This is an appreciative five page book review of Elkholy's Heidegger and a Metaphysics of Feeling (2008). It raises a critical question about the difference between Heidegger's account of aletheia and Elkholy's concept of ontological occlusion.

This work explores questions of God and faith in the context of Martin Heidegger's phenomenological ontology, as developed in Being and Time . One problem with traditional philosophical approaches to the question of God is their tendency to regard God's existence as an objective datum, which might be proven or disproven through logical argumentation. Since Kant, such arguments have largely been dismissed as predicated on a priori assumptions whose legitimacy cannot be substantiated. This dismissal has led to a widening (...) divorce between 'faith' and 'reason,' as the rational grounds for faith have come under increasing, and radical, attack. ;Heidegger provides a new reason to question the legitimacy of traditional philosophical approaches to the question of God. His phenomenological ontology reveals that concernful relations lie at the foundation of our apprehension of Being, hence any attempt to 'prove' the existence of God as a purely 'objective' datum must miss the significance of the very phenomenon it seeks to apprehend. Dasein, as Being-in-the-world, is primordially related to and concerned with the world revealed to it. Any attempt to understand the meaning of Being, then, must take its stance from an examination of the concernfulness of Dasein. This, however, affords us a new possibility for approaching the question of God; one which pursues this question, not in terms of metaphysical categories, but in terms of its significance for the concernful human being. ;At the same time that Heidegger's thought allows us this new approach, however, his existential analyses seem to deny any legitimacy to religious faith at all. For Heidegger, the human being is 'Being-towards-death,' i.e., essentially enclosed in finitude, whereas for religion the human being has an essential relation to the infinity of God. Our work, then, has a twofold purpose. We seek, first, to explore the meaning of God and faith as these may be understood in terms provided by Heidegger's phenomenological ontology. We seek, second, to examine the way in which that ontology is itself challenged by a religious conception of human Being. (shrink)

While the richness of Heideggerian philosophy is attractive as a healthcare research framework, its density means authors rarely utilise its fullest possibilities as an hermeneutic analytic structure. This article aims to clarify Heideggerian hermeneutic analysis by taking one discrete element of Heideggerian philosophy (Being-towards-death), and using it’s clearly defined structure to conduct a meta-synthesis of Heideggerian phenomenological studies on the experience of living with a potentially life-limiting illness. The findings richly illustrate Heidegger’s philosophy that there is either an inauthentic (...) positioning towards death, or an authentic positioning towards death with a proposition that (1) death is certain; (2) death is indefinite; (3) death is non-relational; and (4) death is not-to-be-outstripped. None of the 29 included studies on the experience of a confrontation with death fully utilised this framework, despite claiming a grounding in Heideggerian thought. This demonstrates the value in modelling how Heideggerian existential structures can be used proactively as analytical ‘hooks’ for data in research claiming a basis in this philosophy and/or method. By modelling the potential application of an important Heideggerian philosophical construct to published qualitative data, this meta-synthesis has revealed new domains and more nuanced understandings of the temporal structure of Being-towards-death. Such an approach helps to more fully unveil the existential concerns of people at the core of interpretative phenomenological enquiry and may provide a blueprint to map either primary or synthesised data to other key ontological existentials. (shrink)

This work is a revised version of my dissertation, originally presented in 2002. It explores questions of God and faith in the context of Martin Heidegger's phenomenological ontology, as developed in Being and Time. One problem with traditional philosophical approaches to the question of God is their tendency to regard God's existence as an objective datum, which might be proven or disproven through logical argumentation. Since Kant, such arguments have largely been dismissed as predicated on a priori assumptions whose (...) legitimacy cannot be substantiated. This dismissal has led to a widening divorce between 'faith' and 'reason,' as the rational grounds for faith have come under increasing, and radical, attack. Heidegger's phenomenological ontology provides us a new approach to the question of faith by showing that concernful relations lie at the heart of our apprehension of Being. This affords us a new way of approaching the question of God philosophically; one which pursues this question, not in terms of metaphysical categories, but in terms of the existential concerns central to human life. At the same time that Heidegger allows us this new approach, however, his existential analyses seem to deny any legitimacy to religious faith. For the Heidegger of Being and Time, the human being is 'Being-towards-death,' i.e., essentially enclosed in finitude, whereas for religion the human being has an essential relation to the infinitude of God. This work, then, has a twofold purpose: It seeks, first, to explore the meaning of God and faith as these may be understood in the terms provided by Heidegger's phenomenological ontology. It seeks, second, to examine the way in which that ontology might be challenged and revised through a religious conception of human Being. (shrink)

This paper uses an ongoing ethnography of childhood rehabilitation to rethink the Heideggerian phenomenology of death. We argue that Heidegger’s threefold perishing/death/dying framework offers a fruitful way to chart how young people, their parents, and practitioners address mortality in the routine management of muscular dystrophies. Heidegger’s almost exclusive focus on being-towards-death as an individualizing existential structure, rather than the social life with and around death, is at odds with the clinical experience we explore in this paper. After looking to (...) the basic structures of Heidegger’s philosophy of death, we point to recent work by Leder, Svenaeus, Aho, and Carel, bringing health and the spaces of healthcare into our purview. Turning to ethnographic data, we argue that a revised phenomenology of death gives a nuanced account of how health care practitioners address death, dying, and perishing, and outline some steps toward a more ontologically sensitive clinical space. These revisions are in line with recent work in disability studies, that see disability as more than a death sentence. We advocate adjusting phenomenological reflections on disability, to be framed as a way of life, rather than as a deficient or especially deadly mode of human existence. (shrink)

Heidegger’s discussion of ‘Being-towards-death’ occupies a prominent position in his reflections on authenticity; but it has attracted fierce criticism, and poses profound interpretative challenges. This paper will offer a novel interpretation of that discussion as contributing to the articulation of a not-implausible account of self-knowledge and self-acknowledgement. The term typically translated as ‘authenticity’—‘Eigentlichkeit’—can be translated more literally as ‘ownness’ or ‘ownedness’; and my reading reveals Eigentlichkeit to be the ‘owning’ of one’s own judgment, an ‘owning’ that manifests itself in (...) a distinctive relationship to one’s death. The reading builds on a comparison of Heidegger’s discussion of ‘Being-towards-death’ with his examination in 1920-21 of St Paul’s remarks on the Last Judgment. I propose that Heidegger sees in the latter remarks an understanding of what it is to be willing to stand before God, and that this provides a model for Heidegger of an understanding of what it is to be willing to stand before oneself. The (confused) desire to escape God’s judgment is a desire to avoid what one takes to be the facts about oneself and manifests itself in a distinctive relationship to the Last Judgment; alienation from one’s own judgment is the avoidance of the same facts and can be identified, I argue, with Heideggerian inauthenticity and its distinctive mode of Being-towards-death. (shrink)

This approach focuses on a convergence point between father Stăniloae’s theology and Jean-Luc Marion’s phenomenology, as concerns Heidegger’s ontology. The German philosopher launches a challenge as to the role that the Embodiment of Logos actually plays in human existence. According to him, the Incarnation event is for man only a corrective to the ontic, while father Stăniloae and the French philosopher consider that we are facing a true ontological reconfiguration of human existence. This is because the One who has (...) stepped into the ontological field of the human being has the power to take man out of the being-toward-death paradigm and give him the opportunity to become being-toward-resurrection. Both father Stăniloae and Marion resort to areopagitic thinking, in which God is above the being, i.e. supra being, so He cannot be considered a being among others, even if He were considered a supreme being. At the same time, God is love because He is the Trinity of People and it is only through this reality that the human being gains more in terms of existence. (shrink)

Fallenness in Sein und Zeit, is the ontological path one takes to know one’s being, to know oneself, which is the penultimate task of Dasein as Being-in-the-world. As he states in Being and Time, being-in-the-world is always fallen, and “Falling” or “Fallenness” continues to be a “definite existential characteristic of Dasein itself. The concept of fallenness is grown from seeds of tentatio, it is one’s trial to know oneself and temptation of oneself and possibilities: (...) class='Hi'>Being-in-the-world is tempting in oneself. The facticity of existence itself is the facticity of life. Fallen, not by choice, into the world is the effect of thrownness into-the-world. The fallenness is also the openness, to the world, to the possibilities. That is why fallenness is the characteristic of Dasein itself. The trial is not necessarily of the negative connotation, but it is also a tempting possibility. To establish the links between the early-Heideggerian temptations, trials and the later conception openness of fallenness is precisely the main task. One additional path that this paper will take is on the links of tentatio/fallenness and death. Fallenness as an existential character of Dasein, is a trial of the world, with the world; a face of infinite possibility/truth/being. This is what Heidegger calls disclosedness and Care. Being-open is not complete without the “end” of the cycle: death. Thus, openness to death is part of the same ontological existence of the Dasein. The kernels of this thought are already to be found in The Phenomenology of Religious Life. In readings of Paul, of Parousia, of openness and calling to death, in spite of death, are already and not yet formulations of being-towards-death. “Is not human life – trial?” – “is not human life death?” or being-towards- death? Death, as not eschatological but as openness, and care is precisely Jan Patocka’s reading of Heidegger which I will benefit from. Thus, to find the traces of Dasein’s many faces as tentatio and openness in early writings and as fallenness and being-towards-death as Care in later writings will be the overall concern of this paper. (shrink)

This ontological investigation is mediated via multifaceted phenomenological analytics and existential mediations over the architectural mode of being at home in solitary quarantine under communal global lockdowns. The present line of inquiry is undertaken by way of probing the attuned metamorphoses in solitude of the lived experiencing of the intertwined phenomena of space-time, embodiment-in-the-flesh versus being-with-others via cybernetic and telecommunication technologies, dwelling amidst things and paraphernalia, and the underlying affectivities of the mode of being-toward-death.

