Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources. By Julia M. Asher-Greve and Joan Goodnick Westenholz. Orbis Biblicus et Orientalis, vol. 259. Fribourg: Academic Press, 2013. Pp. xii + 454, illus. €106.

It is divided into four sections covering science as a whole, the new technologies of the postmodern era, bio-medical discourses, and nature. A distinguished cast of contributors explores the central feminist concerns in each arena, through the central metaphors of monster, mother goddess and cyborg. They look at the consequences of gynogenesis, postmodern eco-buddhism in heathcare, sexual violence in cyberspace, the postmodernization of menopause, the dolphin as androgyne and feminist environmentalism.

As the pagan classical world was subsumed into Christianity sexually hyperactive gods and goddesses transmuted into saints, their former statues that glorified the perfection of their bodies smashed into pieces and reimagined as austere two-dimensional icons to be worshipped by the new faithful. That dualistic and polemic narrative, where the soul’s purpose was to annihilate the body, survives today in the distinction between software and hardware, algorithms and robots, the former as the “ghosts” that animate the empty vessels, the (...) “machines”. But how does this narrative impact our cultural and social fantasies in the twenty-first century as we accelerate toward coexisting, uniting, or merging with intelligent artifacts? How does “humanness” blur when it is claimed by no-biological human-like entities too, or when humans augment their perception, consciousness and physical power through genetic engineering, drugs, or software and mechanical prostheses? Suppose we are destined to remake ourselves in the image of our ancient gods. Will it be through the embodiment of technologies in the physical reality, or through the complete disembodiment of our minds inside virtual worlds? (shrink)

Purpose. The paper aims at examining the phenomenon of the rebirth of the Goddess in the contemporary world. The author has used the hermeneutic approach and cultural-historical method, as well as the anthropological integrative approach. Theoretical basis. The study is based on the ideas of Carol Christ, Margot Adler, Miriam Simos, and Jean Shinoda Bolen. Originality. The rebirth of the Goddess is not a deconstruction of the God. The face of the Goddess is one side of the binary opposition "Goddess (...) – God". Life on the earthly plane presupposes masculine and feminine dualism. However, these polarities are not mutually exclusive and mutually suppressive, but complementary to each other. The return of the Goddess to the throne and a profound appreciation of Femininity is a necessary step forward in establishing true equality and restoring lost harmony. As humanity returns to the Absolute that transcends duality, as divinity is revealed in feminine and masculine forms, and, finally, as humans get in touch with their true self, the two faces, feminine and masculine, will inevitably merge. Conclusions. Identifying herself with the images of the Goddesses, a woman develops self-awareness and self-acceptance that contribute greatly to her reintegration with a wider spiritual reality. The cult of the Goddess finds practical application in women’s lives. These are magical rituals, work with the archetypes, life-changing tours. Recognizing her right to the fullness of being, a woman overcomes rigid gender roles and stereotypes, ceases to be an object of manipulation and becomes the supreme arbiter of her own life. (shrink)

