Results for 'creative'

974 found
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  1. Marie-laure Ryan.Creative Analogies - 1998 - Semiotica 118 (1/2):147-164.
     
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  2.  6
    Jacquelyn Ann K. Kegley.Living Creatively - 2006 - In James Campbell & Richard E. Hart (eds.), Experience as philosophy: on the work of John J. McDermott. New York: Fordham University Press. pp. 19--58.
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  3. Conflict and Change.Creative Insecurity & A. Style Of Being-Becoming - forthcoming - Humanitas.
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  4. Alfonso Montuori.Creativity Knowledge - 1993 - World Futures 36:181.
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  5.  20
    ABE, STANLEY K. Ordinary Images. University of Chicago Press. 2002. pp. 408. 230 halftones, 5 maps, 20 line drawings.£ 45.50. ALEXANDER, VICTORIA D. Sociology of the Arts: Exploring Fine and Popular Forms. Blackwell. [REVIEW]Creative Dream - 2003 - British Journal of Aesthetics 43 (3).
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  6. Front Matter Front Matter (pp. i-iii).Creative Grammar, Art Education Creative Grammar & Art Education - 2011 - Journal of Aesthetic Education 45 (3).
     
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  7. Frozen rats, mice, chicks & guinea pigs-from $25.00 per 100. Live crickets $18.00 per thousand. Mc, visa, amx & disc. Fob: Perfect pets, inc., 23180 Sherwood, belleville, mi 48111: Phone (734) 461-1362, fax (734). [REVIEW]Carolina Mouse Farm, Creative Aquatic, Custom Cages, Dunthorpe Press, Freedom Breeder, Glades Herp, Kevin Bryant Reptile, Feeder Rodents, Maryland Reptile Farm & Pro Exotics - 1997 - Vivarium 9:64.
     
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  8.  15
    Creative Evolution.Henri Bergson & Arthur Mitchell - 1911 - International Journal of Ethics 22 (4):467-469.
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  9. Dr. Pierre Laviolette 12/05/2011 0 Comments.Nanette Norris & Creative Work - forthcoming - Veritas – Revista de Filosofia da Pucrs.
     
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  10. Ecological optics and the creative eye.Jan J. Koenderink, Andrea J. Van Doorn, Larry Arend & Heiko Hecht - 2002 - In D. Heyer (ed.), Perception and the Physical World: Psychological and Philosophical Issues in Perception. John Wiley and Sons.
     
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  11.  44
    Confucian thought: selfhood as creative transformation.Weiming Tu - 1985 - Albany: State University of New York Press.
    I. The "Moral Universal" from the Perspectives of East Asian Thought jl\ defining characteristic of East Asian thought is the widely accepted proposition ...
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  12. EVANS, GR, Philosophy and Theology in the Middle Ages, London, Roulledge, 1993,£ 8.99 pb. FLANAGAN, OWEN, Consciousness.Barry Loewer, Georges Rey, Don Macniven & Creative Morality - 1994 - Cogito 8:101.
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  13.  34
    The Creative Mind.Henri Bergson - 1946 - Philosophical Review 55:714.
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  14.  69
    Scenario visualization: One explanation of creative problem solving.Robert Arp - 2005 - Journal of Consciousness Studies 12 (3):31-60.
    In this paper, I first present the ideas and arguments put forward by evolutionary psychologists that humans evolved certain capacities to creatively problem solve. Specifically, Steven Mithen thinks that creative problem solving is possible because the mind has evolved a conscious capacity he calls cognitive fluidity, the flexible exchange of information between and among mental modules. While I agree with Mithen that cognitive fluidity acts as a necessary condition for creative problem solving, I disagree that cognitive fluidity alone (...)
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  15.  65
    Why creative intelligence is hard to find.Daniel Dennett - 1988 - Behavioral and Brain Sciences 11 (2):253-253.
  16.  52
    Creative understanding: philosophical reflections on physics.Roberto Torretti - 1990 - Chicago: University of Chicago Press.
    "A pleasure to read. Gracefully written by a scholar well grounded in the relevant philosophical, historical, and technical background. . . . a helpfully clarifying review and analysis of some issues of importance to recent philosophy of science and a source of some illuminating insights."--Burke Townsend, Philosophy of Science.
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  17.  59
    Bearing Witness and Creative Activism.Sondra Bacharach - 2023 - Journal of Aesthetics and Art Criticism 81 (2):153-163.
    In this article, I explore the relationship between witness-bearing arts as a form of creative activism designed to respond to social injustices. In the first section, I present some common features of bearing witness, as conceptualized within media studies and journalism. Then I explain how artworks placed in the streets can bear witness in a similar way. I argue that witness-bearing art transmits knowledge about certain unjust and harmful events, which then places a moral burden or responsibility on the (...)
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  18. On Being Creative, and Other Essays.Irving Babbitt - 1933 - Philosophical Review 42:443.
     
