While there are interesting connections between literature and evil, there is as of yet no systematic collection of models of evil to study literature. This is problematic, since literature is among other things an evaluative discourse and the most basic evaluative category is the polarity of good versus evil. In addition, evil shows important affinities with basic narratological principles. To initiate a discussion of models of evil for the analysis of literature, (...) this article organizes a dozen models of evil into four groups. The first consists of a core model which coincides with basic narratological elements in character analysis and narrative tension. The second group contains two pre-modern models of evil, defilement and moral-natural evil. The third group takes its cue from personality theory and proposes the five-factor model of personality and an enriched “dark triad,” and, to balance description against narration, a model which categorizes kinds of murder. The last group organizes six models around the thematic opposition between nature and society, an opposition which forms the backbone of Western philosophy and narrative. To test their validity, the models are applied to a series of literary examples/characters, above all Grendel, Browning’s “My Last Duchess,” and Carol Oates’ short story “Heat.”. (shrink)

Evil remains a primary source of inquiry in contemporary literature of French expression, even among its most secular writers. In considering French-speaking authors from France, Belgium, the United States, the Maghreb, and Sub-Saharan Africa, this collection delineates a rich international perspective on some of the most disturbing events of our time. Each essay testifies to the urgency expressed in works of fiction to give an account of human catastrophes, from the Shoah and the Rwandan genocide to the terrorist (...) attacks of September 11, and the ongoing oppression of women in Islamic nations. Themes underlying this volume include an investigation into the origins of evil, its representations in writing, and the ethical responsibilities of authors who write on human suffering. Contemporary fiction on evil confronts us with fundamental questions: Can evil be attributed to intentionality, is evil "subconscious," or is it the result of impersonal forces? Which styles of writing are ethically appropriate or effective for depicting evil? Can we speak of a veritable "poetics of evil" shared by contemporary authors? When does a literary text on evil become "evil"? In providing informed and nuanced answers to these important questions, the scholars engage in crucial theories of psychoanalysis, post-structuralism, and post-modernism, address a number of issues raised by trauma and genocide studies, and draw from critical frameworks in literary theory on testimony, the limits of representing the extreme, and "transgressive" writing. (shrink)

Despite our moral misgivings, retributive canons of justice-the return of evil to evildoers-remain entrenched in law, literature, and popular moral precept. In this wide-ranging examination of retribution, Marvin Henberg argues that the persistence and pervasiveness of this concept is best understood from a perspective of evolutionary naturalism. After tracing its origins in human biology and psychology, he shows how retribution has been treated historically in such diverse cultural expressions as law codes, scriptures, drama, poetry, philosophy, and novels. Henberg (...) considers retributive thought in light of contemporary moral theory and current social and political concerns and advances his own theory of the morality of legal punishment."Retribution is no single doctrine or unified set of doctrines, but rather a sprawling variety of doctrines, many of them at odds with one another," observes Henberg. He suggests that understanding retributive thought as the quest for solace in the face of suffering helps to explain its variable nature. Since there is no single defensible moral criterion for identifying exact retaliation, culture is more important than nature in selecting among retributive practices. Typically, some forms of retribution are culturally approved, while others are disapproved. In place of the mistaken tendency to think of legal punishment as morally justified, Henberg maintains that legal punishment should be thought of as morally permitted. Author note: Marvin Henberg is Professor and Chair of the Department of Philosophy and Director of the University Honors Program at the University of Idaho. (shrink)

_ Source: _Volume 25, Issue 2, pp 163 - 195 The concept of evil in 4 Maccabees differs from what we find in most ancient Jewish literature, and little attention has been paid to its philosophical background. In this article I submit that the author of 4 Maccabees has absorbed and adapted a Stoic conception of evil into his Jewish philosophy. I trace the concept of evil in Stoicism and in 4 Maccabees using the categories of (...) value theory, natural law, and the emotions. The outcome is an integrative philosophy that embraces vice as the sole evil, yet maintains a belief in the “goodness” of an afterlife; redefines natural law in terms of the Torah, reckoning any deviance from that Law as vicious; and conceives of the emotions as false belief and the cause of evil behavior, while still maintaining their God-given nature. (shrink)

