Much earlier work claims that appositives and expressives are invariably speaker-oriented. These claims have recently been challenged, most extensively by Amaral et al. (Linguist and Philos 30(6): 707–749, 2007). We are convinced by this new evidence. The questions we address are (i) how widespread are non-speaker-oriented readings of appositives and expressives, and (ii) what are the underlying linguistic factors that make such readings available? We present two experiments and novel corpus work that bear directly on this issue. We (...) find that non-speaker-oriented readings, while rare in actual language use, are systematic. We also find that non-speaker-oriented readings occur even outside of attitude predications, which leads us to favor an account based in pragmatically-mediated perspective shifting over one that relies on semantic binding by attitude predicates. (shrink)

We present two experimental studies on the Italian expressive ‘stronzo’. The first study tests whether, and to which extent, the acceptability of using an expressive is sensitive to the information available in the context. The study looks both at referential uses of expressives and predicative uses of expressives. The results show that expressives are sensitive to contextual information to a much higher degree than the non-expressive control items in their referential use, but also, albeit to a lesser (...) degree, in their predicative use. The second study tests whether the lower acceptability of expressives in their predicative use may be simply due to saying something negative about someone. A comparison between expressives, such as ‘jerk’, and non-expressive negative terms, such as ‘nasty’ or ‘unbearable’, suggests that it is the expressive nature of these terms, rather than the mere negative valence, that affects acceptability. Our studies present a major challenge to the existing accounts of expressives, and raise several theoretical issues that still call for an answer. (shrink)

Depuis le début du XXe siècle, mais surtout depuis l’avènement de la musique concrète et de la musique électronique en 1948 et 1951, de nouveaux matériaux musicaux voient sans cesse le jour.

Despite increased focus on emotional language, research lacks for the most emotional language: Swearing. We used event-related potentials to investigate whether swear words have content dist...

Cet article cherche à cerner la manière dont Charles Taylor approfondit sa distinction entre deux grands paradigmes, désignatif et expressif, pour l’approche du langage, dans son ouvrage récent, The language animal. En prenant position en faveur des conceptions expressivistes du langage, d’inspiration romantique, qui prennent pour modèle l’idéalisme transcendantal kantien et l’idée selon laquelle toute langue particulière donne forme à notre expérience du monde, Taylor peut-il encore défendre le réalisme épistémologique qu’il avance dans Retrieving realism? Comment peut-on penser chez lui (...) l’articulation entre ces deux affirmations? (shrink)

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses (...) on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of _Le visible et l’invisible _. With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. (shrink)

The Expressiveness of the Body meditates on the contrasts between the human body described in classical Greek medicine and the body as envisaged by physicians in ancient China.

Although Luce Irigaray is critical of Merleau-Ponty's late work, I argue in this chapter that her approach to speaking-with suggests an important affinity with Merleau-Ponty's early account of expression.

Darwin discusses why different muscles are brought into action under different emotions and how particular animals have adapted for association with man.

Publication date: 30 August 2017 Source: Author: Ghulam Abid, Tahira Hassan Butt Employees are the building blocks and valuable assets in an organization. Organizational researchers and practitioners have shown a burgeoning attention to satisfy and retain key performer as the cost of leaving a job is very high for the employing organizations. Discovering turnover intention in its formation stages is very crucial, not only to resist its’ piled up effect but also to control the actual turnover in the future. Most (...) of the times, management is not aware of the employee’s quit intention because employees don’t show their intention explicitly until they actually leave the organization. However, majority of the times employees share their feeling with their colleagues or other close work mates. Based on positive relationship at work, we argued that the individuals who work together normally share their feelings with their close colleagues regarding their decision of leaving or staying with the current employer. Therefore, the objective of the current study is to investigate the relationship between turnover intention and expressed turnover intention. Furthermore, we offer a new perspective to data collection from other sources, which will assist us in shortening the questionnaire, also minimizing the common method bias and knowing the quit intention from other source. Finally, theoretical and practical implications along with direction for future studies are also discussed. (shrink)

