Theories about moral status help answer a variety of questions about events that occur throughout the Star Wars saga. This chapter examines what counts as merely a “thing” in the Star Wars galaxy. It highlights that moral relevance identifies the properties a creature must have in order to be morally considerable; it also determines the creature's degree of moral significance. Theories of moral relevance, understood in terms of the properties a creature must have to be (...) morally valuable, fall into two important categories: those that focus on physical properties and those that focus on psychological properties. The chapter analyzes the numerous moral status issues that emerge in the Star Wars galaxy. In particular, the story of the Zillo Beast confronts us with questions about moral considerability, significance, and relevance. (shrink)

The enduring popularity of Star Wars has much to do with its mythic dimensions. However, there are problems with Joseph Campbell's work on myth and George Lucas's use of Campbell's ideas in Star Wars. Both Campbell and Lucas promote a simplistic view that encourages fans to avoid some darker, more unsettling ideas in Star Wars, which may obscure myth's true power. Campbell remains one of the most famous mythologists, but he was by no means (...) the first. Campbell's influence on Star Wars seems obvious, but the details are difficult to determine, partly because Lucas himself gives different accounts of it. Campbell's monomyth leads us to see similarities between tales and, in so doing, overlooks many significant differences. Tensions between mythos and logos date back to ancient Greek philosophers, if not earlier. The mythic structure of Star Wars has immense hidden power, and this power has a dark side. (shrink)

This chapter discusses the role played by guardians and tyrants in Star Wars. The Jedi align themselves with the light side of the Force, while the Sith align themselves with the dark side. Although the Jedi are guardians of the galaxy, they refrain from ruling directly, acting as willing servants of the Old Republic. In Attack of the Clones, Anakin Skywalker and Senator Amidala demonstrate the trajectory of Plato's thinking when they engage in a semi‐serious debate about (...) the politics of the Republic. Plato's views in the Republic mirror the different types of rule in the Star Wars galaxy surprisingly well: democracy is vulnerable, tyrants only care about their own interests, and guardians of peace and justice are the state's best chance for flourishing. While democracy fails, allowing the Emperor to become a malevolent tyrant, the Jedi Council is cut off in its service to the Republic. (shrink)

This book provides an intimate portrait of eighteen universal truths in Star Wars--principles that are "true for all time, all places and all people." Readers will see that the philosophy of the Jedi doesn't only apply "in a galaxy far, far away"; it is also highly relevant to everyday living.

The heroes and villains of the Star Wars saga are probably the most widely recognized fictional characters in the Western world. In particular, the saga is a celebration of friendship and family bonds. Though it is a story of conflict and warfare, grand political concerns about the fate of the galaxy are kept in the background, as the story focuses more on action and the relationships among the main characters. The overwhelming loyalty that the heroes of (...) class='Hi'>Star Wars feel for friends and family is a traditional feature of heroes, from ancient history to today. Weighing the actions of fictional characters like Luke and his pals can help us reflect on how we should act in the real world. In some ways, the moral views of early philosophers move us too far toward civic duty and away from the traditional values of loyalty to friends and family. (shrink)

In The Empire Strikes Back, African American actor Billy Dee Williams turned the trio into a quartet as Lando Calrissian. Novelist and social activist Alice Walker coined and defined colorism as the “prejudicial or preferential treatment of same‐race people based solely on their color,” according to Kimberly Jade Norwood and Violeta Solonova Foreman. For Norwood and Foreman, colorism is concerned with the lightness and darkness of skin tone, with preference given to whiteness. Colorism in the United States took root during (...) the period of slavery, when “coalescence of needs, beliefs, justifications, and practices had the effect of placing white skin at a premium and dehumanizing black skin.” Jennifer Bloomquist writes that there is “a protracted history of Whites creating Black caricatures,” which includes “underdeveloped Black characters” in American entertainment. Boyega overlooks the presence of culture and the representation of other races and ethnicities throughout the Star Wars films and even throughout the various television series. (shrink)