M'illumino/d'immenso - I'm lit/with immensity is Geoffrey Brock's translation of Giuseppe Ungaretti's poem Mattina. In the poem's minimalism, Ungaretti points to the maximal: the richness of poetry's expressive possibilities and the power of thinking in literature. This book addresses the fascination of readers to transcend the boundaries of their own in fiction, and literature's capacity, according to Kant, even to evoke, with the help of the development of aesthetic ideas, representations that exceed what is empirically and conceptually graspable (...) - in case studies about myths of creativity, images of death and the beyond after the 'death of God', of the soul, of melancholy as the dark ground of genius, of metamorphoses of both evil and good, of ecstasy, of the economy of self-sacrifice, of the art of resistance, and, among others, about figurations of biography and the portrait as approaches to singularity, what is particular and cannot be fully subsumed to any universality. (shrink)

This essay presents a critical review of recent literature on evil in medieval philosophy, as understood by thinkers from Anselm of Canterbury onward. "Evil" is taken to include not only serious, deliberate wrongdoing, but also everyday sins done from ignorance or passion. Special attention is paid to Aquinas's De Malo, Giles of Rome and the aftermath of the 1277 Condemnation, scholarly disputes about Scotus's teachings, and commentaries on the Nicomachean Ethics by Walter Burley, Gerald Odonis, and John (...) Buridan. (shrink)

Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Writing against Theodicy: Secularization in Baudelaire's Poetry and Critical Essays -- Chapter Two: The Mourning of God and the Ironies of Secularization in Baudelaire's Le Spleen de Paris -- Chapter Three: Sublimation and Conversion in Zola and Huysmans -- Chapter Four: The Staging of Doubt: Zola and Huysmans on Lourdes -- Chapter Five: Religious and Secular Conversions: Transformations in Céline's Medical Perspective on Evil -- Conclusion (...) -- Notes -- Bibliography -- Index -- About the Book. (shrink)

_Messiahs and Machiavellians_ is an innovative exploration of “modern evil” in works of early- and late-modern theatre, raising issues about ethics, politics, religion, and aesthetics that speak to our present condition. Paul Corey examines how theatre—which expressed a key political dynamic both in the Renaissance and the twentieth century—lays open the impulses that instigated modernity and, ultimately, unparalleled levels of violence and destruction. Starting with Albert Camus’ _Caligula_ and Samuel Beckett’s _Waiting for Godot_, then turning to Machiavelli’s _Mandragola_ and (...) Shakespeare’s _Measure for Measure_, Corey traces the emergence of two dominant, intertwining features of modern evil: an unrestrained pursuit of power and the utopian desire for perfection. Corey’s imaginative and convincing readings of these plays, based on detailed textual analysis, move beyond the accounts usually offered by literary critics. Drawing on political, theological, and philosophical sources—a combination as fertile as it is unusual—Corey’s methodology allows him to make keen and subtle arguments about the eschatological nature of modern politics. “Corey’s lucid, compelling treatise argues for a radical reconsideration of the role of tragedy in dealing with the shifting metaphysical and metatheatrical sands of the contemporary era. While the study begins with an examination of mid-20th Century French existentialism—and the dramatic work of Beckett and Camus in particular—the book soon takes the reader on a fascinating voyage back into the ‘problem’ comedies of the Italian and English Renaissance theatre, and beyond that, into Greek tragedy to understand the evolving concept of ‘evil’ in the Western philosophical, theological, and dramatic tradition. Ending with a reflection on the new ‘theatre’ of terrorism entering the 21st Century, Corey poses the intriguing suggestion, that far from being irrelevant to the post-modern era, a ‘new tragic sensibility’ may become key to our gaining a ‘lucid awareness of our current situation […] the limits of politics, the indelible nature of violence, our inescapable mortality, and a need for prudence’ ” —_Moira Day, University of Saskatchewan_ “A sensitive examination of the problem of evil in Renaissance and 20th century drama. Corey provides fascinating analyses of individual plays, and makes a compelling argument for restoring a tragic vision of good and evil in the face of modern expediency and utopianism.” —_Mary P. Nichols, Baylor University_ _ _ “In _Messiahs and Machiavellians_, Paul Corey delivers insights both numerous and profound. His work is a serious and important contribution to contemporary political science while also offering analyses of interest to scholars in literature, religious studies, theology, and ethics.” —_Barry Cooper, University of Calgary_. (shrink)

