My wife and I and our three children may stand in various relations: being a family, being a basketball team, and so on. I show that Frege's doctrine of existence, when coupled with this simple point, easily solves the problem of material constitution and blocks the overdetermination argument for eliminativism. It does all this work while providing a plausible and clear reductionistic account of material objects. These seem to be very good reasons for accepting Frege's doctrine of existence.

Jeffrey Brower argues that Aquinas’s hylomorphic account of change entails a distinction between “property” possession and “property” characterization. Given that and Brower’s assumption that Aquinas’s fundamental hylomorphic compounds are material substances and accidental unities, it follows that material substances are not characterized by the accidents they possess. In order to avoid that counterintuitive consequence, Brower stipulates a form of derivative property characterization and a numerical sameness without identity relation, which together enable him to affirm that material substances are (...) derivatively characterized by the accidents they possess. I argue that, by affirming a plausible alternative to Brower’s account of Aquinas’s fundamental hylomorphic compounds, we can maintain that accidents characterize material substances in the primary sense without having to affirm the real existence of accidental unities or Brower’s objectionable numerical sameness without identity relation. (shrink)

Marx says of alienated labor that it does not “belong” to the worker, that it issues in a product that does not belong to her, and that it is unfulfilling, unfree, egoistically motivated, and inhuman. He seems to think, moreover, that the first of these features grounds all the others. All of these features seem quite independent, however: they can come apart; they share no obvious common cause or explanation; and if they often occur together, this seems accidental. It (...) is not clear, then, how Marx’s concept of alienated labor could possess the strong unity that he takes it to have. This article defends a reinterpretation of the concept that explains this unity. The various features of alienated labor, the article argues, all follow from a single, hitherto underappreciated feature of its formal motivational structure: the fact that such labor is motivated not by its product but by an incentive. (shrink)

Typically, Aristotle’s notion of an accidental unity is explained using our concept of identity, but doing so is fraught and liable to mislead. I argue that we should explain accidental unities in terms of sameness: doing so not only shows a coherence among texts thought to be in tension with one another, it reconciles the two competing conceptions of accidental unities in a satisfying way. I conclude by answering several Boolean questions that naturally arise in (...) response to the inclusion of accidental unities in Aristotle’s ontology. (shrink)

This paper deals with John Wyclif 's account of the fallacia accidentis. To a certain extent Wyclif 's explanations fit in with Aristotle's understanding of language. Aristotle recognises that we can talk about substances in many different ways; we can introduce them by using 'substantial' names, but also by using names derived from the substances' accidental features. The substances are the ultimate foundation of all these expressions. This idea in itself is not opposed to a conceptualist account of language. (...) John Buridan uses Aristotle's principle of categorisation to show how language works, but for him the activity of categorising things is to be explained in terms of our mental activities only. Wyclif, on the other hand, reads much into the requirement that all our linguistic distinctions should have their basis in extramental reality: our conceptualisations not only pertain to individual substances, but also parallel their distinct ontic layers. (shrink)

The difficulties often attributed to prime matter hold for all hylomorphic accounts of substantial change. If the substratum of substantial change actually persists through the change, then such change is merely another kind of accidental change. If the substratum does not persist, then substantial change is merely creation ex nihilo. Either way matter is an empty concept, explaining nothing. This conclusion follows from Aristotle’s homoeomerity principle, and attempts to evade this conclusion by relaxing the constraints Aristotle imposes on elementhood, (...) generation, and substrata all fail, and even the minimal constraints imposed by the Problem of Material Constitution are enough to generate the dilemma. -/- Aristotle resolves this dilemma in Physics I.9 by postulating pure potentiality-for-substance as the substratum of substantial change. Because the substratum persists, substantial change is not creation ex nihilo, but because it does not persist actually it is not a kind of accidental change. Aristotle uses this approach to solve the Problem of the Mixt and the Problem of Material Constitution without weakening his constraints on elementhood, generation, or substrata. This pure potentiality approach must be carefully distinguished from other ‘traditional’ or ‘prime matter’ views that posit some actuality for the substratum of substantial change, and it is best understood in light of the analogy found at Metaphysics Θ.6. Pure potentiality-for-substance can do the work needed in a substratum for substantial change because Aristotle is able to ground the identity, existence, and characterization of the substratum in the corrupting and generating substances rather than the substratum itself. (shrink)

