The first part of this paper surveys the visual technologies that have transformed the modern visual environment and argues for the relevance of their study to an understanding of modernity in general and to the field of religion and science in particular. The term cosmography is adopted for the visual and spatial manifestation of a worldview, and the importance of analyzing and advancing modern cosmography is asserted. In the second part, the focus shifts to one particular challenge presented (...) by modern cosmography: how to represent and find visual meaning in the new range of size scales that have been offered up by the modern scientific worldview. Six strategies for representing and finding meaning in this new expanded picture of the universe are explored. (shrink)

So far as I know, only two readers have paid much attention to my 1953 proposal. G. K. Plochmann was quick to point out its limitations, since the definition of "System" I was using seemed not to apply to the major work of modern philosophers in the 17th and 18th centuries. More recently, Donald Sherburne has suggested that the project is a fine idea, and one that should be carried out. His enthusiasm has persuaded me to resume the discussion.

At the outset, the philosopher being challenged hopes that the whole question rests on a false assumption. Maybe one can in fact fit together all of the doctrines of major philosophers in a single system which will be consistent, and so prove that there is no contradiction? But that plan hits a snag almost at once: for there are types of philosophic system so related that whenever a given proposition is true in one, its contrary is true in the other. (...) Sextus Empiricus was particularly ingenious at arranging these dual positions in parallel column, but even without his help, brief experiment shows that a simple conjunction rule will not answer the skeptic’s question. (shrink)

The title of Renaud Gagné’s book hides as much as it reveals. Hyperborea, R.G.’s name for the country of the Hyperboreans, is attested in a wide variety of ancient texts on those fascinating and enigmatic people of the farthest North, of which the A. proposes a “slow reading”: this reading is also a test case in which he tries out his “anthropological philology”. “Philology” might seem too narrow a term, since R.G. does not only look at the texts that talk (...) about the Hyperboreans from Hesiod t... (shrink)

In the midst of the ultra modernity of stock exchanges and financial markets, certain practitioners are increasingly using forecasting models of changes in rates whose scientific rationality is particularly contested. We refer to ‘technical analysis’, or, in the jargon of finance, of ‘chartism’. The adherents of this practice affirm that their models offer the possibility of detecting and of reading, by means of stereotyped graphical configurations, rising or falling market trends. Now, for a large number of people who hold scientific (...) economic and financial theories to describe the ‘nature’ of changes in rates as so many random and unpredictable phenomena, these models arise above all from the sphere of ‘superstition’ and ‘beliefs’, in the worst sense of the term. To listen to them, one would think there was hardly any difference between sorcery, prophecy, and chartism, since in short: “it works because people believe in it”. These are remarks that can only arouse the curiosity of the anthropologist, because they actually serve merely to recall epistemologica! controversies that depend on the rationality and the irrationality of observed practices and debates in various cultures. At the heart of these contradictory debates, it is precisely prophecy as a cultural mode of managing unforeseen events that has been the subject of multiple anthropological, historical, and epistemological studies which can, in a comparative perspective, clarify the structure and functioning of forecasting tools employed by the chartists in the context of financial speculation. (shrink)