“In evil as in art there was illumination.”Evil has been an enchanting subject with writers since time immemorial. For the Romans and Greeks, miasma or moral contamination in society was an anathema. They therefore ardently contested evil in their social life and literary works as an unnatural pollutant in an otherwise unblemished creation of the Almighty. Their vision of society was exclusive of evil and hence Oedipus and Medea were banished from their respective states for posing (...) a threat to the moral purity of the people. In the ancient past, the boundaries between evil and good were as clear as between night and day, and it was possible to differentiate one from the other. Hence, the writers personified and.. (shrink)

The subject of this research is the philosophical conceptualization of evil in the Confucianism. This goal is achieved by solving the following tasks: 1) assessment of Confucianism as a synthesis of the philosophical views of Confucius and Mencius; 2) determination of good and evil as the contrasting concepts in the ethical space, which is based on the ideal of a “person of high nature” Junzi and the real world of a “petty person"; 3) evaluation of evil as (...) the antipode of good, which is based on the sense of duty and regard of moral rules. The novelty of this research consists in the first within the Russian historical-philosophical literature comparative analysis of the views of Confucius and Mencius upon the nature of evil, examination of the genesis of such representations, and their relevance for modern philosophy. Representations on the nature of good and evil of Confucius and Mencius are based on the contrast within the ethical space of the ideal of a “gentleman” (due) and the reality of a “petty person”. The virtue of a “gentleman” is a means of achieving good; and the virtuous life leads to prosperity of the country. Evil of a “petty person” captured by selfish motives, leads to social demise and political disintegration. Mecius applies same moral principles, which govern the individual’s everyday life, to the political sphere of social existence. The thinker underlines circumscription of the monarchs, indicating that even the monarch – if not a “gentleman”, but merely a “petty person” – can be corrupted by evil, in which case the country faced demise. (shrink)

Focusing on narratives with supernatural components, Karen J. Renner argues that the recent proliferation of stories about evil children demonstrates not a declining faith in the innocence of childhood but a desire to preserve its purity. From novels to music videos, photography to video games, the evil child haunts a range of texts and comes in a variety of forms, including changelings, ferals, and monstrous newborns. In this book, Renner illustrates how each subtype offers a different explanation for (...) the problem of the “evil” child and adapts to changing historical circumstances and ideologies. (shrink)

The problem of evil is not only a logical problem about God's goodness but also an existential problem about the sense of God's presence, which the Biblical book of Job conceives as a problem of aesthetic experience. Thus, just as theism can be grounded in religious experience, atheism can be grounded in experience of evil. This phenomenon is illustrated by two contrasting literary descriptions of aesthetic experience by Jean-Paul Sartre and Annie Dillard. I illuminate both of these literary (...) texts with a discussion of the 18th Century philosopher Lord Shaftesbury's concept of ‘enthusiasm’. (shrink)

The problem of evil and theodicy is one of the most important subjects in the field of Philosophy of Religion. The problem of evil is basically understood as the problem of incompatibility of the existence of God with evil. While the problem of evil is used to justify atheistic claims, theodicy has been developed to strengthen theistic claims. Mawlânâ D̲j̲alāl al-Dīn Rūmī (1207-1273), who is the important sufi thinker of Turkish-Islamic culture, is generally known for his (...) mystical and literary works. Although Mawlânâ 's philosophical views have not been studied sufficiently, it is seen that he presents his important ideas in the philosophical field, especially in the philosophy of religion, in a non-systematic and hidden way in his works. In this study, the problem of evil has been studied in the case of Mawlânâ, within the scope of the evil’s types and the problem of evil’s types in the literature. In addition, it has been examined whether Mawlânâ discussed the evil as a philosophical problem and contributed to the solution of the problem of evil. Then, one of the theodicy used by Mawlânâ, which is related to contrasts, has been called the theodicy of contrasts and has been explained and systematized. It is known that theodicy related to theme of contrast was developed before Mawlânâ. As a result, Although it cannot be said that Mevlânâ made an original contribution to the problem of evil with his theodicy of contrasts in terms of content, it can be said that he approached originally to this problem in terms of his metaphorical manner and expression style. (shrink)

