Results for ' Drama'

979 found
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  1. Andrea peghinelli.Point in British Contemporary Drama - 2012 - Journal for Communication and Culture 2 (1):20-30.
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  2. Fascismo disfrazado de socialismo.de Araña de La la Tela, Corrupcion Del Psoe En Andalucia, Bfn-José Mourinho, Berto Y. Fuenafuente-Un Poco de & Humor Para Lidiar El Drama - forthcoming - Gnosis.
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  3.  9
    Postmodern/drama: Reading the Contemporary Stage.Stephen Watt - 1998 - University of Michigan Press.
    Scrutinizing the critical tendency to label texts or writers as "postmodern", scholar Stephen Watt argues that "reading post modernly" merely implies reading culture more broadly. In contemporary drama, Watt considers postmodernity less a question of genre or media than a mode of subjectivity shared by both playwright and audience. 6 illustrations.
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  4.  13
    The drama and the symbols.Gustaf Aulén - 1970 - Philadelphia,: Fortress Press.
    Gustav Aulen's starting point in this book is that God can only reveal himself in the form of symbols; in himself he remains beyond our comprehension. The symbols we use will determine our image of God. A bewildering variety of such images is to be found in modern literature, but the Christian image of God is inseparably linked with the drama of Christ.
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  5.  45
    The Drama of Ideas: Platonic Provocations in Theater and Philosophy.Martin Puchner - 2010 - Oxford University Press.
    Philosophy underwent a corresponding theatrical shift in the modern era, most importantly through the work of Kierkegaard, Nietzsche, Sartre, and Camus.
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  6.  13
    Drama and Feeling: An Aesthetic Theory.Richard Courtney - 1995 - McGill Queens University Press.
    Drama and Feeling makes a case for placing educational drama firmly within the curriculum and provides drama educators with new insight into the dramatic art form and process.
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  7.  8
    The Drama of Humanity and Other Miscellaneous Papers, 1939-1985.William Petropulos, Eric Voegelin & Gilbert Weiss (eds.) - 2004 - University of Missouri.
    This second volume of Eric Voegelin’s miscellaneous papers contains unpublished writings from the time of his forced emigration from Austria in 1938 until his death in 1985. The volume’s focus is on dialogue and discussion, presenting Voegelin in the role of lecturer, discussant, and respondent. “The Drama of Humanity” presents the Walter Turner Candler Lectures delivered in four parts at Emory University in 1967. This text, a small book in itself, addresses the themes of “The Contemporary Situation,” “Man in (...)
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  8.  13
    The philosophical stage: drama and dialectic in classical Athens.Joshua Billings - 2021 - Princeton: Princeton University Press.
    In this book, classicist Joshua Billings considers classical Greek drama as intellectual history. Developing an innovative approach to dramatic form as a mode of philosophical thought, Billings recasts early Greek intellectual history as a conversation across types of discourses and demonstrates the significance of dramatic reflections on widely-shared conceptual questions. He integrates evidence from tragedy, comedy, and satyr play into the development of early Greek philosophy in order to place poetry at the center of Greek thought. He thus offers (...)
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  9. Asian Drama. An Inquiry into the Poverty of Nations.Gunnar Myrdal, William J. Barber, Altti Majava, Alva Myrdal, Paul P. Streeten & David Wightman - 1968 - Science and Society 32 (4):421-440.
     
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  10. Drama and dialectic in Plato's Gorgias.Charles H. Kahn - 1983 - Oxford Studies in Ancient Philosophy 1:75-121.
  11. Music as narrative and music as drama.Jerrold Levinson - 2004 - Mind and Language 19 (4):428–441.
    In this paper I address the issue of narrativity in music. The central question is the extent to which pure instrumental music in the classical tradition can or should be understood as narrative, that is, as narrating a story of some kind. I am interested in the varying potential and aptness for narrative construal of different sorts of instrumental music, and in what the content of such narratives might plausibly be thought to be. But ultimately I explore, at greater length, (...)
