Abstract.The legend of the golem, the creation of life through mystical and magical means, is the most famous postbiblical Jewish legend. After noting recent references to the golem legend in fiction, film, art, and scientific literature, I outline three stages of the development of the legend, including its relationship to the story of Frankenstein. I apply teachings about the golem in classical Jewish religious literature to implications of the legend for ethical issues relating to bioengineering, reproductive biotechnology, (...) robotics, artificial intelligence, artificial life, and corporate ethics. The golem legend emerges as a source of prudent guidance through the minefield of ethical and spiritual problems emerging from current and expected developments in biotechnology. (shrink)

What does it mean to be irresponsible in developing or using a technology? There are two fundamentally different answers to this question and they each generate research strands that differ in scope, style and applicability. To capture this difference, I make use of two mythical creatures of Jewish origin that have been employed in the past to represent relationships between man and man-made entities: the Golem (Collins and Pinch, 2002, 2005 ) and the Leviathan (Hobbes, 1994 ). The (...) class='Hi'>Golem is the traditional image of technology as a creature that can be helpful but needs to be controlled. Irresponsibility in this perspective is the failure to exercise control. The Leviathan is the image of technology as a difficult compromise between fundamental values. Irresponsibility is in this perspective is allowing some values to systematically dominate others. Having worked out the basics of these images, I show that each comes with its specific methodological challenges: where the Golem gives rise to the Collingridge Dilemma of control, the Leviathan gives rise to Münchhausen’s trilemma of justification. Since the Golem image is predominant in scholarship on irresponsibility, I conclude with an appeal for a more equal distribution of efforts in conceptualizing technologies as Golems and as Leviathans. (shrink)

This paper elaborates on the Golem metaphor as a way of understanding uncertainty in science. Its implications for the ethics of communicating science are explored.

Moshe Idel, Golem Ed. Hasefer, Bucuresti, 2003. Traducere de Rola Mahler-Beilis.

This is the first piece of a three-part article about the allegorical aspects of the legend of the Golem and its epistemological, political and ethical implications in our Internet plugged-in connected times. There are three sets of Golem allegories that may refer to questions relating either to language and knowledge, work and technique, or life and existence. The Golem allegories will be read through three major narratives that are also clearly or potentially allegorical: Walter Benjamin’s allegory of (...) the chess player at the very beginning of his theses On the Concept of History, William Shakespeare’s last play The Tempest and James Cameron’s movie The Terminator. Each one of these narratives is going to be considered as a key allegory for a determinate aspect of the Golem, following a three-movement reading of the Golem legend that structures this very text as its logical outcome. (shrink)

El objetivo principal de este trabajo consiste en mostrar la ecotipicidad de la ‘figura’ de El Gólem, es decir, la presencia e importancia que tiene este ‘ser’ en términos mitológicos y simbólicos para significar, entre realidades, contextos y discursos en apariencia muy distintos entre sí a través del tiempo y el espacio históricos, desde la mística hebraica primigenia hasta la crítica que se puede establecer del hombre-máquina de la Modernidad. No es otro el objetivo de este ensayo, que mostrar al (...) lector algunas de las diversas ‘versiones’ que la ‘figura’ de El Gólem puede jugar -o ha jugado- como bastión crítico de la relación del hombre con lo que le rodea, en términos materiales y simbólicos con relación a su contexto cultural. Para ello, se discursa sobre aspectos lingüísticos propios de la tradición mística hebrea, a través de los espacios, atmósferas y escenarios en los que interviene el Gólem, partiendo de la novela Der Golem de Gustav Meyrink y teniendo como guía el estudio sobre El Golem del gran conocedor de la Cábala, Gershom Scholem, así como de la película de Paul Wegener sobre el tema de 1920. (shrink)

People tell stories. In stories, the narrator and the receiver can perceive meanings. These meanings can be analyzed again through larger interpretative framings. In this article, different ethical uses of the golem story are analyzed by making use of some of Jörn Rüsen’s ideas concerning historical thinking and narration and with a focus on the uses of the golem myth in studies and discussions on new and emerging science and technology.

This paper elaborates on the Golem metaphor as a way of understanding uncertainty in science. Its implications for the ethics of communicating science are explored.

