Results for 'art works'

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Bibliography: Art and Artworks in Aesthetics
Bibliography: Artworks in Aesthetics
Bibliography: Art and Artworks, Misc in Aesthetics
  1. Artifacts, art works, and agency.Randall R. Dipert - 1993 - Philadelphia: Temple University Press.
    This is the first philosophical study of artifacts that is book length. In it Randall Dipert develops a theory of what artifacts are and applies it extensively to one of the most complex and intriguing kind of artifacts, art works. He presents his own account of what agents, intentions, and actions are, then uses these notions to clarify what it is for an agent to "make" something. From this starting point, he develops a full theory of artifacts and other (...)
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  2.  21
    The Art-Work of the Future and Other Works.Richard Wagner & W. Ashton Ellis - 1995 - Journal of Aesthetics and Art Criticism 53 (1):104-104.
  3. Art Works, But How?-Kant and Aesthetics. Heidegger and Truth.Ralph Synning - 1990 - Gnosis 3 (3):29-48.
     
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  4.  32
    Artifacts, Art Works, and Agency.Colin Lyas - 1993 - Journal of Aesthetics and Art Criticism 52 (3):367-369.
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  5. The Art Work as a Rule.Donald F. Henze - 1969 - Ratio (Misc.) 11 (1):69.
     
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  6. Chapter Ten Art Constructs as Generators of the Meaning of the Work of Art Viktor F. Petrenko and Olga N. Sapsoleva.Art Constructs as Generators - 2007 - In Leonid Dorfman, Colin Martindale & Vladimir Petrov, Aesthetics and innovation. Newcastle, UK: Cambridge Scholars Press.
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  7.  16
    How Art Works: A Psychological Exploration.Ellen Winner - 2018 - Oup Usa.
    This book examines puzzles about the arts wherever their provenance - as long as there is empirical research using the methods of social science that can shed light on these questions. The examined research reveals how ordinary people think about these questions, and why they think the way they do - an inquiry referred to as intuitive aesthetics. The book shows how psychological research on the arts has shed light on and often offered surprising answers to such questions.
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  8.  50
    William Morris: Art, Work, and Leisure.Ruth Kinna - 2000 - Journal of the History of Ideas 61 (3):493-512.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 493-512 [Access article in PDF] William Morris: Art, Work, and Leisure Ruth Kinna William Morris's most important contribution to British socialist thought is often said to be his elaboration of a plan for the socialist future. E. P. Thompson, for example, argued that Morris was "a pioneer of constructive thought as to the organization of socialist life within Communist society." 1 (...)
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  9. Art, work and politics in disciplinary societies and societies of security.Maurizio Lazzarato - 2008 - Radical Philosophy 149:26.
  10.  66
    Functions and Kinds of Art Works and Other Artifacts.Amrei Bahr, Massimiliano Carrara & Ludger Jansen - 2019 - Grazer Philosophische Studien 96 (1):1-18.
    Currently, there is not yet a full-fledged philosophical sub-discipline devoted to artifacts. In order to establish such a general philosophical discourse on artifacts, two topics are of special importance: artifact functionality and artifact categorization. Both are central to the question of what artifacts are in general and in particular. This introduction first presents the current state of the art in the debates on functions, both in general and in the domain of artifacts in particular. It then unfolds the three debates (...)
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  11.  46
    Artifacts, Art Works, and Agency. [REVIEW]Ky Herreid - 1995 - Review of Metaphysics 48 (3):652-654.
    This volume will have special appeal to an audience sympathetic to Pragmatism, interested in problems concerning interpretation and evaluation of things artificial, and curious to see how action-theoretic notions can be used to construct a general and unified theory of artifacts.
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  12.  15
    Artifacts, Art Works, and Agency. [REVIEW]Martin Donougho - 1996 - Journal of Aesthetic Education 30 (3):121.
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  13.  24
    Teaching the Virtue of Kindness through Using Art Works.Dennis L. Sansom - 2024 - The Journal of Aesthetic Education 58 (1):92-107.