ABSTRACTThis article considers the relationship of Heidegger's metaphysics of Being-toward-death to what Heidegger describes as “the enigma of motion,” that is, to Dasein's “historicality.” In doing so, the article confronts a series of questions concerning fundamental realities of animate life, realities centering on angst in the face of death, but including curiosity and fear, for example, all such realities being what Heidegger terms “states-of-mind” or “moods.” Thus, the article basically questions Heidegger's elision of a Leibkörper, not only (...) in terms of feelings but in terms of an exaltation of language, an insular notion of Dasein's historicality, and a narrow and deficient depiction of animals in his “philosophical biology.” Through a critical examination of the phenomenological disclosure that Heidegger seeks in his metaphysics of Being-toward-death, the article shows that death and the very concept of death hinges on being a body, a temporally finite animate body. Thus, however metaphysical its exposition, Being-toward-death is existentially anchored in being a body. (shrink)

Detailed exposition of the nine layers of signification of human mortality according to Emmanuel Levinas's phenomenological and ethical account of the meaning and role of death for the embodied human subject and its relations to other persons. Critical contrast to Martin Heidegger's alternative and hitherto more influential phenomenological-ontological conception, elaborated in "Being and Time", of mortality as Dasein's anxious and revelatory being-toward-death.

Few researchers of the past made sense of the collapse of representations in the quantum domain, and looked for a new process of sense-making below the level of representations: the level of the phenomenology of perception and action; the level of the elaboration of knowledge out of experience. But some recent philosophical readings of quantum physics all point in this direction. They all recognize the fact that the quantum revolution is a revolution in our conception of knowledge. In these recent (...) readings of quantum physics, quantum states are primarily generators of probabilistic valuations. Accordingly, they should not be seen as statements about what is the case, but as statements about what each agent can reasonably expect to be the case. Three features of such non-interpretational, non-committal approaches to quantum physics strongly evoke the phenomenological epistemology. These are: their deliberately first-person stance; their suspension of judgment about a presumably external domain of objects, and subsequent redirection of attention towards the activity of constituting these objects; their perception-like conception of quantum knowledge. But beyond phenomenological epistemology, these new approaches of quantum physics also make implicit use of a phenomenological ontology. Chris Fuch’s participatory realism thus formulates a non-external variety of realism for one who is deeply immersed in reality. But participatory realism strongly resembles Merleau-Ponty’s endo-ontology, which is a phenomenological ontology for one who deeply participates in Being. This remarkable analogy is supported by Merleau-Ponty himself. Indeed, 50 years before QBism, Merleau-Ponty acknowledged the strong kinship between the status of quantum mechanics and his phenomenology of embodiment. He did so in two texts that remained unpublished until after his death: Visible and invisible, and the Lectures on Nature. The final part of this article is then devoted to a study of Merleau-Ponty’s conception of quantum physics. (shrink)

In this paper I take issue with Heidegger's use of the concept of death as a means of disclosing human finitude. I argue that Being‐towards‐death is inadequate to the disclosure of Dasein's thrownness which is necessary for the kind of authentic historizing that Heidegger describes and furthermore leads to a reading of authenticity which is preclusive of Being‐with‐Others, I suggest that this difficulty may be alleviated through increased attention to the opposite boundary of Dasein's existence, namely its birth. (...) Although I do not pursue the project here of conducting a phenomenology of birth, I suggest some directions for proceeding with that task, and I illustrate that a greater emphasis on Dasein's beginning will increase the richness of our understanding of our Being‐with‐Others. (shrink)

Each human being is a co-creator of the world and when a human being dies the world he co-created is thereby annihilated. The main authors discussed are Thomas Aquinas, John Duns Scotus and David Hume.

Long-term cancer survivorship is an emerging field that focuses on physical late-effects and psychosocial implications for the inflicted. This study wishes to cast light on the underlying ontological aspect of long-term survivorship by philosophically exploring how being in life post cancer is perceived by survivors. Sixteen in-depth interviews with 14 Danish cancer survivors were conducted by the author. Having faced a life-threatening disease but no longer being in imminent danger of dying, survivors still considered death a defining (...) yet dynamic component in their approach to life as a moving toward the end, sparking a sense of vitality in mortality. In order to unfold the interviewees’ renewed existential understanding post cancer, this study employs Martin Heidegger’s ontological analysis of death. In survivorship, my participants can thus be understood as being left with the perpetual choice between living in inauthenticity or in authenticity. The difference between the two modes of existence exhibits two diverging ways of relating to death, self, and being-in-the-world. At the same time, the role of death in long-term survivorship reflects back on the magnitude of the initial existential and moral upheaval triggered by the cancer diagnosis. Understanding the role of death in long-term survivorship can positively inform the field of cancer rehabilitation and long-term survivor care. (shrink)

The article defends Heidegger’s view that the main question of Kant’s Critique of Pure Reason is the question of being. It is also argued that Heidegger special understanding of the level and method of KrV deserves serious attention. Finally it is argued that Heidegger’s phenomenological reading of the KrV is best seen as representative of an hermeneutical conception of phenomenology.

The psychiatric diagnostic system, as exemplified by the DSM, is a pseudo-scientific framework for diagnosing sick Cartesian isolated minds. As such, it completely overlooks the exquisite context sensitivity and radical context dependence of human emotional life and of all forms of emotional disturbance. In Descartes’s vision, the mind is a “thinking thing,” ontologically decontextualized, fundamentally separated from its world. Heidegger’s existential phenomenology mended this Cartesian subject-object split, unveiling our Being as always already contextualized, a Being-in-the-world. Here I offer (...) a critique of studies in “phenomenological psychopathology” that presuppose the validity of the psychiatric diagnostic system and leave it unchallenged. In this vein, I contend that all emotional disturbances are constituted in an indissoluble context of human interrelatedness. Specifically, I claim that all emotional disturbances, including those objectified by the DSM, take form in relational contexts of severe emotional trauma. There are no psychiatric entities, only devastating contexts. Additionally, I show that Heidegger’s analyses of Angst, world-collapse, uncanniness, and thrownness into Being-toward-death provide extraordinary philosophical tools for grasping the existential significance of such contexts of emotional trauma. Applying Heidegger’s concept of authenticity, I suggest that emotional health entails an ease of passage—i.e., an absence of dissociation—between the world of trauma and the world of everydayness. (shrink)

Philosophy is one of the disciplines that can more adequately provide a contribution to the definition of the focus and limits of psychiatry in the definition of human being. Substantial, comprehensive contributions to this field come from Martin Heidegger, one of the most prominent and seminal philosophers of the 20th century. During the 50's the Italian psychiatrist Franco Basaglia comes up with the philosophy of Martin Heidegger and he gains the concept of human being as’Being-in-the- world’, central (...) point in every relationship with the others.’Being-in-the-world’ is not a merely spatial relation with ourselves and the others, but is the fundamental meaning of human existence and of the Care. The Care is not only a medical concept but also an ontological and ethical one: overcrossing the concept of empathy, Heidegger argues that all objectifying representations of a capsule-like psyche, subject, person, ego or consciousness in psychology and psychopathology must be abandoned in favor of a new understanding of human being, starting from its ontological characters:’Being-in-the-world’,’Being-with-the-others’ and’Being-toward-death’. (shrink)

At the beginning of his philosophical career (between 1918 and 1921), the young Heidegger analyzed various texts belonging to the field of the religious tradition: the Pauline Epistles, Augustinian writings and texts of the medieval mystics. Through these analyses, Heidegger formalized certain phenomena that we can find, a few years later, in Being and Time, illustrating the “warm” line of the existential analytic, the pathetic level of the ontology of Dasein: anxiety, death, consciousness, and guilt. My paper focuses on (...) this process of ontologization of phenomena belonging to religious life, namely on the awaiting of Parousia which is used to elaborate the futural structure of being towards death. I finally argue that the keyword for the understanding of the phenomenological transfer from the religious life to the ontology of Dasein is the methodological idea of “formal indication”, whose meaning and role must be clarified. (shrink)