Although Abelard arrived at a view ofens nearer to Aristotle''s than his sources would suggest, unlike thirteenth-century thinkers he did not work out a view of transcendentals in terms ofens, its attributes and their convertibility. He did, however, regard unity (though not goodness or truth) as an attribute of every thing. At first, Abelard suggested that unity, being inseparable, could not be an accident according to Porphyry''s definition (that which can come and leave a subject without the subject being corrupted): (...) either it is some type of form not classified by Porphyry, or not a form at all. In his later logical work, Abelard argued differently. Unity, he said, is an accidental form, but Porphyry''s definition of an accident must be understood negatively, not as asserting something about what could happen in reality (since the form of unity could never leave its subject) but rather something about an absence of connection: were it,per impossible, to occur, the loss by a subject of its form of unity would not lead to the loss of its specific or generic status. (shrink)

Scotus’ mark on Suárez’s metaphysics can be perceived not only in his elaboration of intellectual knowledge of the singular, but also in the idea that prime matter is not pure potency, but possesses its own act, as well as in the thesis that states that the accident possesses too its own being. Of these two ideas, in addition to the tendency towards hypostatisation both regarding matter and accident, comes the breakdown of the unity of material substance both in the substantial (...) and accidental planes, something that Suárez, in a way very similar to Scotus, tries to remedy by appealing to the modes of union. Lastly, a fundamental consequence of the hypostatisation of the accident is phenomenism, as seen in the works of authors such as Locke and Kant. (shrink)

The main thesis defended in this paper is that Hildebrand’s distinction between what we could call quiddities—or “quasi-essences,” endowed with chaotic and accidental unity—and genuine essences possessing an intrinsically necessary unity, grounds the radical distinction between analytic and synthetic a priori knowledge. This thesis has not been expressly emphasized by Hildebrand himself. In order to prove it, we: (1) relate the three types of unities distinguished by Hildebrand with the three kinds of judgments discriminated by Kant; (2) outline (...) what we can call the “crux of empiricism”; (3) analyze four characteristic examples of synthetic a priori judgements; and (4) elaborate a provisional typology of synthetic a priori propositions, trying to include in it Hildebrand’s favorite examples. (shrink)

Moral experience comes in many flavors. Some philosophers have argued that there is nothing common to the many forms moral experience can take. In this paper, I argue that close attention to the phenomenology of certain key emotions, combined with a clear distinction between essentially and accidentally moral experiences, suggests that there is a group of (essentially) moral emotions which in fact exhibit significant unity.

The long creative career of Aleksei Fedorovich Losev touches on many different spheres, currents, and traditions of world thought. The greater part of this manifold variety is divided between two major domains of culture: philosophy and classical philology, the study of antiquity. But such a division was by no means an insurmountable barrier for Losev. These two domains were linked together by many threads in his world view and in his work. One of the principal links running through the whole (...) of his creative career was the idea or intuition of total-unity [vseedinstvo], which has occupied both philosophers and investigators of antiquity. That this idea came to Losev was far from accidental. Total-unity is one of the dominant intuitions and pervasive themes of Russian religious-philosophical thought. It is at the center of the most important stage of the latter's development, the stage of the metaphysics of total-unity, with which Losev was intimately associated. And one cannot avoid it even now, either in the study of Losev's legacy or in broader reflections on the paths of Russian thought. (shrink)

