Abstract

The same criticism of unreal abstraction, and empty universality repeats from Hegel to romandes, and from Kierkegaard to them and to him. The current article aims at inquiring the conceptual consistence of that criticism, approaching the essential content of their thoughts, and finally setting forth a possible speculative continuity, which would extend from first Romanticism to Hegel, and from him to Kierkegaard, for coming at last even to us.