The aim of this article is to present the perspective of the German philosopher Martin Heidegger (1889–1976) on death, as well as to explore the concept of "Dasein" in his work Being and Time (1927). Heidegger introduces Dasein as a being that projects itself toward the future, with death being one of those futures. He asks: "What would death be? Does it have a merely biological or an ontological-existential character?" (HEIDEGGER, 2005, p. 16). The article (...) unfolds as follows: a brief explanation of the search for being and what it represents as Dasein, or "being-there," understood as a being in time and as presence. Furthermore, it addresses the existential analytic, highlighting Dasein's inauthentic existence, the anguish characteristic of this being, and the quest for authentic existence. It also discusses how Dasein relates to others, to the world, and especially to death, analyzing the different ways Heidegger conceptualizes death in Being and Time. (shrink)

L’ontologie heideggérienne de l’être-pour-la-mort a souvent servi de référence négative à Paul Ricœur. Il lui a très tôt opposé trois thèses qu’il n’aurait peut-être pas formulées s’il n’avait pas croisé la philosophie de Jaspers : a) « La naissance signifie plus que la mort » ; b) « la rencontre décisive avec la mort est la mort de l’être aimé » ; c) « la mortalité elle-même doit être pensée sub specie vitae et non sub specie mortis ». La première (...) thèse conditionne les deux suivantes. Elle introduit une phénoménologie de l’ « être-en-vie » qui en appelle de la vie reçue à la vie transmise. On objectera peut-être que la phénoménologie de l’être-en-vie suppose l’ontologie de l’être-pour-la-mort. Mais, même si c’était le cas, elle n’en transformerait pas moins profondément la signification. La compréhension de l’existence est affectée elle-même par les phénomènes de la vie reçue et transmise. C’est ce que veut dire cette expression : « exister vivant ». L’angoisse de la fin n’annule pas la joie des commencements. Peut-être même reçoit-elle de celle-ci son sens.Paul Ricoeur has often referred to Heidegger’s ontology of being-towards-death to oppose it. He early set against it three thesis that he might have formulated differently had he not studied Jasper’s philosophy : a) « birth means more than death » ; b) « the decisive encounter with death is the death of the loved one » ; c) « mortality itself must be thought sub specie vitae, not sub specie mortis ». From the first thesis, can be inferred the two others. It brings in a phenomenology of being-alive. One may raise the objection that the phenomenology of being-alive presupposes the ontology of being-towards-death. But even so it would be necessarily transform its meaning. The understanding of existence is itself affected by the phenomena of life as given and received. Such is the meaning of the phrase : « existing alive ». The distress of the end never cancels the joy of the beginnings. It may even get its sense from it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:LUBLIN THOMISM 1 THE TEXTS of the philosophers associated with the Catholic University of Lublin, thanks to the tireless work and energy of an editorial board under bhe direction and support of Marie Lescoe, are at last appearing in English.2 'Dhe Lublin school is Thomist in inspiration and avowed adherence. It is Thomist, however, in a manner which makes liberal use of the works of Continental philosophers in the (...) phenomenological and "existentialist" traditions: hence the label, "existential personaiism." 3 A supplementary label of this sort is needed if we are to include within the Lublin school the work of one of its most iIIustrious members, Karol Wojtyia, whose writings employ the phenomenological method, eschew scholastic argument, and acknowledge a chief indebtedness to Max Scheler. Even the more recognizably scholastic Lublin philosophers, such as Mieczylaw Krapiec, O.P., President -Rector of the University, whose I-Man is the first complete book to be translated and printed in English, quote Roman Ingarden generously, speak familiarly about man as Being-towards-death, and discuss religion and culture in terms of intentionality. 1 Mieczylaw A. Krapiec, O.P., I-Man (New Britain: Mariel Press, 1983); (an abridged, student edition of I-11.fon-Mariel Press, 1985-is now available also); Karol Wojtyla, The Acting Person, (Boston: D. Reidel, 1979); Edmund Morawiec, "L'Objet et La Tache de la Philosophie Chretienne" in J. N. Zycinski, ed., The Human Person and Philosophy in the Contemporary World (Krakow: The Pontifical Faculty of Theology, 1980). 2 It may interest readers to know that a Chinese translation of I-Man is in preparation. The project is coordinated by Dr. Audrey Donnithorne involving the collaboration of Louis Chow and Matthias Lu. s Of. Andrew Woznicki, A Christian Humanism; Karol Wojtyla's Existential Personalism, and Ronald F. Lawler, The Christian Personalism of John Paul II (Fransciscan Herald Press, 1981). 307 308 ROGER DUNCAN Just because of their deep indebtedness to and immersion in Continental philosophy, it is important to begin by stating what the Lublin philosophers are not. They are not, first of all, phenomenologists or existentialists in the strict sense, by which I mean they do not hold the sceptical epistemological premises usually associated with these labels. Existentialists deny the classical doctrine of truth according to which truth is the adaequatio ad rern of the intellect. Instead they maintain that when I look at, say, an egg, and say to myself, " Here I am, one being among others like this egg here ", I am being naive because I have not yet seen that the distinction between myself and the egg arises within t:he phenomenal field and therefore cannot be uncritically assumed in an account of knowing. The subject-object distinction, they say, is not one more distinction between objects, like that between the egg and the chicken it came from; it cannot be understood as an intellectual grasp of one individual substance by another individual substance. For this reason, according to the existentialists, we must not think of knowledge as an overcoming of the isolation of self-consciousness, but rather as the origination of a distinction, a negative act identical with that of selfconsciousness in its self-transcendence. Awareness of the egg is not a grasp of the egg in itself so much as a self-conscious mitosis which incidentally constitutes the egg as object.4 The realist answer, as Chesterton said, is that eggs are eggs. The fact that the distinction between the egg and the chicken appears within consciousness, and that the subject can see a similarity with the distinction btween himself and the egg,.provides no argument for the unreality of either distinction unless you assume from the start that intentional objectification falsifies or fails to reach being " in itself". But this is a decision, not an a.rgument. Of course once you make it all kinds of curious and very deep condusions follow, conclusions which the Lublin Thomists deny. 4 Jean-Paul Sartre, Being and Nothingness: An Essay on Phenomenological Ontology (New York: Philosophical Library, 1956), p. 174; Karl Rahner, Spirit in the World (New York: Herder and Herder, 1968), p. 75. LUBLIN THOMISM 309 Nevertheless, it does not seem advisable to have to... (shrink)

The dual aim of this article is to show both how Heidegger’s existential philosophy enriches post-Cartesian psychoanalysis and how post-Cartesian psychoanalysis enriches Heidegger’s existential philosophy. Characterized as a phenomenological contextualism, post-Cartesian psychoanalysis finds philosophical grounding in Heidegger’s ontological contextualism, condensed in his term for the human kind of Being, Being-in-the-world. Specifically, Heidegger provides philosophical support (a) for a theoretical and clinical shift from mind to world, from the intrapsychic to the intersubjective; (b) for a shift from the (...) motivational primacy of drives originating in the interior of a Cartesian isolated mind to the motivational primacy of relationally constituted affective experience; and (c) for contextualizing and grasping the existential significance of emotional trauma, which plunges us into a form of Being-toward-death. Post-Cartesian psychoanalysis, in turn, (a) relationalizes Heidegger’s conception of finitude, (b) expands Heidegger’s conception of relationality, and (c) explores some ethical implications of our kinship-in-finitude. (shrink)

It is more than a platitude to admit that we are always dying. It is a recognition of the fundamental finitude that marks our existence as human persons. It says something essential about the human condition. We are all born. We all die. And the very living of life is, leaving aside for the moment religious considerations, oriented toward death. Phenomenologists make much of this observation, perhaps none more so than Martin Heidegger who argues that our being-toward-death (...) permits the ontological grasping of Da-sein as a whole. Indeed for him, the“existential and ontological concept of death” is “the own most nonrelational, certain, and, as such, indefinite and not to be bypassed possibility of Da-sein.” However, if one spends much time around those who are very close to death it can begin to sound disingenuous to talk about death as one’s own most possibility. It is easy to think these patients are dying—not me. Still, the phenomenologist might claim that, vis-à-vis our being-toward-death, the difference between me and the terminally ill patient is a matter of degree and not kind. But, is this so? One may be excused for thinking not. There appears to be an important difference in the kinds of possible experiences open to us. I may experience healing if I become ill; on the other hand, the very condition of the patient with a terminal illness is defined by the impossibility of her experiencing healing. The primary aim of this paper is to argue that the terminally ill patient can, in fact, experience healing at the end of her life and in the face of impending death. I will not argue that the possibility of experiencing healing at the end of life means leaving room for divine intervention, though neither do I intend to preclude such a possibility. Rather, I will argue that healing is something that we experience quite apart from what happens to our biological make-up. While healing is often correlated with a change in the state of our bodies, it need not be. (shrink)

