A detailed examination of post-Marxist political theory, focusing especially on the work of Laclau, Habermas, and Derrida. Devenney identifies common concerns between these theorists and demostrates how the respective strenghts of each compliment the weaknesses of the other.

Disinterring Kant -- Kant's first critique and the problem of reification -- The aesthetic, the beautiful and praxis -- The aesthetic and class interests -- The sublime in Kant's philosophical architecture -- Labour, the aesthetic, and nature -- On Marxism and metaphor -- In the laboratory of Kant's aesthetic.

First published in 1948, Frederick Antal’s Florentine Painting and Its Social Background was an important milestone in anglophone art history. Based on European examples, including Max Dvořák, it sought to understand art history’s relationship to social and intellectual history. When Antal, a Hungarian émigré, arrived in Britain in 1933, he encountered an inward-looking discipline preoccupied with formalism and connoisseurship; or, as he phrased it, art historians of ‘the older persuasion’ ignorant of ‘the fruitful achievements of modern historical research’. Despite its (...) considerable scholarship and erudition, Antal’s book was not warmly received, largely because he had used historical materialism to understand the production of art and the development of styles. Antal’s class-based account of the social position of the artist and the role of the patron in determining the emergence of early Renaissance styles was especially controversial. However, although Marxist analysis was used to challenge the assumptions of Anglo art history, it was not Antal’s intention to weaken art history’s disciplinary autonomy. With historical materialism, he sought to place art history on a firmer historical footing. Most importantly, this approach was compatible with the discipline’s Central European tradition, where art-historical scholarship was framed by questions of method and based on broad historical research. Without defending its more deterministic features, this article supports a re-evaluation of Antal’s book, as an important forerunner of interdisciplinary art scholarship. It considers why Antal’s legacy has not endured, despite the ‘social history of art’ enjoying widespread acceptance in English-speaking art history in later decades. (shrink)

This book addresses pioneering views and hot topics in contemporary Marxist philosophy, reflecting the latest advances and important achievements made over the past 30 years in China. Besides summarizes and reflects past and present advances in Marxist philosophy, this book also outlines a path for its future development in China. Presenting a comprehensive exploration of the most fundamental and significant theoretical issues in the field of contemporary Chinese Marxist philosophy, based on the latest research, it lays the foundation for Chinese (...) philosophy in the new century, making it of great significance for promoting the study of contemporary Chinese philosophy. (shrink)

Of great relevance to contemporary debates over socialism and democracy, Young Sidney Hook reopens the controversial question of the relationship between ...

Does Marxism reflect uncritically the conceptual system it fights against, rather than a truly comprehensive approach to human history? Drawing on innovative work in anthropology, history and philosophy, Professor Donham confronts this problem in analyzing a radically different social order: the former Maale kingdom of southern Ethiopia. Unlike capitalism, where inequality is organized by contracts between 'free' individuals, powerful men in Maale were conceived as 'begetting' others through control of biological fertility and material fortune. The author scrutinizes this unusual (...) system of domination in order to sharpen issues in social and cultural theory. He concludes that the interpretation of symbols and analysis of historical contingency should be crucial steps in any Marxist investigation. This unusual combination of social theory and ethnography will appeal to anthropologists, sociologists and political scientists. (shrink)

This review-essay explores approaches to the thought of the creative Soviet Marxist thinker Evald Ilyenkov as discussed in a recent book edited by Alex Levant and Vesa Oittinen, Dialectics of the Ideal: Evald Ilyenkov and Creative Soviet Marxism. The book consists of a series of commentaries and contextual essays which centre on the translated text of Ilyenkov’s Dialectics of the Ideal. The approach the authors take to Ilyenkov’s work differs from previous ones of exploring the totality of Ilyenkov’s thought (...) or eclectic aspects of it. By commenting on and contextualising Ilyenkov’s major text on the Ideal they locate the contribution of Ilyenkov in dialogue with traditions of classical European philosophy, and Western and Soviet Marxism, and in his importance to contemporary issues in philosophy and other disciplines. A deep analysis of Ilyenkov’s dense and often complex text is also given. By doing so the authors highlight the immense contribution of Ilyenkov to contemporary thought. (shrink)