Two different definitions of numerical identity occur in Aristotle's works, namely: (i) "A" and "B" are both names of one thing; (ii) A and B constitute unity. These definitions can be traced back respectively to the following theories of predication: (i)' the sentences whose subjects are accidents are actually ill-formed; (ii)' in some cases the accidents are not eliminable subjects. Since (i)' and (ii)' are irreparably inconsistent, the theory of identity is inconsistent too; in this paper are explored the consequences (...) of such an inconsistence, mainly as far as the fallacies depending both on combination and division and on accident are concerned. (shrink)

_ Source: _Volume 54, Issue 1, pp 1 - 21 Thomas Aquinas sees a sharp metaphysical distinction between artifacts and substances, but does not offer any explicit account of it. We argue that for Aquinas the contribution that an artisan makes to the generation of an artifact compromises the causal responsibility of the form of that artifact for what the artifact is; hence it compromises the metaphysical unity of the artifact to that of an accidental unity. By contrast, the (...) metaphysical unity of a substance is achieved by a process of generation whereby the substantial form is solely responsible for what each part and the whole of a substance are. This, we submit, is where the metaphysical difference between artifacts and substances lies for Aquinas. Here we offer on behalf of Aquinas a novel account of the causal process of generation of substances, in terms of _descending forms_, and we bring out its explanatory merits by contrasting it to other existing accounts in the literature. (shrink)

Can one be happy and free, and nonetheless be moral? This question occurs at the core of daily life and is, as well, a question as old as philosophy itself. In _Can Virtue Make Us Happy? The Art of Living and Morality, _Otfried Höffe, one of Europe’s most well-known philosophers, offers a far-reaching and foundational work in philosophical ethics. As long as one understands "happiness" purely as a feeling of subjective well-being, Höffe argues, there is at best only an (...) class='Hi'>accidental unity between it and morality. However, if one means by "happiness" the quality of doing well in the sense of one’s own successful existence, then one must include actions that undoubtedly have a moral character and are named virtues. He uses clear and general language to present what one understands by "happiness" and "freedom" while illuminating the blind alleys in the history of philosophy as well as the difficulties raised by the issues themselves. What has priority: good ends or right action? Is freedom always anarchy? Is it possible to think of a freedom enhanced by morality? Is "morality" only a pretty word for stupidity? Does humanity have a good or a bad character? Is there such a thing as evil? Höffe offers us enlightened philosophical reflection and foundational orientation but no simple formulas; this is precisely what is at stake because anyone who wishes to live a self-determined life rejects any and all formulas. (shrink)

Plenitude, roughly, the thesis that for any non-empty region of spacetime there is a material object that is exactly located at that region, is often thought to be part and parcel of the standard Lewisian package in the metaphysics of persistence. While the wedding of plentitude and Lewisian four-dimensionalism is a natural one indeed, there are a hand-full of dissenters who argue against the notion that Lewisian four-dimensionalism has exclusive rights to plentitude. These ‘promiscuous’ three-dimensionalists argue that a temporalized version (...) of plenitude is entirely compatible with a three-dimensional ontology of enduring entities. While few would deny the coherence of such a position, and much work has been done by its proponents to appease critics, there has been surprisingly little by way of exploring the various forms such an ontology might take as well as the potential advantages of one plenitudinous three-dimensional ontology over another. Here I develop a novel form of plenitudinous three-dimensionalism, what John Hawthorne (Metaphysical essays, 2006a, b) has called “Neo-Aristotelian Plenitude,” and argue that if one is inclined to endorse an abundant three-dimensional ontology, one is wise to opt for a plenitude of accidental unities. (shrink)