We are easily misguided as to the true nature of Facebook, and tend to treat it simply as a powerful technological instrument in the service of human intentions. We can, however, gain a better picture of it through recourse to the Jewish tradition of the golem, an image of human beings, created by them in a re‐enactment of their own creation by God. It turns into a magic servant in modernity with an inherent dynamic running between its human and (...) its subhuman characteristics. This dynamic is the main cause behind its becoming uncontrollable. In like manner, what is subhuman in Facebook serves its masters and functions under their total control, but also empowers Facebook's increasingly human operation, an algorithm‐based capability which raises growing doubts about what counts as human. Facebook implies the crisis of humanity which coincides with the “death of God,” that is, the obsolescence of the idea of a divine creator. (shrink)

Not only the public debate about science but even the way scientists conceive their own work is to some extent determined by cultural images. In the case of synthetic biology, literary figures like the Golem of Prague and its successors, such as Frankenstein’s monster, seem to suggest themselves. This article reconstructs some cognitive structures underlying the surface of metaphorical thinking and shows how talking about synthetic biology as similar to Golem-making obscures important onto- logical, pragmatic, and ethical differences.

We give reasons for the importance of old narratives, including myths, in ethical thinking about science and technology. On the example of a legend about creating artificial men we explore the side effects of having too much success and the problem of intermediate social status of bioengineered artefacts.

There are many ways of interpreting the so-called new technologies. One of the most interesting is that which stems from defining them as a social imaginary, and therefore, as collective beliefs, fears and hopes. It is common to attribute to technologies all manner of threats that, founded or not, are real in the measure that the society makes decisions and acts in a way consistent with this conviction.The fears and anxieties of society lead to a consideration of the limits of (...) the human that technologies transgress. Among the figures with which one speaks about these limits there is Frankenstein, the modern Prometheus, which threatens modern fantasies with its deformity. There is, however, another man-made creature that can serve to orient our reflection, the Golem.In 1609, 400 years ago, Rabbi Loew died. He is credited with the creation of a homunculus by combining of secret codes. The problem of the Golem was its imperfect soul made manifest in its lack of speech. Its silent presence was a source of great fear in the community that finally asked to get rid of the creature.These figures of monstrosity, Frankenstein and above all Golem, will help us to make technologies understand from the fear that society projects onto them, and this will lead us to the question concerning the imaginary fears of the technological system. (shrink)

En este ensayo, analizaré cómo el sujeto cibernético, los chatbots y el gólem artificial se relacionan entre sí y con el contexto histórico en el que surgen y se desarrollan en el cibermundo. El cibermundo es el escenario virtual y material donde se desarrollan las interacciones entre los sujetos cibernéticos y los dispositivos inteligentes que emplean la inteligencia artificial (IA) para comunicarse, aprender, crear y construir estrategia de saber- poder. Los conceptos de sujeto cibernético, chatbot y gólem artificial entran en (...) una interrelación dinámica en el cibermundo, generando reflexiones y produciendo debate filosófico sobre el sujeto cibernético ante la inteligencia artificial. (shrink)

This interdisciplinary essay looks at the use of popular history for the critical understanding of the reconstruction of crime and patriarchal hierarchy. By way of reviewing the recent movie The Limehouse Golem, it illustrates the significance of theoretically engaging with a period crime fiction movie. It is argued that this assessment is less relevant in terms of producing historical understanding. Rather historical fiction reveals instead our own contemporary cultural fixations.

It is to an over-all situation based upon the complex play of political, social, economic and scientific factors, along with technological and mass media factors unique to our own era, that we owe the general trend toward multi-pluri-inter-trans-disciplinary questions so generally prevalent in our world today.

The "Pygmalion effect" applies to humans. It is a phenomenon in which their own expectations of themselves or what other people expect from them can influence their behavior and performance. Moreover, this works even at the most basic, primitive physiological level — in an enriched environment, the brain becomes larger in volume, and the density of its nervous tissue increases, while provoking severe stress or depleted conditions reduce the number of nerve cells in the brain. People in the USSR had (...) absolute confidence that in the end good would win (the Pygmalion effect or placebo in the language of medicine), while from the 1990s to the present day, inclusive, the opposite attitude (program) totally prevails in Russia — evil will still prevail (the Golem effect or nocebo in the language of medicine). The proof of the Pygmalion effect in Soviet times is modal personalities — those who realized all the best of their (Soviet) era. There are countless of such examples in Soviet times. One of the most prominent of them in the philosophical environment was Professor V.A. Kutyrev. Anyone could become an academician, philosopher, engineer, officer or cosmonaut, etc. It was the Pygmalion effect in action. (shrink)