From widespread unemployment and mounting international hostilities, every day we are swept into more political chaos--so one brave man looks to the Star Wars universe for answers to our most urgent problems. "You can't stop the change -- anymore than you can stop the sun from setting." Anakin Skywalker was never able to live with this wisdom shared by his mother on the day he left home to train as a Jedi Knight. That failure led him to becoming (...) the fearsome villain we all know as Darth Vader. We're living in a time of unprecedented and rapid change. An age of chaos. Democracies are in decline worldwide. Dictators are ascendant. Civic organizations are crumbling. People feel lonelier and more rudderless than in any other time in recent history. We've tried to slow down, and in some cases we, like Anakin, have tried stop the change, but failed at every turn. The fears that come with living in an age of disruption have produced public anger, and that anger has swelled movements of hate. Author Stephen Kent believes part of the solution is hiding in plain sight. A story that binds together multiple generations with a common language, a moral framework, and a sense of wonder. It's Star Wars. What if we looked to Star Wars for more than just entertainment? How the Force Can Fix the World takes this challenge on by analyzing the core principles of the Star Wars franchise: HOPE, CHOICE, HUMILITY, EMPATHY, REDEMPTION, BALANCE and rejecting FEAR. Together, these are the Star Wars roadmap for living better lives, and maybe even fostering a better politics. The path that we're on -- where fear leads to anger, and anger to hatred -- will only end in suffering. But Star Wars shows us the way back from the brink. Shared stories of virtue that are beloved across cultures and political divides are hard to come by, but Star Wars is one such story. Turn on the news; things are pretty broken right now -- but the Force can fix the world. (shrink)

This chapter explores the relations of different kinds of power, philosophically understood – sovereign power, disciplinary power, and biopower – and argues that the politics of the Star Wars galaxy is animated by an ontology, or metaphysical picture, centered on power. It further argues that The Mandalorian criticizes this power ontology with the introduction of the Child, Grogu, who generates a different kind of Force: a relational ontology of love. Grogu and the love he generates point to (...) a different way of being in the world than power. Ultimately, The Mandalorian offers a different ontology of power – an ontology of love – as a radical alternative to the bindings of political power. Palpatine is correct that power dynamics shape the confrontational relationship between the Jedi and Sith, which is fed by the Jedi's disavowal of strong attachments. (shrink)

The mechanical occupants of the Star Wars galaxy exhibit many human‐like characteristics. In Star Wars, the interactions that occur between droids share many of the features that are common in human relationships. Droids occasionally provide us with a jarring glimpse of their true mechanical natures. This chapter examines why droid intelligence is so important for the denizens of the Star Wars galaxy. Truth is, the treatment of droids is very different from that (...) of humans and other sentient creatures. Not only are droids treated as property, but also they are the victims of extreme prejudice. Clearly, the Jedi, along with most of the occupants of the Star Wars galaxy, believe that there is some important moral difference between the mechanical and the biological. Within the Star Wars galaxy, it is common for limbs and body parts to be replaced by incredibly advanced mechanical substitutes. (shrink)

Galen designed the Death Star's primary weapon with knowledge of how to manipulate kyber crystals to enhance energy output. Utilitarian ethics would likely conclude that Galen did the right thing, ultimately saving many more lives than those lost and helping to free the galaxy from the Empire's tyranny. This chapter examines how a utilitarian – concerned with the best overall outcome – and a deontologist – concerned with our fundamental moral duties – would evaluate Galen's choice to cooperate (...) with the Empire. It also examines a potential justification for his serving both the Empire and the Rebel Alliance that may help us to navigate such complex moral dilemmas. Careful analysis of the conditions of moral complicity justifies Galen's collusion so long as he had a reasonable expectation that the Death Star would've been completed anyway, and that there was a reasonable hope of success in its ultimate destruction. (shrink)