Maurice Merleau-Ponty’s work is commonly associated with the philosophical movement called existentialism and its intention to begin with an analysis of the concrete experiences, perceptions, and difficulties, of human existence. However, he never propounded quite the same extreme accounts of radical freedom, being-towards-death, anguished responsibility, and conflicting relations with others, for which existentialism became both famous and notorious in the 1940s and 1950s. Perhaps because of this, he did not initially receive the same amount of attention as his French (...) contemporaries and friends, Jean-Paul Sartre and Simone de Beauvoir. These days though, his phenomenological analyses are arguably being given more attention than either, in both France and in the Anglo-American context, because they retain an ongoing relevance in fields as diverse as cognitive science, medical ethics, ecology, sociology and psychology. Although it is difficult to summarize Merleau-Ponty’s work into neat propositions, we can say that he sought to develop a radical re-description of embodied experience (with a primacy given to studies of perception), and argued that these phenomena could not be suitably understood b y the philosophical tradition because of its tendency to drift between two flawed and equally unsatisfactory alternatives: empiricism and, what he called, intellectualism. This article will seek to explain his understanding of perception, bodily movement, habit, ambiguity, and relations with others, as they were expressed in his key early work, Phenomenology of Perception, before exploring the enigmatic ontology of the chiasm and the flesh that is so evocatively described in his unfinished book, The Visible and the Invisible. (shrink)

In this article a discussion of the phenomenon of wellness and its relevance to contemporary nursing practice is developed. Drawing on phenomenology, the research literature and the author's own wellness research, an exposition of the concept of wellness is presented. It is proposed that the experience of being well is lived as a continuity of time and that it involves both a taking-for-granted of the body and containment of the horizon of concern. The state of actually being well (...) is also clarified and contrasted with the more common understanding of wellness as an optimal or future state. This discussion has significance for nursing knowledge development, in terms of our understanding of the experience of wellness and illness. It also has implications for how nurses approach their practice, particularly in the area of health promotion. (shrink)

This paper is one in a series of attempts on my part to think through one of the central challenges left to us by Merleau-Ponty’s sudden death in 1961: if we understand the turn, in his later writings, toward an ontology of the flesh as “a radical rethinking of the experience of belonging from within, [as] a phenomenology of being-of-the-world”, how are we to bear witness to such an experience? What modalities are called forth to do justice to (...) this belonging? The task accrues existential and ethical weight when, at stake in our analyses, are historical and social structures like coloniality that normalize experience, perception, and sense-making while marginalizing others. It is my contention, in this article, that when the phenomenological inquiry becomes critical the question of modality becomes ethically central; how we bear witness to experiences of marginalization and the operations of power that produce them matters in that it risks reifying the same normative structures that predicate the oppression of many. With these questions and considerations in mind, in this article, I return to silence and propose that the mobilization of what I call “deep silences” can be a powerful tool for a critical phenomenology that bears witness without capitulating to the imperative of transparency norming the modern/colonial world system. Deep silence, in fact, designates signifying practices that do not primarily operate within the bounds of logocentrism and speech as the foundational principles of meaning, or that rely upon conceptual, analytical, and instrumental thinking, mobilizing instead the somatic, affective, and sensual dimensions of existence. In this article, I am primary concerned with the sense-making effected by the aesthetic as an instance of deep silence. Specifically, I focus on the image- and ritual-centered photographic documentaries of Silvia Rivera Cusicanqui, which, I suggest, challenge the hegemonic normativity of modern/colonial aesthetics, introducing the reader to other sensibilities wherein the distinction between theory and practice has no purchase and the multiplicity of creative expressions is recognized. (shrink)

I present some aspects of Sein und Zeit’s phenomenology of possibility as a key feature of Heidegger’s theoretical confrontation with the crisis of European culture. I draw from paragraphs 73-74 for an inquiry into the relation between possibility and historicity within the structure of the Dasein. Specifically, I consider the concept of repetition in light of Heidegger’s idea that authentic historicity is to be grounded in temporality. Many interpreters found the concept of repetition to be the mark of a conservative (...) conception of history. However, I argue that this is not the case. The concrete act of repetition involves all moments of the temporal horizon – even the future. If we can find our concrete possibilities of action only within our contingent historical situation, the act of repetition is always also a decision for a certain contingent future. This future is radically unpredictable. It is neither identical to the (repeated) possibility of the past, nor definable through rigid normative laws or dogmatic political positions. I then examine the concept of being-towards-death as a heuristic instrument for the task of historical decision. I argue that this ontological structure allows for a critical use of Sein und Zeit’s fundamental ontology. By deciding towards our death, we decide towards the entirety of our existence. This decision is a possible response to the crisis of culture: in front of the rationalization, the atomization and disenchantment of our experience of the world, we can react by perpetually trying to invent new possible forms of reconciliation between the values of our historical Gemeinschaft and the essential novelty of the future. I conclude by presenting Richir’s Phénoménologie et Institution symbolique as an elaboration of this suggestion and as a path for a possible renewal of Heidegger’s critical phenomenology of possibility. (shrink)

When discussing the French Revolution and Napoleon in his lectures from 1933 to 1939, Alexandre Kojève had in mind events in Russia. The clash between the “old order,” with its Masters, and the worker Slaves corresponded for him more with the images of pre-revolutionary Russian journalism than with the wigged aristocrats and French bourgeoisie of the end of the eighteenth century. In his lectures, behind Napoleon, as a revolutionary emperor, there exists, however secretly or openly, the figure of Stalin, with (...) his plans for the “building of socialism in one country,” his five-year plans, collectivization, and terror. Kojève’s ontology and anthropology diverge both from Hegel’s version of the two as well as with Marxism, incorporating different theses from Nietzsche and Heidegger’s Daseinanalytik. Just as in The Phenomenology of Spirit, terror plays a central role in interpreting revolution, yet it is conceived in the spirit of a Heideggerian “being-toward-death.” The relation between Master and Slave begins with fear of death, and it is destroyed by fear of death in the face of revolutionary terror. In this article, Kojève’s philosophy converges with the various versions of “left Nietzscheanism,” which were particularly widespread in prerevolutionary Russia. (shrink)

Introduction. The article considers the ontological difference as a fundamental idea dividing M. Heidegger’s ontology into two levels. The author proposes an explication of temporal foundations for the main principle of fundamental ontology, the ontological difference, on the basis of existential analytics of Dasein. It is assumed that the organization of Dasein is a micromodel of being in general, which is the ultimate goal of M. Heidegger’s philosophical work. The aim of the study is to explicate the (...) phenomenon of simultaneity as the ontological basis of the temporality of Dasein as a result of philosophical analysis, Methods The author uses hermeneutic, phenomenological and some general scientific methods such as analysis, synthesis, and abstraction. The scientific novelty of the study. When analyzing the self as an existential center of Dasein the author reveals the ontological duality of the first and, as a consequence, of the entire model of existence. The phenomenon of existence towards death is analyzed in the context of existential gap in the centre of the Dasein self, which gives rise to different ways of Dasein being - genuine and non-genuine; the author considers and analyzes the whole structure of the temporal Dasein in the light of the thesis of the human existence finiteness. On the basis of this idea, the key role of simultaneity is revealed, which becomes the ontologically initial concept in relation to the whole Dasein system of being and, accordingly, the fundamental ontology. It is suggested that the ontological difference is based on the more fundamental principle of temporal synthesis. Results. The author presents a model of Dasein existence structure on the basis of the dual nature of the self, with the simultaneity belonging to the ontologically determining specificity of the organization. Conclusions. The temporal justification of ontological differences reveals a feature of fundamental ontology, which consists in a specifically transformed dialectic of being and nothing. The study shows that fundamental ontology offers an atypical approach to the problem of time. (shrink)

“In the beginning there was hunger.” This opening quote from Levinas sets the stage for Pelluchon’s ethico-political project that revamps classical phenomenology’s intentionality of the ego by focusing on the sensing and enjoyment of the “gourmet cogito” who “lives from” and finds nourishment in a world that cannot be reduced to a noeme. She critiques Heidegger’s existential analytic and focuses on an ontology where our love of life precedes our being-towards-death, before boldly mapping out a new social pact, founded (...) on the structures of existence that her phenomenology of nourishment reveals. (shrink)

This paper assesses two reformulations of Epicurus' argument that "death ... is nothing to us, since while we exist, death is not present; and whenever death is present, we do not exist." The first resembles many contemporary reformulations in that it attempts to reach the conclusion that death is not to the disadvantage of its subject. I argue that this rather anachronistic sort of reformulation cannot succeed. The second reformulation stays closer to the spirit of Epicurus' actual position on death (...) by attempting to reach the conclusion that it is inappropriate to fear or dread or have any other negative affective response towards death. I raise a plausible objection to this argument, suggesting that dissatisfaction is sometimes an appropriate response to the approach of death. I then go on to consider the possibility that Epicurus was partly right in that it may always be inappropriate to dread death. (shrink)

