The early 20th-century French sociologist and philosopher Gabriel Tarde was an important critic of Durkheim's ontology of the social. Tarde developed a microsociological and ontological critique of the philosophical problems of resemblance and of variation underlying Durkheim's comparative sociology. Recently, thinkers such as Gilles Deleuze, Bruno Latour and Éric Alliez have begun to revisit Tarde and to develop a theme of the significance of Tarde's thought as a harbinger of postmodern theory. This article examines Tarde's theories in the light of (...) this new reception. It is shown that Tarde draws heavily from Leibniz's theory of the quantitative continuity of qualitative singulars in order to critique Durkheim's statistics-based social realism. While some key limitations of Tarde's critique are exposed, it is argued that Tarde finds a way to remain faithful to statistical sociology as a project even while calling radically into question the qualitative unity of the social. (shrink)

This is a study of the rise of Hegelian thought throughout the intellectual world in Germany in the first half of the nineteenth century. The book has three interrelated purposes. First, it constitutes the first synthetic description and comprehensive reconstruction of the historical genesis and humanist transformation of Hegelian ideology. Secondly, the study addresses the problem of recurrent patterns of hope and disillusionment in the successive phases of dialectical thought. Finally, the book is concerned with ideological responses to the experience (...) of communal and religious disintegration. (shrink)

This article argues that while modes of scholarship stressing structural insights into the digital divide and ethnographic insights into online communities each give us important information about current uses of the internet, for the sake of a unified social justice principle it is necessary to interpret these forms of knowledge in terms of what could be. Marx’s formula ‘the development of each as a condition for the development of all’ is put forward as the principle of a socially-just internet actualized (...) from the ground up. It is argued that the most rapidly emerging and important form of constraint upon ‘the development of each’ is the for profit online social media industry in which moments of human communicative creativity become packaged as commodities for commercial purposes. Creative, cultural agency becomes an imposition rather than a liberation as represented in the industry ideology. It is argued therefore that groups that use the internet for serious play – the use of avatars in virtual worlds is discussed as an example – present us with a form of online subjectivity that is rising in importance as a form of cultural agency inasmuch as the play component is premised upon the rejection of pre-packaged forms of agency. Support for a socially-just internet would thus mean supporting the online communities formed in this process. Thus the argument is put forward that the importance of serious online play groups is not due to their potential for forming communities per se but is rather due to their potential for resisting the imposition of agency. Inasmuch as online communities in the midst of such groups can bolster that goal, they can represent the development of human capabilities in a way that expands the theme of social justice. (shrink)

This book examines the ways in which selfhood and cultural solidarity came to be understood and lived as historical identities during the 1800s. It examines the stages and conflicts in the process of 'becoming historical' through the works of prominent Prussian artists and intellectuals who attached their personal visions to the reformist agenda of the Prussian regime that took power in 1840. The historical account of the evolution of analogous and inter-related commitments to a cultural reformation that would create communal (...) solidarity through subjective identification with public memory is framed by the philosophical perspectives on historical selfhood provided by F. W. J. Schelling and his radical critics, Karl Marx and Søren Kierkegaard, thus drawing this story of building selves and communities in early nineteenth-century Berlin into debates about historical determined and contingently constructed identities. (shrink)

En plusieurs endroits de son œuvre, à la fois dans ses écrits théoriques et ses œuvres de fiction, Tarde revient sur le thème du futur. Dans Monadologie et sociologie, il émet l’hypothèse qu’en raison de la façon dont la science moderne « pulvérise » l’univers, le futur est susceptible de représenter une forme plus élevée de diversité. Tarde soutient que cette destruction et cette création, en se répandant dans la société, impliqueront la fin de la sociabilité normale et la venue (...) d’une nouvelle ère dans laquelle la misanthropie, réévaluée, acquiert un sens nouveau. Tout se passe comme si, pour Tarde, l’insociabilité deviendra un principe positif et nécessaire dans l’ère future des plus grandes diversités. Dans cet article, je développe les conséquences de la futurologie tardienne sur une socialité fondée sur la différence en les rapportant au développement de la science. (shrink)

The aim of this book is to present without reservation and in simple fashion the beliefs of the Mennonites and their uncompromising nonconformity. As such it sets forth for the first time the basis of the distinctive ethical code of the Mennonite community. It will appeal to all persons who are interested in the Christian faith, regardless of their own church affiliation. The Problem of Mennonite Ethics is divided into four parts. The first section states the problem, discusses Mennonite belief (...) in relationship to modern theology, and sets forth the need and challenges of today. The second part expounds the biblical basis of Mennonite philosophy and theology, and compares Mennonite ethics to Humanism, Pietism, and Mysticism. Part three deals with the application of Mennonite ethics to others and the Mennonite view of the individual. Part four contains the conclusion, appendixes, and a bibliography. (shrink)

This review of Martin Jay’s recent published collection of essays examines his ongoing rethinking, supplementation, and revision of central themes—the negative and positive dialectics of historical totalization, the varieties and uses of conceptions of experience, the nature of visual cultures and scopic regimes, and the ambiguities of truth-construction in the public realm—that have been the focus of his major works since the 1970s. It argues that his more recent work indicates a gradual shift toward an affirmation of the kinds of (...) paratactic and deconstructive thinking of Adorno and Derrida as models for producing appropriate forms of historical consciousness and historical critique in the present, and it raises the question of how the issues of historical truth-telling, consensual collective identity, ethical action, and the cultural role of the critical intellectual are reformulated in this process. (shrink)