The paper considers the freedom of choice, which is a conceptual problem for contemporary philosophical anthropology. It is argued that absoluteness, which is not a “given” (like the gift of life), is “clarified” in the reflection of the decision made, this formalizes human identity. This “sublimation” does not take place by nature, but by the decision of the individual; absoluteness is a certain existential state. It is proved that the “modes of self-affirmation” are conditioned and fragile, absoluteness comes from freedom, (...) transcendent in its foundation. It is stated that the deformation of the ontological and cognitive structures of experience (“personalized” knowledge) changes the meaning of the values of the “alienated” individual, who is not free in society; the Kantian antinomy (of freedom and necessity) receives an interpretation of the “existential drama” in “non-classical” philosophy. It is concluded that individuality is the result of a person’s free choice. (shrink)

This article provides a detailed conceptual and historical analysis of the controversial and often misunderstood notion of the “absolute,” examines the philosophical reasons behind its development, and offers an in-depth account of Schelling and Hegel’s disagreement on its meaning and role. It uniquely examines romantic as well as idealist views of the notion of the absolute, and investigates both its metaphysical and epistemological foundations.

The chapter discusses Quentin Meillassoux's recent interpretation and critique of Heidegger's philosophical position, which he describes as "strong correlationism." It emphasizes the fact that Meillassoux situates Heidegger in the post-Kantian tradition of transcendental idealism that he defines in terms of a focus on the correlation between being and thinking. It is argued that Meillassoux's "speculative" attempt to overcome the Kantian philosophical framework in the name of absolute contingency should be understood as a further development and dialectical overcoming of its (...) ultimate contemporary form, the Heideggerian philosophy of finitude. (shrink)

Renaissance philosopher, mathematician, and theologian Nicholas of Cusa (1401-1464) said that there is no proportion between the finite mind and the infinite. He is fond of saying reason cannot fully comprehend the infinite. That our best hope for attaining a vision and understanding of infinite things is by mathematics and by the use of contemplating symbols, which help us grasp "the absolute infinite". By the late 19th century, there is a decisive intervention in mathematics and its philosophy: the philosophical mathematician (...) Georg Cantor (1845-1918) says that between the realm of the finite and the absolute infinite, there is an intermediate realm partaking in properties in a certain sense of both the finite and the infinite: the transfinite realm. Like the finite, the transfinite realm is a realm of mathematical objects, numbers, and knowledge. Like the absolute infinite, the transfinite is a form of infinity insofar as transfinite sets and numbers transcend any finite number. Echoing Cusanus and neo-Platonism, Cantor says that the transfinite sequence of all ordinals is a symbol of the absolutely infinite, that is, God. This paper considers how the doctrine of symbolism and the philosophers' different commitments to the laws of logic, especially the Law of Non-Contradiction (LNC), enables these thinkers to articulate a transcendental apophatic approach to divinity. (shrink)

To many readers, it has seemed that Kant's discussion of the relation between practical and transcendental freedom in the Transcendental Dialectic is inconsistent with his discussion of the same relation in the Canon of Pure Reason. In this paper I argue for a novel way of preserving the consistency of Kant's view: in both the Dialectic and the Canon, 'transcendental freedom' requires the absence of determination by all natural causes, whereas 'practical freedom' requires the absence of determination (...) by, specifically, sensuous incentives. However, I argue that the defense of freedom presented in the Canon is abandoned by Kant in the Groundwork when he first develops his conception of the absolute purity of moral motivation. (shrink)

In this article, I contend that there are at least two contemporary types of Kantian transcendental pragmatism: Sami Pihlström’s naturalistic transcendentalpragmatism and Josiah Royce’s absolute pragmatism. Each one of these transcendental pragmatisms represents one side of the Kantian transcendentaltradition. Pihlström’s naturalistic transcendental pragmatism represents the side of the Kantian transcendental tradition that is familiar to most philosophers, namely, the transcendental inquiry into the conditions for the possibility of human experience. Royce’s absolute pragmatism represents the other, (...) more neglected, side of the Kantian transcendental tradition, namely, the transcendental analysis of the meaningfulness of moral, aesthetic, and religious experience, especially theistic religious experience. I contend that Royce’s pragmatism is more representative of the Kantian transcendental tradition than is Pihlström’s pragmatism. (shrink)

Abstract:In this article, Kundakunda's theory of omniscience is defended using formal principles derived from set theory. More precisely, analogous features in the work of Jain mystic Kundakunda and the German mathematician Georg Cantor are described, demonstrating that both thinkers demanded an independently existent, transcendental Absolute to render consistent their own systems of thought. Both of their projects entailed resolving the formal quandary of inaccessibility, or the inability for any sequential, determinate objectifications to ever mereologically sum up to a genuine (...) 'Absolute'—that is, a 'gestalt' that is 'more than the sum of its parts'. (shrink)

Part 1. Husserl: the outlines of the transcendental-phenomenological system -- 1. Husserl's phenomenological discovery of the natural attitude -- 2. Husserl's theory of the phenomenological reduction: between lifeworld and Cartesianism -- 3. Some methodological problems arising in Husserl's late reflections on the phenomenological reduction -- 4. Facticity and historicity as constituents of the lifeworld in Husserl's late philosophy -- 5. Husserl's concept of the "transcendental person": another look at the Husserl-Heidegger relationship -- 6. Dialectics of the absolute: the (...) systematics of the phenomenological system in Husserl's last period -- Part 2. Husserl, Kant, and neo-Kantianism: from subjectivity to lifeworld as a world of culture -- 7. From being to givenness and back: some remarks on the meaning of transcendental idealism in Kant and Husserl -- 8. Reconstruction and reduction: Natorp and Husserl on method and the question of subjectivity -- 9. A hermeneutic phenomenology of subjective and objective spirit: Husserl, Natorp, and Cassirer -- 10. Cassirer's philosophy of symbolic forms: between reason and relativism: a critical appraisal -- Part 3. Toward a Husserlian hermeneutics -- 11. The subjectivity of effective history and the suppressed husserlian elements in Gadamer's hermeneutics -- 12. Husserl's "hermeneutical phenomenology" as a philosophy of culture. (shrink)

The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, I offer a new assessment of the romantics and their understanding of the absolute, filling an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel.