탈레스가 자연의 탐구에서 신화적 설명을 배제한 기원전 6세기 이후 우주의 모습은 둥글납작한 지구를 중심으로 반구형 하늘에 천체들이 수학적 질서를 가지고 정위되어 있는 것으로 이해되었으며, 그리스의 고전기로 불리는 기원전 5세기에는 구형 지구와 지구를 도는 항성들과 행성들의 궤도에 대한 지식이 널리 퍼진 것으로 보인다. 크게 보아 ‘구형 우주’와 ‘지구중심주의’로 요약되는 이 자연관은 서양의 중세를 지나 근대에 이르기까지 하나의 상식으로 통하게 되는데, 본고는 이러한 ‘철학적인’ 우주론의 연원을 찾아서 탈레스 시대보다 조금 더 거슬러 올라가 그리스인들이 남긴 신화 작품에서 세계의 모습을 찾아보기로 한다. 왜냐하면 신화는 (...) 인류가 원시적 사고를 벗어나 자기 자신과 세계를 체계적으로 이해하려고 한 첫 시기의 지적인 산물로서, 한 사회의 세계관을 드러내는 흥미로운 이야기들이 나타나기 때문이다. 그리스 신화는 서사시로 시작되는데, 기원전 8세기 후반 오랜 구전 시가의 전통을 받아서 처음으로 호메로스가 신들과 영웅들의 이야기 『일리아스』와 『오뒤세이아』를 남겼고, 헤시오도스는 세상의 기원과 신들의 탄생에 관한 이야기인 『신들의 계보』를 썼다. 이 서사시 작품들에는 세상의 시공간적 태초에 관한 이야기와 함께 종종 신화적 사건의 구체적인 때와 장소가 언급되며, 특히 하늘과 땅, 산들과 바다, 강들과 호수 같은 공간 개념이 많은 신들의 이름으로 나타난다. 여기서 우리는 이런 말들이 표현되는 방식에 비추어 이 작품들이 형성된 시대의 사람들이 가졌을 법한 세계의 모습을 추출해볼 수 있다. 신화는 단일한 작가의 산물이 아니며 전승들은 상충할 수 있기 때문에 하나의 단일하고 완전한 세계 그림을 얻을 수는 없겠지만, 그러나 전체적인 윤곽을 재구성해낸다면, 거기서 우리는 최소한 ‘구형 우주’와 ‘지구중심주의’라는 서양의 전통적 자연관의 싹을 찾을 수 있을 것이다. (shrink)

In this article I offer an account and analysis of several patterns of valuation of the cardinal directions in medieval Scandinavian texts. While my topic is not altogether novel—ideas about space, along with those of time, have been matters of widespread and perennial concern to scholars of culture and religion, and those interested in the Norse context have proven no exception—I seek to go beyond previous examinations in several ways. First, many of the scholars who have focused on directionality in (...) Old Norse sources have been concerned with catalogu-ing and elucidating terminology for the cardinal points and for movement along and between them, with a particular emphasis on assessing the “correctness” of such terms' application in respect to ultimate or relative orientation. While I draw on the insights of such studies, my interests lie less in efforts to map or to describe movement in the real world known to medieval Scandinavians than in the values that they can be shown to have attached to the cardinal directions. My focus, therefore, is on imagined or moral as opposed to physical or topographical space. Of the studies that have taken a similar interest in Norse ideas about space, most have focused mainly or exclusively on the attempt, often from a structuralist perspective, to reconstruct from available sources pagan cosmography, to discover or assemble a systematic summa of the pre-Christian Norse mythical Weltbild. While pre-Christian ideas, or their traces, are also a focus of my article, I pay more than equal attention to conceptualizations and valuations of space held by Christian northerners. “Mythical,” then, is not a label that I reserve for heathen or patently fantastic materials but one under which I also subsume data from Christian and historiographical sources. (shrink)

In the Borisova’s O. V. article on the basis of analysis of works of some medieval Arabic authors the different models of historical process open up and the of genius attempt of the sharp changing of the Koran picture of the world, accomplished by the Arabic theologian and philosopher Ibn Haldun, is analysed, that, however, appeared unsuccessful. However a negative result is in science is too a result. On some important features of works of the Arabic authors paid attention in (...) science first. (shrink)

1. IntroductionIt is an increasingly accepted protocol to situate oneself discursively in order to approach a set of problems. This protocol, consolidated by Donna Haraway’s famous “situated knowledge,” is also evident in everyday Indigenous Australian practice.1 I begin, therefore, with my long association with the Goolarabooloo community in Broome, North-West Australia, and in particular with Paddy Roe, who started teaching me in the late 1970s. This text attempts to translate his sense of belonging to that territory, an attachment he had (...) to struggle to maintain, both in the face of ongoing destructive colonization and also in the face of other Aboriginal territorial claims. These collective attachments are therefore inflected by history—not just settler history, but Indigenous history that has changed in relation to colonization. These changes are wrought through overwhelmingly rapid material changes, shifting institutional alliances, contested concepts, and new practices. This ethnographic history is an attempt to provide an overview of some of these changes in the North-West corner of Australia over the last forty years. (shrink)