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  12.  58
    Strengthening Verbal Skills through the Use of Classroom Drama: A Clear Link.Ann Podlozny - 2000 - Journal of Aesthetic Education 34 (3/4):239.
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  13.  15
    Drama and Intelligence: A Cognitive Theory.Richard Courtney - 1990 - McGill-Queen's Press - MQUP.
    One of the greatest dramatists of all time, Shakespeare, recognized that dramatic action was not limited to the stage. Now, in Drama and Intelligence, a work firmly rooted in developmental drama, Richard Courtney is the first to examine dramatic action as an intellectual and cognitive activity. Courtney explores the nature of those experiences we live "through" and which involve us in what is termed "as if" thinking and action.
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  14. Drama.James R. Hamilton - 2009 - In Higgins Davies (ed.), Blackwell Companion to Aesthetics.
    Hamilton explains why "drama" is a category of literature rather than of theater, even though it is appropriate to describe many theatrical performances as "dramatic." Consideration of the possibilities of theatrical performance are especially important to this category of literature, but need not be (and often are not) decisive in constraining interpretations of dramatic works.
     
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  15.  18
    Fog on the Channel. The repatriation of European drama.Dan Rebellato - 1995 - History of European Ideas 20 (1-3):35-41.
  16. Eternal drama of souls, matter, and God.Jagdish Chander & K. B. - 1983 - Mount Abu, Rajasthan, India: Prajapati Brama Kumaris Ishwariya Vishwa-Vidyalaya.
    pt. 1. [without special title] -- pt. 2. The eternal world drama.
     
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  17.  14
    Dialogues, Dramas, and Emotions: Essays in Interactionist Sociology.Robert Perinbanayagam - 2023 - Lexington Books.
    Drawing from the works of George Herbert Mead, Kenneth Burke, and Mikhail Bakhtin, this work argues that everyday interactions are inescapably dramas, conducted through the use of dialogues in order to promote mutual understanding.
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  18.  35
    South Italian Vases and Attic Drama.A. W. Pickard-Cambridge - 1949 - Classical Quarterly 43 (1-2):57-.
    Professor Webster's attempt to prove that south Italian vases of the middle of the fourth century can be used as evidence of Athenian theatrical arrangements of half or three-quarters of a century earlier leaves me unconvinced. It, is true that, as he says, ‘the plays’ which the vases illustrate ‘come from Athens'— at least, most of them probably did: but a number of scenes on the vases are not scenes presented in the plays at all, but are scenes suggested to (...)
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  19.  12
    Platonic Drama and its Ancient Reception.Nikos G. Charalabopoulos - 2012 - Cambridge University Press.
    As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of (...)
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  20.  31
    The Ethos of Drama: Rhetorical Theory and Dramatic Worth.Robert L. King - 2010 - Catholic University of America Press.
    Rhetorical ethos and dramatic theory -- Syntax, style, and ethos -- The worth of words -- Memory and ethos -- Shaw, ethos, and rhetorical wit -- Athol Fugard's dramatic rhetoric -- Rhetoric and silence in Holocaust drama.
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  21.  46
    The drama of digital communication with a human touch.Valerie Ann Bugmann Tllez - 2007 - Technoetic Arts 5 (1):45-54.
    With the emergence of new communication technologies our bodies find themselves in constant reconstruction, giving birth to novel social interactive behaviours mediated or originated by these technologies. These unique manifestations describe the way in which our body lives out a kind of new drama through its interaction with the world. Perhaps touch can be extended in new unexpected ways, and the body will embark into a new exciting experience of itself and of the world.
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  22.  13
    Enden på en ny begyndelse: Arv i nyere dansk film og tv-drama.Jakob Ladegaard - 2020 - Slagmark - Tidsskrift for Idéhistorie 82:91-109.
    Inheritance is about cold cash and warm emotions. On a macroeconomic level inherited wealth is a source of inequality, but on a personal level it is a gift between relatives that can involve gratitude, but also a sense of obligation and duty continuity, but also conflicts. These perspectives often clash in public discussions about inheritance law and taxation. This article discusses the implicit notions about inheritance and their relationship to positions in the public debate in three Danish filmic works: Per (...)