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  19.  15
    Photocinema: The Creative Edges of Photography and Film.Neil Campbell & Alfredo Cramerotti (eds.) - 2013 - Intellect.
    Taking as its starting point the notion of photocinema—or the interplay of the still and moving image—the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, ...
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  20. Creative Argumentation: When and Why People Commit the Metaphoric Fallacy.Francesca Ervas, Antonio Ledda, Amitash Ojha, Giuseppe Antonio Pierro & Bipin Indurkhya - 2018 - Frontiers in Psychology 9.
  21.  30
    Theology's Fruitful Contribution to the Natural Sciences: Robert Russell's 'Creative Mutual Interaction' in Operation With Eschatology, Resurrection and Cosmology.Scott D. G. Ventureyra - 2009 - Dissertation, University of Ottawa
    The focus of this research paper concerns the dialogue between science and theology. The current state of the dialogue involves a wide range of points of intersection that both pose and provoke questions concerning the very viability and coherence of such a dialogue. In particular, this paper examines the physicist/theologian, Robert John Russell's 'Creative Mutual Interaction' (CMI). The significance of the CMI diagram is that it names the basic interactions between science and theology and theology and science. These interactions (...)
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  22.  49
    Creative mathematics: Do SAT-M sex effects matter?Diana Eugenie Kornbrot - 1988 - Behavioral and Brain Sciences 11 (2):200-201.
  23.  13
    Effect of medical researchers’ creative performance on scientific misconduct: a moral psychology perspective.Zhen Xu, Chunhua Jin, Mingxuan Guo & Na Zhang - 2022 - BMC Medical Ethics 23 (1):1-9.
    BackgroundIn recent years, some researchers have engaged in scientific misconduct such as fabrication, falsification, and plagiarism to achieve higher research performance. Considering their detrimental effects on individuals’ health status (e.g., patients, etc.) and extensive financial costs levied upon healthcare systems, such wrongdoings have even more salience in medical sciences. However, there has been little discussion on the possible influence of medical researchers’ existing creative performance on scientific misconduct, and the moral psychological mechanisms underlying those effects are still poorly understood.MethodsWe (...)
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  24.  16
    The Creative Loop: How the Brain Makes a Mind.Erich Harth - 1993 - Addison Wesley.
    Discusses how the conscious self is created by the brain, explains brain structure, and explores the mind-body connection.
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  25. The creative imagination.M. Polanyi - 1981 - In Denis Dutton & Michael Krausz (eds.), The Concept of creativity in science and art. Hingham, MA: Distributors for the U.S. and Canada, Kluwer Boston.
     
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  26.  26
    Model-based creative abduction.L. Magnani - 1999 - In L. Magnani, Nancy Nersessian & Paul Thagard (eds.), Model-Based Reasoning in Scientific Discovery. Kluwer/Plenum. pp. 219--238.
  27. The Meaning of the Creative Act.NICHOLAS BERDYAEV - 1955
     