I maintain that Leibniz's distinction between 'organic machines of nature' and the artificial machine that we produce cannot be adequately understood simply in terms of differing orders of structural complexity. It is not simply that natural machines, having been made by God, are infinitely more complex than the products of our own artifice. Instead, Leibniz's distinction is a thoroughly metaphysical one, having its root in his belief that every natural machine is a corporeal substance, the unity and identity conditions of (...) which derive ultimately from its substantial form. Natural machines are thus true unities, while artificial machines are mere aggregates of substances and are therefore only accidental unities. I briefly explore this connection between Leibniz's distinction between natural and artificial machines and his views about individuality. I conclude on a polemical note, in which it is suggested that these results undermine the currently popular view that Leibniz renounced corporeal substances toward the end of his life. (shrink)

A relação entre o corpo e a alma do ser humano na teologia cristã: uma aproximação histórica e contemporânea. (The relation between body and soul of human being in Christian Theology: A historical and contemporary approach) - DOI: 10.5752/P.2175-5841.2013v11n31p1081 O objetivo deste artigo é apresentar como se deu, no plano histórico, e se dá, atualmente, na contemporaneidade, as relações entre o corpo e a alma, no âmbito da antropologia cristã. Historicamente, primeiro se constatou a existência do corpo e da alma (...) para depois se ocupar do tipo de relação que há entre ambos os princípios. Do ponto de vista histórico, houve um primado e uma supremacia da alma sobre o corpo. Entre ambos os princípios metafísicos, ora vigorava uma unidade acidental (provisória e dualista), ora uma unidade substancial (permanente e recíproca). Atualmente, a reflexão teológica defende uma unidade mútua e recíproca entre o corpo e a alma, de modo que cada princípio está ordenado para o outro. O ser humano é uma unitotalidade psicofísica e anímico-corpórea. Atualmente, há autores filósofos (X. Zubiri, M. Bunge) e teológos (J. Moltmann, Flick-Alszechy), que defendem como alternativa ao hilemorfismo aristótelico-tomista, novas formas de compreender a relação entre o corpo/matéria e alma/espírito. Também, nos dias de hoje, a relação corpo-alma está presente nas novas antropologias, mas com um novo verniz: a relação mente-cérebro. Palavras-chave : Antropologia. Corpo. Alma. Mente. Cérebro.The scope of this paper is to present how occurred in historical level, and occurs in the contemporary world, the relation between body and soul in the context of Christian anthropology. Historically, in a first moment, it was identified the existence of the body and the soul, and afterwards, the type of relation between these two ontological principles. From a historical point of view, there was a primacy and supremacy of the soul over the body. Between these principles, sometimes prevailed an accidental unity (provisional and dualistic), sometimes a substantial unity (permanent and reciprocal). Nowadays, the theological reflection defends a mutual and reciprocal unity between body and soul, so that each principle is ordained one to the other. Human being is a psychophysical “unit-totality” constituted of body and soul. Currently, there are philosophers (X. Zubiri, M. Bunge) and theologians (J. Moltmann, Flick-Alszeghy), who defend, as alternative to the Aristotelian-Thomistic hylemorphism, new forms of understanding the relation between body/matter and soul/spirit. Also, nowadays, the relation body-soul is present in new anthropologies, but with a new varnish through relation between mind-brain. Key-words : Anthropology. Body. Soul. Mind. Brain. (shrink)

This article focuses on some topics in Jeffrey Brower’s recent and excellent book, Aquinas’s Ontology of the Material World: Change, Hylomorphism, and Material Objects. Part of Brower’s goal for the book is to reconstruct Aquinas’s views. I offer some reflections on Brower’s use of this metaphor of reconstruction, before considering four topics in some detail. These are: 1. Brower’s discussion of the relation between Aristotle’s Ten Categories and the not-obviously-connected four-fold division of being into substance, form, prime matter, and (...) class='Hi'>accidental unity. 2. Brower’s interpretation of prime matter as “non-individual stuff.” 3. Brower’s account of numerical sameness without identity along with some discussion of how this is supposed to be useful for solving a particular puzzle about accidental change. 4. I’ll close with some reflections on Brower’s somewhat novel solution to a longstanding problem with Aquinas’s metaphysics of the afterlife. (shrink)