Chapter 14. Andrea Timár engages with literary representations of the experience of perpetrators of dehumanization. Her chapter focuses on perpetrators of dehumanization who do not violate laws of their society (i.e., they are not criminals) but exemplify what Simona Forti, inspired by Hannah Arendt, calls “the normality of evil.” Through the parallel examples of Dezső Kosztolányi’s Anna Édes (1926) and Doris Lessing’s The Grass is Singing (1950), Timár first explores a possible clash between criminals and perpetrators of dehumanization, showing (...) literature’s exceptional ability to reveal the gap between ethics and law. Second, she examines novels focalized through perpetrators and the difficult narrative empathy they provoke, arguing that only the critical reading of these novels can make one engage with the potential perpetrator in oneself. As case studies, Timár examines Daniel Defoe’s Robinson Crusoe (1719), which may potentially turn its reader into an accomplice in the process of dehumanization, and J.M. Coetzee’s Foe (1986), which puts on critical display the dehumanizing potentials of both aesthetic representation and sympathy as imaginative violence. Third, she reads Jonathan Littell’s The Kindly Ones [Les Bienveillantes, 2006], which can make the reader question, through the polyphony of the voice of its protagonist, the notions of narrative voice and readerly empathy, only to reveal that the difficulty involved in empathizing with perpetrator characters lies not so much in the characters’ being perpetrators, but rather in their being literary characters. Eventually, Timár briefly touches upon the problem of the aesthetic and the comic via Nabokov’s Lolita (1955) to ask whether one can avoid some necessarily dehumanizing aspects of humor. (shrink)

Although both the ancient classical forms of tragedy and the nihilist tendencies of postmodern writing are marked by paralysis and passivity before fate, more religiously influenced periods of English literature are characterised by self-transcending and self-transforming movement beyond tragic impotence. This insight is illustrated briefly through references to Shakespeare's King Lear but it can also be found in Dante and in less explicitly Christian authors. The wisdom of humility exemplified in these literary masterpieces with a religious background embodies an (...) implicit theology of redemption, whereby evil can ultimately be transfigured into good. (shrink)

Religion within the Boundaries of Mere Reason remains one of the most opaque of Kant's published writings. Though this opacity belongs, partly, to the text itself, a key claim of this article is that this opacity stems also from the narrow lenses through which his readers view this text. Often read as part of Kant's moral philosophy or his universal history, the literature has thus far neglected a different vantage point on the Religion, one that does not refute the (...) utility of these lenses but complements them. This paper places the Religion alongside parts of Kant's corpus that it is less typically paired with, namely his natural history writings—in particular, his writings on the concept of race and the development of the human races. I argue that by doing so, we can shed much light on Kant's infamous claim that there is a radical evil in the human species. More precisely, we will come to appreciate that this evil is not, as it is usually understood, a static property or fixed characteristic of human beings. Instead, radical evil concerns a dynamic, changing defect in human nature that increasingly threatens our aspirations to collective moral perfection. (shrink)

In this paper I offer an argument for the thesis that evil activity, unlike its less extremely immoral counterparts, cannot endow the agent’s life with any measure of meaning. I first review two other important arguments for this thesis that can be drawn from the recent literature. I then articulate my own argument and show how it avoids the problems of these others. According to my argument, meaning-endowing activity cannot be of the worst sort, along any of the (...) basic ways in which we evaluate activity, but evil activity is of the worst sort along one of these ways, namely, the moral one. Because it is grounded in a traditional concept of meaning for which there is much to be said, I note, my argument should hold broad appeal. I also note that my argument is consistent with various contemporary conceptions of evil activity. (shrink)

