This chapter contains sections titled: Notes References Further Reading.

This book traces the idea of the unconscious as it emerges in French and European literature. It discusses the functioning of the normal unconscious mind and provides examples of the abnormal unconscious in poems and literature. Psychiatric cases as they are understood today are illustrated as mirrored in literature describing the functioning of the disturbed mind.

Examines how the modern city is portrayed in art and literature, discusses modernism, futurism, and expressionism, and looks at the work of Rilke, Eliot, Pound, Joyce, and Brecht.

The division of literature by language and nation has become so common that it seems to be obvious and natural. But it is not so, and moreover this not even a very old practice. But the national literary histories, apart from their political-cultural aims, are without justification since the history of literature in its themes, subjects and forms has rarely been confined to one nation. Quite large cultural areas exist, bound by space and time, in which literary phenomena (...) are inextricably linked. This essay therefore proposes a coherent and unified treatment of the literary traditions of Eastern and Western Europe. (shrink)

Objectives: In this study the author aimed to provide information for researchers to help them with the selection of suitable databases for finding medical ethics literature. The quantity of medical ethical literature that is indexed in different existing electronic bibliographies was ascertained. Method: Using the international journal index Ulrich’s Periodicals Directory, journals on medical ethics were identified. The electronic bibliographies indexing these journals were analysed. In an additional analysis documentalists indexing bioethical literature were asked to name (...) class='Hi'>European journals on medical ethics. The bibliographies indexing these journals were examined. Results: Of 290 journals on medical ethics 173 were indexed in at least one bibliography. Current Contents showed the highest coverage with 66 (22.8%) journals indexed followed by MEDLINE (22.1%). By a combined search in the top ten bibliographies with the highest coverage, a maximum coverage of 45.2% of all journals could be reached. All the bibliographies showed a tendency to index more North American than European literature. This result was verified by the supplementary analysis of a sample of continental European journals. Here EMBASE covered the highest number of journals (20.6%) followed by the Russian Academy of Sciences Bibliographies (19.2%). Conclusion: A medical ethics literature search has to be carried out in several databases in order to reach an adequate collection of literature. The databases one wishes to combine should be carefully chosen. There seems to be a regional bias in the most popular databases, favouring North American periodicals compared with European literature on medical ethics. (shrink)

"Draws on philosophical and novelistic texts from the Western European and Russian canons to explore a crucial moment in the epistemological history of narrative and present a nonreductive way of conjugating the histories of philosophy and ...

Martha Kuhlman criticizes Milan Kundera for repeatedly depicting crowds in a negative light, contrasting his impressions with that of another novelist and observer of crowds. But how do we define the concept of a crowd? In this slightly light-hearted paper, I propose a definition and then note a problem with it and then propose another definition.

ABSTRACTOver the last decade, Europe’s immigration regulations have raised concerns regarding human rights and divided the public opinion on transnational movement, particularly with the ever-growi...

David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison's study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or (...) even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand and imaginative literature on the other. (shrink)

This volume aimed to highlight narrative identities of European cities or city neighbourhoods that have been overlooked, such as mid-sized cities. These cities are neither small towns nor metropolises, cities that are now unveiling their appeal or specificity. The present special issue thus covers a range of representations of cities. The articles investigate more systematically how different texts deal with various cities from different experiential and fictional perspectives. The issue covers the geographical scope across Europe, from east to west (...) or vice versa, as well as a range of different works of national literature(s), but with a clear emphasis on mid-sized European cities that have until now been deemed as lesser-known, secondary, peripheral, ‘other’ cities that are in the focus of the research of the COST project Writing Urban Places. New Narratives of the European City, within which this journal issue is being published. (shrink)

In this paper, I draw attention to two problems that Milan Kundera’s The Book of Laughter and Forgetting faces. I propose that a single word change can solve both.

