Several claims made by Wilkins & Wakefield require qualification. First, the proposed delineation of the parietal-occipital-temporal junction (POT) is overly restrictive. Second, focusing exclusively on the evolutionary importance of manual manipulation oversimplifies interacting evolutionary preconditions for language. Finally, Wilkins and Wakefield's perspective adheres to a homocentric, formal, linguistic definition of language instead of viewing language as a multimodal sensory enhancement system unique to each species.

Joaquim Braga deals with the role of sound in multimodal environments and multimodal surfaces. He argues that imagination not only bridges sensory dimensions that are absent from perception but also is central to “the relationship of presence,” that is, the connection between presently perceived sensory input. This involves assessing both the individuating dimension and the relational disposition of sound, which allows sound—through the activation of imagination—to develop sensory relations. Central to his discussion of the function and contribution (...) of sound in different media is the process of “sonic individuation”—a process of individuation of different modalities—that is presented as a precondition for the creation of relations between these modalities. (shrink)

Aesthetic judgment has often been characterized as a sensuous cognitively unmediated engagement in sensory items whether visual, auditory, haptic, olfactory or gustatory. However, new art forms challenge this assumption. At the very least, new art forms provide evidence of intention which triggers a search for meaning in the perceiver. Perceived order excites the ascription of intention. The ascription of intention employs background knowledge and experience, or in other words, implicates the perceiver’s conceptual framework. In our response to art of (...) every description we witness the incorrigible tendency in humans to construct meaningful narratives to account for events. Such meaningful narratives always implicitly involve the ascription of intention, even when the agent of the intention is not explicitly acknowledged or even clearly conceived. This principle of intention-in-order may seem incompatible with another truism which is that art is a source of novel ideas and essentially a critique of prevailing values and norms including conceptual schemes. I argue on the contrary that the human impulse to read intention in order is a precondition of art’s critical edge. Creativity is possible even though there is no raw perceptual data to which we have conscious access. That is, there are no sensory items, unmediated by the concepts we have internalized through our interaction with our communities, to which we have conscious access. (shrink)

This article examines the imagination by way of various studies in cognitive science. It opens by examining the neural correlates of bodily metaphors. It assumes a basic knowledge of metaphor studies, or the primary finding that has emerged from this field: that large swathes of human conceptualization are structured by bodily relations. I examine the neural correlates of metaphor, concentrating on the relation between the sensory motor cortices and linguistic conceptualization. This discussion, however, leaves many questions unanswered. If it (...) is the case that the sensory motor cortices are appropriated in language acquisition, how does this process occur at the neural level? What neural preconditions exist such that this appropriation is possible? It is with these questions in mind that I will turn my attention to studies of neural plasticity, degeneracy and the mirror neuron activation. Whereas some scholarship in philosophy and cognitive neuroscience has aimed to identify the neurological correlates of consciousness, examining plasticity, degeneracy and activation shifts the discussion away from a study of correlates toward an exploration of the neurological dynamics of thought. This shift seems appropriate if we are to examine the processes of the “imagination.”. (shrink)