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  28.  6
    (1 other version)René Girard and Creative Reconciliation.Thomas Ryba (ed.) - 2014 - Lanham: Lexington Books.
    The contribution of this book to the field of reconciliation is both theoretical and practical, recognizing that good theory guides effective practice and practice is the ground for compelling theory. Using a Girardian hermeneutic as a starting point, a new conceptual Gestalt emerges in these essays, one not fully integrated in a formal way but showing a clear understanding of some of the challenges and possibilities for dealing with the deep divisions, enmity, hatred, and other effects of violence.
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  29.  10
    Beauty in the pine: creative expressiveness of the pine in Japanese aesthetics.Sonja Servomaa - 2007 - Helsinki: Yliopistopaino, Helsinki Univ. Press.
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  30.  20
    The Creative Vision: A Longitudinal Study of Problem Finding in Art.Vera John-Steiner - 1979 - Journal of Aesthetic Education 13 (4):121.
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  31.  56
    The Creative Structuring of Counterintuitive Worlds.Ryan Tweney, Kristin Edwards, Lauren Gonce, D. Jason Slone & M. Afzal Upal - 2006 - Journal of Cognition and Culture 6 (3-4):483-498.
    Recent research has shown a memory advantage for minimally counterintuitive concepts, over concepts that are either intuitive or maximally counterintuitive, although the general result is heavily affected by context. Items from one such study were given to subjects who were asked to create novel stories using at least three concepts from a list containing all three types. Results indicated a preference for using MCI items, and further disclosed two styles of usage, an accommodative style and an assimilative style. The results (...)
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  32.  4
    Exploring the Development of Creative Imagination across Different School Grades.Dr Bijal Zaveri, Paramjit Baxi, Dr Praveen Kumar Thakur, Ameya Ambulkar, Raman Verma, N. Raghu & Diksha Aggarwal - forthcoming - Evolutionary Studies in Imaginative Culture:822-832.
    The development of creative imagination across different school grades involves examining that students’ ability to think creatively and imaginatively evolves as they progress through their education journey. This study examines the development of imaginative creativity across a range of students' grades, emphasizing the roles that various factors play in students' creative growth, such as parental engagement, creative competition participation, innovative problem-solving skills, guidance from teachers, and visualization abilities. Information has been gathered from 150 teachers and 150 students (...)
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  33.  34
    Creative productivity: A predictive and explanatory model of career trajectories and landmarks.Dean Keith Simonton - 1997 - Psychological Review 104 (1):66-89.
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  34.  31
    More creative through positive mood? Not everyone!S. Akbari Chermahini & Bernhard Hommel - 2012 - Frontiers in Human Neuroscience 6.
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  35. Divine Creative Freedom.Alexander Pruss - 2016 - Oxford Studies in Philosophy of Religion 7:213-238.
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  36.  31
    Creative Evolution.Walton Wood - 2010 - Process Studies 39 (2):350-355.
  37.  27
    Being Creative.Kuang-Ming Wu - 2016 - Open Journal of Philosophy 6 (3):239-246.
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  38.  12
    Creative flexibility and creative persistence: Evaluating the effects of instructed vs autonomous choices to shift vs. dwell on divergent and convergent thinking.Yihan Wu & Wilma Koutstaal - 2022 - Consciousness and Cognition 105 (C):103417.
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  39.  14
    (1 other version)Creative Starts in Math.Tracy Zalud - 2019 - Questions: Philosophy for Young People 19:7-7.
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  40. Decision making: Social and creative dimensions.Carl Martin Allwood & Marcus Selart - 2001 - In Carl Martin Allwood & Marcus Selart (eds.), Decision making: Social and creative dimensions. Springer Media.
    This volume presents research that integrates decision making and creativity within the social contexts in which these processes occur. The volume is an essential addition to and expansion of recent approaches to decision making. Such approaches attempt to incorporate more of the psychological and socio-cultural context in which human decision making takes place. The authors come from different disciplines and also belong to a broad spectrum of research traditions. They present innovative chapters dealing with both theoretical and empirical aspects of (...)
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  41.  34
    The Creative Imagination: Enlightenment to Romanticism.Carl B. Hausman - 1982 - Journal of Aesthetics and Art Criticism 40 (4):437-439.
  42.  59
    Interpreting children's ideas: Creative thought or factual belief? A new look at Piaget's theory of childhood artificialism as related to religious education.Elizabeth Ashton - 1993 - British Journal of Educational Studies 41 (2):164-173.
    . Interpreting children 's ideas: Creative thought or factual belief? A new look at Piaget's theory of childhood artificialism as related to religious education. British Journal of Educational Studies: Vol. 41, No. 2, pp. 164-173.
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  43. Beautiful Beasties: A Creative Guide to Modern Pet Photography.Jamie Pflughoeft - 2012 - Wiley.
     
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  44. Psychoanalysis as a creative process.Richard G. Abell - forthcoming - Humanitas. Journal of the Institute of Man.
     
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  45. (1 other version)Science and the Creative Spirit.Karl W. Deutsch, F. E. L. Priestley, Harcourt Brown & David Hawkins - 1958 - Philosophy of Science 25 (4):301-302.
     
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  46. Creative Destruction and Destructive Creations: Environmental Ethics and Planned Obsolescence.Joseph Guiltinan - 2009 - Journal of Business Ethics 89 (S1):19 - 28.
    Three decades ago, planned obsolescence was a widely discussed ethical issue in marketing classrooms. Planned obsolescence is topical again today because an increasing emphasis on continuous product development promotes shorter durables replacement and disposal cycles with troublesome environmental consequences. This paper offers explanations of why product obsolescence is practiced and why it works. It then examines the ethical responsibilities of product developers and corporate strategists and their differing responses to this problem. Pro-environment product design and marketing practices and innovative government (...)
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  47.  63
    Scientific Discovery: Computational Explorations of the Creative Processes.Malcolm R. Forster - 1987 - MIT Press (MA).
    Scientific discovery is often regarded as romantic and creative - and hence unanalyzable - whereas the everyday process of verifying discoveries is sober and more suited to analysis. Yet this fascinating exploration of how scientific work proceeds argues that however sudden the moment of discovery may seem, the discovery process can be described and modeled. Using the methods and concepts of contemporary information-processing psychology (or cognitive science) the authors develop a series of artificial-intelligence programs that can simulate the human (...)
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  48. Nietzsche and Creative Passion in Milan Kundera's "The Unbearable Lightness of Being".Petra Von Morstein - 1990 - Analecta Husserliana 28:535.
     
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  49. On Pseudo‐Creative Sets, Splinters, and Bounded‐Truth‐Table Reducibility.Paul R. Young - 1967 - Mathematical Logic Quarterly 13 (1-2):25-31.
     
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  50.  34
    Creative Flexibility Performance Is Neither Related to Anxiety, Nor to Self-Control Strength, Nor to Their Interaction.Alex Bertrams & Chris Englert - 2019 - Frontiers in Psychology 10.
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