Hylomorphism is the Aristotelian theory according to which substances are composed of matter and form. If a house is a substance, then its matter would be a collection of bricks and timbers, and its form is something like the structure of those bricks and timbers. It is widely agreed that matter bears a mereological relationship to substance; the bricks and timbers are parts of the house. But with form things are more controversial. Is the structure of the bricks and timbers (...) best conceived as a part of the house, or is it related to the house in some non‐mereological fashion? Kathrin Koslicki argues that substances have formal parts and that forms are best conceived as bearing a mereological relation to substances. This paper shows that her argument fails, given the traditional and plausible distinction between substances and accidental unities. I close with a brief suggestion for a non‐mereological construal of forms. (shrink)

It is standardly held that Aristotle denies that artifacts are substances. There is no consensus on why this is so, and proposals include taking artifacts to lack autonomy, to be merely accidental unities, and to be impermanent. In this paper, I argue that Aristotle holds that artifacts are substances. However, where natural substances are absolutely fundamental, artifacts are merely relatively fundamental—like any substance, an artifact can ground such nonsubstances as its qualities; but artifacts are themselves partly grounded in (...) natural substances. Many contemporary metaphysicians view authorial intentions or communal recognition as an essential feature of most artifactual kinds. Drawing on Aristotle’s own examples of artifactual definitions, I note that there is little reason to ascribe this view to Aristotle. So Aristotle has the resources to hold that it is possible that there are kinds with both artifactual and non-artifactual members. (shrink)

What is the ultimate structure of the material world? Brower’s monograph provides a well-argued reconstruction of Aquinas’s Aristotelian answer to this question: the fundamental contents of the material world are prime matter, substantial and accidental forms, substances, and accidental unities.Brower’s aim is twofold: presenting Aquinas’s ontology of the material world, and also emphasizing its relevance—as a mixed ontology and a peculiar two-tier structured substratum theory, combining elements of both thin and thick particularism—to current metaphysical debates. These two (...) perspectives intermingle in the five sections of the book. In part 1, Brower provides a clear roadmap and lucidly condenses the key elements.. (shrink)

The systems perspective, as applied to biology, involves regarding organisms as systems consisting of biological molecules in motion; its goal is to determine which interacting molecules make up the organism and how their interactions change over time. I argue here that Nicanor Austriaco’s attempt at reformulating Aristotelian-Thomistic hylomorphism in terms of the systems perspective fails because it looks to systems biology to answer questions that only natural philosophy can answer. These questions include whether an organism is collection of parts having (...) accidental unity or is a substance, what constitutes an emergent property, and what role the final cause plays in understanding organisms. In addition, insufficient attention is paid to the Aristotelian-Thomistic tenet that the soul can only be united to a suitably disposed body, namely, one with organs. Nothing is offered to show that this tenet can be accorded with a perspective that views organisms as networks of interacting molecules. (shrink)

This book presents vigorous and wide-ranging arguments in defense of an Aristotelian metaphysical scheme along fairly orthodox Thomistic lines. The central claim is that the items that populate the world have real essences – natures that mind-independently define what each such item is. This Aristotelian essentialism, Oderberg begins by telling us, is a different doctrine from what has recently been called ‘essentialism’, and a more powerful one . For recent essentialism has treated a thing's essence as merely all those properties (...) that the thing takes with it across all possible worlds – and here modality gets presupposed in order to explain essentialness, when the order should be reversed.We can observe essences, Oderberg holds, even though the observation is indirect, and even though knowing what to make of our observations requires applying metaphysical knowledge. Positivism-inspired worries that there is something unfactual about modal claims, and hence about essences, are unfounded . Claims about essences do have factual content, but not because they merely express our concepts or our grammar, and not because they simply report empirical findings . True reports of the essences of objects articulate a metaphysical insight from Aristotle: an object's essence is a compound of its substantial form and its prime matter . Its form actuates potentialities of its matter . The laws of nature derive from essences, and hence are necessary rather than contingent . Artifacts are ‘accidental unities’ of individual substances and …. (shrink)