The referent of the transcendental and indexical “I” is present non-ascriptively and contrasts with “the personal I” which necessity is presenced as having properties. Each is unique but in different ways. The former is abstract and incomplete until taken as a personal I. The personal I is ontologically incomplete until it self-determines itself morally. The “absolute Ought” is the exemplary moral self-determination and it finds a special disclosure in “the truth of will.” Simmel's situation ethics is useful for making (...) more precise Husserl's ethical position. (shrink)

The discussion of the debate on the two approaches to Husserl’s phenomenology and of the debate between David Carr and Dan Zahavi on the paradox of subjectivity signify a fundamental problem: What is the relationship between subjectivity, intersubjectivity, and the world? For this problem, I argue that subjectivity, intersubjectivity, and the world are Co-originary in Husserl’s transcendental phenomenology, in the sense of their structural necessity. I define this co-originary relationship from the perspective of unification of constitution and givenness—this unification (...) establishes their equiprimordial relationship. According to this co-originariness, subjectivity, intersubjectivity, and the world are not three isolated and independent origins, but are interdependent and absolute origins of sense of being in their own right. In sum, this essay proposes that transcendental co-originariness can be recognized as another way of reading Husserl’s phenomenology. (shrink)

The founding fathers of modern philosophy of culture, the neo-Kantians, and especially the Southwest school, brought the concept of culture into play as a counter concept to that of nature. Taking Heinrich Rickert?s conception of culture as a starting point, the article shows how culture is conceived of as a self-formation of the subject. It leads to transcendental idealism of freedom, typical of a Kantian type of transcendental philosophy. However, in this self and world formation of the subject (...) it is presupposed that nature is to any extent formable by values and thus by freedom. This presupposition cannot be accounted for properly within transcendental idealism. Hegel, by contrast, conceives of culture as a manifestation of the idea, leading to speculative idealism of freedom. The origin of culture, i.e., its original determinacy, should not be conceived of in terms of an opposition to nature, and consequently in the fashion of a subject of thought and action that forms itself by forming its world, culture. Rather, it should be conceived of in terms of a manifestation of the idea as the truly transcendental subject qua absolute ground of validity and thus the ground of being too. Nature and culture are both primarily determined by their ideal character and the relationships emerging therefrom. (shrink)

The aim of the present paper is to show Novalis’ complete belonging to the history of transcendental philosophy by bringing out the connection between his conception of poetry and the issue of transcendental imagination in Kant and Fichte. Given that solving this problem is the main issue around which Novalisian thought is structured, an attempt is made to consider the writing style adopted by the author as necessary to fulfill this task, and not as an arbitrary rhetorical choice. (...) The connection between poetry and philosophy is then explored in the practical role it has to play among human beings, namely, that of revealing the meaning of the whole reality as a manifestation of the absolute. Thus, life itself is properly displayed by the singular existences as absolute creativity, such as that of poetical creations. (shrink)

Whether or not Merleau-Ponty’s version of phenomenology should be considered a form of ‘transcendental’ philosophy is open to debate. Although the Phenomenology of Perception presents his position as a transcendental one, many of its features—such as its exploitation of empirical science—might lead to doubt that it can be. This paper considers whether Merleau-Ponty meets what I call the ‘transcendentalist challenge’ of defining and grounding claims of a distinctive transcendental kind. It begins by highlighting three features—the absolute ego, (...) the pure phenomenal field, and the reduction—that Husserl had used to justify claims of a specifically transcendental kind within a phenomenological framework. It then examines how Merleau-Ponty modifies each of these features to focus on the lived body and a factically conditioned phenomenal field, while remaining ambivalent about the reduction. Finally, it assesses whether Merleau-Ponty’s modified position can still legitimately be considered transcendental. I argue that—despite his own rhetoric—this modified position shapes the modality of Merleau-Ponty’s claims in such a way that his phenomenology cannot meet the transcendentalist challenge and therefore should not be considered ‘transcendental.’. (shrink)

Throughout his career, Husserl identifies naturalism as the greatest threat to both the sciences and philosophy. In this paper, I explicate Husserl’s overall diagnosis and critique of naturalism and then examine the specific transcendental aspect of his critique. Husserl agreed with the Neo-Kantians in rejecting naturalism. He has three major critiques of naturalism: First, it (like psychologism and for the same reasons) is ‘countersensical’ in that it denies the very ideal laws that it needs for its own justification. Second, (...) naturalism essentially misconstrues consciousness by treating it as a part of the world. Third, naturalism is the inevitable consequence of a certain rigidification of the ‘natural attitude’ into what Husserl calls the ‘naturalistic attitude’. This naturalistic attitude ‘reifies’ and it ‘absolutizes’ the world such that it is treated as taken-for-granted and ‘obvious’. Husserl’s transcendental phenomenological analysis, however, discloses that the natural attitude is, despite its omnipresence in everyday life, not primary, but in fact is relative to the ‘absolute’ transcendental attitude. The mature Husserl’s critique of naturalism is therefore based on his acceptance of the absolute priority of the transcendental attitude . The paradox remains that we must start from and, in a sense, return to the natural attitude, while, at the same time, restricting this attitude through the on-going transcendental vigilance of the universal epoché. (shrink)

Brümmer repeatedly presents Dooyeweerd's criticism of Kant, that a critical philosophy, to be thorough, must not leave any of its presuppositions unaccounted for and that Kant's dogmatic assumption of certain positions vitiates the rest of his philosophy. Dooyeweerd opposed Kant's absolutization of logic, and presented instead a cosmological basis for the transcendental criticism of philosophical thought. Dooyeweerd's own philosophy appears to be quite complex and elaborately systematic; in principle, nothing is left out. Brümmer does show, however, that some areas (...) of Dooyeweerd's work need further elaboration, notably that of philosophical anthropology.—C. D. (shrink)

