This paper investigates the concept of emotion and its relevance to education via character education through the medium of poetry. The objective is to demonstrate the potential implementation of character education through poetry, and to show the intrinsic link between poetry and virtue, knowledge and reasoning. It is argued that poetry serves as a bridge between emotion and character education. The philosophy of emotions is explored through the works of Aristotle, Karin Bohlin and David Carr. Character (...) education is understood in terms of a Neo-Aristotelian approach, drawing on Kristján Kristjánsson, Bohlin and Carr. My position is that, through exercising the craft of poetry, children and young students are provided with tools for exploring emotions, and for discerning and deliberating about virtues and moral contextual nuances in the broader context of human experience. (shrink)

Emotions punctuate almost all significant events in our lives, but their nature, causes, and consequences are among the least well understood aspects of human experience. It is easier to express emotions than to describe them and even harder to analyse and explain them. Despite their apparent familiarity, emotions are an extremely subtle and complex topic. Unfortunately, the topic was neglected by philosophers and scientists in the past. In recent decades, however, interest in the emotions has grown considerably among scholars and (...) students from many disciplines, as well as among the public at large. If there is to be any progress in this theoretically and practically important field, not only is a broad philosophical examination of basic concepts and issues essential, but also an interdisciplinary approach that combines philosophical analysis with other types of scientific research. The clarification of basic emotional concepts as well as the unification of linguistic usages across disciplines and natural languages are necessary for integrating the growing body of interdisciplinary emotional research. The contemporary philosophy of emotions is equipped for this integrative task. It can provide us with a better and more comprehensive picture of the nature of emotions. (shrink)

Are emotions bodily feelings or evaluative cognitions? What is happiness, pain, or “being moved”? Are there basic emotions? In this chapter, I review extant empirical work concerning these and related questions in the philosophy of emotion. This will include both (1) studies investigating people’s emotional experiences and (2) studies investigating people’s use of emotion concepts in hypothetical cases. Overall, this review will show the potential of using empirical research methods to inform philosophical questions regarding emotion.

In lieu of an abstract, here is a brief excerpt of the content:The Philosophy of Emotion in Buddhist Philosophy (and a Close Look at Remorse and Regret)Maria HeimIt is an honor to guest-edit a special issue for the Journal of Buddhist Philosophy for its inaugural issue, and even more to be invited to write a somewhat longer article than is typically the privilege of the guest editor. It was thought that something of a broader statement of (...) the state of the field in this emerging subfield of philosophy might itself be useful in situating current work and aspirations for future endeavors.That the study of emotions in Buddhist philosophy is still in its infancy is somewhat surprising given that Buddhist texts offer 2,500 years of exceedingly fine-grained analyses and reflections on experience.1 It could be that scholars have been thrown off by the word "emotion" itself, given that the English term does not map easily onto Buddhist categories. No single term in any Buddhist language does exactly what "emotion" does. Of course, "emotion" does not map precisely onto premodern Western categories of experience (affections, passions, sentiments, and so on) either, and has a notably shallow history even in European contexts, dating in something like its current usage only to the early nineteenth century (see Dixon 2003 for this history). And if "emotion" fits only awkwardly with Buddhist categories, it should occasion no surprise that many of the debates and dichotomies preoccupying Western philosophy on emotions—is emotion affective or cognitive? Physical or mental? Socially constructed or universal? Are emotions feelings? Evaluations? Motivations?—ill fit the debates and discussions that Buddhist texts offer about experience. The modern [End Page 2] Western categories and terms of the discussion may well inhibit Buddhist philosophical participation in these debates.I have found that this predicament is best met by calling into question the putative universalism of the English term and the assumption that "emotion" names a natural or ontological category. Increasingly, philosophers and neuroscientists are casting doubt on the notion that emotion is a natural kind (Rorty 2004; Griffiths 2004; Barrett 2006, 2017). That emotion is not easy to distinguish from feelings, motives, moods, and propositional attitudes, and that lists of emotions, when elaborated, seem hardly to fall into a generic family of phenomena, suggesting that its boundaries and borders are not carved in nature. This has implications for how "emotions" are to be studied in the lab, as Lisa Feldman Barrett suggests; the natural-kind view "underlies the major questions, the experimental designs, and the interpretation of empirical findings that characterize emotion research as a domain of scientific inquiry," even while the empirical evidence increasingly suggests that this view is the "result of an error of arbitrary aggregation" (Barrett 2006). For reasons piling up in the empirical literature, it is coming to look less and less likely that the English term emotion carves nature at the joints.2This situation can help us shake free of "emotion" early on, even if we may not be able to part entirely with it. A special issue on "the philosophy of emotion" gestures toward the kinds of phenomena these papers take up, even if they vary in the extent to which they find "emotion" to be analytically useful when interpreting Buddhist texts. Indeed, stepping away from assumptions of English-language universalism clears the deck for looking at very different, but no less meticulous and reflective, ways of carving up experiences of the very sort we do get in Buddhist texts. The way forward, in my view, is to permit English words like emotion, affect, and feeling to open the door to the kinds of phenomena we might want to investigate. We can at the same time resist tightly defining what these English terms mean, defending the borders around them, or closely tethering Buddhist conceptions to them. Working with Buddhist categories and meta-categories suggests ways to treat experiences that are, from the ground up, different than the modern West. These in turn can interrupt its supposed universalism and offer fresh questions and interventions.For example, Emily McRae's paper in this issue on kleśas—dysfunctional mental states—offers a Buddhist intervention for how philosophers might reconfigure and aggregate experience differently... (shrink)

