Abstract

An exciting attempt to establish and elaborate in some detail a method which will achieve the proper compromise between "scientific precision" and "humanistic significance" in cultural anthropology and the history of ideas. The author begins by distinguishing theoretical from overt behavior; the former is his concern, and is defined to encompass the higher products of a given culture: poetry, painting, politics, and metaphysics are the chief examples utilized. A set of seven linear and bi-polar "axes-of-bias" are then detailed as a schematic tool for arriving at the common denominator which may be said to characterize each of these cultural expressions. Sample axes are the Continuity/discreteness axis-bias, Static/dynamic axis-bias, and Order/disorder axis-bias. In addition, the claim is made that the question of whether or not the works of a given personality coincide with a previously determined syndrome can be significantly decided through a content analysis of his works, which results in a profile drawn from his placement on each of these axes. The title of the book is taken from the fact that Romanticism is the chief phenomenon by which the method is tested. The author is careful to guard himself against claiming "objective truth" for any of his analyses, let alone for any of the syndromes he has detailed; and it is this, namely his heuristic theory of theories, that the philosopher will find most interesting, and, perhaps, most debatable.—E. A. R.