The rise of world literature is the most noticeable phenomenon in literary studies in the twenty-first century. However, truly well-known and globally circulating works are all canonical works of European or Western literature, while non-European and even "minor" European literatures remain largely unknown beyond their culture of origin. World Literature as Discovery: Expanding the World Literary Canon argues that world literature for our time must go beyond Eurocentrism and expand the canon to include (...) great works from non-European and "minor" European literatures. As much of the world's literature remains untranslated and unknown, the expansion will be an exciting process of discovery. By discussing fundamental questions around canon, circulation, aesthetic values, translation, cosmopolitanism and the literary universal, Zhang Longxi proposes a new and liberating concept of world literature that will shape world literature worthy of its name. This book speaks for a more inclusive idea of world literature, and shows students and scholars alike that all the literary traditions, particularly non-European traditions, will be able to make important contributions and expand the canon of world literature. (shrink)

This essay considers how various European novels written and published around the turn of the millennium may be grouped together as an historically and geographically contingent literary genre, while also reflecting on the implications of this. In doing so, this essay coins the term ‘melancholy cosmopolitanism’ to best describe this genre of literary works. Ultimately, this genre suggests, first of all, that the sense of melancholy obsolescence articulated by European writers at this time is not confined to discrete (...) national literary contexts. Moreover, this essay argues, it implies a form of solidarity among these writers and their works, such that they encapsulate the possibility of working through the melancholy of history precisely through the aesthetic similarities among their literary explorations of it. Contemporaneous melancholy works of European literature are understood here as ‘cosmopolitan’ in a hermeneutic sense: their aesthetics resonate with each other beyond discrete national literary contexts, while also exemplifying individually assumed poses of melancholy amid a broader collective. In construing European melancholy aesthetics as a form of cosmopolitanism, then, the literary genre proposed by this essay suggests that mutual articulations of melancholy in various European novels collectively embody a potential for the melancholy of history to be overcome. (shrink)

Most of what has been written on the ECSC/ EEC/ EC/ EU, has not been done by international relations (IR) theorists, but by comparativists, sociologists, historians, anthropologists, legal scholars, and many others. These writings are in general classified as intergovernmentalist, federalist, and supranationalist (functionalist and neo- functionalist) in most accounts of the theoretical perspectives on the EU (Webb 1983, Rosamond 2000). Wiener and Diez 2004 add a rational choice institutional category, as well, as they think that the policy analysis within (...) the polity developed into an autonomous brand of literature. It is only Andrew Hurrell in his chapter in Fawcett and Hurrell 1995, who makes an attempt to present the EU, as a regional integration, from the point of view of diverse IR approaches. Drawing on his classification scheme, I conduct an inquiry of the IR theories about European unification from the point of view of whether they allow for the iteration of the European experience in other parts of the world or not. The basic conclusion is that almost all IR work on Europe falls in the inter- governmentalist category, which tends to conceptualize the European Union as representing an n of 1. (Inter- governmentalism is the choice of realism and neo-realism, English School, and neoliberal institutionalism.) Within the liberal IR paradigm, there is a tension between law-focused and security-focused approaches, on the one hand, and economic approaches, on the other. The first believe in the possibility of multiple integrations, while the latter does not think that they are desirable. Critical theories are also hindered by divergent normative commitments, though the class-based theorizing is very clear about pursuing the social control of markets. (shrink)

Most of what has been written on the ECSC/ EEC/ EC/ EU, has not been done by international relations theorists, but by comparativists, sociologists, historians, anthropologists, legal scholars, and many others. These writings are in general classified as intergovernmentalist, federalist, and supranationalist in most accounts of the theoretical perspectives on the EU. Wiener and Diez 2004 add a rational choice institutional category, as well, as they think that the policy analysis within the polity developed into an autonomous brand of (...) class='Hi'>literature. It is only Andrew Hurrell in his chapter in Fawcett and Hurrell 1995, who makes an attempt to present the EU, as a regional integration, from the point of view of diverse IR approaches. Drawing on his classification scheme, I conduct an inquiry of the IR theories about European unification from the point of view of whether they allow for the iteration of the European experience in other parts of the world or not. The basic conclusion is that almost all IR work on Europe falls in the inter- governmentalist category, which tends to conceptualize the European Union as representing an n of 1. Within the liberal IR paradigm, there is a tension between law-focused and security-focused approaches, on the one hand, and economic approaches, on the other. The first believe in the possibility of multiple integrations, while the latter does not think that they are desirable. Critical theories are also hindered by divergent normative commitments, though the class-based theorizing is very clear about pursuing the social control of markets. (shrink)