Frank Herbert's gholas are a curious twist on the golem, a creature inspired by Jewish theology and folklore. Although Herbert's gholas differ in interesting ways from the traditional golem, the historic similarities can enrich and add to our appreciation of these creatures, especially Dune 's most famous and enduring ghola, Duncan Idaho. As is often the case with good science fiction, Herbert demonstrates remarkable foresight for many scientific and technological developments that had yet to occur when he wrote (...) the Dune series. This chapter explores Herbert's gholas from both of the perspectives; gholas as an extension of the golem tradition and as the anticipation of contemporary breakthroughs in biological science. The creators of the gholas, the Tleilaxu, retain their closely guarded, highly secretive knowledge, just as the golem creators of the legends. (shrink)

Papers from the conference on AI Risk (published in JETAI), supplemented by additional work. --- If the intelligence of artificial systems were to surpass that of humans, humanity would face significant risks. The time has come to consider these issues, and this consideration must include progress in artificial intelligence (AI) as much as insights from AI theory. -- Featuring contributions from leading experts and thinkers in artificial intelligence, Risks of Artificial Intelligence is the first volume of collected chapters dedicated to (...) examining the risks of AI. The book evaluates predictions of the future of AI, proposes ways to ensure that AI systems will be beneficial to humans, and then critically evaluates such proposals. 1 Vincent C. Müller, Editorial: Risks of Artificial Intelligence - 2 Steve Omohundro, Autonomous Technology and the Greater Human Good - 3 Stuart Armstrong, Kaj Sotala and Sean O’Heigeartaigh, The Errors, Insights and Lessons of Famous AI Predictions - and What they Mean for the Future - 4 Ted Goertzel, The Path to More General Artificial Intelligence - 5 Miles Brundage, Limitations and Risks of Machine Ethics - 6 Roman Yampolskiy, Utility Function Security in Artificially Intelligent Agents - 7 Ben Goertzel, GOLEM: Toward an AGI Meta-Architecture Enabling Both Goal Preservation and Radical Self-Improvement - 8 Alexey Potapov and Sergey Rodionov, Universal Empathy and Ethical Bias for Artificial General Intelligence - 9 András Kornai, Bounding the Impact of AGI - 10 Anders Sandberg, Ethics and Impact of Brain Emulations 11 Daniel Dewey, Long-Term Strategies for Ending Existential Risk from Fast Takeoff - 12 Mark Bishop, The Singularity, or How I Learned to Stop Worrying and Love AI -. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Excited DeliriumThe Self-Fulfilling Prophecy of Police BrutalityKathryn Petrozzo (bio)In their timely and pressing piece, Arjun Byju and Phoebe Friesen explore the contentious diagnosis of excited delirium; a syndrome characterized by erratic, aggressive, and “delusional” behavior (2023). Overwhelmingly, this term is used when individuals come in contact with police and/or first responders. Although much attention has been given to debating whether or not this is a “real” diagnosis, the authors (...) want to shift the focus to examining the work that excited delirium is doing in the world, as well as the underlying beliefs guiding it that are perpetuating substantial harm. Drawing significantly on the work of Ian Hacking (1998, 2006) and Sherene Razack (2015), Byju and Friesen explore what kinds of people are being made up by the label of “excited delirium” and the subsequent dehumanization that perpetuates violence towards those in this grouping.Despite the lack of an agreed upon definition, excited delirium tends to frequently group together young Black men and other marginalized people of color, who have a psychiatric history, and those who have taken or are suspected to have taken drugs (Byju & Friezen, 2023). As this is “observed” when individuals come into contact with law enforcement and/or first responders, those who are presumed to be suffering from excited delirium are typically met with physical restraints (chokeholds, hogties, etc.), forced injections of sedatives, and/or taser guns. The violent reactions are often justified not only by this “diagnosis,” but the employment of racial stereotypes; notably, the notion that Black bodies as being less susceptible to pain. As the authors aptly put it:This kind of symptom language helps make up the novel category of a person who suffers from excited delirium: a crazed and inhumane monster, a golem that must be met with unrelenting and superordinate force, who is fated, regardless of interventions, to die a spontaneous death. This paradox, that those with excited delirium are supposedly both too strong and too weak, is at the core of the illness narrative.(2023)It is evident that this label is reinforcing the combination of two harmful stereotypes: the notion that those suffering from severe mental illness occupy a space that is “less than fully human,” and racist stereotyping of Black bodies “superseding human strength.” This perpetuates total dehumanization of the individual, where it is then justified to invoke brutal tactics, as well as signal [End Page 357] to the greater community this is how individuals with mental illnesses and/or belonging to a particular racial group (chiefly, Black men), should be treated. This is despite the fact that those suffering from mental illnesses are significantly more likely to be victims of violent crimes, Black Americans are 3.2 times more likely to be murdered by police, and convergence of these factors (being Black and living with a mental illness) increases likelihood of such fatal interactions (Schwartz & Jahn 2020; Shadravan, Edwards, & Vinson 2021; Stuart, 2003).Although I am in wholehearted support of their account, I take issue with the authors’ conceptualization of excited delirium as non-falsifiable, as well as the notion that diseases, generally, are falsifiable. In an attempt to further criticize the utilization of excited delirium, Byju and Friesen call upon Karl Popper’s falsifiability criterion as a measure for what constitutes as scientific; arguing that excited delirium is not a legitimate scientific concept as it is impossible to falsify. First, I am not convinced that excited delirium is in principle non-falsifiable; as the way in which it’s conceptualized actually appears to be falsifiable. The authors point out that external factors, such as tasing and violent restraints, are clearly the causal explanation, which should in fact, lead one to reject the hypothesis of an excited delirium diagnosis. However, in practice, those who are seeking to exonerate the police/first responders responsible for these deaths, are not accepting this evidence leading them to reject the excited delirium diagnosis, but rather, are crafting an incorrect causal narrative. This is deeply problematic, but it does not necessarily render excited delirium as non-falsifiable. More broadly, I am concerned with the reliance on the falsifiability criterion, which has been widely criticized in the... (shrink)