This book on the Tripurārahasya, a South Indian Sanskrit work which occupies a unique place in the Śākta literature, is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages. Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about the (...) relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language. The book is intended for researchers in the field of Asian Studies, Indology, Philosophical, Theological or Religious Studies, Hindu Studies, Tantric Studies and South Asian Religion and Philosophy, in particular those interested in Śākta and Śaiva philosophic-religious traditions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Buddhist Goddesses of India, and: Goddesses and the Divine Feminine: A Western Religious HistoryRita M. GrossBuddhist Goddesses of India. By Miranda Shaw. Princeton, NJ: Princeton University Press, 2006. 571 pp.Goddesses and the Divine Feminine: A Western Religious History. By Rosemary Radford Ruether. Berkeley: University of California Press, 2005. 381 pp.These two very large books should be of obvious interest to those concerned with Buddhist-Christian (...) interactions and comparative studies. They are also especially timely and important, given how much goddesses and the divine feminine have been [End Page 175] overlooked and ignored by those involved in Buddhist-Christian interchange and comparative studies as well as by serious scholars of both traditions.These books will function mainly as goldmines of information about goddesses in Buddhist and Western religions rather than as theoretical and theological analyses about what is at stake in the presence or absence of goddesses and imagery of the divine feminine in either tradition. As is well known, imagery of the divine feminine is longstanding and of considerable importance in Buddhist traditions, even though it was not part of the earliest layers of Buddhist traditions, whereas the divine feminine is largely absent in more recent Western traditions, even though it was common in the ancient Near East. Thus, these two traditions are mirror images of each other’s historical development concerning the divine feminine. It would be fascinating to explore this difference between the traditions. Because neither book is comparative in any way, such questions are not entertained in these books, but at least both books provide a great deal of information that others may use in future explorations of such similarities and differences between the traditions.Most of Miranda Shaw’s analytical comments are found in her brief, thirteen-page introduction. The rest of the book is mainly descriptive. Most of this discussion concerns her choice of the term “goddess” to refer to the many nonhuman, divine females found in Buddhist art and literature. She notes that, while mention of Goddesses is widespread and long-term in works on Buddhist art and history, Buddhist studies in general has not paid much attention to goddesses, and the same basic information has been repeated over and over, with few advances in interpreting and understanding these figures. I would agree with this assessment. She also notes, correctly, that Buddhist goddesses have received scant attention in the recent spate of Western scholarly investigations of goddesses and the divine feminine. Nevertheless, as Shaw points out, various kinds of divine females occupy every niche of the divine hierarchy in Indian and Buddhist cosmology. Indeed, it would be impossible to look at any book about Indian Buddhist art without noticing many voluptuous, highly attractive female figures as well as some more fearsome figures.Shaw justifies her use of the term “goddess” by noting that this is the literal translation of the term routinely used for female divine figures in Indian Buddhist sources. This justification is pointed at several other scholars who have written about Buddhist “goddesses” from a Buddhist point of view but who have avoided the term “goddess” for various reasons, but mainly because of the complexity and explosiveness of that term in Western contexts. The term has also been avoided by Western Buddhist scholars because of possible misunderstandings or confusion that could be caused by the use of such a theistic term in the context of non-theistic Buddhism. Nevertheless, Shaw is correct that the common translation of the terms used in Buddhist texts would be “goddess.” In her discussion of the term “goddess,” Shaw also justifies this English terminology by arguing that the “deities,” especially of Vajrayana Buddhism, are not merely symbols created by human beings or projections of human experiences but have another, transhuman reality. The metaphysics of “deities” or “goddesses” in Buddhism is, however, an extremely complex and subtle matter that cannot be adequately discussed in the few pages Shaw devotes to this issue. [End Page 176]In the rest of her introduction, Shaw details her main emphases in her book, “the origins, iconography, and religious roles of each goddess and discussion of her place in Buddhist history and practice” (p. 4). She tells... (shrink)

The incredible story of the woman--actress, dancer, yogi, globetrotter--who brought yoga to America and to much of the rest of the western world. Born Eugenia Peterson in early 20th century Russia, Indra Devi was a rebel from earliest childhood. In the 1930s she fled to Berlin, and then--driven by her passion for yoga and a fascination with yogic philosophy (and Theosophy)--she journeyed to India, at a time when unaccompanied young European women were unheard of. In India she performed perhaps her (...) greatest feat--convincing even the most recalcitrant yogis, from Krishnamurti to Krishnamacharya, to reveal to her the secrets of their art. She would go on to share what she learned with men and women around the world--teaching Gloria Swanson and Greta Garbo in Hollywood, then moving to Mexico and later to Buenos Aires--helping to usher in the craze for yoga that continues unabated in the U.S. and throughout the world today. Written with vivid clarity, and describing the extraordinary spread and popularization of a philosophical movement, The Goddess Posebrings Indra Devi's little known but wholly remarkable story to life. (shrink)

This article argues that the act of conceptualizing a female divine, whether by so-called low-brow Goddess Spiritualists or high-brow French philosophers, rather than being a mere spiritual exercise, has enormous political significance for feminisms. In particular, I demonstrate that Irigaray's concept of the sensible transcendental, by refiguring a god which is both male and female, transcendent and immanent, theorizes a potential dissolution of the binary logic which forms the basis of western philosophy. The second half of the article looks at (...) the complex role of the angel in Irigaray's theory of the divine in order to demonstrate that, as a result of having misinterpreted the angel's position, critics have failed to recognize the significance and relevance of Irigaray's sensible transcendental for feminist politics. (shrink)

When God Becomes Goddess suggests that one way in which Americans may keep the traditional Western idea of God alive - paradoxically - is to embrace the Goddess of feminist theologies under the rubric of "enactment theology", Grigg demonstrates how these cutting edge theologies offer much more than critique of patriarchy; indeed, her gender aside, Grigg suggests that the Goddess may create an avenue through which the concept of God might be rescued from the pressing forces of secularization.