    Art works provide a unique and influential way to teach human virtues because they can place individuals (or particular artistic expressions) within the ambiguities, complexities, and forces of the human experience. I use four art works to teach about the virtue of kindness: Giotto di Bondonie's Scene 2: St. Francis Giving His Mantle to a Poor Man; Bishop Charles Francois in Victor Hugo's Les Misérables; Adam in William Shakespeare's As You Like It; and Sonya in Fyodor Dostoevsky's Crime (...)
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  14.  23
    Imagining Dewey: artful works and dialogue about Art as experience.Patricia L. Maarhuis & A. G. Rud (eds.) - 2020 - Boston: Brill Sense.
    Imagining Dewey' features productive (re)interpretations of 21st century experience using the lens of John Dewey's 'Art as Experience', through the doubled task of putting an array of international philosophers, educators, and artists-researchers in transactional dialogue and on equal footing in an academic text. This book is a pragmatic attempt to encourage application of aesthetic learning and living, ekphrasic interpretation, critical art and agonist pluralism.0There are two foci: (a) Deweyan philosophy and educational themes with (b) analysis and examples of how educators, (...)
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  15. (1 other version)Heidegger on Art and Art Works.Joseph J. Kockelmans - 1987 - Zeitschrift für Philosophische Forschung 41 (1):146-149.
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  16.  64
    Are Bad Works of Art 'Works of Art'?Cyril Barrett - 1972 - Royal Institute of Philosophy Lectures 6:182-193.
    Some years ago I came across the following question thrown out almost casually in the course of discussion: How many of us, it was asked, want to call a ‘bad work of art’ a ‘work of art’? The question was clearly rhetorical; the author quite obviously did not consider that anyone in his right mind would suggest that a bad work of art was a work of art. This struck me as rather odd. Surely there can be good and bad (...)
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  17.  39
    Jacques Derrida’s (Art)Work of Mourning.Eva Antal - 2017 - Perichoresis 15 (2):25-39.
    Derrida’s highly personal mourning texts are collected and published in a unique book under the title The Work of Mourning edited by Pascale-Anne Brault and Michael Naas, two outstanding translators of Derrida’s works. The English collection is published in 2001, while the French edition came out later in 2003 titled Chaque fois unique, la fin du monde. In his deconstructed eulogies, Derrida, being in accordance with ‘the mission impossible’ of deconstruction, namely, ‘to allow the coming of the entirely other’ (...)
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  18. Art, Work and Analysis in an Age of Electronic Simulation.Barry Smart - 2000 - In Mike Gane, Jean Baudrillard: in radical uncertainty. Sterling, Va.: Pluto Press. pp. 3--332.
     
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  19.  25
    Art, Work, Endlessness: Flarf and Conceptual Poetry among the Trolls.Jasper Bernes - 2016 - Critical Inquiry 42 (4):760-782.
  20.  46
    Going Far by Going Together: James M. Buchanan’s Economics of Shared Ethics.Art Carden, Gregory W. Caskey & Zachary B. Kessler - 2022 - Business Ethics Quarterly 32 (3):359-373.
    We explore themes in Nobel Prize–winning economist James M. Buchanan’s work and apply hisEthics and Economic Progressto problems facing individuals and firms. We focus on Buchanan’s analysis of the individual work ethic, his exhortations to “pay the preacher” of the “institutions of moral-ethical communication,” and his notion of law as “public capital.” We highlight several ways people with other-regarding preferences can contribute to social flourishing and some of the ways those who have “affected to trade for the public good” might (...)
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  21. Homelessness of art work / Homelessness of Memory: Moshe Kupferman\'s The Rift in Time.Eleonora Jedlińska - 2011 - Art Inquiry. Recherches Sur les Arts 13:75-94.
     
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  22.  32
    The Work of the Art-Work: Art After Heidegger's Origin of the Work of Art.Alison Ross - 2006 - Journal of the British Society for Phenomenology 37 (2):199-215.
