- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Inwardness and Theater in the English Renaissance
University of Chicago Press (1995)
Abstract
This text explores the perceived discrepancy between outward appearance and inward disposition which, it argues, influenced the work of many English Renaissance dramatists and poets. The author examines various connections between religious, legal, sexual and theatrical ideas of inward truth.Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible.Celia R. Daileader - 2006 - Cambridge University Press.
Nobler in the Mind: The Stoic-skeptic Dialectic in English Renaissance Tragedy.Geoffrey Aggeler - 1998
Infirm Glory: Shakespeare and the Renaissance Image of Man.Sukanta Chaudhuri & Professor Sukanta Chaudhuri - 1981 - Oxford ; New York : Oxford University Press.
Infirm Glory Shakespeare and the Renaissance Image of Man /Sukanta Chaudhuri. --. --.Sukanta Chaudhuri - 1981 - Clarendon Press Oxford University Press, 1981.
The Relationship of Renaissance Concepts of Honour to Shakespeare's Problem Plays.Alice Shalvi - 1972 - Salzburg : Institut für Englische Sprache und Literatur, Universität Salzburg.
The Comedy of Evil on Shakespeare's Stage.Charlotte Spivack - 1978 - Rutherford, [N.J.] : Fairleigh Dickinson University Press.
Reckoning Words: Baconian Science and the Construction of Truth in English Renaissance Culture.Diana B. Altegoer - 2000 - Fairleigh Dickinson Univ Press.
Woman as Individual in English Renaissance Drama: A Defiance of the Masculine Code.Carol Hansen - 1993 - Peter Lang Incorporated, International Academic Publishers.
Painted Faces on the Renaissance Stage: The Moral Significance of Face-painting Conventions.Annette Drew-Bear - 1994 - Bucknell University Press.
Analytics
Added to PP
2015-02-02
Downloads
11 (#1,416,896)
6 months
7 (#702,633)
2015-02-02
Downloads
11 (#1,416,896)
6 months
7 (#702,633)
Historical graph of downloads
Citations of this work
On (Not) Making Oneself Known.John Gibson - 2018 - In Tzachi Zamir (ed.), Shakespeare's Hamlet: Philosophical Perspectives. Oup Usa. pp. 17-45.
The Public Sphere, Mass Media, Fashion and the Identity of the Individual.Christian Huck - 2016 - In Isabel Karremann & Anja Muller (eds.), Mediating Identities in Eighteenth-Century England: Public Negotiations, Literary Discourses, Topography. Routledge. pp. 121-133.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-559df78dcc-g6qm9 uwo