This article examines the derivation of toy and game imagery in “The Elevation of Ištar.” I argue that the presence of these metaphors in a first-millennium text represents a late stage in the development of Ištar’s characterization as a childlike goddess. Tracing this development from Sumerian mythological and lexical texts into the Sumero-Akkadian and Akkadian traditions reveals Inanna/Ištar’s well-known attribute of violent rage in a different manner. This suggests that the characterization of the goddess as childlike existed over a significant (...) period of Mesopotamian history as shown by the inclusion of toy and game language in a variety of texts. (shrink)

In a modern society arguably disenchanted with religion, numerous Western women are transfixing their reality by making God in their own image. This compelling phenomenon is known as ‘the Goddess Movement’: a non-centralised religious current of neo-pagan origin that reveres the Divine as feminine. The revival of Goddess worship in a vastly secular age which appears not to favour religious devotion is a peculiar occurrence and leads to the following question: Why are women returning to a previously defunct spiritual practice? (...) Building on the research scholars Paul Reid-Bowen and Janet L. Jacobs conducted on Western Goddess worship, as well as drawing on testimonies of Goddess followers, this article aims to elucidate the appeal the Goddess Movement holds for women. It argues that it represents a notable turn in female spirituality which demonstrates that images of feminine divinity offer women the opportunity to find meaningfulness, empowerment, and sexual or psychological healing. (shrink)

When reading the Hebrew Bible, it is clear that the goddess Asherah is given a negative image. There are some fascinating probable misreadings, including one showing that she once might have had a more exalted role: in Deuteronomy 33:2 at the Lord’s right hand there was a ‘fiery law’, or was it ‘Asherah’? However, it appears that the Greek Septuagint preserves some additional references to Asherah which are surprisingly positive. In some of the places examined Asherah can confidently be assumed (...) to be underneath the Greek word for ‘grove’. Additionally, there are places where Asherah does not occur but the Greek translation gives us evidence that the word Asherah was there originally. Finally, two ‘goddess passages’ are shown to have significantly different emphases regarding Asherah when read in the Greek or other ancient translations.1. (shrink)

Pre-eminent among Tantric Goddess temples in India is Kamakhya, revered as the site where the generative organ of the Goddess is worshipped. The name of the Goddess, Kamakhya, indicates that she is at once the desired, the desiring and the granter of desires. This paper considers the ways that desire was implicated in a collaborative feminist-oriented pilgrimage made by six women scholars to the Kamakhya temple in Assam. It examines problems associated with cross-cultural desiring and describes how these were addressed. (...) The place of desire and the status of women in Tantric conceptions of the Goddess are explored along with implications for feminist appreciations of Goddesses and Tantra. (shrink)

This paper begins with three observations: 1) At what is generally believed to be its origin in ancient Greece, “Western” philosophy is not sharply distinguished from poetry, science, or theology; 2) At what is generally believed to be its origin, “Western” philosophy is not Western; it is born in a multicultural matrix consisting of African, Asian, Middle Eastern, and Southern European influences; 3) As philosophy comes to think of itself as “Western,” it separates itself from poetry, science, and the rest (...) of the world-particularly from its roots in Northern Africa.In the first three sections, I examine each observation in turn. In the fourth section, I take up the implications of “Western” philosophy’s alienation from its roots for the contemporary controversy surrounding multiculturalism. If the roots of “Western” philosophy are multicultural, I propose a “radical” philosophy that reclaims them in our own multicultural context. More specifically, I propose to ask a question posed here in its most brutal (but also most honest) form: does “Western” philosophy depend on the abandonment of its friends and the murder of the indigenous peoples it encounters? If yes, then it is necessary to ask whether (in Virgil’s terms) “piety” demands that the West march on in any case. Colonialism and neocolonialism join Aeneas in answering both questions affirmatively. If no, then it is possible to proceed with the kind of radical reclamation suggested above. (shrink)