In Physics 4.11, Aristotle discusses a sophistical puzzle in which "being Coriscus-in-the-Lyceum is different from being Coriscus-in-the-market-place." I take this puzzle to threaten the persistence of changing entities. Aristotle's answer to the puzzle is that the changing thing "is the same in respect of that, by (means of) being which at any time it is (what it is), S but in definition it is different." That is, Coriscus may be described as either a persisting substrate or as one or more (...) accidental unities. Described as the former, Coriscus persists, but described as the latter, he does not. (shrink)

The view that living beings as well as plant-based medicaments possess causal properties that are caused by the causal properties of their constituents, without being reducible to the combination of the causal properties of these constituents goes back to ancient thinkers such as Alexander of Aphrodisias and Johannes Philoponus. In the early modern period, this view was not only criticized by natural philosophers taking a reductionist stance; it was also criticized by Neo-Platonic thinkers such as Jean Fernel. One of the (...) relatively few early modern natural philosophers who adopted an emergentist position was Jacob Schegk. The present article discusses whether Schegk’s analysis of the structure of plants and medicaments offers the theoretical resources required to answer Fernel’s critique of the tradition going back to Alexander. In particular, it examines whether Schegk’s account of synchronic upward causation and diachronic downward causation could offer solutions to two interrelated problems identified by Fernel: the question of whether a mere aggregates of material particles could form a composite that possesses substantiality, not only accidental unity; and the question of whether multitudes of material particles could bring forth simple forms, whose existence seems to be presupposed by powers that cannot be ascribed to the constituents. (shrink)

According to Jeffrey Brower’s hylomorphic account of material substances, prime matter and substantial forms together compose material substances, and material substances and accidental forms together compose accidental unities. In a recent article, Andrew Bailey has argued that Brower’s account has the counter-intuitive implication that no human person is ever the primary possessor, the primary thinker, of her own thoughts. In this paper, I consider various ways in which Brower might reply to this objection. I first consider several (...) “invariant strategies”, solutions that do not require any significant alteration to Brower’s account. I argue that these strategies are unsuccessful. I then introduce two ways of modifying Brower’s hylomorphic account of material substances so as to avoid Bailey’s objection. I argue that these “variant strategies” are successful, but they require that Brower significantly alter one or more of the main features of his account. (shrink)

Aristotle’s main thesis in Metaphysics Z.17, which takes substance to be a principle and a cause of some sort (1041a9–10, 1041b7–9, b30–31), is of a piece with the assumption that hylomorphic compounds are unified wholes (1041b11–12) – an assumption that proves critical to settling an important controversy about the form-matter relationship in that chapter, i. e. whether matter and form are mutually indistinguishable or rather just accidentally the same. By rejecting these interpretive options, this paper argues that form and matter (...) are bound together by an essential link which, nevertheless, is able to preserve both (i) the different explanatory roles that each of those principles play vis-à-vis specific substances and (ii) the compound’s proper unity. (shrink)

Kant considers unity of aim as connected to the form of a whole, what makes impossible to reject any of its parts. Science emerges a priori as an idea which, requiring for its own realization a scheme, due to unity of the aim architectonically makes the whole possible. Scheme of science divides the whole in connection with its idea. Kant opposes science and technic, i.e. accidental efficient deeds, which cannot constitute the whole. Plato considers the One to be prior (...) principle. Connection between the One and intelligible to the mind is indicated by scheme. Therefore, the author aims to compare two types of schematism. Need do divide the whole serves as a basis for comparison. Plato needs it to dialectically envisage scheme of division the whole. Kant – to divide the whole in connection to aim. (shrink)