Can Christians affirm their belief uneqivocally without denying the beliefs of others? They can, this book holds, by claiming that Christian revelation is both reasonable and faithful to tradition, but not necessarily infallible or exclusively definitive. To the Christian, in Dr. Ketcham's words: "It is in the life, death, and Resurrection of Christ that God presently reveals Himself; this is what is meant by the term Christ-event.... The Church is therefore the community of those whose identity has been and is (...) being influenced by their encounter with God in this event." Thus the Christian "must participate in the suffering and conflict of this world, not out of superiority of insight but because of an integrity of dedication." Dr. Ketcham believes that current changes in the thinking and expression of the 19th and early 20th centuries are not matters of style or vogue. Rather, they are changes having to do with our understanding of the very nature of reality. No aspect or expression of life is left unaffected—least of all our understanding of the person and work of Jesus the Christ. Therefore "the purpose of this book is to provide an alternative to the traditional doctrine of the incarnation, an alternative which will do justice to the witness of Scripture, to the history of faith, and to the insights of a phenomenological ontology. "Beginning with the ontology implicit in Buber's _I and Thou_ and Heidegger's _Being and Time_ and responsive to the insights of Husserl's phenomenology and Kierkagaard's existentialism, Dr. Ketcham takes a more radical position than most contemporary theologians. His purpose is to make a contribution toward the revitalization and unification of the Church: "The mission of the Church is to achieve community, a oneness through the Christ-event, so that every man may affirm with freedom his authentic being with God and with his fellow man.". (shrink)

The essay reexamines the famous scene from Proust’s ›In Search of Lost Time‹ about the death of the writer Bergotte. In pointing out that the notorious ›patch of yellow wall‹ Bergotte claims to have discovered in Vermeer’s ›View of Delft‹ does not exist in the real painting, the article’s aim is to show that the scene is not to be read as an autobiographical recollection, but rather as a reflection on ›mimesis‹, i.e. on the transcendental conditions of perception and representation. (...) As such, it can be considered to have in large measure inspired the reorientation of Maurice Merleau-Ponty’s later phenomenological oeuvre towards a new ontology. On the basis of Merleau-Ponty’s recently published lecture notes, the essay locates the common concern of the writer and the philosopher in the idea of remembrance not as a derivative phenomenon, but as an originary mode of givenness. (shrink)

Preview: Words have weight and power; and so do narratives and ideas. They can shape and re-shape realities. They can reveal unheard and unthought of before aspects and dimensions of the world we live in, and in this sense, constitute truth for us; however, they can also, by means of the very same gravity conceal, distort or even destroy our view on reality and our vital relations with it and with ourselves. They are the basic means of our self-understanding, but (...) they can also destroy the very fundaments of it. We always find ourselves within a certain discursive space providing us with the basic ontological, existential, and axiological coordinates for our living and acting. These coordinates indicate and are expressive of our values and concerns, our plans and projects, our normative ideals, and basic attitudes toward ourselves, others, and strangers. They are informative of who we are by pointing out where we stand. They constitute a space of mattering: the space within which our lives are possible only because first they are meaningful; that is, worth of standing for, worthy of defending. However, these spaces quite quickly can become taken for granted, then de-temporalized, de-historicized, petrified, and finally no longer expressive of our identities. (shrink)

Phenomenologist Merleau-Ponty, early on, neglected music's theoretical value in favor of painting's. Later, however, he found that it is the transience of music that speaks to the phenomenological experience of Being. This transition from painting to music presents the possibility of an ontological understanding of music for psychoanalysis. For Freud, music and morality were both from a “beyond” that was an effect of neurosis. Drawing on psychoanalyst Bion's idea of container–contained, and his disciple Meltzer's application of this to (...) art, as well as Bion's later innovation of the unknowable O, I apply Merleau-Ponty's distinction between painting and music to the therapeutic nature of art in order to see what sort of psychoanalytically significant revelation is obtained through music. (shrink)

The paper analyzes, from a perspective which is itself existential-ontological, the way in which in an early text of Martin Heidegger, Phänomenologische Interpretationen zu Aristoteles (Anzeige der hermeneutischen Situation) [1922] – which had already outlined some determinative elements of the ideas expounded in Being and Time –, the meditation on the always living and current conditions and hermeneutical situation of philosophizing expanded in fact into an inquiry about the origins, grounds, essence and sense of philosophy as such. Meditation (...) in and through which philosophy identifies itself and is founded on the one hand exactly as a mode of existence of the mortal “human Dasein” (menschliches Dasein), that is a factic mode of existence of this, philosophy, on the other hand, itself originates from and in man’s factic life exactly with the aim of being the modality through which this being – namely ourselves – returns towards the problematization of his existential possibilities even by taking upon himself the burden and “weight” of radical interrogation. Which therefore goes and must go itself and resolutely – because if this entirely “without God” and consequently a-theist – to the historical and ontological roots of a present con-temporarized (mitzeitigt) both with the past and the future existential horizons of the assumed factic possibilities. (shrink)

This article discusses the possibilities of the ontology of hospitality running across the categories of angst, responsibility and aporia. In this way it seeks to address the radical finitude of our concrete death, incorporating the needed, existentive, and ontic considerations of dying, which the heideggerian previous attempt moved away as irrelevant, being not original ones to philosophical reflection. This recovery does not mean, absolutely not, that death and dying have lost their true character and perplexing mystery, or that they (...) have dissolved the very nature of our aporetic existence. Rather, death is and will remain being such an indeterminate and always present concern, restlessness disturbing thought, as beautifully as Schopenhauer had said before: "death is the true inspirational genius or Musagetes of philosophy". (shrink)

From Nietzsche's pronouncement that "God is dead" to Camus' argument that suicide is the fundamental question of philosophy, the concept of death plays an important role in existential phenomenology, reaching from Kierkegaard to Heidegger and Marcel. This book explores the phenomenology of death and offers a unique way into the phenomenological tradition. Paul Fairfield examines the following key topics: the modern denial of death Heidegger's important concept of 'being-toward-death' and its centrality in phenomenological ideas, such as authenticity and (...) existence the philosophical significance of death rituals: what explains the imperative toward ritual around death, and what is its purpose and meaning? death in an age of secularism the philosophy and ethics of suicide death as a mystery rather than a philosophical problem to be solved the relationship between hope and death. Death: A Philosophical Inquiry is essential reading for students of phenomenology and existentialism, and will also be of interest to students in related fields such as religion, anthropology and the medical humanities. (shrink)

The purpose of this paper is to analyze the theoretical commitments of autopoietic enactivism in relation to Errol E Harris’s dialectical holism in the interest of establishing a common metaphysical ground. This will be undertaken in three stages. First, it is argued that Harris’s reasoning provides a means of developing enactivist ontology beyond discussions limited to cognitive science and into domains of metaphysics that have traditionally been avoided by phenomenologists. Here, I maintain enactivist commitments are consistent with Harris’s reasoning from (...) certain synthetic a priori first principles, to his derivation of a teleological anthropic principle, which asserts the necessity of consciousness within the cosmos. Second, it is proposed that Steven Rosen’s long-standing proposal for a topology of phenomenology may provide a common logical foundation for both Harris and enactivists regarding anthropic reasoning. Third, it is argued that a pragmatic approach to process ontology is the most rigorous way of responding to the realism/anti-realism concerns that inevitably follow. If successful, this work will update Harris’s arguments with contemporary scientific and philosophical terminology and extend enactivism from philosophy of mind, into a general phenomenological ontology. (shrink)

Speaking as one of the founders of American Continental philosophy, Calvin O. Schrag offers an exceptionally clear, balanced, and informative discussion of a complex questions vexing postmodern currents of philosophical and theological reflection: Does the "death" of the god conceived as a "highest being" in Western, and especially modern, traditions open a new space within which to rethink God in terms of a "gift" or "giving" that would stand beyond the usual spate of metaphysical categories? Schrag draws with grace, (...) ease, and precision upon the history of Western metaphysics, from Plato and Aristotle through Nietzsche and Heidegger. Most important to his central question of God as "otherwise than Being," however, are such influential post-Heideggerian thinkers as Jean-Luc Marion, Jacques Derrida, and Emmanuel Levinas. Schrag's inquiry engages these thinkers at a serious level and also expands recent discussions by relating them to the work of figures hitherto overlooked or underplayed, most notably Paul Tillich. (shrink)