“May the Force be with you” is a standard blessing and parting phrase exchanged by members of the Jedi Order and others in the Star Wars universe. The Star Wars saga is an epic tale of good versus evil, light versus dark, freedom versus tyranny, Jedi versus Sith, with the mysterious "will of the Force" rallying the armies of light in their war against the armies of darkness. The privation theory of evil offers a way to (...) reconcile the goodness of the all‐encompassing Force with the reality of evil. The Force, binding both galaxies and living beings together, is the source of the measure, order, and form that make things good. One reason why the privation theory of evil does not fit well with the metaphysics of Star Wars is the simple fact that the Force, far from being absent whenever evil is afoot, is abundantly present. (shrink)

Some moral sentimentalists say that ethical judgments just are our affective responses to the world and do not necessarily refer to or reflect anything beyond those emotional experiences. Moral sentimentalism tries to take seriously the psychological mechanisms that underwrite our making moral judgments. Moral sentimentalists treat feelings, or affective attitudes, as important components of moral theorizing and decision‐making. Fortunately, moral sentimentalists have a better option for measuring the appropriateness of our ethical feelings. Scottish philosopher Adam Smith's 1759 book The Theory (...) of Moral Sentiments remains a landmark defense of moral sentimentalism. In the 1970s, philosopher Cora Diamond talked about “fellow creature responses” as important starting‐points for thinking about our ethical sentiments regarding animals. Star Wars has shown us a similar kind of picture with a galaxy of different ways in which humans and nonhumans can interact. (shrink)

Gamma-ray bursts are the brightest--and, until recently, among the least understood--cosmic events in the universe. Discovered by chance during the cold war, these evanescent high-energy explosions confounded astronomers for decades. But a rapid series of startling breakthroughs beginning in 1997 revealed that the majority of gamma-ray bursts are caused by the explosions of young and massive stars in the vast star-forming cauldrons of distant galaxies. New findings also point to very different origins for some events, serving to complicate but (...) enrich our understanding of the exotic and violent universe. What Are Gamma-Ray Bursts? is a succinct introduction to this fast-growing subject, written by an astrophysicist who is at the forefront of today's research into these incredible cosmic phenomena. Joshua Bloom gives readers a concise and accessible overview of gamma-ray bursts and the theoretical framework that physicists have developed to make sense of complex observations across the electromagnetic spectrum. He traces the history of remarkable discoveries that led to our current understanding of gamma-ray bursts, and reveals the decisive role these phenomena could play in the grand pursuits of twenty-first century astrophysics, from studying gravity waves and unveiling the growth of stars and galaxies after the big bang to surmising the ultimate fate of the universe itself. What Are Gamma-Ray Bursts? is an essential primer to this exciting frontier of scientific inquiry, and a must-read for anyone seeking to keep pace with cutting-edge developments in physics today. (shrink)

A fun, pocket-size book packed with inspiration from the galaxy's most cool and composed Jedi Master. Stay true to yourself with confidence and class. Is your new home more hive of villainy than sandy beach resort? Friends not the chosen ones you thought they were? Don't throw a tantrum - keep it classy and ask yourself, "What would Obi-Wan do?" Glide elegantly through anything life throws at you with pearls of wisdom from Obi-Wan Kenobi and fellow sages. Learn how (...) to face your fears and perfect your witty comebacks."--Amazon.com. (shrink)

The trilogy is viewed through the lens of myth and metaphor. A wide variety of philosophical and mythological themes are presented and expounded upon, drawing from a rich source of scholars, thinkers, writers, and poets from East and West alike. Heretical or not, the Star Wars prequels are a surprisingly rich source of insight into the whole saga.