I examine here if Kant can explain our knowledge of duration by showing that time has metric structure. To do so, I spell out two possible solutions: time’s metric could be intrinsic or extrinsic. I argue that Kant’s resources are too weak to secure an intrinsic, transcendentally-based temporal metrics; but he can supply an extrinsic metric, based in a metaphysical fact about matter. I conclude that Transcendental Idealism is incomplete: it cannot account for the durative aspects of experience—or it (...) can do so only with help from a non-trivial metaphysics of material substance. (shrink)

In a companion volume on Schelling published by Yale in 1983, Alan White had considerable success in tracing the tortuous path of Schelling’s lengthy philosophical career. Here his project is even more ambitious: to rescue metaphysics from the widespread contempt and neglect that has befallen it by recasting and vindicating it in terms of Hegel’s “transcendental ontology.” This White interprets as continuing Kant’s “critical philosophy” insofar as it presents foundational categories of thought as conditions of the possibility of experience (...) rather than making dogmatic pretensions to knowledge of supersensible entities—and as overcoming the limitations of the Kantian enterprise insofar as it “grounds knowledge in the realms of the transcendental and the practical as well as in that of the empirical.” Two strategies are employed. One is to abjure trying to force from Hegel’s often ambiguous texts a consistent transcendental ontology to the exclusion of the theology of Absolute Spirit commonly said to be found there. “I rather attempt to establish that if and only if the fundament of his system is so interpreted can it stand as a consequent first philosophy.” The other is to use Schelling as foil. Schelling, after all, was Hegel’s first critic, made or anticipated all the major objections to Hegelianism developed since then, and inspired the fundamentally anti-philosophical, praxis-oriented reaction of Feuerbach, Kierkegaard, and the Marxists—a mind set that still prevails. (shrink)

At first glance it seems to be merely a curious accident that existentialist philosophers, like Heidegger, Merleau-Ponty, and Sartre should relate to Husserl's phenomenology as Kierkegaard on the one hand, and Feuerbach and Marx on the other related to Hegel. The latter argued that since the cognitive I is merely a concrete real being, it cannot transcend its spacio-temporal existence and look at the world from the perspective of the absolute Being or God. Neither can human consciousness reveal in itself (...) the “truth” of all Being or develop the “truth” in its own confinement dialectically. Under these attacks the identity-philosophy of German idealism collapsed. (shrink)

Resumo: É comum a literatura secundária reduzir o ensaio kantiano Do Primeiro Princípio da Diferença das Regiões no Espaço a um ataque à concepção leibniziana de espaço relativo em defesa da concepção newtoniana de espaço absoluto. Até que ponto, porém, essa imagem não é obstáculo para compreender o Ensaio como um todo e o alcance de sua reflexão? A pergunta se impõe, porque não é claro o que o Ensaio pretende provar, uma vez que propõe quatro diferentes formulações de uma (...) prova que denomina evidente. Tampouco é claro, por isso mesmo, como pretende conduzir a demonstração segundo o método que denomina a posteriori. Para compreender o Ensaio, é necessário entender qual é o objetivo último da prova e o método de demonstração. Dessa investigação decorrem alguns pontos, de outro modo, insuspeitos: (1) Kant critica não apenas a concepção de espaço leibniziana, mas também princípios adotados pelos leibnizianos, em particular, o princípio de determinação completa como princípio de individuação para as coisas em geral; (2) o Ensaio propõe uma concepção inaudita de espaço absoluto como: conceito, radicado no corpo humano e primeiro fundamento das relações espaciais e de sua cognição; (3) assim entendido, o Ensaio kantiano mostra-se, do ponto de vista genético, estratégico para tornar compreensível a concepção, introduzida pela Estética Transcendental da Crítica da Razão Pura, de aparecimento (Erscheinung) como objeto indeterminado da intuição empírica. Palavras-chave: Kant; Leibniz; Baumgarten; Espaço; Princípio de determinação completa. Transcendental Aesthetic and the 1768 Essay: Space and Complete Determination Abstract: It is common for secondary literature to reduce Kant's 1768 essay On the First Ground of the Difference of Regions in Space to an attack on the Leibnizian conception of relative space in defense of the Newtonian conception of absolute space. To what extent, however, is this picture an obstacle to understanding the essay as a whole and the scope of its reflection? The question arises because it is not clear what the essay intends to prove, since it proposes four different formulations of a proof that it calls evident. Nor is it clear, therefore, how Kant’s essay intends to conduct the demonstration according to its a posteriori method. To understand Kant's argument, it is necessary to determine the ultimate objective of his proof and his method of demonstration. Some otherwise unsuspected points arise from this investigation: (1) Kant criticizes not only the conception of relative space but also the Leibnizian principle of thoroughgoing determination as a principle of individuation for things in general; (2) Kant proposes an unprecedented conception of absolute space as a fundamental concept, rooted in the human body, as the first ground of spatial relations and its cognition; (3) the Kant’s essay appears, from a genetic point of view, strategic to make comprehensible the conception introduced by the Transcendental Aesthetics of the Critique of Pure Reason, of appearance as an indeterminate object of empirical intuition. Keywords: Kant; Leibniz; Baumgarten; Space; Principle of thoroughgoing determination. Estética transcendental y el Ensayo de 1768: espacio y determinación completa Resumen: Es común en la literatura secundaria reducir el ensayo kantiano Del Primer Fundamento de la Diferencia de las Regiones del Espacio a un ataque a la concepción leibniziana de espacio relativo en defensa de la concepción newtoniana de espacio absoluto ¿Hasta qué punto, pero, esa imagen no es obstáculo para la comprensión del Ensayo en general y el alcance de su reflexión? La pregunta se impone, porque no es claro lo que el Ensayo pretende comprobar, una vez que propone cuatro diferentes formulaciones de una prueba que denomina evidente. Tampoco es nítido, por eso incluso, cómo pretende conducir la demostración, según el método que denomina a posteriori. Para comprender el Ensayo, es necesario entender cuál es el objetivo último de la prueba y el método de demostración. De esa investigación decurren algunos puntos, de otro modo, insospechados: (1) Kant critica no solamente la concepción de espacio leibniziana, sino también los principios adoptados por los leibnizianos, en particular el principio de determinación completa como: principio de individuación para las cosas en general; (2) el Ensayo propone una concepción inaudita de espacio absoluto como: concepto, radicado en el cuerpo humano y el primer fundamento de las relaciones espaciales y de su cognición; (3) de ese modo, el Ensayo kantiano se muestra, del punto de vista genético, estratégico para que se vuelva comprensible la concepción, introducida por la Estética Transcendental de la Crítica de la Razón Pura, de aparecimiento (Erscheinung) como objeto indeterminado de la intuición empírica. Palabras-clave: Kant; Leibniz; Baumgarten; Espacio; Principio de determinación completa. Data de registro: 30/07/2024 Data de aceite: 30/10/2024. (shrink)