It is commonly claimed that, when a constituent is the focus of an occurrence of a sentence, certain alternatives to that constituent are relevant to our understanding of the sentence. Normally these are alternatives to the denotation of the focused constituent. However, Krifka (2007) briefly discusses the notion of expression focus, where the alternatives are linguistic items. Yet an adequate account of expression focus has not been given within the literature. This is despite the fact that it holds the potential (...) to provide analyses of several important metalinguistic phenomena, including metalinguistic negotiation, metalinguistic negation and embedded pejorative expressions. This paper provides an account of expression focus and shows the explanatory power it holds with respect to metalinguistic phenomena. (shrink)

La question qui anime tout ce travail est de savoir comment la philosophie peut se rendre digne du retour aux choses memes. Chez Merleau-Ponty, ce retour implique, de prime abord, une critique vigoureuse de la pensee representative. La phenomenologie merleau-pontienne nous enseigne que la perception, ou plus precisement l'aisthesis, precede le domaine de la representation. C'est donc a l'aisthesis que la phenomenologie doit remonter. Et c'est la tout l'interet d'une ontologie de la peinture qui se demarque profondement d'une ontologie de (...) la representation. Or, l'etude de Jenny Slatman montre clairement que ce retour aux choses memes ne s'acheve pas simplement dans une philosophie de l'art. En effet, l'auteur developpe la these, a travers une lecture rigoureuse de l'oeuvre de Merleau-Ponty, selon laquelle le retour aux choses memes resulte en une transformation de l'expression philosophique. Comparable a une oeuvre d'art, l'oeuvre ou l'expression de la philosophie ne devrait pas s'enfermer dans des concepts figes. Mais grace a la force de la metaphore, le discours philosophique peut rester a jamais ouvert et en mouvement perpetuel. (shrink)

In its narrative, dramatic, and representational genres, art regularly depicts contexts for human emotions and their expressions. It is not surprising, then, that these artforms are often about emotional experiences and displays, and that they are also concerned with the expression of emotion. What is more interesting is that abstract art genres may also include examples that are highly expressive of human emotion. Pure music – that is, stand-alone music played on musical instruments excluding the human voice, and without words, (...) literary titles, or associated texts connected to it by its composer – is often characterized as the expressive art par excellence. Yet how could that be possible, given that such music lacks semantic or representational content? Pure music presents the hardest and most vivid philosophical challenge to any account of expressiveness in the arts, which is why it is crucial to consider the musical case for the light it sheds on the underlying principles and issues. In this chapter I consider two accounts of expressiveness in pure music. Both regard expressiveness as an objective property of such music. I argue for the position I call appearance emotionalism and against the alternative, which I label hypothetical emo- tionalism. But before I get to that, there is a different mode of musical expression to be acknowledged. Even instrumental music comes charged with associations. Some of these are private to the listener, but many are widely shared. The latter may be included in a piece by accident but are, more often, deliberately placed for their effects. For instance, when a song is quoted in an instrumental work, its title or words may be brought to mind. Certain melodies (e.g., “Ode to Joy”), styles (e.g., tarantella), idioms (e.g., fanfares), forms (e.g., minuet), modalities (e.g., church modes), and instruments (e.g., fifes and snare drums) recall particular social events, geocultural regions, historical periods, ideas, and sensibilities, and in this way can hook up with affective life-experiences. Though it is music’s associative ties that are likely to be referred to when most people are asked about music’s significance, philosophers say little about them.. (shrink)

I assume that voters mark ballots exclusively to express their true preferences among parties, leaving aside any considerations about an election’s possible outcome. The paper then analyzes the resulting voting behavior. In particular, it studies how effective different voting systems such as plurality rule, approval voting, and range voting are in fostering high turnout rates of such expressive voters.

A central feature in contemporary discussions of selfknowledge concerns the epistemic status of mental selfascriptions, such as “I have toothache” or “I believe that p”. The overall project of such discussions is to provide an account of the special status of mental self-ascriptions vis-à-vis other knowledge-claims, including ascriptions of mental states to others. In this respect, two approaches have gained currency in contemporary philosophy. Some authors have focused on the notion of expression, stressing that self-ascriptions are expressions of one’s mental (...) life; whereas others have singled out the notion of transparency as crucial, since self-knowledge involves self-beliefs, and the latter are transparent to one’s available evidence. This critical notice explores one instance of each approach, in order to assess their prospects of success. It concludes that both approaches fail to articulate an account that satisfactorily accommodates the first-person component in the notion of self-knowledge. (shrink)