: Harry Collins and Trevor Pinch's introductory text, The Golem: What Everyone Should Know About Science (1993), includes a controversy about the significance of pseudosexual behavior in the parthenogenetic whiptail lizard. Collins and Pinch, basing their account on the work of Greg Myers (1990), claim that "in this area of biology, experiments are seldom possible" and that the debate has "battled to an honorable draw." I argue that a closer look at the publications of the scientists involved shows that, (...) at least by the late 1980s, it was widely accepted that pseudosexual behavior is important for reproduction in these lizards. Moreover, a variety of experiments, as well as laboratory and field observations, proved decisive in this acceptance. (shrink)

Poreskoro, with three cat and four dog heads and a snake with a forked tongue as his tail, is responsible for epidemics of contagious diseases in Romany folklore. The Pishachas of Vedic mythology lurk in charnel houses and graveyards, waiting for humans to infect with madness. In Christian demonology, Pythius is known as the ruler of the eighth circle of the Inferno, bestowing heinous and unspeakable tortures on those who have committed fraud. Demons are the stuff of legends, and they (...) are everywhere in mythology and theology. These are just three of the more than thirty I counted that start with the letter P.How lucky we are for the advent of science. A rational tonic, it scatters our demons, demystifying the world for us—or so, at least, we think. As Canales brilliantly shows in this book, our assumption has been far off the mark. In physics, computer science, genetics, neuroscience, and economics, not to mention in the very foundations of rationality itself, an underworld of imaginary creatures has sustained and continues to inhabit modern science. Scientific demons appear in many guises: as atomic and subatomic particle manipulators, as feedback and parallel-processing experts, as messengers who can travel faster than the speed of light, as computer-code spies, gene and bit selectors in evolution and in informatics, as triggers of cascades from the nano level to the level of full-blown ecological and astrophysical theaters. By inventing them, we have learned that causality does not always hold at the level of atoms, that the speed of message transmission is limited, that living systems spend energy, that perpetual-motion machines are impossible, and that there are corners of the universe we have not imagined.We have all heard of Laplace's Demon, and Maxwell's, but who knew that, borrowing from physics, the historian Henry Adams considered the action of demons in geopolitics or that the economist Paul Samuelson analyzed their role in producing more efficient markets? Who knew that the generation that gave us the Internet and artificial intelligence were tasked by their teachers in graduate school to insert as many demons as possible into their programs? Who among us has heard of Darwin's Demon, or Maxwell-Szilárd-Brillouin's, or Monod's, or Loschmidt's? Who is aware of Norbert Weiner's use of demons in conceptualizing cybernetics, or of the great scholar of Kabbalah Gershom Scholem's comparison between Israel's superfast computers and the Golem?As Canales shows convincingly, it has been difficult for both historians and scientists to countenance demons in science, and so they have been written out, in many ways and many instances, of the histories of which they are part and parcel. Thomas Kuhn and even the more radical philosopher Paul Feyerabend both failed to acknowledge in their social critiques of science the extent to which an imaginary underworld of beings has been constitutive of the modern scientific imagination. Ironically, it was the man who provided a hard-and-fast criterion by which to distinguish scientific and nonscientific pursuits, Karl Popper, who ultimately saw the light. Revisiting his classic book The Logic of Scientific Discovery from 1934, he clarified in Postscript to the Logic of Scientific Discovery in 1982 the extent to which