A transformed idea of truth is central to the project of reformational philosophy. This essay lays groundwork for such an idea by proposing a critical retrieval of Herman Dooyeweerd’s conception of truth. First it summarizes relevant passages in Dooyeweerd’s New Critique. Then it demonstrates several problems in his conception: he misconstrues religious truth, misconceives its relation to theoretical truth, and overlooks central questions of epistemology and truth theory. By addressing these problems, reformational philosophers can find new ways to think (...) about truth that retain the holism, normativity, and radicalness of Dooyeweerd’s conception. [T]he decisive blow against the idea of religiously neutral philosophy must be delivered on the field of the problem of truth… The postulate of neutrality always stands and falls with an idea of truth that takes theoretical truth to be self-sufficient. (shrink)

This dissertation is a phenomenology of emotion, situated within the school of the philosophy of Maurice Merleau-Ponty. As such, it is concerned not only with the philosophy of emotion, but also with continuing the project commenced by Merleau-Ponty, the articulation of our primary and mute bodily contact with the world. ;Of the three chapters, the first introduces the theoretical background, describes the methodology used, and examines the existing phenomenological work on emotion. The remaining chapters present (...) the phenomenological research and the theoretical conclusions drawn from it. Chapter two introduces a psychotherapeutic technique called "Focusing" and shows that it can be a useful "tool" to aid us in doing phenomenology. This chapter is concerned largely with attempting to understand the body's role in constructing an emotional situation and applies Merleau-Ponty's concept of habit to emotion. Chapter three is devoted to the phenomenological analyses of four emotions: anger, fear, sadness and happiness. Here both Focusing and emotionally valent artworks are employed as aids in framing the emotions for phenomenological analysis. ;On the basis of this research, the dissertation concludes that emotions are best understood as organizational structures that inform our movement, perception, and thought. These structures consist in the adopting of a certain whole-bodily attitude to a situation, which organizes it in terms of a meaning specific to the emotion itself, such as "threat" or "betrayal." This meaning is not a cognitive or conceptual meaning, however, and need not be present in consciousness in any clear or articulate way. Rather, it consists in a certain "style" informing our gestures and the way we perceive and think of the situation. Emotions are centred in the affective region of the body and possess its "logic," which consists in a global sense of "how we are doing" with respect to our interests and values. Emotions are distinguished by a mobilization of the body as a whole, and a pressing toward action of a form very loosely specified by the emotion itself. (shrink)

Ostensibly, Heidegger’s notion of Befindlichkeit isn’t one of the really enigmatic concepts in his oeuvre—for everyone knows that on Heidegger’s account, this phenomenon, which bears at least some connection to what we normally call emotion, provides a basic disclosure of “the Dasein’s” worldly engagement. Nonetheless, there are enigmas here, given that Heidegger connects the phenomenon of Befindlichkeit with the disclosure of the Dasein’s past, as well as to its “thrownness” and its cultural heritage, none of which seems transparently true (...) of emotions. Some clarification is called for, then—and as I attempt to demonstrate in this article, this is possible only by interpreting the notion of Befindlichkeit in the context of an element of Husserl’s account of time- and self-consciousness that Heidegger incorporated as a central feature of his own, amended account of temporality—namely, Husserl’s notion of the protentional fulfillment that, on his reckoning, lies at the heart of this consciousness. Interpreting Heidegger’s account of Befindlichkeit in this fashion, I also show how, so interpreted, it can help us to make headway in both contemporary emotion studies and the currently developing critical theories of affect. (shrink)

The author of the article explores the views of Lithuanian–American thinker Thomas Kasulis on the interaction between emotions and ethical principles. This interaction is revealed in the contexts of the concepts of intimacy and integrity analysed by the philosopher. Intimacy is perceived as a framework of sociocultural structures of society, which determine the behavioural patterns and choices of individuals. In the ethical sphere, Kasulis attributes responsibility to integrity, which he links in his comparative analysis to Western and Eastern philosophies. Another (...) philosophical concept, namely intimacy, is associated by the philosopher with relationships between people and values revealed in them. In communication, values are expressed not only through language but also through emotions. Kasulis particularly emphasizes sympathy, which is inherent in the cultural orientation of intimacy. For this reason, the article also analyses the nature of sympathy and its relationship to love, compassion, favour and trust. The article is based on the assumption that in the hermeneutics of the texts of comparative philosophy, it is possible to find both differences and similarities in the ideas of heterogeneous civilisations, and that the emotional-value vision emerging in these contexts makes it possible to look differently at cultural phenomena that appear in everyday life. (shrink)