From the ancient Egyptian tale of a Shipwrecked Sailor through to Sinbad and Robinson Crusoe, the stranded castaway living and philosophizing alone on a strange, desert island is a theme which has captured the imaginations of writers spanning cultures and millennia. Most familiar to Western literary historians is Daniel Defoe’s Robinson Crusoe, which inspired generations of writers from Jonathan Wyss and William Golding to Michel Tournier and J.M.Coetzee. However, little attention has been paid to Defoe’s antecedents, such as the remarkable (...) HayyIbn Yaqzan by twelfth-century Arab physician and philosopher, Muhammad Ibn Tufayl. Mahmoud Baroud here conducts a detailed comparative textual analysis of Hayy Ibn Yaqzan and Robinson Crusoe, and concludes that Daniel Defoe was likely to have been deeply influenced by Ibn Tufayl’s Arabic text. This book will be of interest to students and scholars of comparative literature, along with medieval Arabic literature, culture, and philosophy. (shrink)

Provides a broad European and cross-cultural perspective on the theory and practice of literature and the Left over the past 50 years.

Patterns in Twentieth-Century European Thought contains interpretive essays in the history of the century's Marxism, psychoanalysis, quantum physics, logic, language theory, philosophy, art, literature, and theology. A concluding essay argues that the philosophy and social theory - not to mention the physics and theology - constitute a twentieth-century Counter-Enlightenment that has replaced the Cartesian- and Newtonian-based Enlightenment of the eighteenth century.

Pierre Bourdieu in Hispanic Literature and Culture is a collective reflection on the value of French sociologist Pierre Bourdieu's work for the study of Spanish and Latin American literature and culture. The authors deploy Bourdieu's concepts in the study of Modernismo, avant-garde Mexico, contemporary Puerto Rican literature, Hispanism, Latin American cultural production, and more. Each essay is also a contribution to the study of the politics and economics of culture in Spain and Latin America. The book, as (...) a whole, is in dialogue with recent methodological and theoretical interventions in cultural sociology and Latin American and Iberian studies. (shrink)

This paper examines the way in which Locke's deep and longstanding interest in the non-European world contributed to his views on species and their classification. The evidence for Locke's curiosity about the non-European world, especially his fascination with seventeenth-century travel literature, is presented and evaluated. I claim that this personal interest of Locke's almost certainly influenced the metaphysical and epistemological positions he develops in the Essay. I look to Locke's theory of species taxonomy for proof of this. (...) I argue that Locke uses evidence gathered from the non-European world to (1) show that in taxonomizing objects we rely on their sensible qualities rather than their real essences and to (2) undermine Scholastic Aristotelian views about a mind-independent species/genera structure to the world. (shrink)

This edited book considers the need for the continued dismantling of conceptual and cultural hegemonies of 'East' and 'West' in the humanities and social sciences. Cutting across a wide range of literature, film and art from different contexts and ages, this collection seeks out the interpenetrating dynamic between both terms. Highlighting the inherent instability of East and West as oppositional categories, it focuses on the 'crossings' between East and West and this nexus as a highly-charged arena of encounter and (...) collision. Drawing from varied literary contexts ranging from Victorian literature to Chinese literature and modern European literature, the book covers a diverse range of subject matter, including material drawn from psychoanalytic and postcolonial theory and studies related to race, religion, diaspora, and gender, and investigates topical social and political issues -including terrorism, nationalism, citizenship, the refugee crisis, xenophobia and otherness. Offering a framework to consider the salient questions of cultural, ideological and geographical change in our societies, this book is a key read for those working within world literary studies. (shrink)