As implied by the title this article deals with a key question running through the history of philosophy virtually since antiquity. This is the question of the relationship, on ontological grounds, of the transcendental and the mundane “universes” to the extent that the nature of transcendence, even as detached from the metaphysical sphere and recalibrated in terms of immanence in the broadly conceived subjectivist tradition, it is still a highly controversial issue primarily in continental philosophy. This is especially true (...) in view of the obvious incompatibility, at least in a naive sense, of the transcendental and the mundane contexts for which the philosophical discussion on phenomenological grounds is still open. My own arguments on the issue are mainly based on the Husserlian and Heideggerian narratives and also on E. Fink’s approach to the transcendence versus mundanity ontological problematic. On these prompts I set out to defend the position that there are serious reasons to regard the realm of transcendence as ineluctably constrained by mundanity concerns. More concretely I will try to show that there is no way, at least in the context of the phenomenological discourse, to do away with a kind of mundanity influence even in the most pure transcendental level involving the cornerstone of Husserlian transcendental phenomenology which is the concept of absolute ego. My overall approach, more than an attempt at vindicating Fink’s objections as to the purely transcendental level reached after the radical phenomenological reduction, is a demonstration of the conceptual pitfalls or even circularities involved along the way in trying to establish a sound foundation for a purely transcendental ontological level. (shrink)

In metaphysical theorizing, it is common to use expressions whose function is that of denoting or being true of absolutely everything. Adopting a scolastic term, these may be called ‘transcendentals’. Different metaphysical theories may adopt different transcendentals, the most usual candidates being ‘thing’, ‘entity’, ‘object’, ‘be’, ‘exist’, and their counterparts in various languages dead or alive. We call ‘transcendental disagreement’ any dissent between philosophical theories or traditions that may be described as a disagreement in the choice of transcendentals. Examples (...) of transcendental disagreement include the debate about Lewis's conception of actuality and a number of recent discussions between Meinongians and their ‘Quinean’ rivals. A case is made for the conclusion that, as such, transcendental disagreements are purely terminological in character. It is argued that transcendental disagreements are generally to be assessed on pragmatic rather than on metaphysical grounds. Finally, the paper makes a start in the analysis of those pragmatic grounds which include the pursuit of univocity, fairness, and ease of comparison between theories. (shrink)

This article aims at answering the following problem: since for Heidegger the historicity of Being presupposes the withdrawal of the transcendental source of such a historicity, then does Heidegger’s perspective lead to a form of relativism of the kind of an epochal historicism? If on the contrary one judges that for Heidegger there is after all, beyond the ordered unfolding of epochs in the history of Being, an ultimate transcendental or at least trans-epochal dimension, does Heidegger’s thinking lead (...) back to an ahistorical Absolute beyond historicity? In order to answer these questions, I propose to divide Heidegger’s philosophy in three stages, rather than the two stages that have usually been retained by commentators ever since the works of Richardson, in conformity with Heidegger’s own indications regarding the Turning (Kehre) of his philosophy. Indeed, Heidegger in the 1930’s develops the notion of machination (Machenschaft) and thus gives historicity a hegemonic function in Being’s essential occurrence (Wesung), itself understood as the intensification of the program of machination starting in the Greek inceptual thinking and developing itself until today’s planetary technological era. However, after 1945 Heidegger does not think anymore that the truth of Being is entirely determined by historicity and that Being essentially abandons Dasein to machination and to its gradual historical unfolding, because there is now according to him, beyond the epochs that are destined to Dasein, a trans-epochal giving (and perhaps generous) origin of presence that constitutes the supreme cause for thinking (Sache des Denkens). (shrink)

Adorno´s critique of absolute idealism is beset with considerable hermeneutical errors. Adorno does not fail to notice, however, that Hegel addressed many of the open questions of transcendental idealism and tried to solve them. For example, Adorno recognizes that Hegel criticized Kant and Fichte precisely because they both ultimately advocated a formal conception of subjectivity; Hegel unceasingly stressed instead the importance of the intrinsic unity of subject and object. Furthermore, Adorno acknowledges that Hegel rejected the pure identity of the (...) I as the starting point of the system and claimed that the different conceptions of reality developed by the human mind are based on the successive contradictions of the objects with their own concepts – for Adorno this is the reason why Hegel was able to expound his philosophy on the basis of the thoughts of the subject in the Phenomenology of Spirit and from the determinations of the object in the Science of Logic. Adorno explicitly recognizes that the attempt to develop dialectics from both sides, that is, from the subject and the object, was an advance of Hegel over earlier idealists. Adorno, finally, accepts that, although Hegel characterizes subjectivity as absolute, objectivity plays a decisive role in his philosophy. With Hegel, according to Adorno, idealism reaches its maximum strength and its highest elevation. Now, despite recognizing the advantages of Hegel´s approach Adorno nonetheless maintains that absolute idealism ultimately rests on the radicalization of transcendental idealism, as a further expansion of its basic principle. Hegel disagreed with transcendental idealism, but he did not abandon its main project of deriving all determinacy from subjective thought; he therefore did not contest the priority of the subject. Although Adorno recognizes the value of many of the solutions that Hegel offers to solve the theoretical tensions within transcendental idealism, he thinks that those solutions do not actually resolve these tensions – in Adorno´s eyes they simply cannot be solved within the idealistic paradigm. It is not unfair to say that Adorno misunderstands Hegel´s absolute idealism as a heterodox attempt to further develop Fichte´s philosophical program in a divergent way (especially as it is presented in the Foundation of the Entire Wissenschaftslehre). Adorno´s supposedly ‘immanent’ critique of absolute idealism is in fact based on a highly controversial interpretation of Hegel´s approach, which is to resolve those problematic claims of Kant´s and Fichte´s variants of idealism that Adorno himself considers untenable. (shrink)

