Results for ' Content Dependency, tracing the artist's intellectual development'

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  1.  14
    (1 other version)Surface and Deep Interpretation.Peg Brand & Myles Brand - 1993 - In Mark Rollins, Danto and His Critics. Malden, MA: Wiley-Blackwell. pp. 69–83.
    This chapter contains sections titled: Analogy with Human Action The Dependency Theses Are Deep Interpretations Weakly Dependent on Surface Interpretations? Consequences for the Constitutive Dependency Thesis.
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  2.  37
    William James, W. E. B. Du Bois, and the Art of New Religious Ideals.Kolby Knight - 2023 - American Journal of Theology and Philosophy 44 (2):71-95.
    In lieu of an abstract, here is a brief excerpt of the content:William James, W. E. B. Du Bois, and the Art of New Religious IdealsKolby Knight (bio)And I don’t know a soul who’s not been batteredI don’t have a friend who feels at easeI don’t know a dream that’s not been shatteredOr driven to its knees...Oh, and it’s alright, it’s alright, it’s alrightYou can’t be forever blessedStill, tomorrow’s going to be another working dayAnd I’m trying to get some (...)
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  3. The Method of In-between in the Grotesque and the Works of Leif Lage.Henrik Lübker - 2012 - Continent 2 (3):170-181.
    “Artworks are not being but a process of becoming” —Theodor W. Adorno, Aesthetic Theory In the everyday use of the concept, saying that something is grotesque rarely implies anything other than saying that something is a bit outside of the normal structure of language or meaning – that something is a peculiarity. But in its historical use the concept has often had more far reaching connotations. In different phases of history the grotesque has manifested its forms as a means of (...)
     
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  4.  93
    Historical Narratives and the Meaning of Nationalism.Lloyd S. Kramer - 1997 - Journal of the History of Ideas 58 (3):525-545.
    In lieu of an abstract, here is a brief excerpt of the content:Historical Narratives and the Meaning of NationalismLloyd KramerThe vast, expanding literature on nationalism may well defy every generalization except a familiar, general theme of intellectual history: texts about nationalism have always drawn their perspectives and passions from the evolving political and cultural contexts in which their authors have lived. Modern accounts of nationalism show the unmistakable traces of political, military, and cultural conflicts in every decade of (...)
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  5. Meillassoux’s Virtual Future.Graham Harman - 2011 - Continent 1 (2):78-91.
    continent. 1.2 (2011): 78-91. This article consists of three parts. First, I will review the major themes of Quentin Meillassoux’s After Finitude . Since some of my readers will have read this book and others not, I will try to strike a balance between clear summary and fresh critique. Second, I discuss an unpublished book by Meillassoux unfamiliar to all readers of this article, except those scant few that may have gone digging in the microfilm archives of the École normale (...)
     
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  6.  46
    The Child's Creation of a Pictorial World (review).Ellen Handler Spitz - 2006 - Journal of Aesthetic Education 40 (1):120-122.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Child's Creation of a Pictorial WorldEllen Handler SpitzThe Child'S Creation of a Pictorial World, by Claire Golomb. Mahwah, New Jersey: Erlbaum, 2004, 388 pp.Children's drawings fill us with wonder and delight. They may tend, however, to puzzle us, especially if we seek to comprehend them in terms appropriate to the drawings of mature artists or in terms relevant for other pictorial forms and expressions. Likewise, they (...)
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  7.  25
    God’s Knowledge of the World: Medieval Theories of Divine Ideas from Bonaventure to Ockham by Carl A. Vater (review).Benjamin R. DeSpain - 2023 - Review of Metaphysics 77 (2):373-375.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:God’s Knowledge of the World: Medieval Theories of Divine Ideas from Bonaventure to Ockham by Carl A. VaterBenjamin R. DeSpainVATER, Carl A. God’s Knowledge of the World: Medieval Theories of Divine Ideas from Bonaventure to Ockham. Washington, D.C.: The Catholic University of America Press, 2022. xi + 294 pp. Cloth, $75.00Carl Vater skillfully blends historical and constructive concerns in his study of medieval theories of the divine (...)