  23. Zariz ṿe-niśkar: leḳeṭ be-maʻalat ha-zerizut u-genut ha-ʻatslut.Yoʼel ben Aharon Shṿarts - 1989 - Netanyah: Makhon le-hotsaʼat sefarim she-ʻal yad Merkaz ha-Torah di-Yeshivat Radin, Netanyah.
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  24.  26
    In Heidegger Art Work is not Equipment.Christopher S. Nwodo - 1982 - Journal of the British Society for Phenomenology 13 (1):69-78.
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  25. Cultural Identity of Art Works.Curtis Carter, Disikate Ke, Min Yu & Chengji Liu - unknown
    Nelson Goodman (1906-2007) approached the arts and other kinds of knowledge as forms of symbolism. His principal aim in philosophy was to advance understanding and remove confusions by verbal analysis and logical constructions. Goodman's philosophical theories encompass nominalism, constructivism and a version of radical relativism. In his Languages of Art, Goodman sets forth distinctions among the various art according to differences in the forms of symbols employed. He contributed as well to arts education and to philosophy of the museum. His (...)
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  26.  8
    The Role of Difficult Art-works in Teaching to be Critical.Michelle Forrest - 2001 - Paideusis: Journal of the Canadian Philosophy of Education Society 14 (2):39-58.
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  27.  11
    The Meaning of Art Works in Esthetical Theory of T. W. Adorno and Educational Implication. 노은임 - 2009 - 동서철학연구(Dong Seo Cheol Hak Yeon Gu; Studies in Philosophy East-West) 53 (53):181-198.
    본 연구는 아도르노의 미학 이론에 대한 비판적 해석과 이에 내재해 있는 교육학적 함의를 해명해 보는 것을 목적으로 삼고 있다. 잘 알려져 있듯이, 아도르노도 예술에 대한 전통적인 정의를 어느 정도 수용하고 있다. 이를테면 아도르노는, 예술작품은 단순히 일상적인 자연 언어에 의한 기술(description)과 그 성격이 다르다는 점을 인정한다. 그래서 예술 작품에는 기술이라는 개념 대신에 표현(expression)이라는 용어를 적용시킨다. 아도르노가 제시하고 있는 예술 작품의 의미론적 위치를 보다 도식적으로 구조화하면 이러하다. 그는 실재, 소여, 직접적 경험, 자연 등을 인정한다. 이런 것들이 절대정신의 외화라는 헤겔적인 관념론에 대해서는 비판적이다. (...)
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  28. Toward an ontology of art works.Nicholas Wolterstorff - 1975 - Noûs 9 (2):115-142.
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  29.  37
    Heidegger on Art and Art Works.Reginald Lilly - 1986 - Journal of Aesthetics and Art Criticism 44 (4):411-412.
  30.  43
    The repressive context of art work.Jeffrey C. Goldfarb - 1980 - Theory and Society 9 (4):623-632.
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  31.  21
    The Art of Art Works Cyril Welch Victoria, BC: Sono Nis Press, 1982. Pp. 276. $14.95.Lorraine Code - 1983 - Dialogue 22 (4):756-759.
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  32.  16
    Discourses on Painting and the Fine Arts, Delivered at the Royal Academy.Joshua Reynolds, Jones & Co & Royal Academy of Arts Britain) - 2023 - Legare Street Press.
    As the first President of the Royal Academy of Arts, Joshua Reynolds played a pivotal role in shaping the course of British art in the 18th century. In these discourses, Reynolds reflects on the nature of art, the role of the artist, and the importance of aesthetic education. With insightful commentary on the works of the Old Masters and a wealth of practical advice for aspiring artists, this volume is a must-read for anyone interested in the history of art (...)
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  33.  27
    The intertwining of phenomenology and cubism — in the analyses and works of art of czech artists and theoreticians.Jaroslava Vydrová - 2016 - HORIZON. Studies in Phenomenology 5 (1):214-231.