This chapter argues that Gilbert Ryle’s account of misleading expressions, which is rightly considered a milestone in the history of analytic philosophy, is continuous with Brentano’s. Not only did they identify roughly the same classes of misleading expressions, but their analyses are driven by a form of ontological parsimony which sharply contrasts with rival views in the Brentano School, like those of Meinong and Husserl. Section 1 suggests that Ryle and Brentano share a similar notion of analysis. Section 2 spells (...) out the notion of misleading expression by means of the surface-grammar/truth-conditions distinction, which I argue is implicit in their accounts. Section 3 zooms in on a specific class of misleading expressions, namely expressions about ficta. Finally, Section 4 draws the consequences of what precedes for a correct understanding of the notion of meaning. (shrink)

Expressivism, broadly construed, is the view that the function of utterances in a given area of discourse is to give expression to our sentiments or other (non-cognitive) mental states or attitudes, rather than report or describe some range of facts. This view naturally seems an attractive option wherever it is suspected that there may not be a domain of facts for the given discourse to be describing. Familiarly, to avoid commitment to ethical facts, the ethical expressivist suggests that ethical utterances (...) (e.g., “Gratuitous torture is wrong”, “What John did was morally good”) do not serve to ascribe ethical properties to objects, actions, persons, or states of affairs. Instead, they simply function to give voice to certain of our sentiments (or ‘pro/con’ attitudes). Along similar lines, philosophers have entertained versions of expressivism about the aesthetic, the modal, the mental, what is funny, even about theoretical science and knowledge ascriptions. (shrink)

The paper articulates and defends the view that paired structures of mentally 'represented' phonological and semantic features should, for all theoretical purposes, replace the notions of proposition and sentence. Following Chomsky, I refer to such pairs as expressions (EXP). In the first part, I elaborate the notion of an EXP and contrast it with that of sentence/proposition. The paper's second part questions a range of considerations which putatively show that propositions are fundamental to our understanding of meaning and cognitive attitudes. (...) I argue that while these considerations are effective against the theoretical worth of sentences, as usually understood, they may be accommodated by the EXP-conception or otherwise eschewed. (shrink)

In _Expressive Arts Education and Therapy_ we see how the creative process in a dance theatre lab evolved into a Creative Process-based Research project that included the director/choreographer and participants in a collaborative sense-making project.

This volume provides a detailed account of the syntax of expressive language, that is, utterances that express, rather than describe, the emotions and attitudes of the speaker... Daniel Gutzmann demonstrates that expressivity has strong syntactic reflexes that interact with the semantic and pragmatic interpretation of these utterances, and argues that expressivity is in fact a syntactic feature on a par with other established features such as tense and gender. Evidence for this claim is drawn from three detailed case studies of (...) expressive adjectives, intensifiers, and vocatives; their puzzling properties are accounted for through a minimalist approach to syntactic features and agreement, which shows that expressivity can partake in agreement operations, trigger movement, and be selected for syntactically. The analysis not only supports the hypothesis of expressive syntax, but also highlights the hidden role that grammar may play in phenomena that are traditionally considered to be solely semantic in nature" -- Publisher. (shrink)

It is widely assumed that the expression of an emotion is the external bodily manifestation of an internal psychological state. In contrast to this “general view”, this paper presents and discusses an alternative view put forward by Scheler and developed by authors close to the phenomenological tradition. According to the “phenomenological view”, emotional expression is a phenomenon of the lived body. In exploring this view, the paper analyzes four of its main tenets: a) the concept of the lived body as (...) distinct from the physical body; b) the idea that emotional expression functions as a symbol; c) the thesis of the universal grammar of emotions; and d) the distinction between final and expressive movements. In the conclusion, I discuss the value and relevance of the phenomenological view to contemporary research. (shrink)