Sometimes seeing sandal from non-smellable distance we obtain cognition in the form ‘surabhi candanam’ (that sandal out there is fragrant). According to the Naiyāyikas, this cognition is a single qualified visual perception, where fragrance is grasped by visual sense-faculty. Normally visual sense cannot grasp fragrance. But here fragrance is grasped by visual sense through an extraordinary sense-connection. The Nyāya holds that the memory of fragrance, working as cognition-induced extraordinary sensory connection (jñānalakṣaṇa alaukika sannikarṣa), connects its object, fragrance, with visual (...) sense. The Naiyāyikas use this thesis of jñānalakṣaṇa to explain illusion. For a direct realist like the Naiyāyikas, it is always difficult to explain illusion. But jñānalakṣaṇa explains how an object, which is absent in front, can be accessed directly by the operating sense-organ through an extraordinary sensory connection. However, there is a possible threat to the thesis of jñānalakṣaṇa. In the mechanism of jñānalakṣaṇa, memory plays a vital role. If one is already acquainted with the fragrance of sandal in some previous occasion, then the memory of fragrance can work as an extraordinary sensory connection for her. But the question arises as to what happens when she acquires the knowledge of fragrant sandal for the first time? Is it also an instance of extraordinary jñānalakṣaṇa perception? It is obvious that in such case no memory is there to help her connect her visual sense to fragrance. However, this first acquaintance is a precondition for the possibility of the later acquaintances of fragrant sandal. Hence, it is necessary for the Naiyāyikas to explain the mechanism of the first acquaintance of fragrant sandal. The Naiyāyikas will be able to save their thesis of jñānalakṣaṇa (and also their direct realism) if they can depict a moment-wise account of the whole process of the first acquaintance of fragrant sandal remaining consistent with their own basic tenets. It would require moment-analysis (kṣaṇavicāra) of that cognitive situation. In Nyāya-Vaiśeṣika tradition, several attempts have been made to solve the problem. Jayanta Bhaṭṭa in Nyāyamañjarī mentions that ‘madhura śarkarā’ or ‘sugandhi ketakī’ are cases of mental perception or mānasa pratyakṣa. He says that here manas functions as the means of perception being aided by external senses to produce such cognition. Jayanta Bhaṭṭa explains the other cases like illusion and recognition by the same model. On the other hand, Śrīdhara Bhaṭṭa in Nyāyakandalī says that in the case of the first acquaintance, at first the fragrance is grasped by the olfactory sense. Then, the visual sense-faculty, taking the perception of the fragrance as an associate cause, produces a cognition of the qualificand. The paper constructs several versions of moment examinations (kṣaṇavicāra) for both of these suggestions and evaluates them. It is observed that although Jayanta’s thesis may be accepted as an alternative Nyāya account of the first acquaintance of fragrant sandalwood, Śrīdhara’s account fails partially. On the other hand, Jayanta fails to explicate the inner psychological steps involved in the said cognition. This paper suggests that we can successfully construct moment examination of the first acquaintance of fragrant sandal; hence, the Nyāya thesis of jñānalakṣaṇa suffers no threat of internal inconsistency. However, the relevant sensory connection working there is not an olfactory perception. Rather, it also is a memory cognition, which is generated out of the memory-trace of fragrance produced on the spot from the aforesaid olfactory perception. Thus, the Naiyāyikas may save their thesis of jñānalakṣaṇa pratyakṣa as well as their direct realism. (shrink)

If successful scientific inquiry is to be possible, there must be a world that is independent of how we believe it to be, and in which there are kinds and laws; and we must have the sensory apparatus to perceive particular things and events, and the capacity to represent them, to form generalized explanatory conjectures, and check how these conjectures stand up to further experience. Whether these preconditions are met is not a question the sciences can answer; it is (...) specifically philosophical. This is why the myriad forms of scientistic philosophy in vogue today (neurophilosophy, experimental philosophy, naturalized metaphysics, evangelical-atheist reductionism, etc), are all hollow at the core. Does this mean we must return to the old, a priori analytic model? No! What is needed instead is scientific philosophy in the sense Peirce articulated more than a century ago: philosophy motivated by a genuine desire to discover the truth, and relying not solely on reason but also on experience—only not the special, recherché experience required by the sciences, but close attention to aspects of everyday experience so familiar we hardly notice them. (shrink)

“What we have learned from Saussure” affirms Merleau-Ponty “is that, taken singly, signs do not signify anything, and that each one of them does not so much express a meaning as mark a divergence of meaning between itself and other signs.” While it has often been stressed that Merleau-Ponty was arguably among the earliest philosophical readers of Saussure, the real impact of this reading on Merleau-Ponty’s thinking has rarely been assessed in detail. By focusing on the middle period – the (...) years between the publication of the Phenomenology of Perception and the abandonment of the book project The Prose of the World – a special interest in language and its ideality becomes all the more evident. Now this period is crucial for understanding the turn of the later years: similarly to Saussure, who shifted the problem of meaning from a problem of referentiality to an issue of self-differentiation of the linguistic field, Merleau-Ponty shifts his account of perception from a relationship based on sensory subjects and perceived objects to an immanent differentiation of the sensible world. The genesis ofan articulated world can be conceptualized with the experience of children’s language acquisition and the phenomenon of “deflation.” At a certain point in her development, the child interrupts her incessant babbling and learns to shape pauses and silences, which are the precondition for meaningful sounds. Learning how to speak – as it were – would thus be learning how not to speak. The child may only enter a specific language by means of a phonematic restriction; to become a member of a language community is to lose the capacity to speak all languages. (shrink)