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  8.  59
    Mind Ahead of the Tone: Integration of Technique and Imagination in Vocal Training at Tanglewood Summer Institute.Svetlana Nikitina - 2004 - Journal of Aesthetic Education 38 (1):23.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 23-34 [Access article in PDF] Mind Ahead of the Tone:Integration of Technique and Imagination in Vocal Training at Tanglewood Summer Institute Svetlana Nikitina The use of the body and the mind at the same time is one of the most fascinating things and magic things about music. 1The purpose, indeed the sole purpose, of training for the profession of singing is (...)
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  9.  45
    MoMA as Educator: The Legacy of Alfred H. Barr, Jr.Ralph Alexander Smith - 2005 - Journal of Aesthetic Education 39 (2):97-103.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 39.2 (2005) 97-103 [Access article in PDF] MoMA as Educator: The Legacy of Alfred H. Barr, Jr. Ralph A. Smith Professor Emeritus University of Illinois at Urbana-Champaign Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art by Sybil Gordon Kantor. Cambridge: The MIT Press, 2002, xxv, 472 pp., $39.95. ISBN 0-262-11258-2 Sybil Kantor's history of the (...) origins of the Museum of Modern Art (MoMA) is an engaging account of Alfred Barr, Jr.'s, pivotal role in acquainting an American audience with the modernist movement in art that had developed in Europe and the Soviet Union in the first part of the twentieth century. Scrupulously documented, Kantor's narrative relies heavily on interviews with Barr's contemporaries, his publications, and his extensive correspondence. She also limns portraits of major figures who either influenced his ideas or were instrumental in establishing MoMA. Although the book is very informative about modern art, according to its author it is not intended to be strictly a history of that art. Rather, it is devoted to Barr's early development, his personal characteristics, his attitude toward the cultural and political climate of the times, his definitions of modernism and formalism, and finally, his legacy.Kantor traces Barr's career through the decade of the 1920s, which culminated in his being named the first director of MoMA in 1929; the expansive years of the 1930s and 1940s when, as Kantor puts it, Barr and the museum were at full throttle; and the later years when Barr was relieved of his director's responsibilities to allow him to spend more time on writing and the mounting of exhibitions. He retired from the museum in 1967, began to show signs of ill health in the mid-1970s, and died at the age of 79 in 1981. The Early Years Barr began his studies in the history of art at Princeton where he took courses with Frank Jewett Mather, who taught about modern art, and with Charles Rufus Morey, a distinguished medievalist whose teaching ranged beyond the architecture and sculpture of the Middle Ages to the other arts of that era. Morey's example of comprehensiveness would later stimulate Barr to think along similar lines about modern art and the organization of MoMA. At Harvard's graduate school Barr learned the skills of connoisseurship and museum management from Paul Sachs whose students went on to become directors of major museums across America. Sachs also encouraged Barr's interest in modern art and provided him with numerous letters of [End Page 97] introduction to scholars and museum directors — and occasionally withfunds for his travels.1 Lincoln Kirstein was a close friend, art critic, and earlyally, while Henry-Russell Hitchcock, Walter Gropius, and Philip Johnson significantly affected Barr's understanding of architecture. A large cast of artists, patrons, collectors, writers, trustees, and editors of "little magazines"(so-called because of their relatively small numbers of readers) also enter the scene and play various roles. A few words are in order about Barr himself who, Kantor says, exhibited more rebelliousness, a larger vision, and greater discipline than most of those around him. Barr the Man Kantor portrays a mind and sensibility possessed of exceptional discernment for the new, the difficult, and the worthwhile in the art of the early twentieth century. Barr's feeling for order, organization, and clarity of relations; his commitment to perfection, freedom, and truth; and his faith in the capacity of modern art to overcome prejudices and improve the taste of Americans are not merely reflections of the disciplinary habits inculcated by Barr's Presbyterian upbringing. They also reveal the classical tastes acquired through his art-historical studies and echo the temper of the age.The time — the 1920s through the 1940s — valued both the rationalism of science with its methods of problem solving and the insights of psychoanalysis with its probing of the irrational. Belief in the inevitable progress promised by advances in technology was, however... (shrink)
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  10.  12
    Vanities of the Eye: Vision in Early Modern European Culture (review).I. I. Dallas G. Denery - 2010 - Journal of the History of Philosophy 48 (1):103-104.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Vanities of the Eye: Vision in Early Modern European CultureDallas G. Denery IIStuart Clark. Vanities of the Eye: Vision in Early Modern European Culture. Oxford-New York: Oxford University Press, 2007. Pp. xi + 415. Cloth, $75.00.A popular and pervasive historical narrative links the Renaissance development of linear perspective with Europe’s transition from a pre-modern to an early modern society. Erwin Panofsky gave this narrative its definitive (...)