ABSTRACT This article interprets a recently recovered manuscript, Tratado de astronomía y la reformaçión del tiempo, composed by Antonio Sánchez in New Granada c.1696, in the context of the Spanish and Renaissance cosmographies. Sánchez’s Tratado proposes a spherical astronomy, in which celestial bodies – including comets — move in orbs containing pyramidal knots that explain the changing speed observed in the motion of planets. From this astronomy and following the peninsular style of repertorios, Sánchez derives two major conclusions: the corrected (...) length of the solar year and a revised birth date of Jesus. Taking as center of reference Vélez, where Sánchez was based, these claims led to conclusions in domains ranging from calendric astronomy to eschatology, including the incorporation of the indigenous peoples into salvation narrative and a demonstration of the arrangement of the celestial orbs at the Last Judgment. Sánchez’s Tratado constitutes an expansion of the Spanish mathematical cosmography that sheds light on the production of knowledge in the Spanish-American world and, at the same time, provides elements to reassess our understanding of the global circulation of Renaissance and early modern ideas. (shrink)

A complexity cosmography is introduced as construing a world that is self-organizing, dynamic, and emergent, and that comprises organic entities that too are self-organizing, dynamic, and emergent. Following critical reflection into the nature of utilising complexity in social inquiry, specific images, vocabularies and complexity-based methods and techniques as developed by the authors are introduced.

In lieu of an abstract, here is a brief excerpt of the content:Place and the "Spatial Turn" in Geography and in HistoryCharles W. J. WithersI. IntroductionA few years ago, British Telecom ran a newspaper advertisement in the British press about the benefits—and consequences—of advances in communications technology. Featuring a remote settlement in the north-west Highlands of Scotland, and with the clear implication that such "out-of-the-way places" were now connected to the wider world (as if they had not been before), the (...) advert proclaimed "Geography is History." What the advert signalled to as the "end" of geography in the sense of the social gradients associated with space and distance is what is known, variously, as "time-space convergence" and "time-space distanciation."1 The terms embrace not just the "collapse" of geographical space given technical advances (in travel time and in communications—consequences of what Castells calls "the information age" and "the network society"2), but also the idea that the modern world has become [End Page 637] more homogenized. One place is now much the same as another. Further, given the likelihood of such technical and cultural changes continuing into the future, geographical distinctiveness, evident in the particularity of place, would be a thing of the past: geography would indeed be history. There is, of course, much evidence to the contrary: that, in the face of "globalisation," questions of locality, sense of place and of identity in place matter now more than ever. Even, then, as Francis Fukuyama cautioned against the "death" of liberal democratic politics as The End of History,3 geography—that is, geography understood as questions to do with place, and questions to do with where you are in the world as part of questions about how you are and who you are in the world—has had considerably heightened significance and for some places and people more than others.4These notions of place—as a particular location, and the character or sense of place—are only part of the meanings associated with place in geographical and in historical work. Like space, its regular epistemic dancing partner in geographical ubiquity and metaphysical imprecision, place is a widespread yet complex term. What follows is historiographical in focus and, of necessity, partial in range. I offer a historiographical survey of the term place, principally but not alone within recent work in geography. In more detail, and with reference to one of the strong senses in which place is used, namely that of locale, "the local," or localness, I trace here the connections between place, space, and the idea of the local as evident in recent work in history and in geography, especially within the history and the geography of science. Particular attention is paid in this context to the distinctive features of what we may think of as the "spatial turn" in the history of science by looking at the idea of place and space in recent work in Enlightenment studies. My argument is three-fold. Notions of place and space, much debated by geographers, have been as central a concern for intellectual historians and historians of science as for philosophers and others, but they have been differently expressed. There is, I shall argue, value in looking at these different views in order to understand that whilst place is a commonplace term it is not agreed upon: working with imprecision has been both opportunity and restriction. In relation to work within the history of science and in Enlightenment studies, consideration of the so-called "spatial turn," of place [End Page 638] as social practice and of placing as a process in accounting for the uneven movement of ideas over space and time may help provide some precision and strengthen connections between geography and history.II. Place (In Geography): A Partial HistoriographyPlace is one of the most fundamental concepts in human geography. It is also one of the most problematic.5 Place, or small-scale regional space, features as a subdivision within the Classical tripartite division of cosmography (the earth in relation to other planetary bodies), geography (the earth as a whole) and chorography (parts of the earth or regional geography). So, too, does the distinction between chorography and chronology as... (shrink)