Part of the greatness of great literature consists in the profound, philosophic ideas the works contain. These ideas may not be unknown to philosophy but, when rendered in literary form, they gain an aesthetic force often lacking in the philosophic treatise with its careful train of reasoning.In this insightful study, Burton Porter explores the philosophic content of some outstanding literary works, analyzing and evaluating the ideas that drive the narrative.Porter first examines the concept of free will and determinism in (...) Melville's Moby Dick, placing the quest for the white whale within the context of foreordination, hubris, prophecy, and defiance of divine power. Connections are also drawn to Euripides' Medea and Shakespeare's King Lear as well as the Old Testament.The good and the right are traced in Anouilh's Antigone and Tolstoy's Anna Karenina, showing the philosophic antagonisms in the literature and in the conflicted minds of the authors.Voltaire' Candide and Dostoevsky's The Brothers Karamazov are then explored insofar as they express the problem of evil--the tension between human suffering on earth and belief in a benevolent, wise, almighty God.Finally, the nature of the self is investigated in Rilke's The Notebooks of Malte Laurids Brigge and Kafka's The Metamorphosis, focusing on identity and the mind-body problem.Porter makes philosophy come alive by showing its expression in art and revealing the depth of ideas that make literature compelling.Burton Porter (Springfield, MA) is currently professor of philosophy at Western New England College and a visiting professor of philosophy at Mt. Holyoke College. He is the author or editor of numerous books including Philosophy Through Fiction and Film, The Voice of Reason, and Reasons For Living. (shrink)

Anthony Daniels tackles the complex relation between good and bad art on the one hand and good and bad ideas on the other. He contrasts authors or artists whom he considers good with those he considers bad, and tries to explain why his opinion is not merely a matter of individual taste but is based upon reason as well. He argues judgment and discrimination (between good and bad, beautiful and ugly) are intrinsic to any conceivable human existence, indeed to thought (...) itself, and that the pretense that they are avoidable, that one can indefinitely suspend judgment, are merely a means by which bad or false judgments are smuggled into public life. (shrink)

Our past century was exemplary in a number of ways. The advances it made in science and medicine were unparalleled. Also without precedent was the destructiveness of its wars. In part, this was due to an increasing technological sophistication. The time lag between a scientific advance and its technological application was, in the urgency of the century, constantly diminished. Modern weaponry combined with mass production, communication and mobilization to produce what came to be known as “total war.” This was a (...) war without any of the limits that characterized the conflicts of the previous centuries. It was this lack of restraint that, perhaps more than anything else, led to the terrible excesses of this century: its war time terror bombings, deportations, and genocidal slaughters. It also led to the chief problem this century presents to ethics: that of the grasp and comprehension of collective evil. This problem is not just theoretical. An inability of those involved in its collective processes to take thought--to actually apprehend the evil they were engaged in--characterized the disasters of our century. At least in part, the participants’ lack of restraint was based on a lack of recognition. (shrink)

One of the central concepts in rabbinic Judaism is the notion of the Evil Inclination, which appears to be related to similar concepts in ancient Christianity and the wider late antique world. The precise origins and understanding of the idea, however, are unknown. This volume traces the development of this concept historically in Judaism and assesses its impact on emerging Christian thought concerning the origins of sin. The chapters, which cover a wide range of sources including the Bible, the (...) Ancient Versions, Qumran, Pseudepigrapha and Apocrypha, the Targums, and rabbinic and patristic literature, advance our understanding of the intellectual exchange between Jews and Christians in classical Antiquity, as well as the intercultural exchange between these communities and the societies in which they were situated. (shrink)

In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 as The Lives of Animals, and reappeared in 2003 as part of his novel Elizabeth Costello; and both lectures and novel have attracted the critical attention of a number of (...) influential philosophers--including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell. In The Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality--in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance. (shrink)

Theodicy: God or evil?: Irenaeus -- Augustine -- Thomas Aquinas -- John Hick -- Alvin Plantinga -- God and evil: Friedrich Nietzsche -- Richard Dawkins -- Divine hiddenness -- Rudolf Otto -- The Kabbalah -- Karl Barth -- Karl Rahner -- Empirical science -- A cultural, historical and literary survey: Does the devil exist? A persistent belief -- Stepping stones to Europe -- Demonology in medieval literary culture -- The Reformation: Two magisterial reformers: Martin Luther -- John Calvin (...) -- De-sacralisation -- The Catholic reform: Three outstanding reformers and conflict with the devil: Saint Ignatius Loyola -- Saint Teresa of Avila -- Saint John of the Cross -- The devil in the era of modernity: Poetry and literature in a new age -- Twentieth-century chronicles of evil -- Exorcism: A historical and theological analysis: Exorcism: The historical context -- Towards a theological assessment of exorcism -- Appendix: Towards a psychological analysis of possession and exorcism. (shrink)