The following essay has three main objectives. (1) By arguing that the connection between Schelling’s reception of Plato and Kant’s conception of genius is relevant for Schelling’s early development, I show that Schelling’s early Idealism brings to the general problem that plagues German Idealists, i.e., the search for an unconditioned principle that unites theoretical and practical reason, the solution that is genuinely his own. This original solution consists in Schelling’s conception of “creative reason [schöpfersiche Vernunft].” Because the scholarship on German (...) Idealism has thus far been focused predominantly on the analysis of self-consciousness, Schelling’s conception of creative reason remained neglected. (2) I show that the theme of an absolutely free creative subjectivity is shared by many of Schelling’s early works and, hence, I argue that the early development of his Idealism can be interpreted as a beginning of a philosophical system or as a “proto-system” of what is later to become The System of Transcendental Idealism (1800). (3) I evaluate Schelling’s speculative extension of Kant’s notion of creative subjectivity and argue that, when compared to Kant’s notion of genius, Schelling’s ‘absolute I’ should be considered a regress rather than a progress. (shrink)

This paper attempts to offer a positive reading of Tractarian ethics motivated by Kevin Cahill’s therapeutic framing of the Tractatus, on which ethics and language are taken to be coextensive, mutually encompassing spheres. This is taken to secure positive import for Tractarian ethics in a broad sense, though not connected to specific approbations or prohibitions. This is argued for in three sections: first, specifying the animating therapeutic intention of the Tractatus as reawakening the reader to a sense of wonder, against (...) the sedative effects of scientific-causal explanations; second, an elucidation of the underlying logic of TLP 6.4 – 42 to show that Wittgenstein’s repudiation of ethical propositions is not an abolition of ethics but an assertion of the disparity between the absolute value of ethics and the aims of scientific explanation; and third, outlining a positive reading of Tractarian ethics beginning with the cryptic expression, “ethics is transcendental”, by drawing out an analogy with logic as the transcendental condition of language to a view of ethics as a condition of meaningful actions and lives. (shrink)

The study of the “first wave” of reactions to the Critique of Pure Reason in Germany from the second half of the 1780s until the beginning of the nineteenth century reveals the paradoxical status of the Kantian transcendental subject. While the existence of the transcendental subject, whatever the term means, is not open to question since it arises from the very essence of critical philosophy, the fundamental status of the subject is sometimes questioned in this period. Although the (...) meaning of the concept of transcendental subject seems obvious today it lends itself to various interpretations in the late eighteenth century. To achieve my goal I have undertaken a textological analysis of the works of the earliest opponents and followers of the Kantian critique and a reconstruction of the conceptual field in the midst of which the transcendental subject has been planted. Among others I draw on the works of J. S. Beck, J. A. Eberhard, J. G. Hamann, F. H. Jacobi, S. Maimon, K. L. Reinhold, G. E. Schulze and A. Weishaupt. The authors of the period are grouped depending on the common themes and questions that prompted them to turn to the concept of the transcendental subject, even though the results of their reflections did not always coincide. These authors think of the transcendental subject in its relationship to the transcendental object, or as “something = х”, and in terms of the relationship of representation to the object. It is characterised sometimes as something absolutely hollow, and sometimes as the fullness of true reality. The status ascribed to the transcendental subject is sometimes that of a thing-in-itself and sometimes that of a “mere” idea. Finally, Kant’s transcendental subject was sometimes seen as something to be overcome and sometimes as an infinite challenge to understanding. (shrink)

Jan Patočka’s early phenomenology, as presented in The Natural World as a Philosophical Problem, does not merely adopt Husserl’s concept of the lifeworld. The paper demonstrates the originality of Patočka’s appropriation of this concept, but also its internal tensions and difficulties. Seeking to elaborate a concept of a phenomenology allowing for a theory of the lifeworld stricto sensu, i.e. of the life of the world, Patočka’s book effectively shows that there is no ahistorical, absolute or “natural” starting point for phenomenology. (...) Truth, as approachable through phenomenology, is not given, but must rather be developed. Elaborating on the concept of transcendental idealism, Patočka’s early phenomenology thus suggests a vivid idea of “intermeshing” monads ontologically grounding the world. (shrink)

From one end of his philosophical work to the other, Gilles Deleuze consistently described his position as a transcendental empiricism. But just what is transcendental about Deleuze’s transcendental empiricism? And how does his position fit with the traditional empiricism articulated by Hume? In Difference and Givenness , Levi Bryant addresses these long-neglected questions so critical to an understanding of Deleuze’s thinking. Through a close examination of Deleuze’s independent work--focusing especially on Difference and Repetition-- as well as his (...) engagement with thinkers such as Kant, Mai;mon, Bergson, and Simondon, Bryant sets out to unearth Deleuze’s transcendental empiricism and to show how it differs from transcendental idealism, absolute idealism, and traditional empiricism. What emerges from these efforts is a metaphysics that strives to articulate the conditions for real existence, capable of accounting for the individual itself without falling into conceptual or essentialist abstraction. In Bryant’s analysis, Deleuze’s metaphysics articulates an account of being as process or creative individuation based on difference, as well as a challenging critique--and explanation--of essentialist substance ontologies. A clear and powerful discussion of how Deleuze’s project relates to two of the most influential strains in the history of philosophy, this book will prove essential to anyone seeking to understand Deleuze’s thought and its specific contribution to metaphysics and epistemology. (shrink)