The contributions of Portuguese and Spanish sixteenth century science and technology in fields such as metallurgy, medicine, agriculture, surgery, meteorology, cosmography, cartography, navigation, military technology, and urban engineering, by and large, have been excluded in most accounts of the Scientific Revolution. I review several recent studies in English on sixteenth and seventeenth century natural history and natural philosophy to demonstrate how difficult it has become for Anglo-American scholarship to bring Iberia back into narratives on the origins of "modernity." The (...) roots of this exclusion, to be sure, hark back to the Protestant Reformation and the Enlightenment. The oversight is unfortunate for it has blinded scholars to the fact that the Iberians first created a culture of empirical, experimental, and utilitarian knowledge-gathering of massive proportions that did not get its cues from the classics or the learned, but from merchants, enterprising settlers, and bureaucrats. The Portuguese and the Spanish confidently saw themselves as the first "moderns," superseding the ancients. The English were the first to recognize this fact and they sought to imitate the new institutions of knowledge-gathering created by the Iberians. I demonstrate, for example, the Iberian origins of many of Francis Bacon's epistemological insights and metaphors. Spanish and Portuguese scholars have long been making this point. I therefore introduce English-speaking audiences to some of the most recent scholarship by Spanish scholars on sixteenth century Iberian science and technology. (shrink)

ABSTRACTDuring the sixteenth and seventeenth centuries, the Inquisition was the institution most invested in the censorship of printed books in the Portuguese empire. Besides publishing the Indices of Forbidden Books, the Holy Office was also responsible for overseeing their implementation and ensuring their efficacy in preventing the importation, reading, and circulation of banned books. Overall, the sixteenth-century Indices condemned 785 authors and 1081 titles, including 52 authors and 85 titles of medicine, natural history, natural philosophy, astronomy, chronology, cosmography, astrology, (...) and divinatory arts. By looking at the largest collection of early modern scientific books in Portugal, I will argue that a closer inspection of marginalia and ownership, and the establishment of a typology of expurgations is essential for the comprehension of the actual practices and the mechanisms of censorship. By examining the material evidence of censorship, in order to reconstruct expurgation practices, this paper reveals the processes and effectiveness of ecclesiastical control in the Portuguese Inquisition and highlights the differences between what inquisitors wrote in the Indices and what others put into practice. (shrink)

The Moksopaya is a work with the extent of 30.000 double verses of a Kashmirian anonym from themiddle of the 10th Century. Established without referring to traditional authority it presents a unique cosmography in the Indian history of ideas. Before the discovery of the Kashmirian version, in which the original hides itself, this philosophical piece of literature was only known in India and Europe in a later version that was tendentiously changed by several insertions. While the work on the (...) complete edition of the oldest version at the University of Halle- Wittenberg is still in progress, this volume includes some of the results from the project:- a detailed description of the narration of the queen Lila- a study on the fundamental philosophical ideas- an analysis of the text history and the versions- studies on the construction and dating- studies on the double nature of the work as poetry and philosophical paper - on its social and religious context. (shrink)