Are mass emotions and shared feelings two different phenomena? In this paper, I investigate two different forms of corporeal interaction; one bipolar and one unipolar. In the bipolar type, two individuals give different impulses, which are aligned with each other. In the unipolar type, the impulse derives from a thing, a task or a person. This impulse creates an identical corporeal dynamic in those involved. This synchronization of the corporeal directions leads to corporeal resonance and a reciprocal intensification. The shared (...) experience of feelings is a part of unipolar corporeal interaction since the impulse for the corporeal dynamic of the individuals departs from one and the same feeling. According to Max Scheler’s analysis of emotional contagion, contagion comes about through imitation; it is merely a fallacy to believe the other person’s feeling is one’s own. In this paper, I argue that emotional contagion and shared feelings cannot be distinguished by virtue of this criterion of genuineness and instead belong to the same type of corporeal interaction. On the whole, I question the assumption that feelings are solely personal states. Individual and collective feelings can only be distinguished unambiguously through concepts, whereas affective phenomena are always tied to others, to norms and discourse. (shrink)

Philosophy for Children has long been considered as crucial for children’s ethical and moral education and a decisive contribution for education for the democratic life. The book gathers contributions from experts in the field who reflect on fundamental issues on how childhood and ethics are interrelated within the P4C movement. The main interest of this volume is to offer an understanding of how different philosophical conceptions of childhood can be coordinated with different ethical and meta-ethical philosophical considerations in P4C (...) addressing topics such as P4C and relativism, P4C and Virtue ethics, ethics and emotions in P4C, philosophical commitments and P4C application, and Socratic practice within a pragmatist framework. A thought-provoking collection about how assumptions of particular philosophical conceptions of childhood modify moral and ethical education and a testimony of the undeniable contribution of P4C for moral education and reconceptualization of childhood. (shrink)

In discussions concerning affectivity several points of view, often opposed, are admitted. However, the common point of current standpoints is a belief that affectivity is a homogeneous family of phenomena. This belief leads to problems because the collected data are determined by a kind of accepted approach. In order to achieve a better consideration of these data and to avoid an exclusion of this or that position, another perspective is proposed. Following Max Scheler, we can adopt a hierarchical view of (...) feelings. The distinction between what seems to be different, opposed or even contradictory appears as the result of a distinction of levels of the same general phenomena: affectivity. Scheler is not the only philosopher to sustain a hierarchical conception of feelings. We can refer to Th. Ribot, Plato or R. Ingarden and N. Hartmann. In this, however, a hierarchical conception of feelings results from a more general perspective: a hierarchical conception of psychic reality. Besides a hierarchy of feelings, a second perspective should be added: all feelings are divided into genera and, on the other hand, each genus is divided into species. Genera of feelings are to be understood as modi of experienced relatedness of the ego to the object of feeling, the levels of which are to be understood as units of functions similar in the degree to which a subject of feelings is involved in an act of feeling. (shrink)

The Structure of Emotions argues that emotion concepts should have a much more important role in the social and behavioural sciences than they now enjoy, and shows that certain influential psychological theories of emotions overlook the explanatory power of our emotion concepts. Professor Gordon also outlines a new account of the nature of commonsense (or ‘folk’) psychology in general.

Empirical work on and common observation of the emotions tells us that our emotions sometimes key us to the presence of real and important reason-giving considerations without necessarily presenting that information to us in a way susceptible of conscious articulation and, sometimes, even despite our consciously held and internally justified judgment that the situation contains no such reasons. In this paper, I want to explore the implications of the fact that emotions show varying degrees of integration with our conscious agency—from (...) none at all to quite substantial—for our understanding of our rationality, and in particular for the traditional assumption that weakness of the will is necessarily irrational. (shrink)

The recent reemergence of theories that emphasize the semantic and conceptual aspects of emotions has also brought to attention questions about their rationality. There are essentially two standard senses in which emotions can be assessed for their rationality. First, emotions can be said to be categorically rational insofar as they presuppose our psychological capacities to be clearly conscious of distinctions, to engage and manipulate concepts, and hence to provide intentional descriptions as reasons for what we feel and are moved to (...) do. For this "cognitive" rationality we can apply the usual standards intrinsic to the processes of belief formation such as coherence, consistency, inferential validity, and appropriateness of evidence. Secondly, and derivatively of "rationality" as a teleological or strategic notion, emotions can be thought of as rational or irrational depending upon their function in fulfilling certain specified human purposes. While neither adhering to nor dismissing what these two mainstream perspectives afford, the following thesis is an alternative, yet complementary, project. Its aim is to "rationalize" emotions through insights obtained in programmatic examinations of their relationship to a number of critical features of being human: intentionality, expression and language, sense of self, responsibility, self-deception, and value cognition and moral agency. The idea is less to fit emotions within some formulaic description of rationality and more to let its potential definition emerge subsequently to these investigations. This reflects a conviction that rationality is not a unitary property of our minds but a complex stance towards the world. It also exhibits an awareness that, as evidenced by current debates, "rationality" is very much a contested notion. (shrink)