The immediate purpose of this article is to examine Hannah Arendtʼs analysis of Adolf Eichmann in order to point out the groundlessness of her argument that evil, whether in the person of Eichmann himself or in general, can be treated as banal. The wider purpose of this article is to divest any argument that is based on the concept that evil is banal, ordinary, or trivial of any valid grounding. To develop the immediate purpose, the article begins with (...) a close analysis of the word ‘banal’ in the context of discussions of evil to highlight the immense (and dangerous) power of language. It discusses plausible reasons for Arendt’s choice of ‘The Banality of Evil’ as part of the subtitle of her book Eichmann in Jerusalem. It then addresses two major questions: How did Arendt obtain the impression of the banality of Adolf Eichmann in the first place? What are the consequences of considering evil as trivial? The argument is made that Arendt communicated, regardless of her intention, that evil was trivial. Moreover, Arendt’s description of evil as banal and trivial directly contradicts evidence that Arendt presented in Eichmann in Jerusalem. The article then turns to address the widespread adoption of Arendt’s account in the prominent literature on Eichmann and the Holocaust as a ‘thoughtless’ move, pointing out that this is precisely the kind of perverse account of evil that such subtle and evil mind as Eichmann’s would want us to entertain. To introduce its wider purpose, the article concludes with a discussion of the pernicious consequences of equating evil with banality and of the need to abandon definitively this point of view. The argument is made that ordinariness is not and should never be an excuse for crime, for doing so is akin to inviting evil into our homes and shrugging our shoulders upon its entrance. (shrink)

. The problem of evil is widely considered a problem only for traditional Western monotheists who believe that there is an omnipotent and morally perfect God. I argue, however, that the problem of evil, more specifically a variant of the problem of evil which I call the ‘problem of impermanence’, arises even for those adhering to the philosophical and religious traditions of the East. I analyse and assess various responses to the problem of impermanence found in medieval (...) Japanese literature. I argue that the only response that is potentially satisfactory requires supernaturalism. I conclude, therefore, that the problem of impermanence is a unique problem posing a greater challenge to naturalists than to supernaturalists. (shrink)

In this paper, I consider Alain Locke’s critical pragmatism to see how he might address the problem of racist literature, particularly, the use of stereotypes. For my purposes here, it will be assumed that stereotypes are sustained by evil and malicious intentions, whether consciously acknowledged or not. Two issues arise when considering Locke’s critical pragmatism. First, Locke denies the objective status of morality—objective in the sense that moral absolutes exist “out there” and can be classified rightly or wrongly. (...) Thus, claiming that stereotypes are “evil” must have a different connotation for Locke than one might assume. The second issue is that it has been argued that Locke creates and uses stereotypes himself. The paper will progress as follows: I first address Locke’s use of stereotypes, contending that Locke does not in fact use stereotypes. He has a notion of collective identity or representation that he uses as a heuristic to counteract racist uses of stereotypes. While similar to a stereotype, collective identity is qualitatively different. Next, I discuss Locke’s understanding of cultural pluralism as the tool with which Locke is able to address racist stereotypes, on the one hand, and defend his use of collective identity on the other. I conclude that though Locke’s account is useful it lacks the moral weight, which I would like, to condemn stereotypes as fully wrong. (shrink)

Thirteen original essays examine the conceptual history of evil in the west: from ancient Hebrew literature and Greek drama to Darwinism and Holocaust theory. Thirteen reflections contextualize the philosophical developments by looking at evil through the eyes of animals, poets, mystics, witches, librettists, film directors, and tech executives.

Pain, suffering, death, and extinction have been intrinsic to the process of evolution by natural selection. This leads to a real problem of evolutionary theodicy, little addressed up to now in Christian theologies of creation. The problem has ontological, teleological, and soteriological aspects. The recent literature contains efforts to dismiss, disregard, or reframe the problem. The radical proposal that God has no long–term goals for creation, but merely keeps company with its unfolding, is one way forward. An alternative strategy (...) to tackle the problem of evolutionary theodicy is outlined, with an implication for environmental ethics and suggestions for further work. (shrink)