Vasco de QuirogaIt was precisely when printing became popular in Europe - which, for the first time in history, permitted the conservation and mass diffusion of ancient Greek, Arab, and Latin writings, a fact that signalled the beginning of the Renaissance - that the Letters of Amerigo Vespucci first appeared. These letters, like a revelation, speak of a novus mundus, a new world of unknown flora, fauna, and men, that contradicts the findings of Ptolemy‘s eminent Cosmography (published in 1478, (...) in Rome), Theophrastus's History of Plants (published in 1498, in Venice), and the hallowed treatises of Aristotle, which were then in fashion. (shrink)

in recent years, the research on Schopenhauer has shown a change in the interpretation of his main work, «The World as Will and Presentation», from (1) a normative and linear instruction which guides the reader from idealism to mysticism, pessimism and nothingness to (2) value-free and independent descriptions of the world with all phenomena (like idealism, mysticism, nothingness etc.) in it. thus Schopenhauer’s main work has become an empirical or baconian approach—something like a «philosophical cosmography»—. this fundamental change of (...) interpretation radically puts into question what Schopenhauer means by characterizing his main work as an «organic system». the present paper attempts to give an answer to this question, reviewing the self-reflexive, methodological and metaphilosophical hints which Schopenhauer gives in the first volume of his «World» («as Will and presentation»). (shrink)

The paper deals with the beginning and the main properties of the science of nature (he peri physeos historiê). According to Themistius (DK 12 A 7), the founder of this kind of Ionic philosophy is Anaximander of Miletus because he was the first who wrote about nature (especially a cosmography and a cosmogony) and developed three main principles of nature: 1. Nature has a mathematical structure (Arist. De coelo I3 295b10-14.32); 2. nature has a physical structure (DK 12 A (...) 10-11); and 3. nature follows natural laws (DK 12 A 9). The origin of this introduction lies in the prolongation of primitive expectations of constancy. It is especially argued that the shift from mythos to logos is characterized by the depersonalization of nature and the introduction of theoretical terms. In fact, the "apeiron" of Anaximander seems to be something similar to a theoretical term, because Anaximander seems to have realized that the explanans of nature cannot be one of its explananda like water (Thales) or air (Anaximenes). (shrink)

When advanced technologies of globalization that are closely associated with secular cosmopolitics are opportunistically employed by fundamentalist politico-theologies for their own particular purposes, an essential irresolution of territory, jurisdiction and programmatic projection is revealed. Where some may wish to identify an ideal correspondence between a global political sphere into which multiple differences might be adjudicated and the visual, geographic representation of a single planetary space, this conjunction is dubious and highly conditional. Instead multiple territorial projections and competing claims on space (...) are also generative of the very qualities of the spatial as a political medium altogether. For example, the well-publicized use of satellite-based mapping and telecommunications tools, such as Google Earth, by the terrorist group that attacked Mumbai in November 2008, raises several knotty and important questions about how contrary comprehensive images of the world can make use of one another in ways that undermine the ‘unitotality’ of global territory. It is not that Google and Jihad are ‘equivalent’ or even ‘translatable’, but rather because they are not, they are in practice interoperable. Instead links between urbanism, cosmography, and the socialization of planetary software networks demonstrate the centrality of design to the ongoing fashioning of the territory of territories, the geoscape. (shrink)

Earlier than the Arabic-Latin transfer of Ptolemaic astronomy via the Iberian peninsula, a serious occupation with Arabic astronomy by Latin scholars took place in crusader Antioch in the first half of the twelfth century. One of the translators of Arabic science in the East was Stephen of Pisa, who produced a commented Latin version, entitled Liber Mamonis, of Ibn al-Haytham’s cosmography, On the Configuration of the World. Stephen’s considerations about the physical universe in relation to the doctrines of Ptolemaic (...) astronomy have hitherto received but little attention. The present paper discusses Stephen of Pisa’s treatment of the planetary spheres in regard to Ptolemy’s theory of oscillating deferents. Emphasis is given to geometric arguments in Stephen’s criticism of Ibn al-Haytham’s spherical model of the inner planets and to Stephen’s own attempt at an improved theory based on additional spheres. The paper argues that astronomical studies in Antioch were of an advanced level, involving independent judgement as well as an influence of contemporary trends in Arabic astronomy. (shrink)