Claims that emotions are or can be rational, and crucially enabling of rationality, are now fairly common, also outside of philosophy, but with considerable diversity both in their assumptions about emotions and their conceptions of rationality. Three main trends are worth picking out, both in themselves and for the potential tensions between them: accounts that defend a case for the rationality of emotions A) by assimilating emotions closely to beliefs or judgements; B) in terms of the very features that (...) traditional views of emotions as irrational/a-rational emphasized; C) by arguing that emotions exhibit a more sui generis kind of rationality, often one based on a narrative or dramaturgic “inner logic”. (shrink)

The paper proposes a way to understand moral emotions in ethics building upon Bernard Williams' claim that feelings, emotions and sentiments are an integral part of rationality. Based upon Bernard Williams' analysis of shame we argue that the richness and thickness that it is attached to some emotions is the key to understand why some emotions have a distinct ethical resonance. The first part takes up Bernard Williams' philosophical assessment of the concept of shame establishing a general framework to (...) show how recent developments in philosophy of emotions are in line with the far-reaching consequences of Bernard Williams' insights. Then we highlight the way in which there is both an historical relativity to emotions and an intemporal understanding of their ethical role, and use the concept of meta-emotion to reinforce the idea that what makes some emotions moral requires employing Williams' distinction between thick and thin concepts. (shrink)

Introspective as well as empirical evidence indicates that emotions shape our thinking in numerous ways. Yet, this modificatory aspect of emotions has received relatively little interest in the philosophy of emotion. I give a detailed account of this aspect. Drawing both on the work of William James and adverbialist conceptions of perception, I sketch a theory of emotions that takes these aspects into consideration and suggest that we should understand emotions as manners of thinking.

Drawing on a rich variety of Indian texts across multiple traditions, including Vedanta, Buddhist, Yoga and Jain, this collection explores how emotional experience is framed, evoked and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading Indian philosophers showcase the unique literary texture, philosophical reflections and theoretical paradigms that classical Indian sources provide in their own right. From solitude in the Saundarananda and psychosomatic theories (...) of disease in the Yogavasistha to female lament in Greek, Sinhala Buddhist and Sanskrit epic tales, their chapters reveal the range and diversity of the phenomena encompassing the English term 'emotion'. In doing so, they contribute towards a more cosmopolitan, comparative and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition. (shrink)

Starting from a comparison of the similarities between a poem by Sylvia Plath called Tulips and the words of someone in the thrall of a delusion I develop a phenomenology of how mood is basic to our articulation of the world. To develop this argument I draw on Heidegger’s concept of attunement [befindlichkeit] and his contention that basic emotions open up aspects of the world for closer inspection and articulation. My thesis in this paper is that there is an (...) underlying structural similarity between the forms of words used in poems and those found in medically diagnosed delusions and this similarity is based on the role of mood in both arenas. The difference, I argue, is that although both forms of articulation are negotiated ‘as if’ the subject matter was literal, the person writing the poem is self-aware that their uses of language are figurative and metaphorical. This is because the emotional lens they use to describe a situation poetically can always be removed by a return to a ground-mood of acceptance, that prevents them from becoming lost in the poetical mood. The person experiencing psychosis, on the other hand, is unable to extricate herself from the mood that underlies their delusional utterances as they have lost access to the ground-mood that the poet takes for granted. I illustrate the point using Hume’s famous statement about the mood he philosophises in and look at ways sufferers from delusions could regain a sense of the non-literal projections of their words. (shrink)

The Damasian concept of emotion and the self fits within the emotivist tradition, viewing mind and reason as embodied realities linked to the body and its social and natural interactions. Emotion, for Damásio, creates the context for reason to operate effectively, aligning with anti-Cartesian ideas. Due to the role of emotions, this may be used to suggest that living beings are not just skin-bound entities but processes integrating body and environment. Therefore, we examine both his relevance to (...) contemporary philosophy of mind and self, and his possible contribution to naturalized metaphysics, particularly within Developmental Systems Theory. (shrink)