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  34.  24
    Logic, or, The art of thinking: containing, besides common rules, several new observations appropriate for forming judgment.Antoine Arnauld - 1996 - New York, NY, USA: Cambridge University Press. Edited by Pierre Nicole & Jill Vance Buroker.
    Antoine Arnauld and Pierre Nicole were philosophers and theologians associated with Port-Royal Abbey, a centre of the Catholic Jansenist movement in seventeenth-century France. Their enormously influential Logic or the Art of Thinking, which went through five editions in their lifetimes, treats topics in logic, language, theory of knowledge and metaphysics, and also articulates the response of 'heretical' Jansenist Catholicism to orthodox Catholic and Protestant views on grace, free will and the sacraments. In attempting to combine the categorical theory of the (...)
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  35. Art and Transformation.Antony Aumann - 2022 - Journal of the American Philosophical Association 8 (4):567-585.
    Encounters with art can change us in ways both big and small. This paper focuses on one of the more dramatic cases. I argue that works of art can inspire what L. A. Paul calls transformations, classic examples of which include getting married, having a child, and undergoing a religious conversion. Two features distinguish transformations from other changes we undergo. First, they involve the discovery of something new. Second, they result in a change in our core preferences. These two (...)
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  36. Art, morality and ethics: On the (im)moral character of art works and inter-relations to artistic value.Matthew Kieran - 2006 - Philosophy Compass 1 (2):129–143.
    The (im)moral character of art works often affects how we respond to them. But should it affect our evaluation of them as art? The article surveys the contemporary debate whilst outlining further lines of argument and enquiry. The main arguments in favour of aestheticism, the claim that there is no internal relation between artistic value and moral character, are considered. Nonetheless the connection between art's instructional aspirations and artistic value, as well as the ways in which works solicit (...)
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  37.  91
    A pragmatic approach to the identity of works of art.Julie C. van Camp - 2006 - Journal of Speculative Philosophy 20 (1):42-55.
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  38.  19
    Diktat or Dialogue?: On Gadamer's Concept of the Art Work's Claim.John Pizer - 1988 - Philosophy and Literature 12 (2):272-279.
    In lieu of an abstract, here is a brief excerpt of the content:DIKTAT OR DIALOGUE? ON GADAMER'S CONCEPT OF THE ART WORK'S CLAIM by John Pizer How do we experience a work of art? Put another way, how does die work of art engage and address us? Hans-Georg Gadamer devoted much of his magnum opus, Truth and Method, to answering these questions, and he takes up the task again in a brief essay entided "Aesthetics and Hermeneutics" (1964). Earlier positions on (...)
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  39. The Art of Immoral Artists.Shen-yi Liao - 2024 - In Carl Fox & Joe Saunders, Routledge Handbook of Philosophy and Media Ethics. Routledge. pp. 193-204.
    The primary aim of this chapter is to outline the consensuses that have emerged in recent philosophical works tackling normative questions about responding to immoral artist’s art. While disagreement amongst philosophers is unavoidable, there is actually much agreement on the ethics of media consumption. How should we evaluate immoral artist’s art? Philosophers generally agree that we should not always separate the artist from the art. How should we engage with immoral artist’s art? Philosophers generally agree that we should not (...)
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  40.  8
    Analyzing the Reflective Spirit and Tragic Consciousness in "Scar Art" Works From a Realistic Perspective.Zhaoyang Sun - 2024 - European Journal for Philosophy of Religion 16 (3):461-478.
    With the rapid development of contemporary social economy and the relative stability of the political situation, art has also developed rapidly. But currently, there are many unique and innovative art works in society, and the style and theme of the works are increasingly deviating from people's lives. In response to this issue, this study attempts to analyze the reflective spirit and tragic consciousness in "Scar Art" works from a realistic perspective. The research adopted comparative and image analysis (...)
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  41. The art of videogames.Grant Tavinor - 2009 - Malden, MA: Wiley-Blackwell.