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  11.  31
    Boris Pasternak's Conception of Realism.John Edward MacKinnon - 1988 - Philosophy and Literature 12 (2):211-231.
    In lieu of an abstract, here is a brief excerpt of the content:John Edward MacKinnon BORIS PASTERNAK'S CONCEPTION OF REALISM To desire truth is to desire direct contact with a piece of reality. To desire contact with a piece of reality is to love. —Simone Weil, The Needfor Roots According to czeslaw milosz, Boris Pasternak "did not pluck fruits from the tree of reason, the tree of life was enough for him. Confronted by argument, he replied with his sacred (...)
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  12. Rainer Ganahl's S/L.Františka + Tim Gilman - 2011 - Continent 1 (1):15-20.
    The greatest intensity of “live” life is captured from as close as possible in order to be borne as far as possible away. Jacques Derrida. Echographies of Television . Rainer Ganahl has made a study of studying. As part of his extensive autobiographical art practice, he documents and presents many of the ambitious educational activities he undertakes. For example, he has been videotaping hundreds of hours of solitary study that show him struggling to learn Chinese, Arabic and a host of (...)
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  13.  27
    Intertextual Biography in the Rivalry of Cratinus and Aristophanes.Zachary P. Biles - 2002 - American Journal of Philology 123 (2):169-204.
    In lieu of an abstract, here is a brief excerpt of the content:Intertextual Biography in the Rivalry of Cratinus and AristophanesZachary P. BilesMore than a decade ago, Malcolm Heath provided an influential explanation for charges of plagiarism between comic poets when he posited a growing store of ideas that were recycled as quickly as they were invented. As a result, "Anything put on stage in a comedy would become public property and be absorbed into the repertoire, so that all (...)
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  14.  24
    Vanities of the Eye: Vision in Early Modern European Culture (review).Dallas G. Denery Ii - 2010 - Journal of the History of Philosophy 48 (1):103-104.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Vanities of the Eye: Vision in Early Modern European CultureDallas G. Denery IIStuart Clark. Vanities of the Eye: Vision in Early Modern European Culture. Oxford-New York: Oxford University Press, 2007. Pp. xi + 415. Cloth, $75.00.A popular and pervasive historical narrative links the Renaissance development of linear perspective with Europe’s transition from a pre-modern to an early modern society. Erwin Panofsky gave this narrative its definitive (...)
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  15.  99
    Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment (review). [REVIEW]Paul Guyer - 2002 - Journal of the History of Philosophy 40 (3):406-408.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.3 (2002) 406-408 [Access article in PDF] Book Review Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment Henry E. Allison. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. New York: Cambridge University Press, 2001. Pp. xvi + 424. Cloth, $69.95. Paper, $24.95. In his new book, Henry Allison provides a study of the two (...)
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  16.  33
    Book Review: The Author, Art, and the Market: Rereading the History of Aesthetics. [REVIEW]Christopher McClintick - 1995 - Philosophy and Literature 19 (1):176-178.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Author, Art, and the Market: Rereading the History of AestheticsChristopher McClintickThe Author, Art, and the Market: Rereading the History of Aesthetics, by Martha Woodmansee; 200 pp. New York: Columbia University Press, 1994, $29.50.Martha Woodmansee’s book The Author, Art, and the Market: Rereading the History of Aesthetics deftly employs a historical, materialist focus to trace the growth of the middle-class in eighteenth-century Germany and to analyze its (...)