The first part of the text poses the question whether for Heidegger?s aesthetically relevant thought it is better to use older terms, such as?Heidegger?s Doctrine of Art? or?Heidegger?s Philosophy of Art?, or a more recent term?Heidegger aesthetics?? Does the term?Heidegger?s aesthetics? represent an?oxymoron? contrary to the intentions of Heidegger?s own philosophy, or does it signify a relevant aesthetic conception that has its own place in contemporary philosophical aesthetics? In order to answer these questions, the text considers Heidegger?s understanding (...) of aesthetics as a philosophical discipline and also the problems arising in connection with this designation. It argues that Heidegger?s concept of?overcoming aesthetics? represents the interpretation of his own philosophy of art developed in the essay The Origin of the Work of Art. The second part of the text follows the thesis that the Heidegger?s aesthetics contains the definitions of art and work of art, based on Heidegger?s analyses of freedom, basic moods, and emotions. This part of text follows a broader thesis, in which Heidegger?s philosophy as a whole can be understood as the phenomenology of freedom. Also, it discusses a special thesis that the concept of strife of Earth and world in The Origin of the Work of Art should be understood only on the background of the primordial struggle between concealment and unconcealment in the truth as the unconcealedness of beings. Further, the concept of strife is linked on a deeper level with the determination of finite human freedom and basic human moods. In light of that, Heidegger?s aesthetics is not only the heteronomous aesthetics of the work of art, but also the autonomous aesthetics of aesthetic experience articulated with respect to finite human freedom. The conclusion is that Heidegger?s aesthetics of truth understood as the philosophy of freedom, basic moods, and emotions, according to their inner intentions, is closer to the tradition of the aesthetics of sublime than the aesthetics of the beautiful. (shrink)

This paper aims to develop a comparative analysis of the place of emotion from Indian and Western philosophical perspectives. Both Eastern and Indian philosophy consider three mental states as being involved with the arousal of emotions, i.e., cognitive (epistemic), conative (desire), and affective. In Indian philosophy, there is no such single term or specific equivalent definition to the Western term ‘emotion.’ Further, there is no clear dichotomy (cognitive & non-cognitive) between reason and emotion in Indian (...) culture. In Indian scriptures, there are various, at times intermingled conceptions of emotion. From a religious standpoint, emotion can be an expression of religious devotion (bhakti), and often emotions are viewed as barriers to having true knowledge and are considered a cause of attachment and an obstacle to liberation. After comparing a large amount of discussion on emotion following Western and Indian conceptions, and analyzing some real-life experiences where emotion plays various roles (intellectual, personal, and spiritual) within each philosophical tradition this paper concludes that it is critical to engage in a comparative, collaborative study of emotion. (shrink)

This article critically analyzes the environmental economics paradigm of David Pearce and Robert Kerry Turner. Our analysis is inspired by the philosophy of Herman Dooyeweerd, in particular his transcendental criticism and theory of modalities. We describe how Pearce and Turner theorize the concept of sustainable development. On the basis of this description we identify immanent tensions in their approach and analyze to what extent these tensions are caused by implicit normative presuppositions in the key concepts used by Pearce (...) and Turner. Finally, we examine whether Dooyeweerd’s conception of the economic aspect can diminish these tensions. (shrink)

“Heart-mind” has almost become the standard English translation of Mengzi’s concept of xin 心. However, it remains largely unsettled (1) on what basis xin can be regarded as possessing a mind aspect that allows it to function as a faculty that both feels and thinks, and (2) what role this mind aspect of xin plays in Mengzi’s ethics, which revolves around character formation. This paper aims to address these two questions through a detailed analysis of the original text and (...) a critical review of the relevant secondary literature. First, the paper argues that it is through the ability to si, which literally means “to think,” “to reflect,” and “to contemplate,” that xin can be understood as both an emotional and a rational faculty. Then, the paper demonstrates that si has the functions of being “attentive,” “associative,” “evaluative,” and “corrective,” which enable it to contribute to the process of self-cultivation by identifying, intensifying, and approving primitive moral feelings in an appropriate and self-regulating way. (shrink)

Kraus, O. Biographical sketch of Franz Brentano.--Stumpf, C. Reminiscences of Franz Brentano.--Husserl, E. Reminiscences of Franz Brentano.--Gilson, E. Brentano's interpretation of medieval philosophy.--Gilson, L. Franz Brentano on science and philosophy.--Titchener, E. B. Brentano and Wundt: empirical and experimental psychology.--Chisholm, R. M. Brentano's descriptive psychology.--De Boer, T. The descriptive method of Franz Brentano.--Spiegelberg, H. Intention and intentionality in the scholastics, Brentano and Husserl.--Marras, A. Scholastic roots of Brentano's conception of intentionality.--Chisholm, R. M. Intentional inexistence.--McAlister, L. L. Chisholm and Brentano (...) on intentionality.--Chisholm, R. M. Brentano's theory of correct and incorrect emotion.--Moore, G. E. Review of Franz Brentano's The origin of the knowledge of right and wrong.--Franks, G. Was G. E. Moore mistaken about Brentano?--Kotarbinski, T. Franz Brentano as reist.--Terrell, D.B. Brentano's argument for reismus.--Bergman, H. Brentano's theory of induction.--Kraus, O. Toward a phenomenognosy of time consciousness. (shrink)

The diversification of the world has given us the opportunity to live with different people. This kind of diversification brings not only adventure and excitements but also interaction with people and their habits that we do not agree with. In response, toleration has become the common sense of people in modern society. However, what is the meaning of the word toleration? What moral emotions underlie the practice of toleration? This article puts forward a morally defensible concept of toleration inspired (...) by ancient Chinese thinking. I first discuss the etymology of the word toleration from Anglophone and Chinese perspectives, and then analyse three problematical emotional attitudes towards others and critique the spirit of exclusion in the dominant Anglophone understanding of toleration. Finally, I analyse a morally defensible concept of toleration based on the ‘the dao of zhong and shu’ that also served as the ideal underpinning political unity and a... (shrink)