Alzheimer's disease is the most common neurodegenerative disorder in today's developed world that is also increasingly picked out as a focal theme in fictional literature. In dealing with the subjectivity of human experience, such literature enhances the reader's empathy and is able to teach about moral, emotional and philosophical issues, offering the chance to see situations from a position otherwise possibly never taken by the reader. The understanding and insight so gained may well be unscientific, but the literary (...) approach offers an insight into the whole person's perspective and the particularity and uniqueness of a situation that includes ethical conflicts. A key motif of fictional literature centred around dementia remains the burden the adult-child carer is confronted with, considering the parent's remorseless decline and personality change, the sudden demand for devoted and continuous care, and the constantly changing relationship with the declining parent. In the context of an ever increasing demand for a constructive public discussion regarding end-of-life treatment of demented patients, Christine Devars (Le Piano Désaccordé) and Andrés Barba (Ahora Tocad Música de Baile) illustrate how powerful and burdensome the impact of Alzheimer's disease is on both patient and carer and what extremes may be reached under such truly exceptional circumstances. (shrink)

Luke Russell's book, Evil: A Philosophical Investigation, is a marvelously clear and rigorous addition to the philosophical literature on the secular moral concept of evil. The term “evil,” in this...

Return to Good and Evil: Flannery O'Connor's Response to Nihilism is a superb guide to the works of Flannery O'Connor; and like O'Connor's stories themselves, it is captivating, provocative, and unsettling. Edmondson organizes O'Connor's thought around her principal concern, that with the nihilistic claim that "God is dead" the traditional signposts of good and evil have been lost. Edmondson's book demonstrates that the combination of O'Connor's artistic brilliance and philosophical genius provide the best response to the nihilistic despair (...) of the modern world—a return to "good and evil" through humility and grace. (shrink)

"A wild and exuberant romp through the terrain of the monstrous . . . Oppenheimer's lucid explanations are the perfect antidotes to the sordid scenes he recreates." -American Book Review "A masterly and original study of one of the most frightening topics with which human beings have to struggle." -Literary Review "What is compelling, different and page-turning about this impressive book is that the author analyses evil through the medium of films and literature . . . Cinema buffs (...) will find it a fascinating read." -Evening Standard The notion of evil- does it exist? what forms does it take? -has always fascinated humankind. The evil underlying such atrocities as the Holocaust, Communist China's Tibetan abattoir, and the murderous ethnic cleansing undertaken by the Serbs and Croats seems beyond explanations or analysis. In this powerfully original work, Oppenheimer analyzes the phenomenon of evil in a mental behavior that emerges in particular conditions. Oppenheimer argues that evil contains specific, predictable ingredients. By understanding its nature, we can diagnose its specific manifestations in mass murder, genocide, and serial killings. Utilizing a variety of cinematic and literary genres in developing its evidence, the book considers such familiar films as The Silence of the Lambs and Brazil , and draws upon such literary works as Richard III, Oedipus the King and the Picture of Dorian Gray. Evil and the Demonic takes a bold first step, providing a framework in which to place the horrors of human existence. (shrink)