Writing, the exigency of writing: no longer the writing that has always (through a necessity in no way avoidable) been in the service of the speech or thought that is called idealist (that is to say, moralizing), but rather the writing that through its own slowly liberated force (the aleatory force of absence) seems to devote itself solely to itself as something that remains without identity, and little by little brings forth possibilities that are entirely other: an anonymous, distracted, deferred, (...) and dispersed way of being in relation, by which everything is brought into question – and first of all the idea of God, of the Self, of the Subject, then of Truth and the One, then finally the idea of the Book and the Work so that this writing (understood in its enigmatic rigor), far from having the Book as its goal rather signals its end: a writing that could be said to be outside discourse, outside language. – Maurice Blanchot ( The Infinite Conversation , xi) The Compendium * Beginning with the idea and practice of writing, and moving to the subject or self, then to truth and the One, and arriving at the Book and the Work, Blanchot’s words reflect the trajectory of the following work of writing. True to the embeddedness of the subject in the work of writing, the term “Compendium” has been a metonym for me over the past few years as I have thought about the concept of totality alongside its expression in figures such as the One, the Whole, or the All. In the following I aim to share some of the content of this metonym, and to enrich it by making some distinctions. 1 Here the term “Compendium” will refer to a concept of totality that is ontological (pertaining to being, and the copula) and also textual (pertaining to the symbolic, and the signifier-signified relationship). The Compendium is a figure for thinking the world as a Book, in the broadest sense—an approach to reality that is by no means new, but one that is due for renewal. 2 In partial answer to the question of the Compendium we will say that the word ‘Compendium’ stands in for expressions which seek to totalize, or concepts which seek to approach the concept of ‘everything,’ particularly when these expressions are bound up in the question of the Book (both the book as a physical object and the Book as a metaphysical figure: a way of thinking about the work in and of writing). The question of the Compendium is strongly associated with the physical and metaphysical form of the Book, like the mysterious and symbolic books which are opened in the Biblical book of Revelation, the book of life and the book of death, which together constitute an important couplet. 3 Parataxis & Hypotaxis There are two helpful distinctions that will bring us closer to an answer to the question “What is a Compendium?” The first distinction is between two figures in and for writing: parataxis and hypotaxis . Typically paired in contrast to one another as literary techniques, with parataxis indicating a side-by-side placement of textual elements and hypotaxis referring to subordinate arrangements of textual elements, the two figures can be understood as having a philosophical significance in addition to their practical function as devices for writers. For us these two terms will remain between philosophical theory and writing practice, and serve as a perspective for our writing and creation of texts. Here I take texts to refer to anything from the concrete written words in a book, to the ontological text of the world that we experience. Parataxis , as a figural way of thinking about the ontological structure of texts, refers to texts which are tightly woven and interdependent – texts within which each sentence bears the weight of the entire work. Parataxis often involves repetition, great density, and fragility. One of the best examples of this sort of text is Theodor Adorno’s posthumous magnum opus , Aesthetic Theory . In addition to the text itself, the translation history of the book may also help us to better understand parataxis and its relation to hypotaxis . The final published version of Aesthetic Theory , in German, was a text that Adorno intended to revise and rewrite, but this intention was never realized because of his untimely death. Where the German text of Aesthetic Theory certainly exemplifies the concept of parataxis , the first English edition took this densely woven text and carved Adorno’s lengthy paragraphs and lengthy sentences into manageable ‘bite-sized’ pieces of English text. The first translator took further liberty and inserted headings and new paragraph breaks where there were none in the original. Aesthetic Theory was eventually retranslated by Robert Hullot-Kentor and is now available in a form that is much more faithful to the original work. 4 The pertinent idea that this translation history points to is the distinction between parataxis and hypotaxis . Where parataxis describes texts which are repetitive, densely woven, and often fragile, hypotaxis describes texts which are hierarchical and in which the primary relation is linear – the latter of which is very similar to the first English translation of Aesthetic Theory . On the other hand, the original German text that Adorno wrote was very dense, often repetitive, and contained long sections of text unbroken by paragraphs or headings. This example of parataxis was then turned towards hypotaxis through the initial translation which took a text that was, in many ways, nonhierarchical and nonlinear, and artificially subjected it to a hierarchy that was not its own (and here I take the word of Fredric Jameson who comments on the two translations in a note at the beginning of his book Late Marxism ). 5 The point here is not about translation, but rather the distinction between parataxis and hypotaxis precisely as they are figures for discourse, written or otherwise. The concept of parataxis looks far more postmodern and rhizomic than the concept of hypotaxis which remains very modern and arborescent. This is a more figural way of talking about the distinction. However, if we wanted to take a more precise and analytical approach we could say that on the level of form parataxis involves a relationship between sentences and paragraphs in which each part bears an equally crushing responsibility to present the whole content of the text. As well, on the level of content, parataxis requires that each concept in a work take on the full conceptual weight of the total work. Continuing the analysis, we could say that parataxis describes texts in which there is no (or very little) linear or causal move from antecedent to consequent, whether in content or form. Instead, parataxis describes texts which weave together concepts via conjugations or associations. The concept of hypotaxis , on the other hand, requires that texts submit themselves to hierarchy, one example of which is logical argumentation. The contingency of the conclusion upon premises in hypotaxis is certainly distinct from the repetition, re-presentation, and conjugation of concepts in parataxis , and I think that this is evident in the difference between the writing styles prevalent in contemporary Analytic philosophy and Continental philosophy. It is not the case that the distinction between parataxis and hypotaxis absolutely corresponds with the writing styles of Continental and Analytic philosophy (respectively). There are thinkers who take exception to this pattern, such as Badiou’s more formal approach in the discourse of Continental philosophy to give one example. However, when Analytic philosophy takes its writing lessons from the sciences, and seeks to do philosophy via the clean linear move from antecedent to consequent, then I think that Analytic philosophy writes with hypotaxis in mind. On the other hand, when Continental (particularly German and French) philosophy takes its writing lessons from narrative or poetry then Continental philosophy writes with parataxis in mind. It is not fair to say that all those writing Continental philosophy are looking to narrative and poetry for stylistic direction, just as it is not the case that all those writing Analytic philosophy have mathematics and science as their writing format, however there are some striking ways in which the differing epistemologies of Continental and Analytic philosophy encourage writing with parataxis and hypotaxis in mind (respectively). For some, writing with parataxis or hypotaxis in mind is a conscious decision and a product of stylistic self-consciousness, and for others it is an unconscious discursive and epistemic requirement that must be met in order to be involved in a particular discourse. Before moving on to our second distinction, and then an examination of the question of the Book, it is important to point out that both totality and figurations like the One, the Whole, and the All, come out of very human desires to totalize or to actualize our being-towards-totality. The relationship between identity and totality then can be construed, with Heidegger in mind, as striving toward wholeness, completion, or fulfillment, each of which is a quality of compendia. 6 Compilation & Selection The first distinction between parataxis and hypotaxis pertains to both form and content, and to both the mechanics of writing and the ideas to which writing refers. The second distinction pertains to both as well. In the process of writing and in the process of perception as well, there is a tension between compilation and selection . To begin with, in the work of theory-writing there is compilation, and this is because writing theory requires a broad perspective and certain measure of totalization. On the other hand, writing theory requires that the writer select an idea or a combination of ideas to individuate out of a radical and infinite multiplicity of identities and combinations. The concern here is not primarily for the writing of a theory about a specific idea, like a secondary work or a reference text. But rather the concern is with the writing of grand theories: Marx and Marxism, Derrida and Deconstruction, Husserl and Phenomenology, Sartre and Existentialism, Saussure and Structuralism —each of which strives along a trajectory towards being all-encompassing, whether it intends to or not. Today, we could even say that Speculative Realism has embarked on this journey, and perhaps now we could say that the discourse of Speculative Realism has reached the inevitable point after which a grand theory leaves the hands of its writer or writers and becomes a possession of the collective consciousness of the academy, or (perhaps now) the mass consciousness of the blogosphere—and this is a true pharmakon , a poison and a cure, a blessing and a curse. 7 When we write theory, whether the scope is that of a grand theory or a particular theory, we write in the tension between compilation (making good on the desire to be all encompassing) and selection (being required to decide and discern and to judge what is included in the work and what is deleted or appended or abridged or given over to ellipses). Generally speaking, the work of theory-writing often comes out of a desire to totalize, that is, to develop a theory of everything that is able to apprehend new experiences and ideas while still remaining whole. I grant that this is not a universal desire, and that not everyone who sits down to write a work (or book) of theory does so because of their will-to-totality, but it remains that this drive to totalize does condition a great many writers of theory (especially those who seek to develop grand theories like those mentioned previously). At the beginning of his book of interviews, Between Existentialism and Marxism , Sartre is quoted as saying, after completing the first volume of his Critique of Dialectical Reason : “I no longer feel the need to make long digressions in my books, as if I were forever chasing after my own philosophy. It will now be deposited in little coffins, and I will feel completely emptied and at peace—as I felt after Being and Nothingness . A feeling of emptiness: a writer is fortunate if he can attain such a state. For when one has nothing to say, one can say everything .” 8 This is where our two initial distinctions come to bear on the being-towards-totality as it is expressed in the concrete practice of writing: the first being between parataxis and hypotaxis , and the second being between compilation and selection. Where this second distinction is concerned there is a certain paradox at play given that selection is inescapable, and compilation is unachievable. Selection is inescapable (with the figure of the Compendium in mind) because, even when the imperative to compile is followed to excruciating lengths, selection still has the last word. This is why the Compendium is a figure rather than some material thing that can actually be accomplished or actualized. No matter how far one goes along with the will-to-archive and the will-to-compile, it is only ever a question of minimizing selection and never eliminating it. This leads to the second point, which is that total compilation is unachievable. The closest thing to total compilation that we have before us is the ontological and textual fabric of the world. Even in the case of the world, compilation cannot be enacted in a total fashion because of the need to include both the sphere of the actual and the sphere of the possible or potential. This as another way in which compilation is always-already selection, and further evidence that total compilation is practically impossible. Discursive Figuration and Total Writing Rather than figuration referring to a figure of speech or an image, here the term points to a way in which to think about the work of writing, both the work put into writing, and the work that is the result of writing: the finished yet incomplete final piece. As figures or figurations, the Book and the Compendium are ways of thinking about the work of writing and the human desire for the wholeness, completion, and fulfillment that are made manifest in the completed form of the book (whether a published or printed or saved document put to rest by the author). These two figures bear more strongly upon works that seek to be all-encompassing, and works that strive towards expressions of totality such as the One, the Whole, or the All. Moving on to the topic of the subtitle, and on a more prescriptive note, I would say that there is more hope for theory-writing to be found in parataxis than hypotaxis . Part of the reason for this claim is the poststructuralist critique of hierarchies, and yet another part is the compelling line of thinking called “weak thought” (in theology by John D. Caputo, and in philosophy by Gianni Vattimo, among others). 