In my dissertation, I explore how emotions operate under conditions of injustice. Specifically, my interest is in how one should deploy their emotions in order to combat patriarchally informed, affective ways of making sense of and responding to the social world. My dissertation consists of the following three papers. In the first paper, “Vindictive Anger,” I argue for two claims. First, that anger is not necessarily made morally worse whenever and to the extent that it involves a desire for payback. (...) Second, that in certain cases, anger’s retributive component is precisely what moralizes the emotion. Victims of sexual violence, I argue, paradigmatically deploy their anger as a way of getting their transgressor or, in some cases, the broader moral community, to more fully understand, through affect, the wrongness of their action. One can see this occur in the anger expressed by Chanel Miller in her victim’s impact statement, read aloud during the case of People v. Turner. When anger functions in this way, I propose, it serves to moralize the emotion. In the second paper, titled “Feminism and Suspect Femininity,” I ask how feminists should feel towards women who conform to suspect norms of appearance, and of hyper-femininity in particular. I present a novel type of empathy – proleptic empathy – which avoids treating women as either pitiful victims or as accomplices deserving of harsh moral criticism. Proleptic empathy requires switching back and forth between two types of imaginings: on the one hand, simulating what it is like to be in the woman’s shoes on the assumption that her suspect behavior stems from her will. On the other, simulating what it is like to be in the woman’s shoes on the assumption that her suspect behavior stems from external cultural influences. In the third paper, “Transitional Moral Contexts,” I address how one should feel towards the perpetrators who figure in the cases that have gone by the language of ‘grey rape’ or ‘bad sex’. These cases are ones that are rife with disagreement, especially amongst members of the moral community, who even disagree over whether they ought to count as cases of ‘sexual assault’ or ‘rape’. My suggestion is that the reason we have such difficulty adjudicating individuals’ responsibility for cases of bad sex is because these are instances of transitional moral contexts where what it is to act morally is in the process of being actively negotiated by the moral community. With this analysis in place, I present reasons for and against deploying shame against those who falter in these cases. (shrink)

The experience of pain appears to be associated, from early infancy and across pain stimuli, with a consistent facial expression in humans. A social function is proposed for this: the communication of pain and the need for help to observers, to whom information about danger is of value, and who may provide help within a kin or cooperative relationship. Some commentators have asserted that the evidence is insufficient to account for the consistency of the face, as judged by technical means (...) or in the perceptions of observers, or that facial expression is epiphenomenal to a gross behavioural defensive response to pain. The major criticism is that it is unnecessary to invoke evolutionary mechanisms beyond the emergence of an unconditioned facial response to pain in neonates, subsequently shaped and maintained by instrumental and social reinforcement throughout life. These criticisms are addressed, acknowledging the need for further data to address some, and elaborating the areas in which evolutionary and operant mechanisms would predict different behavioural interactions, rather than acting synergistically. Several supportive commentaries propose extending evolutionarily-based hypotheses to sex differences, the complexities of others' responses within the social relationship, and the role of empathy. A number of commentators provided valuable suggestions for experimental paradigms or methodological issues. Overall, addressing these issues indicates the need for further conceptual development and for collection of data specifically in relation to these hypotheses. (shrink)

Dorit Bar-On develops and defends a novel view of avowals and self-knowledge. Drawing on resources from the philosophy of language, the theory of action, epistemology, and the philosophy of mind, she offers original and systematic answers to many long-standing questions concerning our ability to know our own minds. We are all very good at telling what states of mind we are in at a given moment. When it comes to our own present states of mind, what we say goes; an (...) avowal such as "I'm feeling so anxious" or "I'm thinking about my next trip to Paris," it is typically supposed, tells it like it is. But why is that? Why should what I say about my present mental states carry so much more weight than what others say about them? Why should avowals be more immune to criticism and correction than other claims we make? And if avowals are not based on any evidence or observation, how could they possibly express our knowledge of our own present mental states? Bar-On proposes a Neo-Expressivist view according to which an avowal is an act through which a person directly expresses, rather than merely reports, the very mental condition that the avowal ascribes. She argues that this expressivist idea, coupled with an adequate characterization of expression and a proper separation of the semantics of avowals from their pragmatics and epistemology, explains the special status we assign to avowals. As against many expressivists and their critics, she maintains that such an expressivist explanation is consistent with a non-deflationary view of self-knowledge and a robust realism about mental states. The view that emerges preserves many insights of the most prominent contributors to the subject, while offering a new perspective on our special relationship to our own minds. (shrink)