This third brand-new 'Star Wars & Philosophy' title once again takes a fresh look at the franchise with all-new chapters. The focus of this volume is the more recent entries into the franchise, including hit TV shows such as THe Mandalorian. Modern applied philosophy is also used to analyse the Star Wars universe: In addition to thorny metaphysical questions about the nature of time and free will, this volume highlights the staggering cultural impact of George Lucas's (...) universe. The newest Star Wars narratives tackle ethnicity on alien worlds and how love and sex with a droid like L3-37 would work ("It works"). The connections between the Separatist Freedom Movement and the struggle for social justice in the USA in the 21st century are brought to light. And philosophical second looks at Rian Johnson's The Last Jedi prove there is much more to this controversial entry in the Skywalker saga. (shrink)

Philosophical review of themes in 'Star Wars - Episode VII: The Force Awakens' by the co-editors of 'Star Wars and Philosophy' and 'The Ultimate Star Wars and Philosophy.'.

This chapter lays out the paradox of fiction as it relates to the Star Wars films in three claims: we have genuine and rational emotional responses to the fictional characters and events in Star Wars; we must believe these characters and events really exist; and nobody believes these fictional characters and events in Star Wars exist. While many fans like to talk as if the characters and events in Star Wars are real, (...) none of us actually believe that Luke's heroic journey is real. The illusion theory claims that the fictional work creates in us the illusion that the characters and situations depicted actually exist. One observation that the thought theory makes is that we often have emotional reactions to imaginary situations. The pretend theory says that the emotions we experience while watching Star Wars are not genuine emotions. Rather, they're quasi‐emotions. (shrink)

The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy (...) ponders the depths of these subjects and asks what it truly means to be mindful of the "living force.". (shrink)

Are good and evil a “point of view”? Do Jedi and Sith alike merely crave greater power? What does a “space opera” have to teach us about how to live virtuously? George Lucas created Star Wars as a modern-day morality tale, modeled on classical epics, such as Homer’s Iliad and Odyssey, tragic dramas written by the likes of Sophocles, Seneca, and Shakespeare, and the scriptures that inspire religions in the East and West. This chapter canvasses the metaphysical and (...) moral themes across the three trilogies that make up the “Skywalker saga” to construct a genealogy of how “the Force” evolved throughout these films. At the heart of this conceptual development is the question of how the light and dark sides of the Force are related to each other and what that relationship can help us understand about the nature of good and evil in our own experience. (shrink)

Does it take faith to be a Jedi? Are droids capable of thought? Should Jar Jar Binks be held responsible for the rise of the Empire? Presenting entirely new essays, no aspect of the myth and magic of George Lucas’s creation is left philosophically unexamined in The Ultimate Star Wars and Philosophy. The editors of the original Star Wars and Philosophy strike back in this Ultimate volume that encompasses the complete Star Wars universe Presents (...) the most far-reaching examination of the philosophy behind Star Wars – includes coverage of the entire film catalogue to date as well as the Expanded Universe of novels, comics, television series, games and toys Provides serious explorations into the deeper meaning of George Lucas’s philosophically rich creation Topics explored include the moral code of bounty-hunter favourite Boba Fett, Stoicism and the Jedi Order, the nature of the Dark Side, Anakin and Achilles in a nihilism face-off, feminism and being chained to a giant slug, cloning, de-extinction, fatherhood, Wookiees, loyalty, betrayal, guardians, republics, tyrants, terrorism, civic duty, friendship, family, and more! Publishing in time for the global release of Star Wars Episode VII: The Force Awakens on December 18, 2015 – hotly anticipated to become the first film to top $3 billion in worldwide box office sales. (shrink)

The study combines theories of myth, popular culture, structuralism and poststructuralism to explain the enormous appeal of Star Wars and Harry Potter. Although much research already exists on both stories individually, this book is the first to explicitly bring them together in order to explore their set-up and the ways in which their structures help produce ideologies on gender and ethnicity. Hereby, the comparison yields central insights into the workings of modern myth and uncovers structure as integral to (...) the success of the popular genre. It addresses academic audiences and all those wishing to approach the tales from a fresh angle. (shrink)

Introduction: Why so serious? -- The super body-politic: nationally assembling Joss Whedon's exceptional The avengers -- "He was deceived by a lie": tragedy and the dark plague of the politics of fear in George Lucas' Star wars -- Dystopian polyvalence: emancipating the mediated life from The matrix.