In this book, I offer an account of intentional action. The book has two main parts: in the first part, I discuss and criticize the currently prevailing account of intentional action—the Causal Theory of Action (CTA)—and, in the second part, I offer my alternative account. The CTA proposes essentially two conditions for something that you do to be an intentional action: (1) what you do is represented by your intention (or other mental attitudes), and (2) it is caused by your (...) intention. Against the CTA, I argue that, since it conceives of representation and causality as essentially separate conditions, it cannot explain why, when someone acts intentionally, it is not a mere accident that both conditions are jointly satisfied: i.e., that the intention causes the movement it represents. The CTA’s inability to rule out such accidentality is, as I argue further, the deeper source of the notorious problem of deviant causation. Given this diagnosis, I claim that the key for a satisfactory account of intentional action is to conceive of the essential unity of representation and causality in intentional action. Doing so, I suggest, requires understanding a distinctive sort of causality at work in intentional action. Following the work of G.E.M. Anscombe, I argue that what is distinctive of the sort of causal-explanatory connection captured in action explanations like “S is doing A because she intends to do B” is that it is essentially known by the acting subject. In the final sections of the book, I then develop and defend a conception of the sort of self-knowledge involved in intentional action. (shrink)

This paper critically examines the debate between William of Ockham and his contemporary Peter Auriol on how to account for the intension and remission of forms. Peter Auriol denies that an added degree of a quality such as the theological virtue of charity could be anything other than something which is neither a universal nor an individual and which cannot be grasped by intuition, but must be posited in order to account for the possibility that an accidental form can (...) vary in intensity. Ockham aims at proving that Auriol’s account is inconsistent. In my opinion, Ockham does not succeed, nor does he succeed in defending a consistent account of the metaphysics underlying the intension and remission of forms. Indeed, he conceives of the degree of a quality as a part of the intensified quality which, while being an individual that is really distinct from the quality and can be picked out, forms a unity with it in such a way that the union of the degree and the quality is itself an individual. Ockham fails to distinguish the notion of maximal resemblance holding between a quality’s degree and the quality from the notion of maximal resemblance which holds between individuals of the same species. In the end, he is led to give up the idea that a degree is an individual that can be picked out in order to protect the core thesis of his nominalism about universals. (shrink)

The notion of 'the first person' is centrally invoked in philosophical discussions of selfhood, subjectivity, and personhood. We ask whether this notion, as invoked in these discussions, is con-tingently or essentially a grammatical term. While it is logically possible that the linguistic dimensions of self-reference are accidental to this phenomenon, we argue that no explications of such phenomena as 'reference de se' or 'essential indexicality' in non-grammatical terms has been or likely can be provided, since grammatical factors uniquely co-vary (...) with the forms of self-reference in question. The role of grammar is reinforced by the fact that species-specific forms of reference are never purely lexical and always have a structural signature involving specific grammatical configurations; and by findings that in cognitive disorders independently characterized as disorders of selfhood, such as autism spectrum conditions, the pronominal system proves to be a particular locus of vulnerability. We conclude that grammar and human-specific forms of selfhood form an inextricable unity, inviting renewed attention to language as a constitutive condition of personhood in at least some of its forms. (shrink)

The dissertation is a critical study of Thomas Aquinas's views on the hypostatic union. It examines the Latin texts of all of Thomas's major discussions of this topic. In the first chapter, the concepts of nature and person are discussed, and it is argued that these concepts, as Thomas understood them, led to a very problematic position in an early quodlibetal disputation. In the second chapter, the concepts of union-in-person and union-in-nature are discussed, and this permits a better understanding of (...) how the concepts of person and nature are meant to be used than was available in the first chapter. The third chapter deepens the reflection on the hypostatic union by contrasting this relation with other kinds of relations and especially by explaining what Thomas means by denying that the hypostatic union is accidental. The fourth chapter returns to the difficulty brought out in chapter one and locates it in a tension between traditional modes of speech and the technical Thomistic use of the word natura. The fifth chapter discusses the controverted issues surrounding Thomas's understanding of Christ's metaphysical unity. Throughout the dissertation, secondary literature is discussed as appropriate. (shrink)