every historical era has been characterized by a particular demon. We moderns believe that science is about facts and numbers, but we are mistaken. As Canales beautifully summarizes the stakes of her project, “What first sets science on its path of discovery—then as now—is the continued use of the imagination.”Tracking the fate of demons in modern thought from Descartes to Lord Kelvin to H. G. Wells to David Bohm, and from Conrad Hal Waddington to Henry Compton to Stephen Hawking and Steven Pinker, Bedeviled assumes that the demons of the church or of paganism and the demons of science differ and resemble each other in ways that can be usefully elaborated. What is more crucial, however, is how such demons become real, how they morph from fears to hopes, and from thought experiments into real experiments, and ultimately to things in this world like computer programs, transistors, and nanorobots. From weather systems to messenger RNAs to black holes, demons emerge everywhere. The hard question is: How does the imagination actually drive discovery and understanding? How does it change our world?Perhaps it has been a sidetrack to consider whether we have or have never been modern. Clearly, what reason will not allow, it perennially recruits for a shadowland that helps us to better see our world. Rather than aiming to exorcise science, one day, of all of its methodological and epistemological ghosts, perhaps we might make peace with the notion that every culture struggles with distinguishing truth from falsehood in its own unique way. Such struggles are sensitive to their times and are accomplished through leaps of imagination. But fear not: the debunking of “Western rationality” casts no wet blanket on the project of Enlightenment. If anything, as Canales writes, “an account of science that considers how scientists themselves do science only risks adding new insights into our repertoire of knowledge.” Perhaps, therefore, there is solace to be gained from the dictum, Always choose the Devil you know. Ultimately, there may be no other way forward. (shrink)

Der Buchtitel zitiert Goethes Prophetie im Faust I und verweist auf die „Banalität des Bösen“, die im 20. Jahrhundert zum breit diskutierten Thema wurde. Sowohl Philosophie als auch Literatur zeigen die Spuren auf, in denen „der Böse“ sich verflüchtigt hat, um einer Vielgesichtigkeit des Bösen Platz zu machen. Im Buch werden diese Prozesse anhand von einschlägigen Texten nachvollzogen. Sie bieten in Darstellung und Interpretation eine Tiefenanalyse der zunehmenden Verrohung der westlichen Kultur. Aus dem Inhalt: Der Pakt mit dem Teufel * (...) Goethes Faust * Amélie Nothomb: Böses Mädchen – Antéchrista * Jonathan Littell: Die Wohlgesinnten * Der künstliche Mensch * Der Golem * Cynthia Ozicks weiblicher Golem * Mary Shelley: Frankenstein * Nachdenken über das Böse * Das Böse als Möglichkeit bei Leibniz * Die Bedeutungslosigkeit des Bösen bei Herder * Die Entdeckung des radikal Bösen bei Kant * Das mythologisch begründete Böse bei Schelling * Die Kultur als Keimzelle allen Bösen bei Jean-Jacques Rousseau * Radikalisierung der Freiheit bei Jean-Paul Sartre * Der Verlust des Teufels bei Sören Kierkegaard * Die Schwermut bei Romano Guardini * Der Dialog wider das Böse bei Hannah Arendt * Die Bedeutung der Ehrfurcht bei Albert Schweitzer. (shrink)

Intolerance, abuse, calling of names because of differences of opinion about religion or politics or business, as well as because of differences of race, color, wealth or degree of culture are treason to the democratic way of life. Merely legal guarantees of the civil liberties of free belief, free expression, free assembly are of little avail if the give and take of ideas, facts, experiences, is choked by mutual suspicion, by abuse, by fear and hatred.Without some kind of oversight, the (...) golem, not God, might emerge from machines … it is naïve to believe that government is competent, let alone in a position to control the development and deployment of robots, self-generating algorithms, and artificial intelligence.... (shrink)