In the sacred texts, human beings are described as being created in the most beautiful way. In order to understand and define its integrity of existence in the most accurate way, it is necessary to know both its biological and spiritual aspects. In addition to the well-known and generally accepted characteristics of humans such as will and responsibility, there are also basic realities that constitute humans such as nafs, soul and mind. One of the most powerful factors that make a (...) person virtuous or worthless both in the presence of the Creator and in the eyes of people is the nafs. The nafs has many different meanings such as ”the essence of man, soul, person, self-being, mind, life, lust, desire, the source of bad habits".Philosophers, Sufis and theological scholars with different philosophical ideas in different periods in the history of thought have discussed and evaluated the subject of the nafs. Pythagoras considered the nafs as a substance separate from the body, Democritus as fire or heat, Plato as a substance that gives movement to the body. Aristotle, on the other hand, pointed out the difficulty of defining the soul and talked about three types of the nafs: vegetative, animal and human. The concept of nafs, on whose definition philosophers cannot agree, has a strategic importance as it is accepted as the point of separation of good and evil in religious literature. Because the human nafs, by its nature, has a structure that is prone to worldly pleasures, human desires, wishs and passions. Likewise, human beings are creatures of will, and thanks to this feature, they have the ability and freedom to establish positive and negative relationships and evaluate the beings and events around them. What should be the attitude of a person who has these characteristics towards pleasures, desires and passions? The main theme of our study is Mawardi's answer to this question and the solutions he identified. It was stated that having will makes humans different and superior to other living creatures. In this context, what is expected from a person is to use his will to control his nafs by displaying a sensitive, conscious and astute attitude towards the desires of his soul. It is observed in real life that failure to control one's nafs creates undesirable consequences both individually and socially. If the nafs cannot be controlled consciously, a person may become a victim of excessive passion for the world and the things in it. It is possible for humans to become arrogant and proud and to corrupt the environment, society and the world and make it uninhabitable as a result of pursuing their desires. Therefore, there is a need for a constantly dynamic and active consciousness regarding this feature of the nafs. There is no positive situation that an uncontrollable, undisciplined nafs that is a slave to its desires and passions will bring to its owner. The undisciplined and uncontrolled nafs causes individual, religious, moral and social traumas such as taqiyya, insincere words and actions, formal religious attitudes and behaviors, and alienating others for simple, primitive reasons. This is the point that the thinker focuses on and draws attention to. If a person can manage to control and discipline the passions and desires of his nafs by using his will, space will be opened for virtues that will bring happiness to individual and social life, such as brotherhood, solidarity, altruism. Mawardi evaluated this issue in the fifth chapter of his work Edebü'd-Dünyâ ved-Dîn. Mawardi, who thinks that education is an important factor in the reformation of the nafs, says that the mind and revealed knowledge given to man by God are indispensable elements of this struggle. Because he thinks that the alliance of reason, revelation and knowledge is necessary in distinguishing between right and wrong and in being patient with the harmful and evil tendencies of the nafs. A person who takes revelation, reason, knowledge and wisdom as a guide and whose emotions, thoughts and behaviors are shaped by this guide will not be defeated by his nafs. For this reason, Maverdi emphasizes especially when evaluating the subject of “Literary of the soul” that a person needs decency in adulthood as well as in childhood. In this context, he identified issues such as arrogance, pride, false envy and wrath, which he thought could hinder the evolution of virtue and virtue in individual and social life, and also showed the reasons for these and how to combat them. (shrink)

The moral potential of works of art, for good or ill, has been recognised from philosophical antiquity: on the assumption that the moral effects of art are invariably negative, Plato advised the exclusion of artists from any rationally ordered state. Arguably, however, the problem of the moral status of art has become yet more acute in contexts of post-Romantic and other modern artistic exploration of moral ambiguity, and even of some apparent contemporary celebration of the immoral and amoral. Indeed, some (...) tension between commitment to liberal-democratic openness and freedom, on the one hand, and fear about the potential literary and artistic corruption of the young, on the other, is evident in latter-day moralistic trends in children’s literature. However, in the light of some basic exploration of conceptual relationships between the artistic, the aesthetic and the moral, this paper argues that such moralising trends in particular and arguments for artistic censorship in general are mostly wrongheaded and unsustainable. (shrink)

This study examines the ritualized character of crimes against humanity in Bosnia-Herzegovina. Encompassing a victim, a victimizer, and a witness, degradation ceremonies structured the activity of what is euphemistically called ethnic cleansing. The observing world played the role of witness, which became a perpetuating component of the ritual.The discussion leads to the formulation of evil as the degradation of not only an individual human being but also humanity itself.

Minding Evil: Explorations of Human Iniquity brings together fifteen essays, versions of which were presented at the Fifth International Conference on Evil and Wickedness, held in Prague in 2004. The volume examines evil and wickedness from a variety of disciplines, including criminology, cultural studies, gender studies, law, literature, peace studies, philosophy, psychology, and sociology. In so doing Minding Evil keeps in play the doubled meaning of its title: on the one hand, to tend to (...) class='Hi'>evil, that is, to oversee, cultivate, and deploy it; on the other hand, to be bothered by evil and so, in learning to identify or recognise it, to try to understand its workings and thus contain or control it and, perhaps, repair or undo it. While the essays taken together work to show the difficulty and at times the travesty of not being able to distinguish between the two meanings, it is this second meaning that remains key. What are the individual and collective responsibilities entailed in minding - being troubled by - evil? This is the central question of this volume."--BOOK JACKET. (shrink)

(Re)presentations of evil in media, philosophy and literature -- The dangerous ones : when evil was a woman -- Space/times of evil : political life and social worlds.