Recurrent, unvarying, and seemingly purposeless patterns of action and cognition are part of normal development, but also feature prominently in several neuropsychiatric conditions. Repetitive stereotyped behaviors can be viewed as exaggerated forms of learned habits and frequently correlate with alterations in motor, limbic, and associative basal ganglia circuits. However, it is still unclear how altered basal ganglia feedback signals actually relate to the phenomenological variability of RSBs. Why do behaviorally overlapping phenomena sometimes require different treatment approaches−for example, sensory shielding (...) strategies versus exposure therapy for autism and obsessive-compulsive disorder, respectively? Certain clues may be found in recent models of basal ganglia function that extend well beyond action selection and motivational control, and have implications for sensorimotor integration, prediction, learning under uncertainty, as well as aesthetic learning. In this paper, we systematically compare three exemplary conditions with basal ganglia involvement, obsessive-compulsive disorder, Parkinson’s disease, and autism spectrum conditions, to gain a new understanding of RSBs. We integrate clinical observations and neuroanatomical and neurophysiological alterations with accounts employing the predictive processing framework. Based on this review, we suggest that basal ganglia feedback plays a central role in preconditioning cortical networks to anticipate self-generated, movement-related perception. In this way, basal ganglia feedback appears ideally situated to adjust the salience of sensory signals through precision weighting of new sensory information, relative to the precision of predictions based on prior generated models. Accordingly, behavioral policies may preferentially rely on new data versus existing knowledge, in a spectrum spanning between novelty and stability. RSBs may then represent compensatory or reactive responses, respectively, at the opposite ends of this spectrum. This view places an important role of aesthetic learning on basal ganglia feedback, may account for observed changes in creativity and aesthetic experience in basal ganglia disorders, is empirically testable, and may inform creative art therapies in conditions characterized by stereotyped behaviors. (shrink)

To cope with the already large, and ever increasing, amount of information stored in organizational memory, “forgetting,” as an important human memory process, might be transferred to the organizational context. Especially in intentionally planned change processes (e.g., change management), forgetting is an important precondition to impede the recall of obsolete routines and adapt to new strategic objectives accompanied by new organizational routines. We first comprehensively review the literature on the need for organizational forgetting and particularly on accidental vs. intentional forgetting. (...) We discuss the current state of the art of theory and empirical evidence on forgetting from cognitive psychology in order to infer mechanisms applicable to the organizational context. In this respect, we emphasize retrieval theories and the relevance of retrieval cues important for forgetting. Subsequently, we transfer the empirical evidence that the elimination of retrieval cues leads to faster forgetting to the forgetting of organizational routines, as routines are part of organizational memory. We then propose a classification of cues (context, sensory, business process-related cues) that are relevant in the forgetting of routines, and discuss a meta-cue called the “situational strength” cue, which is relevant if cues of an old and a new routine are present simultaneously. Based on the classification as business process-related cues (information, team, task, object cues), we propose mechanisms to accelerate forgetting by eliminating specific cues based on the empirical and theoretical state of the art. We conclude that in intentional organizational change processes, the elimination of cues to accelerate forgetting should be used in change management practices. (shrink)

Scheler subjects Husserl’s categorial intuition to a critique, which calls into question the very methodological procedure of phenomenology. Scheler’s divergence from Husserl with respect to whether sensory or categorial contents furnish the foundation of the act of intuition leads into a more significant divergence with respect to whether phenomenology should, primarily, be considered a form of science to which a specific methodology applies. Philosophical methods, according to Scheler, must presuppose, and not distract from, important preconditions of knowledge that pertain (...) more to the philosopher than to logical procedure. Accordingly, the phenomenological attitude serves as a foundation for, and is not the result of, the phenomenological method. (shrink)

What skills are required for working with computer-controlled machines in the manufacturing area? Taking the developments in the machine building sector in Germany as an example, it becomes apparent that a human-centred approach (skill-based manufacturing) offers the companies many advantages over Tayloristic forms of work organisation and automation. Closer observations reveal that skills and qualifications based on empirical knowledge and individual capabilities, such as a feeling for machines and materials, continue to play an important part in the work with computer-controlled (...) machines. So far, however, skills of this kind have received neither practical nor systematic consideration and are regarded as tacit skills in most cases. Therefore it is particularly the use of computer technology which is likely — in most cases unintentionally — to restrict and undermine the essential preconditions necessary for the development and application of such skills. (shrink)