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  17.  29
    The Pain in the Patient's Knee.Mary Jacobus - 1998 - Diacritics 28 (4):99-110.
    In lieu of an abstract, here is a brief excerpt of the content:The Pain in the Patient’s KneeMary Jacobus* (bio)We know very little about pain either.—Sigmund Freud, Inhibitions, Symptoms, and AnxietyPain cannot be absent from the personality.—Wilfred Bion, The Elements of Psycho-AnalysisBetween Therapy and HermeneuticsWhat is the place of a psychoanalysis that exists “between” therapy (considered both as a theory and a practice, but also as a theory of practice) and hermeneutics, or the theory of interpretation and understanding? How (...)
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  18.  11
    Ernst Cassirer: Scientific Knowledge and the Concept of Man (review). [REVIEW]W. H. Werkmeister - 1973 - Journal of the History of Philosophy 11 (1):139-142.
    In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 139 twenty years ago has slowly given way to an awareness that cross-cultural differences are real enough to call for different rules of behavior and different sets of values. Several possibilities are still open to the ethicist concerned with the problem of relativism. We may want to reconsider more carefully than ever before the connotations of "relative," of "action" and of "culture" in the context of (...)
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  19.  49
    (1 other version)The German Aesthetic Tradition (review).Michael Thompson - 2003 - Philosophy and Literature 27 (2):478-480.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 478-480 [Access article in PDF] The German Aesthetic Tradition,by Kai Hammermeister; xv & 259 pp. Cambridge: Cambridge University Press, 2002; $60.00 cloth; $22.00 paper. In some ways, aesthetic theory has become a thing of the past. With the exception of a kind of fascination with works such as T. W. Adorno's Aesthetic Theory, as a project, as a tradition, aesthetics has surrendered its (...)
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  20.  8
    Afterimages: Svetlana Boym’s Irrepressible Cocreations.Cristina Vatulescu - 2015 - Diacritics 43 (3):98-109.
    In lieu of an abstract, here is a brief excerpt of the content:AfterimagesSvetlana Boym’s Irrepressible CocreationsCristina Vatulescu (bio)[End Page 98]To most people Svetlana Boym was known as a writer: a prolific writer of books marked by originality, insight, and irreverence for intellectual pieties, no matter how fashionable. The media artist side of her that diacritics presents in this issue was chronologically last of her artistic personas. A whole string of these bifurcated the bio blurbs at the end of (...)
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  21.  23
    Preface.Jennifer Nash & Millie Thayer - 2017 - Feminist Studies 43 (2):255.
    In lieu of an abstract, here is a brief excerpt of the content:preface In this issue, one cluster of articles presents scholarly and creative work focused on Latin American queer politics. Each article reveals queer challenges—theoretical, aesthetic, political, ideological, libidinal, corporeal—to prevailing logics of heteronormativity and neoliberalism, and to asymmetrical processes of knowledge production and circulation. Rafael de la Dehesa examines how political responses to AIDS in Brazil enabled surprising alliances between NGOs, activists, and the state, which produced radical (...)
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  22.  56
    New York Art, Pittsburgh Art, Art1.David Carrier - 2003 - Journal of Aesthetic Education 37 (3):99.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 99-104 [Access article in PDF] New York Art, Pittsburgh Art, Art 1 David Carrier Champney Family Professor Case Western Reserve University/Cleveland Institute of Art I. New York Art A fully developed artworld requires not only artists, but also a support system — schools to teach the artists, commercial galleries to display art, and the connected artmarket; public museums and their curators (...)
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  23.  47
    Karra: Karrawirraparri-River Red Gum-Eucalyptus Camaldulensis.Vivonne Thwaites - 2003 - Ethics and the Environment 8 (1):51-56.