The aim of the study is to assess current trends, regularities and contradictions in the Marxist critique of neoliberal capitalism. The methodology of the study is built on a comparative analysis of the latest scientific works, an approach based on quantitative analysis of the global neoliberal development in the period 1980–2020. For the analysis this authors used the data of the World Bank and the International Monetary Fund(IMF) on the group of ‘Big Seven’ countries – Canada, France, Germany, Italy, Japan, (...) United Kingdom, the United States and China. A comparative analysis shows a significant lag in the countries with a neoliberal model of global economic growth. It can be argued that the neoliberal model of economic development proved effective at the initial stage of its practical application in overcoming the inflationary shock caused by the oil crisis of the 1970s, as well as in the conditions of highly competitive industrial production. At the same time, in the context of the post-industrial formation of the digital economy, neoliberal ideology no longer meets the challenges of the times and is no longer able to support sustainable economic growth as well as prosperity. (shrink)

Introduction Marxism did not come to China simply as one of the many waves from abroad that inundated Chinese intellectual life during the late Ch'ing ...

In The Specter of Materialism Petrus Liu examines what "materialism" means for progressive queer theory and Marxist approaches to China's postsocialist economy. Liu recasts the history of queer theory in light of the Beijing Consensus, arguing that North American queer theory's inability to sustain a materialist analysis is the result of its positioning of the United States, rather than China, as the focal point of contemporary global capitalism. Analyzing relations of gender and sexuality that have been reconfigured by China's global (...) capitalist accumulation-such as dagongmei (female migrant laborers in China's export-oriented sunbelt) and money boys (rural-to-urban sex workers)-Liu argues for a materialist queer theory that positions China at the center. (shrink)

루카치의 ‘물화(Verdinglichung)’ 개념이 마르크스주의적 성격으로 충분히 분석될 수 있으며, 그렇게 해명될 때 물화 개념을 토대로 한 비판사회이론(Kritische Gesellschaftstheorie)을 더욱 더 풍부하게 재활성화 될 수 있다. 하버마스는 의식철학의 패러다임을 비판하면서 루카치의 물화 개념에 대해 범주오류의 문제가 있음을 제기하였고, 최근 호네트는 규범론적 차원에서 루카치의 물화 개념을 재활성화하고자 하는 시도를 전개하였다. 그런데, 이러한 규범론적 토대를 루카치의 물화개념에서 찾고자 하는 시도가 보여준 일면적인 이론적 경향은 최근의 물화 개념 및 비판 이론의 논의를 협소하게 만들고 있다. 논자는 물화 개념에 기초한 초기 비판이론의 성격과 이론적 과제를 더욱 (...) 더 풍부하게 하기 위해 루카치 텍스트의 고유한 맥락으로 되돌아가서, 마르크스주의적 성격을 분석해 내고자 한다. ‘기만당하는 의식’에서 루카치의 물화 개념의 본래적인 의미를 도출될 수 있다. 이것은 ‘의식철학의 문제 영역으로 회기’ 필요성의 단서를 제공한다. (shrink)

Although neither Marx nor Engels attempted a systematic analysis of the development of merchant capitalism in 17th-century Holland, both did mention this "model capitalist nation" in their writings. Their analysis stressed that Dutch capitalism was based on the exploitation of non-capitalist forms of production, and that the decline of the Dutch Republic in the 18th century was the history of the subordination of commercial capital to industrial capital. Since the turn of the century Dutch Marxists have contributed substantially to this (...) classical analysis, paying much attention to the Dutch Revolt against Spain, which they considered as an early bourgeois revolution led by aristocrats. Nowadays Marxist historians seem to be divided as to the nature of the Dutch Republic: was it a "feudal business economy" or the first appearance of a full-fledged capitalism? A necessary conclusion seems to be that the realities of Dutch history call for a non-unilinear Marxist interpretation. (shrink)

The present book is an in-depth study of Lukács’ musical aesthetics and, more specifically, of his essay on music from The Specificity of the Aesthetic (Die Eigenart des Ästhetischen, 1963). Lukács’ problematic in this essay revolves around a central issue in the history of Aesthetics: the problem of mimesis in music. Since the time of Plato and Aristotle music has been regarded as a mimesis (an imitation) of reality. However, this theory of music as mimesis presents major difficulties which have (...) long been the subject of philosophical thinking: how is it possible that an art so far removed from reality, an art that employs sounds (not images or concepts) be considered as an imitation of reality? This is the main question that concerns Lukács in this essay. The present book seeks, through the detailed examination of Lukács’ central argument, to demonstrate and clarify Lukács’ solution to this problem of musical mimesis and to highlight its significance for the contemporary debate on Aesthetics. (shrink)