Background Concepts of health have been widely discussed in the philosophy and ethics of medicine. Parallel to these theoretical debates, numerous empirical research projects have focused on subjective concepts of health and shown their significance for individuals and society at various levels. Only a few studies have so far investigated the concepts of health of non-professionals and professionals involved in long-term home care and discussed these empirical perspectives regarding moral responsibilities. Objectives To identify the subjective concepts of the health (...) of non-professionals (care recipients, informal caregivers) and professionals (registered nurses) involved in long-term home care and to discuss them against the background of existing normative guidelines addressing non-professionals and professionals’ responsibilities and rights concerning health. Research design A qualitative design was chosen to explore subjective concepts of health. Data were collected by semi-structured interviews; content analysis was applied according to Mayring. Participants and research context Twenty-eight interviews were conducted with non-professionals and professionals in long-term home care arrangements in Northern Germany. Ethical considerations Ethics approval was obtained from the Institutional Review Board at the University Medicine Greifswald (BB123/16). Findings Non-professionals and professionals consider health as a capability that enables them to participate in social activities and live their own lives according to their preferences. The former regard health particularly as a feeling and an attitude, the latter as the absence of disease with a focus on mental and emotional well-being. Both groups highlight the unsurpassable value of health and the personal responsibility for it. Discussion Normative guidelines applicable to practice in long-term home care discuss responsibilities and rights unevenly and raise several problems regarding non-professionals and professionals’ subjective concepts of health. Conclusion Individuals’ concepts of health are relevant for the subsequent interpretation of rights and responsibilities and should, thus, be reflected upon to address health-related needs effectively. (shrink)

The philosophers of the Vienna circle once made quite a stir by proposing to show not merely that certain metaphysical propositions were false, but that metaphysical propositions as such were meaningless, except for a possible emotive or poetic significance. The manifesto of the group, the Wissenschaftliche Weltauffassung der Wiener Kreis, published in 1929, had it that the task of the adherent of the scientific world–outlook was “to clear out of the way the metaphysical and theological debris of the centuries.” A (...) non–metaphysical view of the nature of philosophy was subsequently propounded by the members of the circle in such essays as Schlick’s “Die Wende der Philosophie,” published in the first number of Erkenntnis in 1930, Carnap’s “Die alte und die neue Logik,” also published in the first issue of Erkenntnis, and his “Überwindung der Metaphysik durch logische Analyse der Sprach,” published in Erkenntnis in 1931. Ayer picked up the theme in his “Demonstration of the Impossibility of Metaphysics,” published in Mind in 1934, and in his Language, Truth, and Logic, published in 1935. Such radical interpretations of the nature of traditional metaphysics were highly provocative in philosophical circles for a decade. (shrink)

At the beginning of his book Body, Community, Language, World, Jan Patočka claims that the human body has never been considered worthy of reflection throughout the entire (Western) philosophical tradition. Human corporeity has been largely excluded from philosophical reflections since the times of Plato’s conception of the human as a being divided between a mortal body and an immortal soul. Yet there is one thinker who had, as early as the nineteenth century, described the history of philosophy, from Plato (...) to Hegel, as a history of the loss of human corporeity. This philosopher was Ludwig Feuerbach. While Patočka follows the path of phenomenological anthropology, Feuerbach tries to return the sense of corporeity to the human being through the rehabilitation of sensuous perceptions and emotions. Despite their different approaches to the problem, Patočka and Feuerbach both agree with the notion that intersubjectivity, based on the corporeity of two autonomous subjects, stands outside of any cognitive pattern. They both persist in their efforts to bring the human body back into philosophy as a relevant source of experience because they both understand that the human body remains a universal symbol across all cultures and societies. (shrink)

Philosophical discussions on beauty have a long history. The discussions manifest the ambiguity of the concept; meanings of beauty and its role as an explanatory power of diverse tangible and intangible phenomena vary between disciplines and theoretical points of view. What is the essence of beauty? The notions of beauty comprises opposing qualities by being simultaneously a timeless idea penetrating all cultures and a profoundly historical concept, whose focuses, definitions, and contents change in the process of time and (...) vary between different cultural contexts. The significance of beauty for man is undeniable: it is a driving force in cultural production and creative thinking and a source of diverse emotions ranging from exhilaration to religious devoutness. Philosophies of Beauty on the Move investigates the essence of beauty by exploring its ontological and epistemological terms of existence in order to understand the paradoxes of beauty. (shrink)

Sartre’s account of the emotions presupposes a conception of human nature that is never fully articulated. The paper aims to render such conception explicit and to argue that frustration occupies a foundational place in Sartre’s picture of affective existence.