On the Cave of the Nymphs, an allegorical exegesis of Homer’s description of the cave of the nymphs at Odyssey 13.102-112, a passage quoted in full at the beginning of the treatise after the briefest possible indication of the project on which Porphyry is embarking, has been generally given little attention in discussions of Neoplatonic philosophy, as it is deemed to be of little importance for establishing Porphyrian doctrine. However, the treatise contains significant philosophical thoughts on the relationship between the (...) soul and body, embodiment, demonology, and the concept of the salvation of the soul, which are compatible with his other works, especially _On Abstinence from Killing Animals_ and _Pathways to the Intelligible_. The concept of the salvation of the soul is found in Porphyry’s identification of the goddess Athena with _phronesis_, along with the olive tree, while Odysseus represents the soul descending into genesis, but will return back to his fatherland. In this context, this paper will explore the role and meaning of _phronesis_, namely the goddess Athena, in the process of the soul’s journey towards the intelligible realm and show the relevance of the Neoplatonic doctrine of virtues, particularly the cathartic virtues, in _Sententia_ 32 to Porphyry’s reading of Homer’s image of Odysseus under guidance of the goddess Athena. _Phronesis_ inspires the soul to incline towards the level of Intellect that is, away from damaging influences of the body to which the soul is enslaved and which confuses it with desires, passions, fears and illusory impressions, and prevents it from attaining the intelligible realm, whereas the body and its desires lead us to conflict and unjust behaviour in order to gain wealth, status, power, and pleasure. (shrink)

This article reports on the preliminary findings of a research project on the phenomenon of the blending of Christianity and Goddess Spirituality1, with particular reference to the beliefs and values of practitioners. The contours of a grassroots Christian Thealogy are sketched by drawing from the transcripts of over 100 interviews with women who self-identify as blending Christianity and Goddess Spirituality.

This paper examines some of the metaphysical concepts that are present within Goddess feminism at the beginning of the twenty-first century. It is asserted from the outset that Goddess feminism is not as incoherent as many of its critics claim; and it is also highly problematic for feminist thealogians to view conceptual precision and philosophical analysis as inevitably masculinist and invidious preoccupations. Three contemporary feminist thealogical concepts of deity are introduced: the Goddess as a personal, loving and panentheistic deity, the (...) Goddess as the impersonal, female and generative pantheistic body of nature, and the Goddess as a maternal space or receptacle of becoming. By reflecting on some of the different ways in which the Goddess may be understood to originate, organize and relate to the whole of nature, this paper identifies areas of coherence, contention and originality in Goddess feminism that are arguably in need of further philosophical study. (shrink)

In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they (...) empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address these questions directly. Not a book about a single goddess or even about a variety of South Asian goddesses, the volume raises questions about images of deities as symbols and the ways in which they function. Contributors discuss contemporary Indian women who have embraced goddesses as spiritually and socially liberating, as well as the seeming contradictions between the power of Indian goddesses and the lives of Indian women. They also explore such topics as the element of male desire in the embodiment of female deities, the question of who speaks for the goddesses, and the politics and theology of Western feminist use of Hindu and Buddhist goddesses as models for their feminist reflections. (shrink)

. Time, virtuality and the Goddess. Cultural Values: Vol. 2, No. 2-3, pp. 270-287.

ABSTRACTThis article investigates Rancière’s understanding of the Heideggerean conception of art. It argues that Rancière is mistaken in categorizing Heidegger’s philosophy of art within the ethical regime of images, and further that his work corresponds with the central tenets of, and thus should be categorized within, the aesthetic regime of art. This is because art is understood as art, for Heidegger, when it instigates strife between world—the network of associations which constitute the horizons of a given population’s perceptual, conceptual and (...) motor possibilities—and earth—the necessarily resistant to explicit conscious acts and signification. Insofar as it is constituted by this dual relation, art puts forth a dialogically open space in which it paradoxically reinforces the boundaries of seeing, thinking and doing, yet remains heterogeneous to these modes, thereby preventing art from being reducible to the everyday. This paradoxical role, this articulation and reconfiguration that establishes a unified-character of the arts for Heidegger, performs a function that is best framed within the aesthetic redistribution-based transformative conception of art. This is because in both Heidegger and the aesthetic regime, the dialogically open space granted to art allows for cultural revolutions and paradigm shifts to take place in an indeterminable manner. (shrink)

This paper explores the way some contemporary feminist Pagan practitioners talk about nature and goddess. I see these feminist Pagans as providing an example of a religion of nature, much like that of Donald Crosby’s that focuses on nature as the ultimate. However, unlike Crosby’s religion of nature, which could be perceived as isolationist, these feminist Witches’ willingness to maintain theistic language through religious fictionalism, even though non-realist, supports their community participation in an increasingly realist Pagan context.