This article proposes to recontextualize Tractarian ethics within the anthropological frame that develops through Wittgenstein’s Philosophical Grammar to the Philosophical Investigations. The Tractarian vision of absolute value, ethical propositions as nonsense, and the transcendentality of ethics seems incapable of being instantiated within the particulars that surround human action. This difficulty is resolved by showing that the Tractarian theme of the coextension of ethics and language (and of ethics and life) combined with Wittgenstein’s later ideas of language-games, rule-following, and forms of (...) life instantiates Tractarian ethics within this later anthropological frame. (shrink)

This paper explores and defends a form of transcendental argument that is neither bold in its attempt to answer the sceptic, as ambitious transcendental strategies, nor epistemically humble, as modest transcendental strategies. While ambitious transcendental strategies seek to meet the sceptical challenge, and modest transcendental strategies accept the validity of the challenge but retreat to a position of epistemic humility, this form of transcendental argument denies the assumption that undergirds the challenge, namely that truth (...) and falsity may be legitimately predicated of the conditions of knowledge. As a result, although this form of transcendental argument is not truth-directed, it is not vulnerable to a charge that is often levelled against modest transcendental arguments, namely that they amount to the adoption of a strategy of sophisticated capitulation. This form of transcendental argument, which is implicit in Collingwood’s conception of philosophy as the search for absolut... (shrink)

The explanation versus understanding debate was important to the philosophy of the social sciences from the time of Dilthey and Weber through the work of Popper and Hempel. In recent years, with the development of interpretive approaches in hermeneutics, phenomenology, and language analysis, the problematic has become absolutely central. The broad literature to which it has given rise, while still split along "analytic" versus "continental" lines, shows increasing signs of a reunification in philosophy. G. H. von Wright's important book, Explanation (...) and Understanding, originally published in 1971, is a good example of this trend.In Understanding and Explanation, Karl-Otto Apel takes von Wright's work as a point of departure for a rigorous, penetrating analysis of the issues involved. After reviewing the failure of earlier discussions to resolve these issues, Apel develops his own approach in light of the turn from logico-semantic to pragmatic analysis of language in post-Wittgensteinian philosophy. In doing so, he constructs bridges that reach back to themes and positions of the German tradition of the Geisteswissenschaften, but from strikingly new angles.Karl-Otto Apel holds the chair for social philosophy at the University of Frankfurt. His book is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy. (shrink)

This article discusses an interpretation of Kant's conception of transcendental subjectivity, which manages to avoid many of the concerns that have been raised by analytic interpreters over this doctrine. It is an interpretation put forward by selected C19 and early C20 neo-Kantian writers. The article starts out by offering a neo-Kantian interpretation of the object as something that is constituted by the categories and that serves as a standard of truth within a theory of judgment. The second part explicates (...) transcendental subjectivity as the system of categories, which is self-referential and constitutes objects, in order to then evaluate this conception by means of a comparison with Hegel's absolute subject. Rather than delineating the differences between neo-Kantian writers, the article systematically expounds a shared project, which consists in providing the ultimate foundation for judgments by means of an anti-psychologist and non-metaphysical interpretation of transcendental subjectivity. (shrink)

In The Transcendence of the Ego Sartre deals with the idea of the self and of its relation to what he calls 'pure consciousness'. Pure consciousness is an impersonal transcendental field, in which the self is produced in such a way that consciousness thereby disguises its 'monstrous spontaneity'. I want to explore to what extent the ego is to be understood as a result of absolute consciousness. I also claim that the idea of the self Sartre has in mind (...) is Bergson's 'moi profond'. Since this 'deeper self' has to be understood as a result of an impersonal transcendental field, it loses its central position in consciousness. Sartre claims that the ego is not transcendental, as Husserl had claimed, but transcendent to consciousness. But can the role of Husserl's transcendental ego be reduced to that transcendent Bergsonian 'deeper self'? Isn't there something irreducible in Husserl's transcendental ego? (shrink)

The minutiae of F.W.J. Schelling’s Naturphilosophie have been perennially dismissed due to its allegedly infeasible and indefensible assertions about Nature, such as his designation of Nature as “universal organism.” In the realm of post-Kantian German Idealism, such a dismissive attitude toward Schelling’s so-called objective idealism, more often than not, develops itself along the lines of Hegel’s critique of Schelling’s conception of the Absolute. In turn, I aim to accomplish two tasks in the following investigation. First, I intend to clarify Schelling’s (...) characterization of Nature as universal organism through a practical or teleological, instead of a theoretical or metaphysical, approach. Second, I seek to undermine the Hegelian-influenced criticisms of Schelling’s “Absolute” by demonstrating the ways in which the practico-teleological characterization of Schelling’s formulation of Nature extends into his later philosophical works. Through these clarifications, I hope to emphasize the uniqueness and richness of Schelling’s configuration of Nature. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

Fichte’s Wissenschaftslehre of 1801/2 is considered to be the beginning of his late phase. In this phase he supposedly alters his earlier thinking and, instead of the transcendental unity of the I, conceptualizes a higher transcendent and simple unity; a unity that has been claimed to correspond to Neoplatonism. I refute these two arguments here. First, through a comparison between the Wissenschaftslehre of 1801/2 and that of 1794/5, I show that both versions contain a similar analysis of the supreme (...) unity. Second, I show that in 1801/2 Fichte explicitly dissociates the supreme unity from transcendence and simplicity. His conception of the supreme unity in fact levels a critique upon such concept of unity. Instead of the transcendent One, which is hierarchically prior to multiplicity, Fichte formulates in both 1794/5 and 1801/2 a complicated concept of the supreme unity. On Fichte’s account, this unity “hovers” between multiplicity and unity as simplicity. (shrink)

