Reluctance to adopt mask-wearing as a preventive measure is widely observed in many Western societies since the beginning of the COVID-19 pandemics. This reluctance toward mask adoption, like any other complex social phenomena, will have multiple causes. Plausible explanations have been identified, including political polarization, skepticism about media reports and the authority of public health agencies, and concerns over liberty, amongst others. In this paper, we propose potential explanations hitherto unnoticed, based on the framework of epistemic injustice. We show how (...) testimonial injustice and hermeneutical injustice may be at work to shape the reluctant mask adoption at both the societal and individual levels. We end by suggesting how overcoming these epistemic injustices can benefit the global community in this challenging situation and in the future. (shrink)

Arabic lanaguage; history and criticism.

本研究得到国家社会科学基金“法制与法治国家”重大项目、教育部“社会变迁中的中国法治的理论与实践”项目以及北京大学“985”项目的资助.

al-mujallad 1. al-Sifr al-awwal min al-khalq ilá al-ḥaqq -- al-mujallad 2. al-Sifr al-thānī min al-khalq bi-al-ḥaqq fī al-ʻilm al-ṭabīʻī fī funūn sittah; al-Sifr al-thālith min al-ḥaqq ilá al-khalq bi-al-ḥaqq fī al-ʻilm al-ilāhī fī mawāqif ʻasharah; al-Sifr al-rābiʻ bi-al-ḥaqq fī al-khalq fī ʻilm al-nafs fī aḥad ʻashar bāban.

al-juzʼ 1. Ṣayrūrat al-taʼāluf al-fikrī al-jadīd wa-al-intiqāl ilá al-taṣawwuf -- al-juzʼ 2. al-Kalām -- al-juzʼ 3. al-Falsafah -- al-juzʼ 4. al-Akhlāq.

The Egyptian shadow play commonly known as ʿAlam wa-Taʿādīr tells the story of a Coptic monk whose daughter falls in love with a Muslim merchant. Since its initial discovery in the 1900s, this remarkable play has slipped into oblivion. This article presents a survey of earlier research, an outline of the layers of the composite text based on all known textual and visual testimonies, an analysis of the building blocks—themed zajal song-cycles—and a summary of the sole working script that features (...) dialogue as well. These findings will hopefully form a solid foundation for future research into this work, which in many ways is representative of Egyptian shadow plays in the Ottoman and early modern times. (shrink)