9 The consequences of these two convictions are such that if one is to strongly assert the truth of a grand theory without leaving the realm of hierarchy-critique and weak thought, then one must write paradoxically with parataxis in mind, and in so doing write weakly and non-hierarchically. This does not mean avoiding a sort of topography or topology when writing theory, rather it means avoiding both subjugation and oppression in thought by pursuing a nonviolent sort of ontology. In order to do this, theory writing does not present itself as an exercise in logical analysis where one mechanically moves from a set of premises (via contingency) to the inevitable conclusion (via necessity). Instead, theory approaches the idea of a Compendium. Given that the figural Compendium places parataxis and compilation above hypotaxis and selection, then the question becomes: is placing one part of a binary term before another not just another way of selecting, or another expression of hypotaxis ? Counter to the urge to resign oneself to the reign of selection, with some qualification one can nonetheless write without deciding whether selection and hypotaxis should be subservient to compilation and parataxis (which is to say that writing-without-decision is somewhere between and beyond possibility and impossibility). This dilemma can be disarmed by stating that theory writing is not about primacy, and not about having-decided-beforehand, both stylistically and also where content is concerned. This is the paradox of writing: always striving along a trajectory ( telos ) towards totality via parataxis and compilation, but always being drawn back to finitude and making selections, and placing one idea before another with hypotaxis in mind. In light of this paradox, the question of the Compendium as a figure for discourse and a figural Book has resonance with Jacques Derrida’s essay on Edmund Jabès’ Book of Questions , found in his Writing and Difference . The Question of the Book “Little by little the book will finish me.” 10 Derrida quotes Jabès, and proceeds to outline the reflexive relationship between the author of the book and the book itself, each of which are subjected to the other through a sort of chiasmus, both ontological and textual (not that the two are entirely separable). The Book, for Derrida like Blanchot in the introductory quotation, “infinitely reflects itself” and “develops as a painful questioning of its own possibility”, and in light of this we can draw an association with the painful tension between the practical reality of selection and the ideal trajectory of compilation. 11 This tension in writing, between the will to total compilation and the necessity of abridgment, is an ontological tension between part and whole just as it is a textual tension between signifier and signified. The ontological tension in writing that Derrida expresses in his essay on Jabès is between everything and nothing – a contradiction which Derrida finds in Jabès’ Book of Questions and also in the divine, in God. When one writes between compilation and selection one writes towards totality, and here we can follow Derrida who states that the lapse in signification, presumably in the signifier-signified discrepancy, is a “ rupture with totality itself” and furthermore that this lapse cannot be rectified through deductive reason or even philosophical discourse. 12 This rupture with totality, found in the troubled relation between signifier and signified, can also tell us a lot about the Book and about writing. Given an understanding of writing as an ontological act that strives towards (but never accomplishes) totality, we can see the written book as the manifested and given body of that striving. Perhaps in other disciplines or even other schools of philosophy there is a cultural climate within which the article is prized above the book, but I am fairly confident, especially when referring to the grand theories of Continental thought, that there is a respect for the book as a uniquely meaningful object capable of apprehending totality. Derrida writes, Between the too warm flesh of the literal event and the cold skin of the concept runs meaning. This is how it enters into the book. Everything enters into, transpires in the book. This is why the book is never finite. It always remains suffering and vigilant. 13 Here the vitality of the literal event is compromised by the deadening weight of the concept, and the figure of the Book assists in this lapse of meaning. The Book is a totalizing object, much like the figure of the Compendium, and yet this totalization lacks its final object of completed totality both because the figural Book is necessarily incomplete, and because the physical book is always-already a product of selection. Instead of achieving its end of being a place where everything takes place, it suffers from the lapse of writing, the discrepancy between event and concept. Derrida continues his exposition on Jabès by bringing to light yet another reflexive relation, a reversal of the relationship between the Book and the world. Derrida writes that, for Jabès, “the book is not in the world, but the world is in the book.” 14 In addition to what was stated before, I take figuration to mean that the concepts employed, such as the Book or the Compendium, are not subject to the supposed rigor of analysis that is so prized by Enlightenment or Capitalist realisms. The figure of the Book and the figure of the Compendium cannot be held accountable to standards imported from scientific method, given an understanding that these standards require a concept to be replicable, consistent, falsifiable, measurable, and so on… This is an important point to make, especially in the present atmosphere within which theory must justify itself under conditions that are not its own. Instead of being held to these standards, figuration serves as a way in which to think about writing that leaves thought open to idealistic speculation, imperfect analogies, and most importantly the ever-present gain and loss that occur in the relationship between thought and being. By extension the figural way of addressing writing indulges in enough generalization to accommodate the excess/lack relationship between the ideal form of the Book or the Compendium, and the manifested and given body of a text (as it is practically completed and closed). Here we speak against the hostile atmosphere which would have theory submit itself to hierarchical rigor, rather than Blanchot’s “enigmatic rigor”, by being explicit about the discursive conditions and epistemic conditions under which theory operates. To write with parataxis in mind is, to a certain degree, to write with weakness as one’s methodology (with weak thought being in opposition to hypotaxis and hierarchy as much as weak thought can be in opposition to anything). Rather than asserting the strength of hierarchical theory, and rather than employing antagonistic argumentation with the goal of refutation different discursive and epistemic conditions for theory writing must be cultivated (and these are by no means new). First the critical and theoretical spirit reveals itself as being concerned with the task of complication—especially the complication and critique of binaries, dichotomies, dualities, polarities, paradoxes, parallaxes, hybridities, and especially antinomies. Second, theory positions itself as a sort of showing or revealing, rather than being ultimately focused on coming to full agreement or disagreement. This is where figuration can help theory-writing, both by placing emphasis on teleologies and trajectories (like parataxis and compilation), and by shifting focus away from pure primacy, power, or absolute origin. Figuration then, assists theory writing by placing the concern of theory outside of the concerns of the hard or soft sciences, and into the realm of thought or the idea. To speak of ‘the’ Compendium or ‘the’ Book, here, is to generalize not regarding the perfect form of the Compendium or Book, but to engage speculatively with an abstract idea which remains singular and yet complicated by multiplicity. The question of the Book that Derrida asks through Jabès is a question of everything and nothing, totality and nonbeing, and this question is a concern for writing and a concern for the figure of the Compendium so defined by the tension between compilation and selection, and parataxis and hypotaxis . On the note of nonbeing, we can look to the final page of Derrida’s first essay on Jabès in Writing and Difference and notice the introduction of his neologism, différance (with an ‘a’). Derrida writes: Life negates itself in literature only so that it may survive better. So that it may be better. It does not negate itself any more than it affirms itself: it differs from itself, defers itself, and writes itself as différance . Books are always books of life (the archetype would be the Book of Life kept by the God of the Jews) or of afterlife (the archetype would be the Books of the Dead kept by the Egyptians). 15 This introduction of différance into the equation of the Book, alongside ontological affirmation and negation, hearkens back to the discussion of the symbolic lapse earlier in his essay. Differing and deferring, the Book is always a Book of Life and a figure for the intersection of the vital (life) and the total in writing. In a way, the writer of the Book may be someone who lives life, and in another way the writer of the book-as-object may be someone who engages in the act of writing, both practically (by inscribing words on paper, or typing script on a computer) and ontologically or symbolically (by investing their existence and inexistence into a work worthy of the figural Book). In addition to the writer as writer, the writer also serves as an editor, and the editorial role alongside the idea of the Compendium shows the editor to be one who collects and compiles, while being restrained by eventual selection and decision. Beyond this the editor of works and texts, in both the Book and the world, is engaged in a process of inscribing notation—of annotating (on) the Compendium. Eternal commentary is a feature of the textual Compendium, just as open-ended totality describes the ontological Compendium. The writer as writer does not simply write texts, but rather engages in a profoundly ontological act of inscribing their existence into the world, and the writer as editor does not merely annotate or alter texts as they are, but rather comments upon the text of the world. In/Conclusion So as we create texts, and as we write and create theory, let us be and remain attentive to the figure of the Compendium and the figure of the Book. These two concurrent metonymies are essential for total writing (grand theories, etc.), and may be forgettable for those concerned with fragmentary or hierarchical writing (which are valid in their own right). From the ontological and symbolic text of the world and phenomenological experience, to concrete texts such as books or mixed media, the figure of the Compendium and the figure of the Book are important for the actualization of the human will to be all-encompassing. The figure of the Compendium teaches writers of theory that the repetition, density, and fragility of parataxis offers a strong sort of weakness which does not become yet another variety of oppressive and hegemonic thought. Rather than write with hypotaxis in mind, subjugating one thought to another via cause and effect or antecedent and consequent, I would hope that theory-writing could guiltlessly indulge in the dialectical and contradictory conjugation of ideas, and take this as a legitimate methodology. Rather than being ashamed of showing resonances or giving way to abridgment or ellipses, it is my own authorial (but not authoritative) conviction that one need not give up on totalizing and constructing grand theories because of the fact that complete totalization is impossible, and one need not give up on totalizing and constructing grand theories because of the worry of violence, for the Book and the Compendium lack their completed object and are ever incomplete trajectories. NOTES * UPDATED 7/19/13: we've updated the HTML version to reflect the (correct) PDF version. Our apologies to the author—eds. 1. I would like extend thanks to Dr. Peter Schwenger of the University of Western Ontario for his comments on this paper and his hospitality as it was presented as a Theory Session at the Centre for Theory and Criticism on October 26th 2012. I would also like to thank Andrew Weiss for conversation and critique. 2. I should clarify my use of the term ‘figure’ at the outset. Given the use of the term by Jean-Francois Lyotard in Discourse, Figure (and also Gilles Deleuze in Francis Bacon ), I should state clearly that my use of the term will not correspond to the term ‘figure’ understood as the representation of an object. Instead, my use of the term ‘figure’ and its variations (‘figural’, ‘figurative’, ‘figuration’) will refer to the illustrative or metaphorical use of the Compendium or the Book as models or ways of thinking about writing and discourse. 3. Cf. Revelations 20:12-15. 4. Theodor Adorno, Aesthetic Theory , Trans. Robert Hullot-Kentor (London & New York: Continuum Press, 1997). 5. Fredric Jameson, Late Marxism: Adorno, or the Persistence of the Dialectic (London & New York: Verso, 1990), ix-x. 6. I have written about this concept of being-towards-totality elsewhere in two pieces of writing: the first is called Notes on the Compendium (an unfinished draft) which addresses some very wide theoretical concerns, being structured as a sort of itinerary or archive, and the second is Dialectics Unbound (Punctum Books, 2013) which outlines a concept of totality without the violence of totalization. While these works are more concerned with ontological totality, here I would like to focus on the idea of the Compendium as a textual totality. 7. Cf. Louis Morelle, “Speculative Realism: After Finitude and Beyond, A vade mecum” in Speculations: Journal of Speculative Realism . Issue 3 (Brooklyn, New York: Punctum Books, 2012), 241-272. 8. Jean-Paul Sartre, Between Existentialism and Marxism . Trans. John Matthews (London & New York: Verso, 1974), 9. 9. Cf. John D. Caputo, The Weakness of God (Indiana: Indiana University Press, 2006). 10. Jacques Derrida, “Edmond Jabès and the Question of the Book” in Writing and Difference . Trans. Alan Bass (Chicago: University of Chicago Press, 1978), 65. 11. Ibid, 65. 12. Ibid, 71. 13. Ibid, 75. 14. Ibid, 76. 15. Ibid, 78. (shrink)