Eddo Evink criticizes Emmanuel Levinas’s supposed view that all acts of intentionality and rationality commit transcendental violence against their objects, including the Other. If this is so, Levinas undermines the possibility of his own philosophy. Evink further argues: that there are non-violent forms of intentionality and so intentionality is only potentially violent; that some non-violent counter-pole is needed to define violence; that there are contradictions in Levinas’s notion of violence; that Levinas, like empiricists, aspires to a metaphysical absolute untainted (...) by language; and that he presupposes the philosophical, ontological, and linguistic frameworks he criticizes. However, to answer these objections, one must understand Levinas as developing two distinct modalities of relationship: Being and Otherwise than Being. These modalities clash in the face-to-face relationship when the phenomenon of the face defects into responsibility for the Other. The epistemology and ontology of Being involve distinctive acts, affects, forms of temporality, and experiences of self that undergo a tectonic shift in confrontation with the ethically obligating Other. Here the focus is not on the violence of concepts ever seeking to subjugate the Other but rather on the Other whose summons both provokes knowledge to retreat and is able to be shown in a philosophy, even if that philosophy betrays the saying in the said, while also having the potential to reduce that betrayal. The focus should not be on transcendental violence tracking down and cornering the Other but on the Other ethically disrupting Being. With that focus, it becomes clear that concentrating on transcendental violence is a kind of violence. (shrink)

Kant's concept of time forms an integral part of his mature system of transcendental idealism. That system is a critical response to his predecessors' treatments of time and related issues. Hence, a proper assessment of Kant's understanding of time requires an elaboration of its distinctive historical and systematic matrix. The aim of the dissertation is to examine critically Kant's mature conception of time in light of both the historical factors that shaped it and the role it plays in Kant's (...) doctrine of transcendental idealism. ;The most important discussion shaping Kant's thought on time is the Leibniz-Clarke Correspondence . The relevance of the Correspondence to Kant's mature view of time has, however, been overlooked by many commentators. The reason for this neglect can be traced in part to a misinterpretation of the question underlying the first antinomy in Kant's Critique of Pure Reason . According to that misinterpretation, the first antinomy revolves around the question whether time itself is finite or infinite. The correction of this mistaken, but common interpretation paves the way for a main task of this dissertation, namely, to reconstruct with historical and systematic accuracy the relation between the issue in the Correspondence underlying the first antinomy and Kant's concept of time. ;The dissertation is divided into four chapters. Chapter One examines the particular issue discussed in the Correspondence which had the greatest impact on Kant's notion of time, namely, the question whether time is absolute, as Clarke and the Newtonians held, or whether it is relational, as Leibniz held. Chapter Two explores how the concept of time in Kant's "Inaugural Dissertation" is influenced by this dispute between Leibniz and Clarke. Chapter Three considers the concept of time and its role in Kant's fully developed transcendental idealism, as articulated in the Critique of Pure Reason. Particular attention is paid to the "Transcendental Aesthetic" and the first antinomy. Finally, Chapter Four critically examines a central assumption of Kant's concept of time that he shares with his predecessors: the infinity of time. It is argued that this assumption overlooks the metaphysical significance of the "moving" present. (shrink)

Shpet’s interpretation of Husserl’s phenomenology has caused puzzlement because of the lack of clarity with which he treats the transcendental turn in Appearance and Sense. I suggest that we find a more comprehensive discussion on the topic in Shpet’s 1917 article, “Wisdom or Reason?” There, Shpet reacts to Husserl’s treatment of a cluster of problems related to the latter’s transition to transcendental idealism. I read “Wisdom or Reason?” not only in relation to Husserl’s Logos article of 1911, but (...) also to his 1907 lecture series “The Idea of Phenomenology.” My analysis of Shpet’s phenomenology reveals that he followed through with the transcendental turn, although his philosophy developed in a direction different from Husserl’s transcendental idealism. Shpet postulates a collective consciousness, in which meaning-constitution takes place, and discovers the “word” as the foundation for any cognition. Shpet’s phenomenology remains ontological, as he considers language or culture as the “form of being” in which human beings live. In “Wisdom or Reason?,” Shpet argues that we can have direct knowledge of this meaningful reality: being is not “represented” but “presented” in a word. A certain compatibility thus exists between Shpet’s phenomenology of cultural reality and Husserl’s search for the absolute validity of knowledge. (shrink)

Kant’s ‘Refutation of Idealism’ plainly has an anti-Cartesian conclusion: ‘inner experience in general is only possible through outer experience in general’ (B278). Due to wide-spread preoccupation with Cartesian skepticism, and to the anti-naturalism of early analytic philosophy, most of Kant’s recent commentators have sought to find a purely conceptual, ‘analytic’ argument in Kant’s Refutation of Idealism – and then have dismissed Kant when no such plausible argument can be reconstructed from his text. Kant’s argument supposedly cannot eliminate all relevant alternatives, (...) and so cannot justify its strong modal claims. Kant based his arguments on an inventory of our basic cognitive capacities to employ our forms of intuition and our forms of judgment. Kant provides a variety of considerations and arguments to determine what our cognitive capacities are. This involves ‘transcendental reflection’, which Kant held is absolutely crucial for judging matters a priori (A263/B319). I argue that there is a level of philosophical reflection on our own cognitive capabilities and their preconditions that is significantly richer than has been noticed by recent commentators, and that is a precondition of Kant’s transcendental reflection proper. I explicate certain thought experiments Kant proposes in order for us to recognize some our basic, characteristic cognitive capabilities, and the limits and requirements they entail for the nature and objects of human knowledge. These thought experiments involve a kind of reflection on who we as cognizant subjects are, on what our basic cognitive capabilities are. Engaging in this kind of reflection reveals that Kant’s transcendental arguments are significantly stronger and more persuasive than has been recognized in recent commentary. (shrink)

This paper is an attempt to see the similarity between the Shankara’s notion of Ätman and Husserl’s Transcendental Ego. Both thinkers, Husserl and Shankara trace true knowledge to the transcendental self. The former describes the self as the embodiment of absolute knowledge that transcends the limitations of the body, the senses and the intellect. In the state of bondage and ignorance, this Transcendental Ego is oblivious of its ontological and cognitive priority or transcendence and seeks knowledge in (...) the natural world of relative truths. It forgets that this world is merely an appearance (vivarta) rooted in the Ᾱtman which is identical with Brahman. (shrink)

This article argues that Kant’s argument from incongruent counterparts in his essay, Directions in Space yields not the conclusion that space is an objective reality, but rather that it is an absolute and dynamical framework that grounds spatial properties, a view which is neutral with respect to the objective/subjective nature of space. It is suggested that, so construed, Kant’s argument in this essay can be made consistent with his later employment in support of transcendental idealism with regard to space.