If the task of constitutional theory is to set out a language in which the discourse of constitutional law may be grounded, a question of the utmost importance is how this terminology is created, defined and interpreted. In this groundbreaking new work, András Jakab maps out and analyses the grammar and vocabulary on which the core European traditions of constitutional theory are based. He suggests understanding key constitutional concepts as responses to historical and present day challenges experienced by (...) class='Hi'>European societies. Drawing together a great and diverse range of literature, much of which has never before been touched upon by scholarship in the English language, Jakab reconceptualises and argues for a new understanding of European constitutional law discourse. In so doing he shines new light on what constitutes its distinctively European nature. This remarkable book is essential reading for all scholars and students of constitutional theory in Europe and beyond. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Indo-European Sacred Space: Vedic and Roman CultJerzy LinderskiRoger D. Woodard. Indo-European Sacred Space: Vedic and Roman Cult. Traditions. Urbana: University of Illinois Press, 2006. xiv + 296 pp. Cloth, $50.In all cultures gods claim possessions on Earth. Two divine realms stand out: time and space. A perceptive scholar aptly described the religious feasts, in Rome the feriae and dies festi, as "temporal possession of gods" (Jörg (...) Rüpke, Kalender und Öffentlichkeit: Die Geschichte der Repräsentation und religiösen Qualifikation von Zeit in Rom [Berlin: de Gruyter, 1995], 492). Divine space manifested itself in Rome in two distinct forms: there were places (loca) that were sacred (sacra), places that were holy (sancta), and places that were both sacred and holy (on this distinction, see more below). Roman cult of the period illuminated by literature and monuments was a confluence of Indo-European inheritance, Etruscan and Greek elements, and home-grown Italic, Latin, and Roman innovations. The Indian component of the Indo-European tradition has been brought into prominence by the voluminous publications of Georges Dumézil and his theory of the tri-functional Proto-Indo-European society: the three spheres were those of worship and legal writ, war, and work, with the classes of priests/governors, warriors, and producers and with the corresponding patron deities. In India we have Mitra and Varuna, Indra, and the As;vins and the castes of brāhmaṇa, kṣatriya, and wayśya. Georges Dumézil demonstrated great ingenuity in applying this Indian scheme to Rome; see especially his summa, Archaic Roman Religion (English trans.: Chicago: University of Chicago Press, 1970). This theory has captivated many, especially among the linguists and popularizers; Woodard is its ardent supporter. Students of Roman history and religion following the lead of Arnaldo Momigliano (and the indologist Jan Gonda) have been generally cautious; see recently Mary Beard, John North, and Simon Price, Religions of Rome I: A History (Cambridge: Cambridge University Press, 1998), 14–16: while granting that "Dumézil's work has prompted much useful discussion about individual festivals or areas of worship in Rome," they do not find any compelling evidence for his overarching scheme and observe that all this "theorizing shows us once more how powerful in accounts of early Roman religion is the mystique of origins and schemata" (cf. in a similar vein, but concerning archaic Rome in general and in particular the views of Kurt Latte, Jerzy Linderski, Roman Questions II [Stuttgart: Steiner, 2007], 31–33, 595–96).Woodard has made his name with studies in Greek and Indo-European linguistics; his previous forays into the realm of Roman religion were the notes to the Penguin translation of Ovid's Fasti (2000) and a piece on "The Disruption [End Page 125] of Time in Myth and Epic" (Arethusa 35 [2002]: 83–98). The current book is to a great extent a measured polemic against skeptics and unbelievers, but Woodard's ultimate goal is more ambitious: his objective is not only to present a clear summary of Dumézil's arguments but also "to jump forward from that Dumézilian platform and to offer a new understanding of Roman and... primitive Indo-European religious structures and phenomena," an understanding which "differs appreciably from Dumézil's own interpretations" (ix). The book consists of five chapters. Here is a synopsis:I. "The Minor Capitoline Triad" (1–58). In the Capitoline temple built by Tarquinius Superbus, the reigning triad was that of Jupiter, Juno, and Minerva. Now there were in Rome fifteen priests called flamines, three of whom were Maiores: the priests of Jupiter, Mars, and Quirinus—Flamen Dialis, Martialis, and Quirinalis. That here we have before us another, earlier triad was already recognized by Georg Wissowa (Religion und Kultus der Römer, 2d ed. [Munich: C.H. Beck, 1912], 154); for Dumézil and Woodard this is the prime exhibit of the original trifunctional scheme of law and religion, war, and production/fecundity. But Woodard discovers still another minor triad. Before Jupiter's temple was built, various deities had inhabited the hill. Two of them, Juventas and Terminus, despite all the religious ceremonies and entreaties, refused to relocate, and... (shrink)