Mitchell S. Green presents a systematic philosophical study of self-expression - a pervasive phenomenon of the everyday life of humans and other species, which has received scant attention in its own right. He explores the ways in which self-expression reveals our states of thought, feeling, and experience, and he defends striking new theses concerning a wide range of fascinating topics: our ability to perceive emotion in others, artistic expression, empathy, expressive language, meaning, facial expression, and speech acts. He draws on (...) insights from evolutionary game theory, ethology, the philosophy of language, social psychology, pragmatics, aesthetics, and neuroscience to present a stimulating and accessible interdisciplinary work. (shrink)

Is deduction of use in application to our everyday problems? Aristotle said that in practical matters we cannot use a strictly deductive attitude: "we must be content...in speaking about things which are only for the most part true, with premises of the same kind, to reach conclusions that are no better" (Nic.Eth.I,4 - my underlining). We may content ourselves with conclusions which - according to the usual views - are not true; but what happens when we realize that such conclusions (...) bring us into contradiction with some of our deepest beliefs? We have to pursue our search of rationality in the most compelling manner, and this effort forces us to express our background beliefs in order to check what may be wrong with that. In this paper I will give two classical examples, one form the history of cinema and another from the history of artificial intelligence: in comparing these two examples I claim that logical compulsion - the deep need for convention - is highly valuable where feelings are not enough. (shrink)

Expressions of emotion pose a serious challenge to the view that we perceive other people’s emotions directly. If we must perceive expressions in order to perceive emotions, then it is only ever the expressions that we are directly aware of, not emotions themselves. This paper develops a new response to this challenge by drawing an analogy between expressions of emotion and perceptual media. It is through illumination and sound, the paradigmatic examples of perceptual media, that we can see and hear (...) objects around us. Instead of screening these objects from view, however, they enable our perception while being transparent to us. With reference to perceptual constancy and transparency, I show how expressions show up in our experience of emotions in a surprisingly similar way. Given this, we can understand expressions as the media _through_ which we perceive emotions and overcome the above challenge to an otherwise attractive view. (shrink)

This chapter considers the semantics and pragmatics of expressive content. It begins by exemplifying the class of expressives, in the process introducing the tests that have been proposed for expressivity, focusing on the expressive adjectives fucking and damn, and on pejorative terms. The chapter then turns to specific analyses of these and other expressive items, also discussing facts related to how the particular content of some expressives can be derived from context. The chapter concludes with a discussion and (...) overview of various approaches to semantic composition with expressives. (shrink)

I compare Potts’ use of a ‘‘judge’’ parameter in semantic interpretation with the use of a similar parameter in Lasersohn (2005). The latter technique portrays the content of expressives as constant across speakers, while Pott’s technique does not. The idea that the content of expressives is a kind of presupposition is also briefly defended, and a technical problem in the ‘‘dynamics’’ of Pott’s formalism is pointed out.

This study comes from a series of research carried out in some Italian Psychiatric Hospitals. Specifically, the investigation concerns emotional, cognitive and linguistic aspects of psychotic forms of expression. So, we will discuss psychotic expressive language by analysis of an exemplary case report: i.e. commenting on the iconographic and textual productions by a subject in several decades of psychopathological experiences. In this paper, we examine some psychotic expressive codes, and the emotional mode characterizing them. These psychotic expressive codes are linguistic, (...) communicative, referential and they are of importance for artistic creativity. But we especially try to highlight the role of emotional, liberating, cathartic and compensatory functions that the “language of madness” enables patients to express. More in general, we try to regard their specific relational mode, and their being or being-at-world. Keywords: Psychotic languages. Fantastic or imagination delusion. Artistic creativity. Emotive expressive forms. (shrink)

Among emotions, surprise has been extensively studied in psychology. In linguistics, surprise, like other emotions, has mainly been studied through the syntactic patterns involving surprise lexemes. However, little has been done so far to correlate the reaction of surprise investigated in psychological approaches and the effects of surprise on language. This cross-disciplinary volume aims to bridge the gap between emotion, cognition and language by bringing together nine contributions on surprise from different backgrounds - psychology, human-agent interaction, linguistics. Using different methods (...) at different levels of analysis, all contributors concur in defining surprise as a cognitive operation and as a component of emotion rather than as a pure emotion. Surprise results from expectations not being met and is therefore related to epistemicity. Linguistically, there does not exist an unequivocal marker of surprise. Surprise may be either described by surprise lexemes, which are often associated with figurative language, or it may be expressed by grammatical and syntactic constructions. Originally published as a special issue of Review of Cognitive Linguistics 13:2 (2015). (shrink)