Focusing, in part, on the influence of Jurassic-era seas on the philosophical beliefs of the Hopi and Zuni cultures of the American Southwest, the article investigates the fluid cognitive processes of the human mind and methodically investigates the presence of historical content in works from oracy-based peoples. Formal analyses of the embedded data encoded in historical oral narratives are provided and are based on Barber and Barber’s mytho-linguistic framework. The application of Roger C. Echo-Hawk’s methodology for the assessment of narrative (...) works that can contribute to cultural affiliation in consultations relating to the Native American Graves Protection Repatriation Act is considered as a possible model for similar change in the areas of assessing the relevance of material culture. The necessity of creating a similar critical framework for evaluations of the visual arts of ancient pre-historic era in the United States in keeping with the trend in narrative studies is discussed in support of the development of ‘period eye’ perspectives on which future objective studies may be based. The valid contexts an approximated period eye perspective can provide for more authentic replications of complex metaphorical relationships and cosmographies on the visual plane is demonstrated in the article’s final drawings. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wandering the Magnetosphere*Ingrid Koenig (bio)Navigation notes: These emergent drawings–excerpts from a visual essay–take up the complex network of impacts across physical forces entangled with bio-geo-political time. A key element for this work is a living cosmography to depict movement across time, and to visualize wandering on a planet, in the magnetosphere, and between the internal energy of Earth and the solar energy of the cosmos. Physicists say there (...) are no things, there are only relations between things.Q: Hello ancient stone - may I unfold you like a book? Do you carry a message from deep time? A: Yes, what you’re holding is not a thing, but a process. Click for larger view View full resolutionDrawing from Svalbard, Day 17 expedition, 2019[End Page 97]Drifting on a rocky planet, between the internal energy of Earth and the solar energy of the cosmos–we live within a “cosmo-tectonic circulation” —Jerome Gaillardet, geo-chemist. Click for larger view View full resolutionGeocosmic Logic[End Page 98] Click for larger view View full resolutionHow Entropy is Time (detail) Click for larger view View full resolutionMagnetic Story[End Page 99] Click for larger view View full resolutionMessage From Deep Time 3 Click for larger view View full resolutionMessage From Deep Time 1[End Page 100] Click for larger view View full resolutionLooping Matters 1 (Litli-Hrutur, Iceland) Click for larger view View full resolutionLooping Matters 2[End Page 101] Click for larger view View full resolutionMother Rock Waves (Miradalir Valley, Iceland) Click for larger view View full resolutionMother Rock in Time[End Page 102] Click for larger view View full resolutionVolcanic Logic (Miradalir Valley, Iceland) Click for larger view View full resolutionSonic Lava (Miradalir Valley, Iceland)[End Page 103] Click for larger view View full resolutionWaves Across Time (Miradalir Valley, Iceland) Click for larger view View full resolutionDisorientations[End Page 104] Click for larger view View full resolutionMessage From Deep Time 2 Click for larger view View full resolutionGravitational Thought[End Page 105] Click for larger view View full resolutionMagnetic Thought (Miradalir Valley, Iceland) Click for larger view View full resolutionDistance Ladder Collapse[End Page 106] Click for larger view View full resolutionMattering Logic 3 Click for larger view View full resolutionMattering Logic 4[End Page 107] Click for larger view View full resolutionHow We Make Time into Space Click for larger view View full resolutionHow Entropy is Time (detail 2–Svalbard)[End Page 108]Ingrid Koenig Ingrid Koenig is Associate Professor at Emily Carr University of Art + Design, Vancouver, Canada. She was the inaugural Artist in Residence (2011 to 2021) at TRIUMF, Canada’s particle accelerator center, and co-organizes processes of collaboration between artists and physicists in a project called Leaning Out of Windows. Her studio and research practices traverse the fields of physics, social history, feminist theory, and narratives of science. Her drawings explore the complex phenomena of physics and involve intuitive responses to specific sites through fieldwork in Canada’s Rocky Mountains, Germany, Iceland, Arctic Circle art + science expeditions, and through collaborations with physicists. She has received grants from the Canada Council for the Arts, the Goethe Institute, and the Social Science and Humanities Research Council. She co-edited the recently published book, Leaning Out of Windows: An Art and Physics Collaboration (Figure 1 Publishing, 2023).Footnotes* Excerpts from Wandering the Magnetosphere–drawings by Ingrid Koenig, 2019 to 2023, and ongoingCopyright © 2023 Johns Hopkins University Press and SubStance, Inc... (shrink)