John Taylor's brilliant new book examines the work of many of the major poets who have deeply marked modern and contemporary European literature. Venturing far and wide from the France in which he has lived since the late 1970s, the polyglot writer-critic not only delves into the more widely translated literatures of Italy, Greece, Germany, and Austria, but also discovers impressive and overlooked work in Slovenia, Bosnia, Hungary, Finland, Norway, and the Netherlands in this book that ranges over (...) nearly all of Europe, including Russia. While providing this stimulating and far-ranging critical panorama, Taylor brings to light key themes of European writing: the depth of everyday life, the quest of the "thing-in-itself," metaphysical aspiration and anxiety, the dialectics of negativity and affirmation, subjectivity and self-effacement, and uprootedness as a category that is as ontological as it is geographical, historical, political, or cultural. The book pays careful attention to the intersection of writing and history, as several poets featured here have faced the Second World War, the Holocaust, Communism, the fall of Communism, or the war in the former Yugoslavia. Taylor gives the work of renowned, upcoming, and still little-known poets a thorough look, all the while scrutinizing recent translations of their verse. He highlights several poets who are also masters of the prose poem. He includes a few novelists who have fashioned a particularly original kind of poetic prose, that stylistic category that has proved so difficult for critics to define. Into the Heart of European Poetry should be of immediate interest to any reader curious about the aesthetic and philosophical ideas underlying major trends of contemporary European writing. In a day and age when much too little is translated and thus known about foreign literature, and when Europeans themselves are pondering the common denominators of their own culture, this book is as indispensable as it is engaging. John Taylor has lived in France since 1977. A frequent contributor to the Times Literary Supplement, Context, the Yale Review, the Antioch Review, the Michigan Quarterly Review, and Chelsea, he has introduced numerous European writers and poets to English readers, often for the first time. Some of his works include The Apocalypse Tapestries, a book of poetry and prose based on the famous tapestries in the Chateau of Angers, and Paths to Contemporary French Literature. (shrink)

Research on Old Irish law was from the very beginning related to specific epistemological and political contexts in which Celtic and Indo-European Studies emerged as scientific disciplines at the end of the 19th century. The premise of historical linguistics that the Indo-European languages derived from a common ‘origin’ had far reaching implications for studies on medieval Celtic law tracts. Since linguists had discovered significant parallels between Old Irish and Sanskrit, the legal traditions of Ireland and India were believed (...) to preserve archaic Indo-European continuities as well. Against this background, and in a particular political context, Irish scholars of the 20th century argued for the autonomy and isolation of Old Irish law which was supposed to be unaffected by the Latin and Christian literature of continental Europe. However, later researches departed radically from this national perspective and emphasized the impact of Canon law, hagiography and the Bible on Irish written culture. This article takes up a different perspective by focusing on the persistence of a legal imagery that was by no means essentially Indo-European but still provided conceptual tools for the interpretation and ‘translation’ of texts, as they occur in vernacular adaptations of Latin literature. (shrink)