The ultimate purpose of Alan White’s careful and detailed confrontation of Hegel with Schelling is to rehabilitate first philosophy itself. In this effort, White argues two subtheses: that first philosophy is possible as “Hegelian transcendental ontology”; and that Hegel’s thought makes sense only as “transcendental ontology.” Defending Hegel against Schelling is crucial in two senses: first, Schelling’s Hegel-critique contains, “in at least rudimentary form, all of the fundamental criticisms that have ever been made” of Hegel ; second, because (...) Schelling generally takes Hegel’s thought to be theological, rather than ontological, in character, showing how he often misses Hegel’s point provides an opportunity to disengage fundamental features of an “ontological” reading of Hegel. (shrink)

In this issue of Studies in Transcendental Philosophy five scholars enquire about the theoretical aspects of Kant’s transcendental philosophy related to the notions of subject, self-consciousness, and self-knowledge. Andrew Brook examines Kant’s views on transcendental apperception at the end of the Critical Period, focusing on Opus Postumum which contains some of Kant’s most important reflections on the subjective dimension. As is known, the self-conscious act designated by the proposition ‘I think’ is an act of spontaneity, and this (...) spontaneity is the reason that the subject calls itself an intelligence. In his article Addison Ellis examines the theoretical and practical dimension of spontaneity, calling into question the distinction between a merely ‘relative’ spontaneity and one that is ‘absolute’. Luca Forgione points to two forms of self-consciousness introduced by Kant: inner sense, based on a sensory form of self-awareness, and transcendental apperception. Through the notion of inner sense, Kant also allows for an introspective account of self-awareness; nonetheless, Kant holds an utterly sophisticated notion of basic self-consciousness provided for by the notion of transcendental apperception. Roberto Horácio de Sá Pereira’s article presents a systematic and a historical approach, linking the contemporary debate on transcendental argument to Kant’s philosophy. It addresses both Stroud’s objection and Strawson’s perspective on transcendental argument and introduces a new reconstruction of Kant’s Refutation as successful truth-directed transcendental argument. In contrast to the contemporary movement of transhumanism and its claims that creatures like us can exist independently of our bodies, Robert Hanna develops a generalist perspective on the subjective dimension, according to which all rational human creature are synthetic a priori necessarily, essentially embodied Kantian selves. I would like to thank the authors for participating in this issue and for helping to make it really special. (shrink)

The article offers an analysis of the concept of the Absolute in Fichte’s philosophy. Despite the difficulty of the definition, this concept receives a rich and creative rethinking in Fichte and will further influence the philosophical systems of thought. Gradually introducing this concept into his philosophical project of Wissenschaftslehre Fichte often changes its interpretation. So, starting with a somewhat vague understanding of the concept of the "absolute I" through Schelling's criticism of the Absolute, he develops the theory of the manifestation (...) of the Absolute, each time choosing new metaphors to denote it, and sometimes filling it with religious content, when the Absolute becomes a substitute for the concept of God. On the one hand, it’s important not to reduce the Absolute to a simple object of thought because this would indicate the limitation of the Absolute. On the other hand, it would be wrong to consider the Absolute as an empty or neutral concept or something completely enclosed in itself. Then, its existence will be doubtful. Fichte is careful about a clear definition of the Absolute. He solves this dilemma through the idea of the manifestation of the Absolute. Manifestation is the exit of the Absolute beyond itself while remaining unchanged. The ability to manifest itself is a prerequisite that the Absolute can be recognized and thought. This is how the Absolute manifests itself in the form of knowledge. Fichte emphasizes that the Absolute is not a projection of our mind, it may not depend on our thinking, however with such peculiarity that truth and knowledge have their basis in it. Thereby, with the theory of the Absolute, Fichte develops the idea of the foundation that is outside of ourselves, has transcendental character, and thus allows knowledge or truth not to be trapped in subjective tenets. Analyzing step by step the process of evolution of this concept, we will be able to see how in the last years of his life, Fichte states the importance of two realities: the “I” and the “Absolute” and how he explains the connection between them. (shrink)

Can sensibility, as our capacity to be sensibly presented with objects, be understood independently of the understanding, as the capacity to form judgments about those objects? It is a truism that for judgments to be empirical knowledge they must agree with what sensibility presents. Moreover, it is a familiar thought that objectivity involves absolute independence from intellectual acts. The author argues that together these thoughts motivate a common reading of Kant on which operations of sensibility are conceived as intelligible independently (...) of acts of the understanding, so that their supposed objectivity can validate judgments as empirical knowledge. He contends that there are two reasons why this epistemic compositionalism is implausible both as a reading of Kant and in itself. First, read compositionally, Kant’s Transcendental Deduction is unable to fulfill its stated aim of showing that the categories are objectively valid, that is, exemplified by the objects that sensibility presents. Second, Kant sees that sensibility by itself cannot be understood to even purport to present objects, thus undermining the very intelligibility of compositionalism. The author argues that, given these challenges, Kant’s Deduction develops an alternative account, on which operations of sensibility and acts of the understanding can be understood only together. He contends that this epistemic hylomorphism transforms the familiar thought underlying compositionalism: objectivity simultaneously involves formal agreement with intellectual acts in general and material independence from any specific such act. He thus shows how Kant reconceives our conception of objectivity by overcoming compositionalism in favor of hylomorphism. (shrink)