This collection of new essays on sensory individuals in unimodal and multimodal perception features contributions by outstanding researchers in the fields of philosophy of perception, experimental psychology, and cognitive neuroscience. The topics investigated include conceptual, developmental, and methodological aspects of object perception, and especially how various sense modalities construct their objects from sensory features and feature bearers. The interdisciplinary approach offered has enabled new directions in research on this subject. As ordered in this volume, the topics of the (...) contributions progress from treating neural sensory processes as primarily unisensory towards approaches that take perceptual processing to be modality-independent, meta-modal, and multimodal. Even within these latter approaches, sensory stimuli, sensory properties, brain activations, and corresponding perceptual phenomenology have often been characterized in a modality-specific way. Thus, it is timely to explore the relation between those processes that are unisensory and those that are multisensory. One of the primary themes of this collection is examining whether the basic building blocks of human perception are best understood as modality-dependent units of different forms or in terms of multimodal perceptual objects. Another theme is the relation between low-level object processing (segmentation and perceptual grouping processes) and high-level object knowledge embracing object concept and object-related expectations. A final theme is the role that perceptual objects play as loci of unification in unimodal and multimodal perception, namely that they enable binding and integration of sensory properties to individual entities or events. (shrink)

Many philosophers use findings about sensory substitution devices in the grand debate about how we should individuate the senses. The big question is this: Is “vision” assisted by (tactile) sensory substitution really vision? Or is it tactile perception? Or some sui generis novel form of perception? My claim is that sensory substitution assisted “vision” is neither vision nor tactile perception, because it is not perception at all. It is mental imagery: visual mental imagery triggered by tactile (...) class='Hi'>sensory stimulation. But it is a special form of mental imagery that is triggered by corresponding sensory stimulation in a different sense modality, which I call “multimodal mental imagery.”. (shrink)

Synesthesia is a phenomenon in which an additional nonstandard perceptual experience occurs consistently in response to ordinary stimulation applied to the same or another modality. Recent studies suggest an important role of semantic representations in the induction of synesthesia. In the present proposal we try to link the empirically grounded theory of sensory-motor contingency and mirror system based embodied simulation to newly discovered cases of swimming-style color synesthesia. In the latter color experiences are evoked only by showing the synesthetes (...) a picture of a swimming person or asking them to think about a given swimming style. Neural mechanisms of mirror systems seem to be involved here. It has been shown that for mirror-sensory synesthesia, such as mirror-touch or mirror-pain synesthesia, concurrent experiences are caused by the overactivity in the mirror neuron system responding to the specific observation. The comparison of different forms of synesthesia has the potential of challenging conventional thinking on this phenomenon and providing a more general, sensory-motor account of synesthesia encompassing cases driven by semantic or emulational rather than pure sensory or motor representations. (shrink)

Sensory awareness -- the direct focus on some specific sensory aspect of the body or outer or inner environment -- is a frequently occurring yet rarely recognized phenomenon of inner experience. It is a distinct, complete phenomenon; it is not merely, for example, an aspect of a perception. Sensory awareness is one of the five most common forms of inner experience, according to our results . Despite its high frequency, many people do not notice its appearance nor (...) recognize its theoretical import. We describe sensory awareness and distinguish it from other aspects of experience. We give examples and discuss how it appears when moments of inner experience are examined carefully. We note that there are large individual differences in the observed frequency of sensory awareness and consider its relationship to mental health and other aspects of psychological functioning. (shrink)

In this paper I analyze interpersonal and institutional recognition and discuss the relation of different types of recognition to various principles of social justice (egalitarianism, meritarianism, legitimate favouritism, principles of need and free exchange). Further, I try to characterize contours of good autonomous life, and ask what kind of preconditions it has. I will distinguish between five kinds of preconditions: psychological, material, cultural, intersubjective and institutional. After examining what the role of recognition is among such preconditions, and how they figure (...) in the work of Axel Honneth, Nancy Fraser and Charles Taylor, I suggest a somewhat complex and hopefully rich picture of interpersonal and institutional recognition as a precondition of autonomous good life. (shrink)