Our study explored the application of emotion philosophy in vocal music teaching. We utilized surveys, semi-structured interviews, and focus group discussions to gather data from a group of 18 students. The survey results revealed an average familiarity with emotion philosophy concepts but a strong agreement on the importance of understanding a song's emotions for effective singing. Students perceived their current vocal training to be somewhat helpful in understanding emotional background but felt it focused more on technical (...) skills than fostering emotional connection. Thematic analysis of interview data highlighted several key themes. Students emphasized the importance of imagination and storytelling techniques to connect with a song's emotions. Additionally, they valued understanding the historical context of a work and viewed developing emotional intelligence as beneficial. Integrating philosophical frameworks on emotional expression was seen as a way to gain a deeper understanding of vocal performance. In terms of vocal techniques, timbre variations were seen as a powerful tool for emotional expression. Nuances in dynamics and phrasing were viewed as ways to create specific emotions, and clear articulation was considered important for ensuring listeners grasped the lyrical message and connected with the song's emotional core. Overall, this study suggests that incorporating emotion philosophy concepts and techniques into vocal training has the potential to enhance students' understanding and expression of emotions in their singing. (shrink)

The question "What is pleasure?" has been a thorn in the side of philosophy since the time of Socrates. David L. Perry attempts to arrive at a satisfactory answer in the form of a definition of pleasure. In the end, he offers two definitions, turning on two radically different notions of pleasure--that of enjoyment and that of being pleased about. Perry is best when dealing with the cognitive aspects of pleasure and with pleasure as a reason for acting. He (...) discusses the extent to which belief is involved in pleasure, the notion of a "false pleasure," the relation between taking pleasure in something and thinking it a good thing, one's knowledge of one's own pleasure, and the ways in which pleasure can be given as a reason for acting. In the end, it appears there can be no single definition of pleasure, and this problematic concept remains to be satisfactorily elucidated by philosophers. (shrink)

For centuries, the ancient Chinese philosophical text the _Daodejing (Tao Te Ching)_ has fascinated and frustrated its readers. While it offers a wealth of rich philosophical insights concerning the cultivation of one's body and attaining one's proper place within nature and the cosmos, its teachings and structure can be enigmatic and obscure. Hans-Georg Moeller presents a clear and coherent description and analysis of this vaguely understood Chinese classic. He explores the recurring images and ideas that shape the work and offers (...) a variety of useful approaches to understanding and appreciating this canonical text. Moeller expounds on the core philosophical issues addressed in the _Daodejing_, clarifying such crucial concepts as Yin and Yang and Dao and De. He explains its teachings on a variety of subjects, including sexuality, ethics, desire, cosmology, human nature, the emotions, time, death, and the death penalty. The _Daodejing_ also offers a distinctive ideal of social order and political leadership and presents a philosophy of war and peace. An illuminating exploration, The _Daodejing_ is an interesting foil to the philosophical outlook of Western humanism and contains surprising parallels between its teachings and nontraditional contemporary philosophies. (shrink)

The concept of experience by John Dewey revisited: conceiving, feeling and “enliving”. Dewey takes a few steps towards a differentiation of the concept of experience, such as the distinction between primary and secondary experience, or between ordinary (partial, raw, primitive) experience and complete, aesthetic experience. However, he does not provide a systematic elaboration of these distinctions. In the present text, a differentiation of Dewey’s concept of experience is proposed in terms of feeling, “enliving” (a neologism proposed in (...) this paper) and conceiving. Feeling refers to the basic mode of experience where action, emotion, cognition and communication constitute an original unity. Enliving, aesthetic experience, constitutes the lifeworld, as a person-in-world experience. Even though enliving is holistic and relational, a certain distance emerges between action, emotion and cognition which allows contemplation and choice. Conceiving, on the other hand, refers to the isolating and abstracting understanding of the world with even greater distance between action, emotion and cognition. Such a differentiation provides a clearer understanding of the scope of education. It avoids the risks of regressive tendencies in the concept of experience, and it helps to include conceiving within the realm of experience. (shrink)