Hybrid metaethical theories attempt to incorporate essential elements of expressivism and cognitivism, and thereby to accrue the benefits of both. Hybrid theories are often defended in part by appeals to slurs and other pejoratives, which have both expressive and cognitivist features. This paper takes far more seriously the analogy between pejoratives and moral predicates. It explains how pejoratives work, identifies the features that allow pejoratives to do that work, and models a theory of moral predicates on those features. The result (...) is an expressivist theory that, among other advantages, is immune to embedding difficulties and avoids an overlooked difficulty concerning attitude ascriptions that is lethal to most other hybrid theories. (shrink)

Cooper (1983) pioneered underspecified scope representation in formal and computational semantics through his introduction of quantifier storage into Montague semantics as an alternative to the syntactic operation of quantifying-in. In this paper we address an important issue in the development of an adequate formal theory of underspecified semantics. The tension between expressive power and computational tractability poses an acute problem for any such theory. Ebert (2005) shows that any reasonable current treatment of underspecified semantic representation either suffers from expressive incompleteness (...) or produces a combinatorial explosion that is equivalent to generating the full set of possible scope readings in the course of disambiguation. In previous work we have presented an account of underspecified scope representations within Property Theory with Curry Typing (PTCT), an intensional first-order theory for natural language semantics. Here we show how filters applied to the underspecified-scope terms of PTCT permit both expressive completeness and the reduction of computational complexity in a significant class of non-worst case scenarios. (shrink)

RESUMEN Aunque la educación superior cubana constituye un espacio privilegiado para la atención a la diversidad cultural, se identifica la carencia de una concepción de la interculturalidad desde el sujeto que vive la experiencia y cuya cultura de origen se instaura como dimensión mediatizadora de la relación con respecto a otros; carencia no abordada en profundidad a través del prisma de la sicología social. En este orden se realizó una revisión bibliográfica con el objetivo de profundizar en el enfoque sicosocial (...) expresivo de las relaciones interculturales contextualizadas en la enseñanza médica superior cubana; la misma, contribuyó a la comprensión de la expresión subjetiva conformada alrededor de la realidad objeto de estudio. Los resultados permitieron construir un cuerpo teórico descriptivo-explicativo de las emergencias subjetivas que adquieren su especificidad en las relaciones interculturales desde un compromiso práctico y axiológico. A modo de conclusiones se estableció que en la búsqueda de un campo académico unificado y coherente con la complejidad de la realidad objeto de estudio, la sicología social deviene tributaria de un enfoque centrado en el estudio de las formas de subjetividad social que median en las relaciones interculturales desde el contexto de la enseñanza médica superior cubana. ABSTRACT Even though Cuban higher education is a privileged space for the attention of cultural diversity, the lack of an intercultural conception from the person who lives the experience and whose home culture is established as an interfering dimension in his relationship with others is identified; a problem which is not dealt with in depth through the perspective of social psychology. Therefore, a bibliographic review was made in order to go into depth in the expressive psychosocial approach to intercultural relationships put in context in Cuban higher medical education. It contributed to the understanding of the subjective expression which makes the reality of the object of study. The results allowed to make a descriptive-explanatory theoretical body of the subjective emergencies which become specific in intercultural relationships from a practical and axiological commitment. As a conclusion, it was established the search of an academic field which can be unifying and coherent with the complexity of the reality object of study. Social psychology becomes tributary of an approach that is centered in the study of social subjectivity forms that mediate in intercultural relationships from the context of Cuban higher medical education. (shrink)

The tension between expressive power and computational tractability poses an acute problem for theories of underspecified semantic representation. In previous work we have presented an account of underspecified scope representations within Property Theory with Curry Typing, an intensional first-order theory for natural language semantics. Here we show how filters applied to the underspecified-scope terms of PTCT permit both expressive completeness and the reduction of computational complexity in a significant class of non-worst case scenarios.

