Omissions are Not Accidents: Gender in the Art of Marianne Moore

Wayne State University Press (1992)
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Abstract

Argues that even though gender is not the central theme in the work of American writer Moore (1887-1972), a consideration of how gender structures her poetry allows a better appreciation of its aesthetic achievement. Draws from her entire poetic career and from unpublished letters, notebooks, and prose. Annotation copyrighted by Book News, Inc., Portland, OR.

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0814323359   9780814323359

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