Context. The identification of the sources that reionized the Universe and their specific contribution to this process are key missing pieces of our knowledge of the early Universe. Faint star-forming galaxies may be the main contributors to the ionizing photon budget during the epoch of reionization, but their escaping photons cannot be detected directly due to inter-galactic medium opacity. Hence, it is essential to characterize the properties of faint galaxies with significant Lyman continuum photon leakage up to z 4 (...) to define indirect indicators allowing analogues to be found at the highest redshift. Aims. Long gamma-ray bursts explode typically in star-forming regions of faint, star-forming galaxies. Through LGRB afterglow spectroscopy it is possible to detect directly LyC photons. Our aim is to use LGRBs as tools to study LyC leakage from faint, star-forming galaxies at high redshift. Methods. Here we present the observations of LyC emission in the afterglow spectra of GRB 191004B at z = 3:5055, together with those of the other two previously known LyC-emitting LGRB, to determine their LyC escape fraction and compare their properties. Results. From the afterglow spectrum of GRB 191004B we determine a neutral hydrogen column density at the LGRB redshift of og =17:2 0:15, and negligible extinction. The only metal absorption lines detected are C iv and Si iv. In contrast to GRB 050908 and GRB 060607A, the host galaxy of GRB 191004B displays significant Ly emission. From its Ly emission and the non-detection of Balmer emission lines we constrain its star-formation rate to 1 SFR 4:7 M yr. 1. We fit the Ly emission with a shell model and find parameters values consistent with the observed ones. The absolute LyC escape fractions we find for GRB 191004B, GRB 050908 and GRB 060607A are of 0:35+0:10.0:11, 0:08+0:05.0:04 and :20+0:05.0:05, respectively. We compare the LyC escape fraction of LGRBs to the values of other LyC emitters found from the literature, showing that LGRB afterglows can be powerful tools to study LyC escape for faint high-redshift star-forming galaxies. Indeed we could push LyC leakage studies to much higher absolute magnitudes. The host galaxies of the three LGRB presented here have all M1600 >.19:5 mag, with the GRB 060607A host at M1600 >.16 mag. LGRB hosts may therefore be particularly suitable for exploring the ionizing escape fraction in galaxies that are too faint or distant for conventional techniques. Furthermore the time investment is very small compared to galaxy studies. (shrink)

Though astrophysicists have developed a theoretical framework for understanding how the first stars and galaxies formed, only now are we able to begin testing those theories with actual observations of the very distant, early universe. We are entering a new and exciting era of discovery that will advance the frontiers of knowledge, and this book couldn't be more timely. It covers all the basic concepts in cosmology, drawing on insights from an astronomer who has pioneered much of this research over (...) the past two decades. Abraham Loeb starts from first principles, tracing the theoretical foundations of cosmology and carefully explaining the physics behind them. Topics include the gravitational growth of perturbations in an expanding universe, the abundance and properties of dark matter halos and galaxies, reionization, the observational methods used to detect the earliest galaxies and probe the diffuse gas between them--and much more. Cosmology seeks to solve the fundamental mystery of our cosmic origins. This book offers a succinct and accessible primer at a time when breathtaking technological advances promise a wealth of new observational data on the first stars and galaxies. Provides a concise introduction to cosmology Covers all the basic concepts Gives an overview of the gravitational growth of perturbations in an expanding universe Explains the process of reionization Describes the observational methods used to detect the earliest galaxies. (shrink)

Queda mucho por estudiar en la academia española sobre el funcionamiento de la estética transmedial. En algunos ámbitos académicos la «cultura popular» sufre aún del estigma «lo no merecedor de estudio». Por otra parte, su complejidad y el gran número de obras de esta estética hace muy difícil su estudio en conjunto. Una de las maneras más interesantes para acercarse es tomar una base temática fuerte mediante la cual establecer ciertas líneas que enriquezcan su lectura y den cuenta de su (...) relación con la sociedad. Como muestra de acercamiento fractal a la estética transmedial, se propone el estudio del universo transmedial de Star Wars desde el concepto del Mal. En este sentido, se proponen unos primeros ejemplos tomados de diferentes lenguajes para extraer a partir de ellos una muestra de la manera en que Star Wars representa el concepto del Mal y de qué ideologías parte para ello. (shrink)