The paper explores the relation between a set of poetic formulas in early Greek and Anatolian languages of the second and early first millennia having to do with the cosmography of the rising sun in macrocosm, and going up into bed in microcosm, with an eye to defending the reading and restoration έρωι δέπασ εισομβάμεν in the editio princeps of the new Sappho. The Luvian word for “sky, heaven,” represented as a bowl in Hieroglyphic, is the likeliest source of (...) the Greek word depas, Mycenean dipas, in the second millennium, together with the associative semantics of depas and “heaven” evidenced in Hittite and Luvian texts in the second millennium, and in early Greek poetry in the first. (shrink)

This paper offers a caution that emphasis upon the importance of mathematics in recent historiography is in danger of obscuring the historical fact that, for the most part, mathematics was not seen as important in the pre-modern period. The paper proceeds by following a single case study, and in so doing offers the first account of the mathematical writings of Jean Fernel (1497–1558), better known as a leading medical innovator of the 16th century. After establishing Fernel's early commitment to mathematics, (...) and attempt to forge a career as a cosmographer, it goes on to explain his abandonment of mathematics for a career in medicine. The ‘mathematization of the world picture’ is usually explained in terms of the perceived usefulness of mathematics, but Fernel's case shows that for many pre-modern thinkers mathematics was not regarded as a useful pursuit. The paper should serve as a reminder, therefore, that the take-up of mathematics by natural philosophers was by no means inevitable, but had to be carefully managed by early modern mathematical practitioners. The case of Fernel indicates that perhaps he was not the only would-be mathematical practitioner to abandon mathematics in favour of a calling that was more appreciated by contemporaries. (shrink)

RESUMO Anaximandro possui destaque na história da filosofia, conforme o In De caelo de Tomás de Aquino, porque, à luz da racionalidade, ele descobriu os pontos limites do cosmo, na perspectiva do observador, a saber: as estrelas e a Terra, os dois itens mediante os quais o milésio inaugura a cosmologia filosófica e a cosmografia. Este estudo mostra que, baseado não somente no texto de Aristóteles, mas também noutras fontes doxográficas, nomeadamente no In De caelo de Simplício, Tomás reúne em (...) seu texto teorias cosmológicas atribuídas a Anaximandro, como o geocentrismo, a finitude do cosmo, a infinitude e divindade do regente do todo e, refletindo sobre elas, o autor manifesta a grandiosidade do gênio daquele que é considerado como o sucessor de Tales de Mileto. ABSTRACT Anaximander is a prominent figure in the history of philosophy, according to In De caelo of Thomas Aquinas because, in the light of rationality, he discovered the boundary points of the cosmos, from the observer's perspective, namely: the stars and the Earth, the two items through which the milieu inaugurates philosophical cosmology and cosmography. This study shows that, based not only on the text of Aristotle, but also on other doxographic sources, notably in the In De caelo of Simplicius, Aquinas collects in his text cosmological theories attributed to Anaximander, such as geocentrism, finitude of the cosmos, infinity and deity of the regent of the whole and, reflecting upon them, the author manifests the grandeur of the genius of he who is regarded as the successor of Thales of Miletus. (shrink)