    In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.1 (2003) 51-56 [Access article in PDF] KarraKarrawirraparri-River Red Gum-Eucalyptus Camaldulensis Vivonne Thwaites [Figures]Karra was a visual arts project devised for the 2000 Adelaide Festival in Australia. Its focus was the River Red Gum, quite justifiably an Australian icon, and once the most widespread tree in south eastern Australia. The project comprised an installation by three artists and a forty-page publication with essays and (...)
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  24.  37
    Believing in Yesterday while Living for Today.Judith P. Hallett - 2006 - American Journal of Philology 127 (4):589-594.
    In lieu of an abstract, here is a brief excerpt of the content:Believing in Yesterday while Living for TodayJudith P. HallettLee T. Pearcy's meditation on the past and prospects of classical education in the United States, The Grammar of Our Civility: Classical Education in America (Baylor University Press, Waco, Tex. 2005), embarks from an assessment by the German émigré-scholar Werner Jaeger in his Scripta Minora, published in Rome in 1961, a year before Jaeger died. Jaeger's exact words merit full (...)
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  25.  21
    Ammianus Geographicus.Gavin A. Sundwall - 1996 - American Journal of Philology 117 (4):619-643.
    In lieu of an abstract, here is a brief excerpt of the content:Ammianus GeographicusGavin A. SundwallElizabeth Rawson, in her impressive study of the intellectual life of the late Roman Republic, writes concerning the famous beginning of Caesar’s De Bello Gallico: “Caesar opens his work by introducing the geography of Gaul from scratch; his account would be clearer if a simple map with the main rivers had been appended, but there is no sign that it was.” 1 Yet would (...)
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  26.  11
    Art and Signaling in a Cultural Species.Jan Verpooten - 2015 - Dissertation, Ku Leuven
    In recent years, the research field of the evolution of art has witnessed contributions from a wide range of disciplines across the "three cultures". In this thesis, I make both a critical review of existing explanations, and try to do elucidate the evolution of art by employing insights, methods and concepts from different disciplines. First, I critically evaluate the evidentiary criteria from standard evolutionary psychology some accounts employ to demonstrate that art qualifies as a human biological adaptation. I argue that (...)
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  27.  3
    Garrison on Beauty in Artworks as a Response to Regulatory Power: A Focus on Butler and Kant.Kelly Coble - 2024 - Philosophy East and West 74 (4):821-833.
    In lieu of an abstract, here is a brief excerpt of the content:Garrison on Beauty in Artworks as a Response to Regulatory PowerA Focus on Butler and KantKelly Coble (bio)As Garrison concedes, critical theory and Confucian philosophy will strike many of his readers as unlikely interlocutors. One would be hard-pressed to find two intellectual traditions more historically and culturally remote, and at least at first glance, more antithetical in their stances on authority and cultural power. In Reconsidering the (...)
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  28. Ernst Cassirer: The Dilemma of a Liberal Intellectual in Germany, 1914-33. [REVIEW]S. S. L. - 1979 - Review of Metaphysics 33 (1):188-189.
    Insofar as it has been developed out of a doctoral dissertation, this study manifests both the virtues consequent upon such a birth, and—just as expectedly—the defects. The virtues are found in its careful organization and concern with documentation; the defects are but excesses of the virtues: an all too sober style coupled with some lack of speculative content—this leading to repetition rather than explication. Still, the work had not been intended as a speculative exercise but as an essay in (...)
     
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  29.  49
    The Descent of Ideas: The History of Intellectual History (review).Brian P. Levack - 2004 - Journal of the History of Philosophy 42 (2):231-232.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 231-232 [Access article in PDF] Donald R. Kelley. The Descent of Ideas: The History of Intellectual History. Aldershot, England: Ashgate, 2002. Pp. vii + 320. Cloth, $59.50. The field of intellectual history, once known as the history of ideas, intersects with many other historical sub-disciplines, especially the history of philosophy, the history of literature, the history of science, (...)
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  30.  39
    Tracing the Roots of Colonial History and Orientology in Russia.Oxana Karnaukhova - 2015 - Cultura 12 (1):99-114.