Loyalty is like the Force: it has a light side and a dark side, and it surrounds and binds us all. Each of us, whether Jedi or Sith, Rebel or Imperial, is ensnared in a complex web of loyalties. On the light side, our loyalties bind us, turning mere groups of people into something more. On the dark side, those same loyalties can trap us and restrict us. This chapter argues that the value of loyalty itself is exaggerated, and that (...) its true value is derived from other valuable personality traits. The chapter talks about loyalty and betrayal found in the characters of Star Wars. Loyal people seem to be better people all around than nonloyal people. Loyalty itself may not be all that good, but it represents a combination of other factors that generally are good. Commitment, dedication, and selflessness are all valuable traits for a person to have. (shrink)

For over 50 years, since the development of nuclear-armed ICBMs, the USA has sought a way to defend against them. These efforts evolved through various strategies and technologies: from nuclear-tipped rockets through space-based laser weapons to today’s system of ground-based kinetic-kill interceptors. Public debate around these issues reached a peak in the 1980s with President Reagan’s Strategic Defense Initiative, popularly known as Star Wars.Rebecca Slayton examines this history in Arguments that Count, a valuable and well-told account of a (...) particular aspect of missile defense: computer software. Missile defense required identifying a hostile missile launch, keeping track of thousands of incoming warheads on their ballistic trajectories, and directing interceptors to the right place—and doing all this in less than 30 minutes. From the outset, designers turned to computers to do the complex calculations quickly enough. But missile defense presented an additional factor, in that any m .. (shrink)

In Lucas's universe, the Jedi have a special capacity to connect with the Force. There is nothing more powerful in human psychology than the power of attraction in the love of one person for another. The power of passionate love between persons – sexual‐love or love of the body – is experience of the Force. The Jedi also teach their trainees to have a detached, compassionate love for others that is sometimes called “Platonic love.” Anakin's transformation into Darth Vader seems (...) to contradict a prophecy about him: that he's the Chosen One who would bring balance back to the Force. Star Wars doesn't leave the original love, Anakin's passionate love for Padmé, behind. The Force love of Rey and Ren concludes the drama of love that finally achieves the balance of the Force in the sequel trilogy. (shrink)

Fatherly love should be evident in caring for the health and good of one's children, seeking to safeguard them from harm and to encourage their integrity. However, in Star Wars, Darth Vader promises his son's survival only on the condition that Luke Skywalker will serve his own monstrous, tyrannical master. Utilizing a philosophy of love and goodness to show how the parent–child relationship may be lost or regained, this chapter examines the transition in Anakin's life from a natural (...) love of others to a distorted, toxic caricature of love. The drama and trauma displayed in Star Wars allow us to recognize how an admirable love can lose its value, and in fact can become what motivates people to outrageously wicked acts. The chapter highlights that the good of the love in such relationships needs to be tempered by humility and wisdom. (shrink)

This chapter opens with a discussion on the mechanics of canon in the Star Wars universe. The practice of dividing a fiction into canonical and noncanonical parts is not merely an exercise in fanboy/girl esoterica. Once a fiction is massive enough, and the Star Wars fiction is certainly quite massive, the canon/noncanon divide can play a practical role in pointing to which portions of the story are required knowledge for understanding and interpreting the overall universe. Canon/noncanon (...) distinctions make massive fictions like Star Wars accessible. A particular work will not be eternally canonical or eternally noncanonical. The canon/noncanon divide does not merely tell us that some stories count as genuine parts of the Star Wars fiction while others do not. It also dictates which version of a particular story counts as genuine when there are multiple versions from which to choose. (shrink)