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  23. Reflexiones sobre la lengua del Drama Satírico.A. López-Eire - 2000 - Humanitas 52:91-122.
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  24.  20
    Troy, Carthage and the Victorians: The Drama of Classical Ruins in the Nineteenth-Century Imagination by Rachel Bryant Davies.Michele Valerie Ronnick - 2019 - Classical World: A Quarterly Journal on Antiquity 112 (3):234-235.
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  25.  40
    From Ponêêros to Pharmakos: Theater, Social Drama, and Revolution in Athens, 428-404 BCE.David Rosenbloom - 2002 - Classical Antiquity 21 (2):283-346.
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  26.  54
    Meaning and Authenticity: Bernard Lonergan and Charles Taylor on the Drama of Authentic Human Existence. By Brian J. Braman.Randall S. Rosenberg - 2010 - Heythrop Journal 51 (2):359-361.
  27.  45
    An empirical assessment of the short-term impacts of a reading of Deborah Zoe Laufer's drama Informed Consent on attitudes and intentions to participate in genetic research.Erin Rothwell, Jeffrey R. Botkin, Sydney Cheek-O'Donnell, Bob Wong, Gretchen A. Case, Erin Johnson, Trent Matheson, Alena Wilson, Nicole R. Robinson, Jared Rawlings, Brooke Horejsi, Ana Maria Lopez & Carrie L. Byington - 2018 - AJOB Empirical Bioethics 9 (2):69-76.
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  28.  21
    Forum on Martin Puchner, "The drama of ideas".C. Rozzoni, M. Puchner, D. Kornhaber, L. Cull, T. Stern & M. Harries - 2013 - Lebenswelt: Aesthetics and Philosophy of Experience 3:110-153.
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  29.  32
    Review. The City as Comedy. Society and Representation in Athenian Drama. GW Dobrov [ed].Isabel Ruffell - 1999 - The Classical Review 49 (2):356-358.
  30.  7
    Nachweise aus Richard Wagner, Oper und Drama (1872).Andreas Rupschus - 2012 - Nietzsche Studien 41 (1):376-378.
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  31.  30
    "La plus belle des histoires". Grotius' Drama on Joseph in Egypt in the Tradition of the Theme.Arthur Eyffinger - 1987 - Grotiana 8 (1):80-90.
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  32.  12
    The Fourth Man: Stoic Tradition in Grotian Drama.Arthur Eyffinger - 2001 - Grotiana 22 (1):117-156.
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  33.  41
    Structure and Spontaneity: the Process Drama of Cecily O’Neill- edited by Philip Taylor and Chris Warner.Jonothan Neelands - 2008 - British Journal of Educational Studies 56 (1):112-113.
  34.  31
    Double vision: Moral philosophy and Shakespearean drama by Zamir, Tzachi.Stephanie Patridge - 2008 - Journal of Aesthetics and Art Criticism 66 (2):208–210.
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  35.  86
    Sôphrosunê, Socratic Therapy, and Platonic Drama in Plato’s Charmides.Alan Pichanick - 2016 - Epoché: A Journal for the History of Philosophy 21 (1):47-66.
    Plato’s Charmides suggests that there are really four notions that are deeply connected with one another, and in order to understand sôphrosunê we need to get a proper hold on them and their relation: these four notions are Knowledge of Ignorance, Self-Knowledge, Knowledge of the Good, and Knowledge of the Whole. My aim is to explore these four notions in two stages. First, I will try to explain Socrates’s notion of knowledge of ignorance, so that the nature and coherence of (...)
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  36. Lukács y el drama moderno.José Ignacio López Soria - 1975 - Teorema: International Journal of Philosophy 5 (3):407-426.
    Lukacs participation in the establishment and running of the Theater Company Thalia will reflect on his reflection on the modern drama in his first book (History of the evolution of modern drama". Our study is based on the correspondence between Lukacs and his companions and analysis of the early writings of Lukács, usually in Hungarian.