    In this paper, I focus on the idea of identity hybridization, assuming that multicultural models, relevant for each type of state, depend on complex historical, socio-cultural, and political contexts. This hypothesis directs my inquiry into Russia’s colonial and postcolonial past, contemplated in relation to European development as well as with similar situations in other parts of the globe. My review of intellectual discussions on the topic and of Russian Orientology in particular show that the complexity of Russian national (...)
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  31.  23
    Fichte's "Wissenschaftslehre" of 1794: A Commentary on Part I (review). [REVIEW]Wayne M. Martin - 1995 - Journal of the History of Philosophy 33 (4):693-695.
    In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 693 between the world of our sense perception and the world of objects "in and for themselves," had suggested that the failure to appreciate this distinction was a "Grundvorurteil" common to all controversies, and, finally, had argued for the need to distinguish between the self revealed in "inner sense" and the self as it is in itself, unknowable to us. In his extremely valuable article, "Funzioni (...)
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  32.  35
    The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation (review).John C. McEnroe - 2007 - American Journal of Philology 128 (3):423-427.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Invention of Art History in Ancient Greece: Religion, Society, and Artistic RationalisationJohn C. McEnroeJeremy Tanner. The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation. Cambridge Classical Studies. Cambridge: Cambridge University Press, 2006. xvi + 331 pp. 62 black-and-white ills. Cloth, $99.In his introductory chapter, Jeremy Tanner quotes J. J. Winckelmann's eighteenth-century description of the Apollo Belvedere: "Among all the works of antiquity (...)
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  33. An Interview with Lance Olsen.Ben Segal - 2012 - Continent 2 (1):40-43.
    continent. 2.1 (2012): 40–43. Lance Olsen is a professor of Writing and Literature at the University of Utah, Chair of the FC2 Board of directors, and, most importantly, author or editor of over twenty books of and about innovative literature. He is one of the true champions of prose as a viable contemporary art form. He has just published Architectures of Possibility (written with Trevor Dodge), a book that—as Olsen's works often do—exceeds the usual boundaries of its genre as it (...)
     
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  34.  81
    Absolute Knowledge and the Problem of Systematic Completeness in Hegel’s Philosophy. Beach - 1981 - Dissertation, Northwestern University
    As an important corollary of this interpretation of absolute knowledge, the dissertation concludes with the suggestion that Hegelian philosophy need not be regarded merely as an interesting curiosity in the history of ideas, but rather that it can serve as a vital and potentially rewarding source of fresh theoretical insights. ;Instead, the concrete completeness of speculative philosophy can only consist in the activity of a dynamical, ceaselessly self-examining and self-regulating intellectual community. In one sense, of course, no finite system (...)
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  35.  20
    Beyond Ratzinger's Republic: Communio 's Postliberal Turn.S. J. Sam Zeno Conedera & S. J. Vincent L. Strand - 2023 - Nova et Vetera 21 (3):889-917.
    In lieu of an abstract, here is a brief excerpt of the content:Beyond Ratzinger's Republic:Communio's Postliberal TurnSam Zeno Conedera S.J. and Vincent L. Strand S.J.Is the political future of the West a postliberal one? For the past decade, numerous prominent thinkers in America and Europe have been debating this question. Matters that not long ago were merely of historical interest, such as Pope Gelasius I's understanding of the relation between sacral authority and royal power, Thomas Aquinas's thought on monarchy (...)
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  36.  9
    Christianity and Secular Reason: Classical Themes and Modern Developments ed. by Jeffrey Bloechl.S. J. Joseph W. Koterski - 2016 - The Thomist 80 (1):141-143.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Christianity and Secular Reason: Classical Themes and Modern Developments ed. by Jeffrey BloechlJoseph W. Koterski, S.J.Christianity and Secular Reason: Classical Themes and Modern Developments. Edited by Jeffrey Bloechl. Notre Dame, Ind.: University of Notre Dame Press, 2012. Pp. vii + 288. $40.00 (paper). ISBN: 978-0-268-02228-0.It does not bode well for a collection of essays when the introduction needs to make a concession like the one found here: (...)
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  37.  96
    Descartes: An Intellectual Biography.Stephen Gaukroger - 1995 - Oxford, GB: Clarendon Press.
