of young female consumers by pro- grammatically encoding their cultural products in a language of solidarity with their audience. (shrink)

O mundo da edição electrónica de periódicos encontra-se em permanente evolução, a par dos avanços tecnológicos e da crescente utilização de meios informáticos que facilitem o acesso à informação.A maioria das iniciativas que utilizam a edição electrónica de revistas tem como principal objectivo permitir aos investigadores um acesso fácil e centralizado à informação, alargando desta forma a potencial difusão das publicações consultadas.Partilhando alguns elementos deste princípio funcional, o Seminário Livre de História das Ideias (SLHI) propõe-se editar e estudar revistas históricas, (...) preocupando-se não apenas com a acessibilidade da informação mas também, e sobretudo, com a construção de um aparato analítico que permita uma leitura crítica das fontes. Discutir o seu trabalho e a sua experiência pode ser, pois, um passo importante para superar obstáculos e definir rumos para a edição electrónica de revistas. (shrink)

In the second half of the eighteenth century, as the magazine publishing industry grew, illustrations became a fundamental element of magazines, and some of the most ambitious publishers began offering readers coloured illustrations. This article examines a series of coloured illustrations published in The Universal Magazine of Knowledge and Pleasure. Launched in 1752, this series depicts subjects from natural history, including birds, animals, and plants. These plates were a critical vehicle in adapting and circulating elite scientific publications to (...) a wide and diverse audience. As material objects, they were challenging to produce, but they were very important to the magazine’s appeal to readers. Offering wondrous visual spectacles in print, the series entwined narratives of curiosity, natural history, exotic travel, and colonialism. (shrink)

ABSTRACTAnalysing the contents of magazines published with the stated intention of conveying information about science and technology to the public provides a mechanism for evaluation what counted as ‘popular science’. This article presents numerical surveys of the contents of three magazines published in inter-war Britain and offers an evaluation of the results. The problem of defining relevant topic-categories is addressed, both direct and indirect strategies being employed to ensure that the topics correspond to what the editors and publishers took to (...) be the principal areas of science and technology of interest to their readers. Analysis of the results of the surveys reveals different editorial policies depending on the backgrounds of the publishers and their anticipated readerships. The strong focus of the two most populist magazines on applied science and ‘hobbyist’ topics such as natural history, radio and motoring is noted and contrasted with the very limited coverage of theoretical science. In conclusion, a survey of changes in the contents over the periods of publication is used to identify trends in the coverage of science during this period. (shrink)

The ArgumentThe main subject examined in this paper is Immanuel Kant's controversy withPhilosophisches Magazinregarding Kant's new theory of judgments. J. A. Eberhard, editor ofPhilosophisches Magazin, and his colleagues wanted to vindicate the Wollfian traditional concept of judgments by undermining Kant's claims. As will be demonstrated, their arguments were effective mainly in exposing the ambiguity that was inherent in Kant's concept of the synthetic a priori; an ambiguity that resulted from Kant's desire—central to his critique of metaphysics—to present judgments pertaining to (...) mathematics, (dogmatic) metaphysics, and pure natural science as judgments which shared a common form. Exposing this ambiguity was not the intended result, and it was insufficient for the purpose of vindicating the Wollfian tradition. The contributors toPhilosophisches Magazinignored the important properties shared by the class of judgments falling under Kant's concept of synthetic a priori judgments. They also ignored the fact that their position was unable to account for the logical phenomena that motivated Kant to present a new theory of judgments. On the other hand, Kant's theory of judgments was insensitive to the important differences that exist among the distinct types of judgments falling under his concept of a synthetic a priori judgment. This latter point is clearly shown in the controversy regarding the novelty of Kant's concept of a synthetic a priori judgment, and in the controversy regarding the function of intuitions within synthetic judgments.A result of the controversy was that Kant's concept of the synthetic a priori, which he believed to be an exact concept, was revealed to be a metaphor: no more than an invitation to view certain intellectual fields in the light of others. On the other hand, Eberhard and his colleagues failed to come up with satisfactory answers to Kant's questions within their traditional concept of judgment. Both parties refused to acknowledge this result. Consequently, the search for a new logic, a new architectonic order, and a new unity within reason became a general problem for the new generation of philosophers. (shrink)

Le projet de ce livre était intéressant : faire l’histoire du magazine féminin de la CGT, Antoinette, de sa naissance (1955) à l’interruption de la publication (1989). L’auteur utilise de nouvelles sources, car elle a eu accès aux archives de la CGT, y compris aux notes manuscrites du secrétaire général Henri Krasucki. La partie la plus intéressante est les annexes qui indiquent le tirage, la diffusion (nationale et par département) et le prix de vente du magazine. En effet, (...) la lecture de l’o... (shrink)

This investigation explores how contemporary motherhood is constituted in postindustrial consumer culture through a content and textual analysis of Shape Fit Pregnancy. Using all available issues of the magazine from its inception in 1997 to 2003, the authors first underscore a key tension surrounding pregnant women’s bodies within health and fitness discourse: That the pregnant form is presented as maternally successful yet aesthetically problematic. Second, the authors reveal how contemporary mothers are defined as newly responsible for a second shift (...) of household labor and child care and a new third shift of bodily labor and fitness practices. The analysis examines the way in which the second and third shift are constituted as mutually dependent and reinforcing. Last, the discussion analyzes how this particular fitness text draws on empowerment discourse derived from feminist gains of access to the public sphere while paradoxically inscribing women to the privatized realm of bodily practices, domesticity, and family values. (shrink)

Sheds new light on the aesthetic factors that shaped Kubrick's artistic voice by examining the links between his photojournalist work (done between 1945 to 1950) and his films.

We consider in this article how the largest corporations in Apartheid South Africa used an in‐house magazine to manipulate their shareholders' perceptions of the current political scenario. We argue that in that era, business felt compelled to respond to the portrayal of events in South Africa presented by the international media. Furthermore, we examine the motivation of business for doing so and why that motivation does not exist in post‐apartheid South Africa.

Water is the chemical matrix required for life, the molecular chain that connects all organisms on the planet. But in the twenty-first century, water may replace oil as the most prized of resources. Just as gas-guzzling SUVs use more than their share of fuel, water-guzzling regions threaten the water supply for the rest of the world. In Water, writers, scientists, architects, and artists consider the many aspects of water, at levels from the microscopic to the global, touching on subjects that (...) range from new water infrastructures to ancient bathing rituals. Water includes a chemist's accounting of the true cost of water; photographs taken inside a city's secret waterways; an urban planner's description of how Toronto, New York, Hamburg, and Seoul have redesigned and rethought their waterfront areas; a conceptual artist's series of water bottles "branded" with various modern credos; photographs of a water-damaged ledger from the 1905 Yukon gold rush; two architects' rethinking of how to collect, divert, and transport water from water-rich to water-poor regions; a philosopher's invocation of the spiritual lessons of water; and photographs of a disturbingly beautiful flooded landscape. (shrink)

v. 1. March 1897-February 1898 -- v. 2. March 1898-July 1899.

The aim of the article is to examine the representation of ageing in selected issues of the Polish women’s magazine Twój Styl. With reference to Wolf’s concept of the “beauty myth,” the article argues that ageing is presented as a threat to women’s psychological integrity. Although the theme of old age is rarely directly addressed in the magazines, its presence is implied in the advertised anti-age beauty products. Based on semiotic theory and Cognitive Metaphor Theory, the paper demonstrates that (...) the advertising of anti-ageing beauty products serves the function of controlling ageing female bodies, which are positioned outside of the mainstream concept of femininity. (shrink)