     
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  37.  22
    Parnellites, Playboys, and Pathology: Irish Modernist Drama and the Politics of Sexual Health.Lloyd Houston - 2022 - Journal of Medical Humanities 44 (1):43-59.
    The personal, political, and aesthetic ideals that Irish modernists found embodied in the figure of Charles Stewart Parnell—independence, self-mastery, and a capacity for radical self-fashioning—have been well attested in Irish literary historiography. What has been less often noted is the centrality of sexual health to the conception, articulation, and emulation of those virtues, particularly when attempting to translate Parnell’s public persona to the stage. This essay addresses this lacuna by tracing how a medicalized and politicized conception of sex informed Irish (...)
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  38.  41
    Endgames 1789–1989: The walls of modern European drama and theater.Roger Howard - 1996 - The European Legacy 1 (3):1236-1241.
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  39.  8
    Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text.V. A. Howard - 1991 - Journal of Aesthetic Education 25 (1):113.
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  40.  30
    Why Nietzsche Still?: Reflections on Drama, Culture, and Politics.Alan D. Schrift (ed.) - 2000 - University of California Press.
    These essays suggest a number of answers to the question: Why Nietzsche still? They show that Nietzsche still has a great deal to say to those who read him with an eye toward developing critical responses to the present and the future that will follow.
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  41.  26
    Forewarning of Graphic Portrayal of Violence and the Experience of Suspenseful Drama.Minet de Wied, Kathleen Hoffman & David R. Roskos-Ewoldsen - 1997 - Cognition and Emotion 11 (4):481-494.
  42.  57
    Lyric Metres - A. M. Dale: The Lyric Metres of Greek Drama, Pp. 220. Cambridge: University-Press, 1948. Cloth, 18s. net.J. D. Denniston - 1948 - The Classical Review 62 (3-4):118-122.
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  43.  16
    Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries (review).Peter H. Greenfield - 1985 - Philosophy and Literature 9 (2):235-236.
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  44.  37
    Review. Speech in Speech: Studies in Incorporated Oratio Recta in Attic Drama and Oratory. V Bers.Andrew Laird - 1999 - The Classical Review 49 (2):417-418.
  45.  12
    Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen WeltGesellschaftlicher Umbruch und Historie im zeitgenossischen Drama der islamischen Welt.Jacob M. Landau, Johann Christoph Bürgel, Stephan Guth & Johann Christoph Burgel - 1998 - Journal of the American Oriental Society 118 (1):110.
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  46.  23
    Freedom and Dignity: Barrie Stavis' Drama of Forged Character in an Age of Emptiness.Daniel Larner - 1990 - Cardozo Studies in Law and Literature 2 (2):259-277.
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  47.  30
    Socrates and Alcibiades: Plato’s Drama of Political Ambition and Philosophy by Ariel Helfer.Annie Larivée - 2018 - Journal of the History of Philosophy 56 (2):361-362.
    Helfer opens his book with a series of vigorous reflections that have the virtue of challenging some of the reader’s deeply seated beliefs concerning political emotions. While we moderns see political ambition mostly as a threat to the public good that needs to be checked, ancients, the author suggests, considered that passion in a positive light. Indeed, they regarded political ambition as the manifestation of a powerful desire to achieve noble deeds in the civic sphere, an aspiration they saw as (...)
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  48.  7
    The Lyric Metres of Greek Drama.Richmond Lattimore & A. M. Dale - 1951 - American Journal of Philology 72 (3):323.
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  49.  10
    The contribution of naturalised minorities to contemporary European drama currently performed in England.G. N. Lidstone - 1995 - History of European Ideas 20 (1-3):19-23.
  50.  27
    Sex, Sin and Ideology: The Drama's Gift to the Genesis of the Novel.Paul Backscheider - 1993 - Lumen: Selected Proceedings From the Canadian Society for Eighteenth-Century Studies 12:1.
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