    Stephen Gaukroger traces the development of Descartes's thought in the social, religious, and intellectual context of seventeenth‐century Europe. Gaukroger describes Descartes's upbringing and his education at the Jesuit La Flèche collège, and shows the role these played in the development of his ground‐breaking work in philosophy and science. The book details the effects of his relationships with others on his work, both through collaboration and through conflict. It discusses the history of the composition of his major works (...)
  38. The Universal Process of Understanding: Seven Key Terms in Gadamer's Hermeneutics.Richard Palmer & Katia Ho - 2008 - Philosophy and Culture 35 (2):121-144.
    In order to introduce the text description of this class will show seven keywords, they represent In order to understand the general process for the seven. Need to mention is that the author published in Chinese script - title "Gadamer's philosophy of the seven key" - and this content is not the same. In fact, only one in that the use of key words in this speech mentioned the four key words will be used the next article. 1 Linguistics (...)
     
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  39.  12
    Taking Advantage of the Aesthetic Values of Asiri Art Decorations to Enrich and Sustain the Printing of Modern Women’s Clothing Supplements to Preserve Saudi Heritage Using Artificial Intelligence Techniques.Naglaa Muhammad Farouk Ahmed - forthcoming - Evolutionary Studies in Imaginative Culture:584-614.
    Sustainability is the result of modern-day design philosophy as a result of major industrial developments and many conflicts and wars. This concept is what prompted this research to focus on the possibility of achieving the principles of sustainability practically - in field reality - through the use of artificial intelligence techniques to create contemporary designs derived from the Saudi Asiri heritage and employ them in printing sustainable clothing supplements. Heritage-inspired design has cultural meaning and importance, and its purpose is to (...)
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  40. The Problem of Transcendence in Husserl's Early Philosophy.Thane M. Naberhaus - 2004 - Dissertation, Georgetown University
    The main aim of this dissertation is to trace the systematic development of Husserl's early theory of intentionality, particularly as it reflects and influences his understanding of the mind-world relation. The dissertation is divided into two parts. ;In the first part, I trace the historical roots of phenomenology back to Husserl's teacher Franz Brentano. I argue that for Brentano, intentionality is a purely mental relation between a mental act and a mentally immanent intentional object or content. I also (...)
     
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  41.  36
    Beyond revisionism: the bicentennial of Independence, the early Republican experience, and intellectual history in Latin America.Elías José Palti - 2009 - Journal of the History of Ideas 70 (4):593-614.
    In lieu of an abstract, here is a brief excerpt of the content:Beyond Revisionism:The Bicentennial of Independence, the Early Republican Experience, and Intellectual History in Latin AmericaElías José PaltiLatin America's Revolution of Independence was an event of world-historical importance. Citizens of different regions simultaneously created new nation states and established republican systems of government. This occurred at a time when the very meaning of the notions of "nation" and "republic" remained ill-defined. In such a context, a number of (...)
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  42. F. R. Leavis (review). [REVIEW]David Novitz - 1995 - Philosophy and Literature 19 (2):360-361.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:F. R. Leavis (Modern Cultural Theorists)Stephen OgdenF. R. Leavis (Modern Cultural Theorists), by Anne Samson; x & 196 pp. Toronto: University of Toronto Press, 1992, $45.00 cloth, $16.95 paper.If it is an overstatement to say that the waves of change currently disturbing the teaching of English in universities originated from the splash made by F. R. Leavis at Cambridge beginning in 1933, Anne Samson’s account of the (...)
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  43. Making Artists of Us All: The Evolution of an Educational Aesthetic.George E. Abaunza - 2005 - Dissertation, Florida State University
    The history of philosophy is replete with attempts at invoking rationality as a means of directing and even subduing human desire and emotion. Understood as that which moves human beings to action, desire and emotion come to be associated with human freedom and rationality as a means of curbing that freedom. Plato, for instance, takes for granted a separation between thought and action that drives a wedge between our rational ability to exercise self-discipline and the free expression of desire and (...)
