The issue of anxiety has been thoroughly debated in Kierkegaardian scholarship from multiple standpoints and traditions, but not so much when it comes to the hermeneutic undertone. This article is primarily concerned with tackling the concept of anxiety as a hermeneutical concept, or working with it through hermeneutical lenses; nevertheless, the implications go deeper—making a case for an original hermeneutic anxiety, an agonistic trait of hermeneutics. By exploring the hermeneutical dimensions of the Kierkegaardian anxiety we unravel a whole genealogy of (...) the agonistic phenomena—a hermeneutical way that thrives in the paradox. The scope of it all is to break with the conciliatory ways of an epistemic hermeneutics, by regaining the Kierkegaardian hermeneutics of anxiety: preferring the fertile struggle over the passionless synthesis, paradox over soundness and agony over apathy. (shrink)

This paper challenges the thesis that Søren Kierkegaard’s theory of stages is a project undertaken in the first authorship, and is abandoned in the second one, where the task of becoming a Christian becomes central. For this, I have reopened the hermeneutical discussion with regards to the whole Kierkegaardian oeuvre, and proposed a new thesis that pin-points the shift from the first to the second authorship in 1847’s Upbuilding Discourses. In this sense, the discourse on the “Lilies and the Birds”, (...) which is suggestively repeated in 1849, becomes paradigmatic. The proposed restructuring of Kierkegaard’s authorship eventually puts forward the ground for a new way of understanding the drastic differences between categories of “the Christian” and “the religious”, and the aesthetic writings/stage. (shrink)

This paper focuses on highlighting the way in which the spirit of Protestantism, ultimately expressed through the conceptual spectrum of anxiety and despair is the essence of modernity. Within this line of thought there will be explored and challenged the very tension that the Protestant discourse has brought into the public life and the new dynamics of faith. Finally, the goal of this paper is to resuscitate this paradigmatic shift and its effects on post-modernism by immersing into the orbit of (...) death. This line of thought is based on the works of Kierkegaard, in which the Protestant is found at paroxysm intuiting the Postmodern nuances of anxiety and rethinking a Christian discourse within the coordinates of the Absurd. (shrink)