This essay explores the notion of female embodiment and its relation to the phenomenon of religion. It explains religious beliefs, acts, and events in terms of the worship of the female body. By elucidating this standpoint, this essay hopes to reclaim the centrality of the female body and its importance in the study of philosophy of religion.

In recent decades, the relation between Egyptian and Greek praises of the goddess Isis has received much scholarly attention. The present study, however, focuses on six Demotic hymns and praises directed to this goddess: P. Heidelberg dem. 736 verso, O. Hor 10, Theban Graffiti 3156, 3462, 3445, and P. Tebt. Tait 14. These texts from the second century BC to the second century AD are re-edited in facsimile, transliteration and translation. A commentary to each document discusses philological matters, providing improved (...) readings in some instances. For the first time, the six texts are analyzed comparatively in regard to formal features and content. The concept of Isis that is outlined by the Demotic sources is set against Isis' role as described by other Egyptian sources and by Greek eulogies of the goddess. An appendix offers an overview of other Demotic hymns and praises addressed to various divinities. (shrink)

The author narrates her journey to women’s circle dances of the Balkans, and explores how they incorporate prehistoric signs which Marija Gimbutas called ‘the language of the Goddess’. These symbolic images appear in archaeological artefacts, textile motifs, song words, and dance patterns, and have been passed down for thousands of years in nonverbal ways. The interdisciplinary approach of archaeomythology suggests that the images may carry ideas and values from the Neolithic cultures in which these dances are said to have their (...) roots. Women’s ritual dances affirm the Old European values which honoured the Goddess, the mother principle, and the cycles of life, and offer an extraordinary oasis of women’s empowerment, even within patriarchal culture, indicating that the dances most likely originate in pre-patriarchal egalitarian matriarchy. For women today, even outside the Balkans, these women’s ritual dances offer insight and meaning through an embodied experience of the values of the Goddess. (shrink)

Melusine the Serpent Goddess in Myth and Literature examines how women were once worshipped as the life force, but later suppressed with the introduction of monotheism and a changing attitude regarding the sexes. It connects the literary conception of the Melusine story to myths and legends of the snake or dragon goddess, from ancient to contemporary times.

Isabel Paterson is the founding godmother of the libertarian movement, known best for her book The God of the Machine, which Ayn Rand credited for having done “for capitalism what the Bible did for Christianity.” Often overlooked is her twenty-five-year career as a literary columnist for the New York Herald Tribune. Culture and Liberty: Writings of Isabel Paterson, edited by Stephen Cox, presents a selection of those columns along with private letters and other essays. They are a treasure. Paterson’s critical (...) performances show us a systematic yet unpredictable mind at work—a model not only of the first but also of any future libertarian worthy of the name. (shrink)

The emergence of conferences in the late nineteenth century significantly changed the ways in which the international scientific community functioned and experienced itself. In the early modern Republic of Letters, savants mainly related through print and correspondence, and apart from at local and later national levels, scholars rarely met. International conferences, by contrast, brought scientists together regularly, in the flesh and in great numbers. Their previously imagined community now became tangible. This paper examines how conferencing reshaped the collective of international (...) scientists by zooming in on the massive meetings of the International Congress of Applied Chemistry, 1893–1914. Drawing on Emile Durkheim's studies of religious gatherings it analyses the ritualization of routine conference practices, such as plenary ceremonies, toasts, ladies’ programmes and committee meetings. It looks at how roles were distributed as participants performed as hosts and guests, and in masculine and feminine and national and international identities. Importantly, it shows both how the sacralization of chemistry as a higher aim served to instil senses of dedication in order to organize labour and mitigate conflict, and how the self-perception of the international chemical community was based on contemporary understandings of parliament, democracy and representation. (shrink)