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  44.  50
    Foundations for Flow: A Philosophical Model for Studio Instruction.Krista Riggs - 2006 - Philosophy of Music Education Review 14 (2):175-191.
    In lieu of an abstract, here is a brief excerpt of the content:Foundations For Flow:A Philosophical Model For Studio InstructionKrista RiggsThe need for a new approach to studio instruction becomes evident when the current state of the profession and the effects of typical teaching methods are considered. In a profession with relatively little demand for a large supply of candidates for professional employment, realistically very few undergraduate music performance majors will achieve success as either orchestral players or as soloists. (...)
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  45.  98
    Art in Nature and Schools: Nils-Udo.Young Imm Kang Song - 2010 - Journal of Aesthetic Education 44 (3):96.
    In lieu of an abstract, here is a brief excerpt of the content:Art in Nature and Schools:Nils-UdoYoung Imm Kang Song (bio)IntroductionThe arts are an integral part of our culture, and they invite us to investigate, express ideas, and create aesthetically pleasing works. Of interest to educators is clear scholarship that links the arts to cognitive and intellectual development. The processes of creating art and viewing and interpreting art promote cognitive and skill development.1 Elliot Eisner, who has (...)
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  46.  24
    The role of the "plum blossom" in the development of traditional landscape painting in China.Sa Lu - 2022 - Философия И Культура 7:139-147.
    The article analyzes the works of Chinese artists of various historical eras who used a stylistic and thematic direction with the image of a plum blossom. The artists' appeal to images of nature to convey feelings and experiences contributed to the emergence of this image and its formation as a symbol of steadfastness and inflexibility of character. Thus, the subject of the proposed study is Chinese painting, the object is the formation of such a common motif as a plum blossom. (...)
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  47.  33
    Book Review: Dante's Vision and the Circle of Knowledge. [REVIEW]Anthony Roda - 1995 - Philosophy and Literature 19 (1):194-195.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dante’s Vision and the Circle of KnowledgeAnthony RodaDante’s Vision and the Circle of Knowledge, by Giuseppe Mazzotta; 328 pp. Princeton: Princeton University Press, 1993, $37.50.Future students of Dante, The Divine Comedy, literature, criticism, the history of ideas, theology, philosophy, and many other disciplines will be in permanent debt to Giuseppe Mazzotta for his keen study of Dante’s Vision and the Circle of Knowledge. While tracing the (...)
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  48.  10
    Die Konstitution der Ästhetik in Wilhelm Diltheys Philosophie (review). [REVIEW]Rolf-Dieter Herrmann - 1977 - Journal of the History of Philosophy 15 (4):487-489.
    In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 487 Although this reviewer would have appreciated a fuller expression of the dialectical interdependency and synthetic elements holding between Fichte and Schelling than Schurr actually developed, his study is nevertheless an orderly and well-documented presentation of their fundamental views. The study can serve as a solid and professional introduction to the postKantian phase of German Idealism, and it most certainly deserves translation into English. LAWRENCES. STEPELEVICH (...)
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  49.  52
    The art of theater —a précis.James R. Hamilton - 2009 - Journal of Aesthetic Education 43 (3):pp. 4-14.
    In lieu of an abstract, here is a brief excerpt of the content:The Art of Theater—A PrécisJames R. Hamilton (bio)In The Art of Theater I propose and explain a claim that many theater people hold true in some form but, so far as I can tell, have defended in a manner that has had almost no success outside discussions among themselves.1 The claim proposed is that, in an unqualified way, theater is a form of art. By that I mean (...)
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  50. The rhetoric of the geometrical method: Spinoza's double strategy.Christopher P. Long - 2001 - Philosophy and Rhetoric 34 (4):292-307.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.4 (2001) 292-307 [Access article in PDF] The Rhetoric of the Geometrical Method Spinoza's Double Strategy Christopher P. Long A double strategy may be apprehended in the first definitions, axioms and propositions of Spinoza's Ethics: the one is rhetorical, the other, systematic. Insofar as these opening passages constitute a geometrical argument that leads ultimately to the strict monism that lies at the heart of Spinoza's (...)
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