    The new art of videogames -- What are videogames anyway? -- On definition -- Theories of gaming -- A definition of videogames -- Videogames and fiction -- From tennis for two to worlds of warcraft -- Imaginary worlds and works of fiction -- Fictional or virtual? -- Interactive fiction -- Stepping into fictional worlds -- Welcome to rapture -- Meet niko bellic -- Experiencing game worlds -- Acting in game worlds -- Games through fiction -- The nature of gaming (...)
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  42.  18
    The Politics of Expertise in Cultural Labour: arts, work, and inequalities.Karen Patel - 2020 - Lanham: Rowman & Littlefield.
    A timely interrogation of the concept of 'expertise' in cultural work, exploring the characteristics of aesthetic expertise in the digital age, and its relation to inequalities in the cultural sector.
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  43. Appropriation Art, Fair Use, and Metalinguistic Negotiation.Elizabeth Cantalamessa - 2020 - British Journal of Aesthetics 60 (2):115-129.
    Appropriation art involves the use of pre-existing works of art with little to no transformation. Works of AA fail to satisfy established criteria for originality, such as creative labour and transformative use. As such, appropriation artists are often subject to copyright lawsuits and defend their work under the fair use doctrine of US copyright law. In legal cases regarding AA and fair use, judges lack a general principle whereby they can determine whether or not the offending party has (...)
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  44.  51
    Heidegger on Art and Art Works[REVIEW]Karsten Harries - 1989 - International Studies in Philosophy 21 (3):126-127.
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  45.  44
    Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.
    Explains the difference between pictorial and linguistic meaning, examines the works of Titian, Poussin, Ingres, Manet, Picasso, and de Kooning, and discusses art's psychological impact.
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  46.  66
    Dream-work, art-work, and sublimation in relation to the psychology of art.R. W. Pickford - 1970 - British Journal of Aesthetics 10 (3):275-283.
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  47. The Moral and Cognitive Value of Art.Elvio Baccarini & Milica Urban - 2013 - Etica E Politica 15 (1):474-505.
    This paper is about the notions of the artistic, aesthetic, cognitive and moral value of art and their interconnectedness. The main concern is to try to advocate the cognitivist claim about the artistic value of artworks’ contribution to the advance of knowledge, as well as for the relevance of the moral dimension for artistic value. This is a discussion of the intersection of the debate about moral and aesthetic value. The central part of the paper is focused on a debate (...)
     
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  48.  10
    Understanding Texts.Art Graesser & Pam Tipping - 1998 - In George Graham & William Bechtel, A Companion to Cognitive Science. Blackwell. pp. 324–330.
    Adults spend most of their conscious life speaking, comprehending, writing, and reading discourse. It is entirely appropriate for cognitive science to investigate discourse especially as transmitted texts or printed media, such as books, newspapers, magazines, and computers. However, there is another reason why text understanding has been one of the prototypical areas of study in cognitive science: Interdisciplinary work is absolutely essential. As cognitive scientists have unraveled the puzzles of text comprehension, they have embraced the insights and methodologies from several (...)
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  49. Truth, Art, and Knowledge (A commentary on James O YoungÂ's Art and Knowledge).Michael Watkins & Sheldon Wein - unknown
    While much of James O. Young’s Art and Knowledge is devoted to showing how works of art might be of cognitive value, we will focus on a prior claim, defended in the first chapter of Art and Knowledge, that “art” ought to be defined such that only works with cognitive value count as artworks. We begin by noting that it is not very clear—despite the considerable attention Young devotes to the matter—just what it is for an artwork to (...)
     
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  50.  32
    Pandemic Images and Gestalt Theory: Introspective Musings About a Series of Digital Art-works.Roy R. Behrens - 2021 - Gestalt Theory 43 (3):309-322.
    Summary In this paper, the author shares his thoughts about the precedents, process, and significance of a series of “digital montage” artworks that he originated during the time of the COVID-19 pandemic. In particular, he talks about the indebtedness of these works to Gestalt theory, and particularly their use of what is sometimes known as “laws of seeing,” “unit-forming factors,” or inherent “grouping tendencies.”.
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