There is an imbalance of gender roles in everyone's favorite space saga, with the vast majority of characters played by males while the female parts are minimized at nearly every turn. But the underlying problem of womanhood in Star Wars might be even more insidious than Darth Sidious himself. This chapter explains why it is difficult to embrace a strong female identity anywhere, let alone in the midst of intergalactic war. It analyzes whether the women in Star (...) Wars have what it takes to bring feminism to the Force. While Princess Leia and Queen Amidala are instantly recognizable figures in popular culture, the question arises whether they represent women positively. While Leia and Padmé are typically recognized as the feminist icons of Star Wars, they are not all the films have to offer. The women of Star Wars offer just as much as any of the individual male characters. (shrink)

This chapter introduces time travel into the Star Wars lore. Time travel stories in which the past is changed are in danger of being inconsistent or plagued by paradoxes. In famous time travel stories such as Back to the Future, the protagonist travels to the past, changes the past, and then returns to a present quite different from the one they left. In contemporary philosophy of time, there are three main approaches to this question: presentism, eternalism, and the (...) growing block universe. Time travel works by entering a place, the World Between Worlds, that connects different points in time and space. In terms of modern physics, the portals in the World Between Worlds may be understood as traversable wormholes. The nature of time and the possibility of time travel have attracted and captivated humanity for centuries. (shrink)

Queues may represent business ethics in microcosm: they provide an opportunity to study in a smaller package the fundamental ethical tension in economic activity between self-interest and civility in the context of uncertainty and stress. In May 1999 people began forming lines to purchase tickets to the new Star Wars movie "The Phantom Menace." This paper reviews responses to a questionnaire on the internet regarding experiences in those lines. It focuses on two behaviors threatening queue discipline – the (...) formation of cooperative groups and "pre-scalping." It concludes that although queues are complex phenomena, exhibiting important ethical, economic, social, and psychological elements, the general organizing principle of "first-come-first-served" still provides the foundation for queues while at the same time making room for a variety of legitimate modifications. Second, this paper concludes that, as with queues, the thought that self-interest is the exclusive guiding principle for business behavior is likewise too narrow, inducing participants to neglect opportunities for personal enrichment and satisfaction. (shrink)

Star Wars action figures can help illuminate some theories about the science of the mind and how religious thinking originated. Playing with action figures illustrates how a science of the mind is possible and what can go wrong in the religious mind. In the twentieth century, philosophers began to think of new ways to study the mind. The key is to switch from a first‐person view to a third‐person perspective. Playing with Star Wars action figures illustrates (...) Daniel Dennett's theory of how a science of the mind is possible. To illustrate, this chapter presents a vintage Blue Snaggletooth action figure that sells for hundreds of dollars on eBay. The chapter highlights that understanding what happens when we play with action figures can reveal how a science of mind is possible and illuminate a theory of the origins of the religious mind. (shrink)

This article is devoted to the study of the specific features of the display of social networks and computer technologies in the late 70s of the XX – early 20s of the XXI century in the fantastic Star Wars universe created by American filmmaker D. Lucas. In this scientific work, the authors argue for the relevance and scientific novelty of the problem under consideration. The study examines the peculiarities of the influence of social networks and computer technologies in (...) modern conditions. The article provides a justification for the need to analyze the reflection of this issue in fantasy art as an auxiliary factor in the development of the prognostic function of science. This paper provides a reasoned explanation of the choice of the Star Wars universe as an object of research, taking into account its importance in the fantasy genre, as well as in order to refute stereotypes according to which Star Wars is a collection of entertainment materials in which there is completely no semantic load. The authors analyze the fundamental differences in the coverage of the studied problem in such genres of art as literature and cinema in the context of Star Wars. The article examines the features of the evolution of the display of cybernetic technologies and communication network platforms in the Star Wars universe in the mid‑1970s – early 2020s, as a reflection of the real development of scientific and technological progress, as well as an example of the impact of political, socio‑economic and moral factors on the use of online platforms and computer technology during the period under study. In this article, using the example of the Star Wars universe, the features of the transformation of the role of specialists in the field of high technology through the prism of the attitude of artists to them – more specifically, writers and cinematographers – are also considered. The article also examines the moral and ethical aspect of the use of computer technology and social networks, considered by artists who have made a significant contribution to the development of the fantastic epic of Star Wars. (shrink)