In this essay I place choreographer Natalie Heller in dialogue with Merleau-Ponty on issues of motor-perception, expression and bodily faith. I analyze her new work First Impressions to demonstrate how she responds to a similar impulse that drove Merleau-Ponty’s phenomenology, particularly in his last writing, The Visible and the Invisible. Both Heller and Merleau-Ponty seek to go beyond the representational understanding of motion and perception in order to articulate and experiment with a type of expression, which is beyond the distinctions (...) between motion and motionlessness, activity and passivity, visibility and invisibility. While Merleau-Ponty writes about this form of expression, Heller’s performers show that beyond these binaries is a form of expression that is ambiguously situated between impressing and being impressed upon, and that to engage the world or the city as such, requires a motor-perceptual form of faith. (shrink)

In this paper we address an important issue in the development of an adequate formal theory of underspecified semantics. The tension between expressive power and computational tractability poses an acute problem for any such theory. Generating the full set of resolved scope readings from an underspecified representation produces a combinatorial explosion that undermines the efficiency of these representations. Moreover, Ebert (2005) shows that most current theories of underspecified semantic representation suffer from expressive incompleteness. In previous work we present an account (...) of underspecified scope representations within Property Theory with Curry Typing (PTCT), an intensional first-order theory for natural language semantics. We review this account, and we show that filters applied to the underspecified-scope terms of PTCT permit expressive completeness. While they do not solve the general complexity problem, they do significantly reduce the search space for computing the full set of resolved scope readings in non-worst cases. We explore the role of filters in achieving expressive completeness, and their relationship to the complexity involved in producing full interpretations from underspecified representations. This paper is dedicated to Jim Lambek. (shrink)

Rigorously studying the inexpressible expression provoked by the silenced testimony of the Holocaust survivor, in Jean-François Lyotard's The Differend, and the religious faithful, in Pseudo-Dionysius' The Divine Names, proves to dissolve the apparent heterogeneity of postmodernism and Neoplatonist Christian mysticism and open radical new lines of dialogue. Expressing the Inexpressible critically evaluates each thinker and tradition, rethinks witnessing, testimony, sublimity, and apophaticism, and then engages them together to forge a new reading of silence and eros.

Roger Scruton’s ontology of sound is found wanting on two counts. Scruton removes from music the importance of the performer’s manipulating of his instrument. This misconceives the phenomenology of hearing and, as a consequence, impoverishes our understanding of music. I argue that the musician’s manipulations can be heard in the music; and, in a discussion of notions developed by Richard Wollheim and Jerrold Levinson, that these manipulations have psychological reality, and that it is this psychological reality which brings to life (...) the sui generis musical persona of musical expressiveness. (shrink)

The purpose of the dissertation is to present a philosophical reading of Balthasar's teaching on the polarity of expression and form in beauty. ;Chapter I, "Expression," presents the concept of expression in the context of the aesthetic doctrine of Wahrheit. It confronts Balthasar's teaching about expression with an alternate view. On the basis of the clarification achieved in this confrontation, the chapter turns to some major texts from Herrlichkeit in which Balthasar unfolds the structure of expression. ;Chapter II, "Form," presents (...) Balthasar's concept of form and develops it by a presentation of some historical sources. The results of the presentation are then summarized in an exposition of some of the main metaphors used by Balthasar to describe form. ;Chapter III, "Beauty," turns to Balthasar's thesis that beauty implies the polarity of expression and form. It gives an exposition of the central metaphor of light and compares Balthasar's teaching with that of Dionysius the Areopagite, St. Thomas, and St. Bonaventure. The chapter ends with an introduction to two major developments which converge in the doctrine of participation. ;Chapter IV, "The Expression of Free Interiority in Man," presents Balthasar's analysis of the aesthetic structure of man. The two main questions discussed are how free interiority can be preserved in expression, and whether free interiority necessarily gives rise to a conventional medium of expression. ;Chapter V, "The Expression of God in Creatures," turns to the summit of Balthasar's philosophical aesthetics. It present his teaching on the apprehension of an absolute horizon of free love that lies in the awakening of the human spirit. This teaching is unfolded in a presentation of Balthasar's interpretation of the Thomistic doctrine of participation in existence . The chapter ends by pointing to the center of Balthasar's philosophical aesthetics, developing especially his thesis that the center of the light which appears in beauty remains inchoative and open to a final revelation of God's glory. ;The "Theological Epilogue" of the dissertation presents Balthasar's teaching on the appearing of trinitarian love in the expressive form of Jesus. It describes, thus, the apex of the whole of his aesthetics. (shrink)