This paper is based on the archives of Michel Foucault collected (since 2013) at the Manuscripts Department of the Bibliothèque nationale de France in Paris. Our investigation focuses in particular on a complete manuscript, until now totally unknown and entitled ‘ Phénoménologie et psychologie’ (‘Phenomenology and Psychology’). This manuscript could be the first project for a thesis devoted to ‘The Notion of the “World” in Phenomenology’, written around 1953–4, at the same time as a manuscript on Binswanger and existential psychiatry (...) and as a manuscript on philosophical anthropology. We aim to show the importance that phenomenology seems to have held for Foucault at the beginning of the 1950s and in particular the role that it could have played in Foucault’s distancing himself from a naturalist psychology and a philosophy of consciousness to which he opposes a philosophy of the world, of being and of language. Foucault thus discovers a truth of the phenomenology which rests on the radicality of the transcendental gesture and on the access to an ontology gathering the being, the meaning and the language. (shrink)

This is a phenomenological exploration of my relationship with eyeliner. I draw parallels between the loss of possibilities in Heidegger’s being-towards-death and the cutting off of the possibility of wearing eyeliner through illness. I discuss Sartrean and Kierkegaardian views of the self and how, through illness, self can become Other.

Human being is essentially a homo theologicus. Its thinking is a theologal way of being. The origin of theological thinking is the onto-existential condition of man as being in the world toward the Transcendence through death in the quest for Meaning. Transcendence is the perfect union of the ontological (Being) and the epistemological (Meaning) in an analogical relationship with the identity between “kalon” and “agathon” as present in Plato. There is an essential correspondence between (...) Being and Meaning that has ontological preeminence over the correspondence between Being and time. The present paper examines Heidegger’s main onto-existential categories in the horizon opened by E. Stein and V. Frankl. A critical approach to Heidegger’s anthropological ontology is carried out aiming to develop a theandric ontology of Dasein. A provisional general definition of the homo theologicus is acquired, in which human being is thought of as thankful thinking in the perpetual celebration of Meaning. (shrink)

“No one can take the other’s dying away from him,” as Martin Heidegger famously claimed, but what he was significantly silent about was that beings, both human and non-human, can mutually contribute to each other’s death. By focusing on the interrelatedness of deaths, this paper presents a reversal of the Heideggerian perspective on the relation between Dasein’s mineness and “being-toward-death.” Drawing upon the structural meaning of death, which consists in the fact that no one can replace me in (...) that I will die, I show that the phenomenon of contributing-toward-the-death-of-others individuates Dasein as well. This will allow us to reread the threat of the They in the context of the Anthro- pocene, elucidating the non-transferable character of my share in others’ death. Finally, the paper aims to deepen our understanding of the change in the character of death which has been brought about by technology in the Anthropocene. (shrink)

This essay will attempt a line-by-line reading of Lacan’s famous “The Mirror Image as Formative I Function as Revealed in Psychoanalytic Experience” (1949) published in the collected volume of essays, Ecrits (1966). The article attempts to show that Lacan’s essay opens a space of primordiality, whereby we can revisit Heidegger’s critique of subjectivity and the Cogito, terms that originate with Descartes and evolves to Kant’s Critiques of dogmatic metaphysics, particularly in Heidegger’s Being and Time. These are steps Heidegger takes (...) to set up his attempted critique of Hegel, who in turn tries to surpass the history of philosophy rooted in modern subjectivity, particularly in his Phenomenology of Spirit (1807). However, missing in Lacan’s essay and what remains unarticulated in Heidegger’s Being and Time is the following: relation between time, movement, and the space of primordiality where all notions of factical existence dissolve. Being born in time, developing in time, being in or at time, and being-towards-death, as Heidegger struggles to deconstruct – by way of his unique appropriation of phenomenology in Being and Time – can be questioned. Indeed, what Heidegger fails to develop, and he admits it explicitly, is the other side of his ‘one-sided’ treatment in the investigation: he only analyzed death as a possibility of Dasein’s greatest possibility to ‘be-Whole’ authentically (1962, 277) and completely neglected ‘being-towards-birth’ as the ‘other end’ of Dasein’s movement (1962, 425). We will argue that one is never born as a biological fact of existence, a social construction assigned at physical birth, like a gender or sex, or any religious notions of a created being from God the Creator, or any notions of rebirth, reincarnation, or resurrection, namely from religions in the West, like Roman Catholic Christianity, and the East, like Hinduism. Rather, ‘being-towards-birth’ in relation to the linear time of flowing now-points (past as no longer now, present as now, future as yet to be now), or ‘being-within-time,’ (Heidegger 1962, 457) is temporalized other than a dateable origin in spatialized time or history. (shrink)

Determination of time-of-death is closely related to the mortality criteria. In prehistoric times, the criteria of death were narrated through the event of the body being evacuated from the spirit or soul leaving the human body. Along with the development of science in the modern era, scientists argue the criteria of biological death and clinical death. This study projected to critically philosophically analyze the time-of-death determination related to scientific criteria. The methods used in the data analysis stage were historical, (...) hermeneutic, comparative, and critical reflection. The results showed that the scientific criteria of death were inadequate to be used in the determination of time-of-death. Time-of-death objectively existed as a separate reality outside of human beings and its existence was absolutely determined or influenced by the existence of other realities. Time-of-death ontologically meant the end of life; epistemologically signified the absence of life and had no mysterious nature; axiologically it was a symbol or metaphor of human powerlessness to judge and determine the continuity of life. (shrink)

While unicellular microbes such as phytoplankton (marine algae) have long been considered immortal unless eaten by predators, recent research suggests that under specific conditions entire populations of phytoplankton actively kill themselves; their assumed atemporality is being revised as marine ecologists recognize phytoplankton’s important role in the global carbon cycle. Drawing on empirical research into programmed cell death in marine microbes, this article explores how, in their study of microbial death, scientists change not only our understanding of microbial temporality, but (...) also reconstruct the relationship between life and death, biological individuality and assumptions about a natural teleology associated with bounded biological systems and genetic programmes. Reading this research together with a Derridean deconstruction of the limit between human and other animals with respect to death, this article explores how the deconstruction of individuality from within biology may suggest alternatives to our anthropocentric notion of time and embodiment. (shrink)