This article sheds light on the relationship between religious philosophy and music to emphasize the formulation of religious emotions in art songs. This study's theoretical framework is based on the "Theory of Religious Philosophy and Music" Using these concepts, this paper explores the religious feelings associated with German and Austrian Art Songs by Bach and Gounod's "Ave Maria." The religious emotions of connectedness with God, serenity and love, faith in the heavens and angels, and the assistance of Christ (...) and the Virgin Mary in "Ave Maria" are ultimately a means of bridging music and religious philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Commentary on “Towards a Design-Based Analysis of Emotional Episodes”Margaret A. Boden (bio)The theoretical work of Wright, Sloman, and Beaudoin is a significant contribution to our understanding of the nature and function of emotions, and potentially also to therapeutic method. Their message that emotions, as controlling and scheduling mechanisms, are essential to any complex intelligent system (that is: one with multiple and potentially conflicting motives, and situated in a changing (...) and unfriendly world) is important. It encourages cognitive psychologists to regard emotions as a central aspect of intelligence, not to sideline (or even to forget) them, as is too often done. In addition, it shows—at least in general outline—how emotions might be understood in computational terms.Critics of computational psychology too often assume that emotions and motivation must lie outside its scope. This is not so, although it is true that relatively little computational work has been done in this area. Interestingly, the very early days of AI saw a comparatively high proportion of models of multiple goal-seeking, affective processes, and even personality (see, for example, the papers in Tomkins and Messick 1963). But, inevitably, these were so crude as to be almost useless in illuminating the nature of emotion and motivation. As AI-workers and their psychologist colleagues found to their cost, it is difficult enough to model the pursuit of one goal, never mind the pursuit of several mutually conflicting goals. Accordingly, personality and emotion soon faded from the scene as preferred topics of computational research—but not before I too had argued that they could, in principle, be so addressed (Boden 1965; 1972).I suggested—in the sketchiest terms—that the concepts of William McDougall’s personality theory could be interpreted in a computational fashion (Boden 1965; 1972). His concept of sentiment, for example, marks what Wright et al. call “goal-sets,” and his master sentiment of self-regard relates to the descriptive and normative aspects of the self-image to which they draw our attention. He even described emotions as (conscious) control mechanisms, enabling the subject to monitor the incipient excitement of distinct types of motivation, and (sometimes) to adjust behavior so as to facilitate or inhibit the otherwise-inevitable response. What the target-authors have done is to put subtle and sophisticated computational flesh onto these minimalist theoretical bones.McDougall himself, of course, will be turning in his grave. He saw affect as partly conscious (as well as dispositional), and argued that consciousness—and purposive behavior too—cannot possibly [End Page 135] be given a mechanistic, or physicalist, explanation. Despite Wright et al.’s persuasive anti-reductionist remarks about the necessity for highly abstract (psychological) levels of explanation, he would not have accepted that such explanations could be computationally grounded. He even insisted that the neurophysiological ground of goal-seeking behavior involved a special sort of energy, or horme, intrinsically directed to specific ends. Presumably, no professional reader today would agree with McDougall on that point. But many may agree with him about consciousness. And many more will insist that consciousness is a crucial aspect—perhaps the crucial aspect—of emotion. Such critics will doubtless point out that our three authors explicitly “factor out,” or refuse to discuss, consciousness as such.Wright et al.’s rhetorical reserve on this point is defensible on two counts. First, even though emotions do involve conscious sensations, the dispositional and control aspects of affect are at least as important. Indeed, it is evident from the quotations from individuals reacting to bereavement that people often describe the phenomenology of grief in terms of these sorts of factors, rather than in a “purely qualitative” fashion (whatever that might be). Even so, these dispositional aspects of emotion are often overlooked, or regarded as less significant than the conscious phenomenology. And second, theoretical psychologists in general sideline consciousness: either they ignore it entirely, or they take it for granted philosophically and ask about the conditions under which it appears or disappears. They are well advised to do so, since we do not yet understand this concept (more accurately: this mixed bag of related concepts) at the philosophical level. Even a journal whose title has “Philosophy” as its leading... (shrink)

The emotions pose many philosophical questions. We don't choose them; they come over us spontaneously. Sometimes emotions seem to get it wrong: we experience wrongdoing but do not feel anger, feel fear but recognise there is no danger. Yet often we expect emotions to be reasonable, intelligible and appropriate responses to certain situations. How do we explain these apparent contradictions? Emotion, Imagination, and the Limits of Reason presents a bold new picture of the emotions that challenges prevailing philosophical orthodoxy. (...) Talia Morag argues that too much emphasis has been placed on the "reasonableness" of emotions and far too little on two neglected areas: the imagination and the unconscious. She uses these to propose a new philosophical and psychoanalytic conception of the emotions that challenges the perceived rationality of emotions; views the emotions as fundamental to determining one's self-image; and bases therapy on the ability to "listen" to one’s emotional episode as it occurs. Emotion, Imagination, and the Limits of Reason is one of the first books to connect philosophical research on the emotions to psychoanalysis. It will be essential reading for those studying ethics, the emotions, moral psychology and philosophy of psychology as well as those interested in psychoanalysis. (shrink)

In this paper, we discuss an approach to ‘design for wow’ that focuses on the emotions that constitute a wow-experience. In this approach, the eliciting conditions of these emotions are used to define a product character with a high wow-impact. In addition to the approach, a measurable wow-index is introduced. First, a concept of wow is described in which wow is explained as a combination of fascination, pleasant surprise, and desire. The eliciting conditions of these three emotions are examined (...) and combined to a ‘wow-appraisal.’ This concept is applied in the design of a mobile telephone. A combination of qualitative and quantitative research methods was used to formulate concern themes relevant for the wow-appraisal. These themes were used to create a layered product character and a prototype of the final design. An evaluation study demonstrated that the product designed with this approach rated higher on the wow-index than alternative products. (shrink)