According to George Lucas, Star Wars is a morality play, a mythological tale of good and evil that's meant to teach timeless lessons about the moral life. This chapter shows how the moral framework of natural law ethics provides a philosophical foundation for the morality of the Force and helps illuminate Star Wars' moral themes.

Superficially, it appears that humans enjoy a wide variety of spiritual and religious traditions. In fact, the vast majority of human belief systems (secular and religious/spiritual) are rooted in and colonized by the same ancient Persian narratives (specifically the Zoroastrian Frame), narratives created by elite actors with an elite agenda in mind. This article explores the ancient roots of our modern spiritual and secular beliefs, demonstrates their ideological and colonial character, briefly examines the emotional, psychological, and spiritual toll, and outlines (...) a course of research for those interested in moving forward with an authentic decolonizing agenda. The paper introduces several terms into the lexicon, including Symbol Factories, Ideological Institutions, and Toxic Socialization. Keywords: Zoroastrianism, accumulating class, regime of accumulation, master narratives. (shrink)

Complex webs of loyalties—to people, to institutions, and to principles—ensnare even the most mundane lives. When played out on a stage as grand as the Star Wars universe, these various webs of loyalties—and the consequent betrayals of many of those loyalties—simply become easier to make out. For a narrative universe that is often criticized for its childlike simplicity, Star Wars depicts a wide variety of degrees and kinds of loyalty and betrayal. This chapter will examine some (...) of them in an attempt to clarify exactly what it is to be loyal and why it matters. To understand the central roles loyalty and betrayal play in the Star Wars universe, consider the path of its central character: Anakin Skywalker/Darth Vader. The two key moments of his life are both betrayals. First he betrays the Jedi and his mentor by joining the Sith, and then he betrays the Sith and his master by saving his son. The difference is that in betraying the Emperor, Vader fulfilled the letter of his oath as a Sith, and thus remained loyal to the Sith. It is only the motivation for his action that amounts to a betrayal of the Sith; the spirit of his action, rather than the action itself, betrayed the Sith. Had the betrayal been instead one motivated by seizing power, had Vader betrayed the Emperor in order to take his place, as he had earlier proposed to Luke, he would have remained a loyal Sith. Complications like this arise in almost every betrayal. Grand Moff Trachta and Grand Admiral Zaarin both betrayed the Emperor, but did so to preserve the Empire itself. Darth Bane betrayed the entire Sith Order, but did so in order to remain loyal to the basic tenets of the Sith. We betray one person to remain loyal to another. Given this, we have to ask, is there any inherent value in loyalty itself? If loyalties conflict, as they often do, how should we decide between them? This chapter will attempt to explore and answer these questions by considering various betrayals depicted in the Star Wars universe. (shrink)

Deterrence means threatening to retaliate against an attack in order to deter it in the first place. The central problem with a policy of deterrence is that the threat of retaliation may not be credible if retaliation leads to a worse outcome - perhaps a nuclear holocaust - than a side would suffer from absorbing a limited first strike and not retaliating. - The optimality of deterrence is analyzed by means of a Deterrence Game based on Chicken, in which each (...) player chooses a probability (or level) of preemption, and of retaliation if preempted. The Nash equilibria, or stable outcomes, in this game are compared with those in a Star Wars Game, in which the preemption and retaliation levels are constrained by the defensive capabilities of each side. Unlike threats in the Deterrence Game, which can always stabilize the cooperative outcome, mutual preemption emerges as an equilibrium in the Star Wars Game, underscoring the problem - particularly if defensive capabilities are unbalanced - that deterrence will be subverted by the development of Star Wars. (shrink)