Insights into the intelligence throughout the natural and technical environment, in the fabric of our devices and dwellings, in our clothes, and under our skin. Is there a way to understand the materials that surround us not as passive objects, but as other intelligences interacting with our own? In Parallel Minds, expert in materials science and nanotechnology Laura Tripaldi delivers not only detailed insights into the properties and emergent behaviors of matter as revealed by state-of-the-art chemistry, synthetic biology, and nanotech, (...) but also a rich philosophical reflection that crosses the frontier between nature and culture, where the most cutting-edge scientific syntheses resonate with ancient myth. The result is a technomaterial bestiary full of unexpected encounters with “strange minds”—from cobwebs to kevlar and carbon fibre, from centaurs to amoebas to arachnids, from polycephalic slime to resonating plasmons, from viruses to golems. Parallel Minds reveals the intelligence at large throughout the natural and technical environment, in the fabric of our devices and dwellings, in our clothes, and even under our skin. Full of lateral ideas and unexpected images, Tripaldi’s book imbues the study and synthesis of materials with a new urgency. For not only do the materials that surround us participate actively in the construction of the world in which we live, but harnessing their ability to interact intelligently with their environment could be the key to the future of our species. (shrink)

Thanks to the development of modern technologies, there is a feeling that the machine can do anything: write a pseudoscientific article, perform household chores, and remind us of important things. Questions arise: what can't the machine do? What does it mean to be human today? The article examines the versions of how the border between the human and non-human in a person is interpreted in fiction. Such variations of "artificial man" as golem, robot, and artificial intelligence are studied. Created (...) from different materials and animated by different methods, these creatures reflect different ideas about who a person is. We propose two approaches to the idea of creating a "man — artificial man" — mythological and natural science, supported by posthumanist philosophy. The deanthropologizing tendency in literary works anticipates the logic of transhumanism. A person is reduced either to a biological datum (a set of genes, a game of hormones, neural connections), or to intelligence, competing with artificial intelligence and inevitably suffering defeat. The anthropological approach in works of art continues the mythological tradition. Man is thought of as a being endowed with consciousness, which is not reducible to the world. "Artificial man" is a double, an antipode, another, that is, absolutely different, in relation to which a person can establish his own identity. (shrink)

Throughout history, the nature and mystery of death has captivated artists, scientists, philosophers, physicians, and theologians. This eerie chronology ventures right to the borderlines of science and sheds light into the darkness. Here, topics as wide ranging as the Maya death gods, golems, and séances sit side by side with entries on zombies and quantum immortality. With the turn of every page, readers will encounter beautiful artwork, along with unexpected insights about death and what may lie beyond."--Publisher's description.

U članku se opisuje burna povijest eugenike u Sjedinjenim Državama tijekom cijelog 20. stoljeća. Premda je nacistička eugenika notornija po svojim groznim posljedicama, činjenica je da je većina američkih saveznih država imala zakone koji su dopuštali sterilizaciju “nesposobnih” i da je golem broj ljudi prisilno steriliziran. Neki su zakoni ukinuti tek 1967. ali postoje i naznake zakonodavstva o sterilizaciji koje bi mogle dopustiti zloupotrebe karakteristične za rane godine 20. stoljeća. Međutim, glavnina članka opisuje ideološke izjave najvećih američkih eugeničara poput (...) Davenporta, Laughlina, Estabrooka iz Eugenic Record Officea, Granta, Rossa i drugih, kao i socijalne motive koje su eugeniku činili tako popularnom ideologijom sve do Drugog svjetskog rata. Jedna od sugestija članka jest da su eugeničke ideje i dalje latentne u drukčijim oblicima “znanstvenog rasizma” koji traje i danas.The article describes a troubled history of eugenics in the US, from its beginnings at the end of the 19th century, through the whole of the 20th. It is a part of a larger historical study on eugenics. It focuses on Davenport, Laughlin, Estabrook and the Eugenic Record Office, on the early racist eugenicists like Grant and Ross, and on sterilization legislation in the twenties and thirties. The intention however was to put the historical debate into a contemporary context, or at least to show that some eugenic ideas have lived long after everybody thought they were dead. There are some hints and quotations that show it might still be possible to misuse sterilisation in the US today. (shrink)