In the contemporary media landscape determined by the pervasive and ubiquitous use of computational media, the figure of ekphrasis is experiencing a moment of renewed interest, which contributes to broadening its field of action traditionally limited to literature. Following this line of interpretation, this article aims to show how precisely the concept of ekphrasis, understood in its processual and performative dimension, can be fruitfully engaged in an analysis of the aesthetic and visual experience that characterises the daily use of our (...) digital devices. By examining Juran Landt's drawing "I just want fruits on a plate", this article explores the tension between text and image in digitally inspired aesthetics. It analyses the disorienting yet productive experiences induced by Landt's artwork, which are reminiscent of our daily encounters with digital media. Finally, this article proposes that the ekphrastic process may represent a moment of unexpected rupture in the otherwise smooth and hypnotic consumption of the digital media. (shrink)

This article discusses the career of Joseph Moses Juran. He is described as being an astute observer, attentive listener, brilliant synthesizer, and prescient prognosticator. Juran has been called the father of quality, a quality guru, and the man who taught quality to the Japanese. One of his stellar contributions is the Juran trilogy of the three quality processes: quality control, quality planning, and quality improvement. Juran summarized the following three features of quality control activities in Japan (...) that created the revolution in quality: a massive quality-related education and training program; an annual program of quality improvement; and upper-management leadership of the quality function. (shrink)