This paper proposes that human expression of pain in the presence or absence of caregivers, and the detection of pain by observers, arises from evolved propensities. The function of pain is to demand attention and prioritise escape, recovery, and healing; where others can help achieve these goals, effective communication of pain is required. Evidence is reviewed of a distinct and specific facial expression of pain from infancy to old age, consistent across stimuli, and recognizable as pain by observers. Voluntary control (...) over amplitude is incomplete, and observers can better detect pain that the individual attempts to suppress rather than amplify or simulate. In many clinical and experimental settings, the facial expression of pain is incorporated with verbal and nonverbal vocal activity, posture, and movement in an overall category of pain behaviour. This is assumed by clinicians to be under operant control of social contingencies such as sympathy, caregiving, and practical help; thus, strong facial expression is presumed to constitute an attempt to manipulate these contingencies by amplification of the normal expression. Operant formulations support skepticism about the presence or extent of pain, judgments of malingering, and sometimes the withholding of caregiving and help. To the extent that pain expression is influenced by environmental contingencies, however, “amplification” could equally plausibly constitute the release of suppression according to evolved contingent propensities that guide behaviour. Pain has been largely neglected in the evolutionary literature and the literature on expression of emotion, but an evolutionary account can generate improved assessment of pain and reactions to it. Key Words: adaptation; evolutionary psychology; facial expression; pain. (shrink)

The larval arms of echinoid plutei are used for locomotion and feeding. They are composed of internal calcite skeletal rods covered by an ectoderm layer bearing a ciliary band. Skeletogenesis includes an autonomous molecular differentiation program in primary mesenchyme cells (PMCs), initiated when PMCs leave the vegetal plate for the blastocoel, and a patterning of the differentiated skeletal units that requires molecular cues from the overlaying ectoderm. The arms represent a larval feature that arose in the echinoid lineage during the (...) Paleozoic and offers a subject for the study of gene co-option in the evolution of novel larval features. We isolated new molecular markers in two closely related but differently developing species, Heliocidaris tuberculata and Heliocidaris erythrogramma. We report the expression of a larval arm-associated ectoderm gene tetraspanin, as well as two new PMC markers, advillin and carbonic anhydrase. Tetraspanin localizes to the animal half of blastula stage H. tuberculata and then undergoes a restriction into the putative oral ectoderm and future location of the postoral arms, where it continues to be expressed at the leading edge of both the postoral and anterolateral arms. In H. erythrogramma, its expression initiates in the animal half of blastulae and expands over the entire ectoderm from gastrulation onward. Advillin and carbonic anhydrase are upregulated in the PMCs postgastrulation and localized to the leading edge of the growing larval arms of H. tuberculata but do not exhibit coordinated expression in H. erythrogramma larvae. The tight spatiotemporal regulation of these genes in H. tuberculata along with other ontogenetic and phylogenetic evidence suggest that pluteus arms are novel larval organs, distinguishable from the processes of skeletogenesis per se. The dissociation of expression control in H. erythrogramma suggest that coordinate gene expression in H. tuberculata evolved as part of the evolution of pluteus arms, and is not required for larval or adult development. (shrink)

The concept of expression in the arts is Janus-faced. On the one hand expression is an author-centered notion: many Romantic poets, painters, and musicians thought of themselves as pouring our or ex-pressing their own emotions in their artworks. And on the other hand, expression is an audience-centered notion, the communication of what is expressed by an author to members of an audience. Typically the word “expression” is used for the author-centered aspect of expression as a whole, and the word “expressiveness” (...) is used for the audience-centered aspect, and I shall keep to this usage. In this paper I shall argue that although expression is closely related to expressiveness, the two concepts are distinct and, in particular, expressiveness cannot be analyzed in terms of expression, as has been recently suggested by Stephen Davies and Jerrold Levinson. Nonetheless, the richest examples of expression in the arts involve both expression and expressiveness. (shrink)