John Ackrill argued that Aristotelian bodies are conceptually promiscuous, since they fail to exemplify the modal relations that are expected to hold between their matter and their form. Although “potentially alive”, organic bodies are bound to be ensouled, on pain of lacking the required potential; but to the extent that they are ensouled, they are already actually alive. It seems odd to claim that a body may lack what it cannot help having. This paper claims that the standard solution falls (...) short of the strong unity living beings display, given that nothing in them can be accidentally alive. An alternative proposal is advanced, based on two distinctions Aristotle draws in his philosophical lexicon: both matter and form have a claim to being called “nature”; formal nature may be found in its subject either in actuality or in potentiality. It is argued that the characterization of organic bodies as “potentially alive” conforms to, a pattern that helps explain the specific way in which bodies share in the organisms’ life. Two possible instances of are finally considered by way of illustration. (shrink)

The philosophy of religion is here presented from the viewpoint of a unitary conception of the universe, which it is hoped will do justice to the demands of the intellect and the needs of the heart. None is more conscious than the author of the difficulties confronting this notion. To grasp the psychological and neural processes, physical and chemical energies, social and individual principles, environment and heredity, historical and natural interpretations of human life; the ethical, aesthetical and intellectually verifiable, the (...) finite and infinite, the accidental and orderly, the permanent and evolving, - to mention only a few aspects, - under on comprehensive scheme, is a task which in its completeness is beyond present knowledge. There are, so it appears to our present vision, insuperable difficulties in the way of its realization. But it is an ideal worthy and persistent. Science and philosophy are converging to this end. And the ideal is particularly fascinating to religious thought. The writer holds it as a profound conviction, believing that the universe is such a whole that its divers phenomena may be most satisfactorily explained under the guidance of the principles of unity and continuity. He hopes this treatise may be a contribution to this end. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ecumenical Relational Ontology in Dialogue with ThomismGiulio MasperoIntroduction: Challenged by a FrescoEntering the Chapel of San Brice in the right transept of the Orvieto Cathedral, a city where Thomas lived for three years, one can admire a fresco by Luca Signorelli, painted in 1500, whose subject is the doctorum sapiens ordo. Here it is possible to recognize Aquinas surrounded by a group of fourteen doctors of the Church, the (...) first row of which are St. Ambrose, St. Jerome, St. Gregory the Great, and St. Augustine. The bishop of Hippo is symbolically conversing with the sixth-century Pope in front of a book he is holding open, and Thomas, behind them, with his right hand raised, is leaning over Augustine. The obvious connection between the two great thinkers is thus visually highlighted. This contribution aims to stress another dimension of Aquinas's thought, starting with a reading of Thomas Joseph White's impressive volume on the Trinity.1If one were to attempt the desperate feat of encapsulating the content of this book in a few keywords, the subtitle would naturally offer the three terms "nature," "mystery," and "unity." From this perspective, the text is classic and aims to highlight certain elements that unfortunately risk remaining in the shadows in contemporary Trinitarian theology. At the same time, the analysis of the narrative proposed by the author immediately shows [End Page 509] that the intention of this reconstruction of Aquinas's Trinitarian thought is explicitly relational. In fact, absolutely non-trivial elements emerge from the historical reconstruction of his sources, such as the ontological reshaping of relation by the Cappadocians before Augustine.2 Particularly valuable is the defense of the psychological analogy, often overshadowed in the social Trinitarianism prevalent today.3 Even on the critical front, the distance from process theologies and the Rahner-inspired economic Trinity is evident and interesting in White's book.The reference to relational ontology before Augustine together with the discussion of psychological analogy suggest an approach to the volume from the perspective of Trinitarian ontology. These elements, moreover, appear particularly important from an ecumenical point of view. Hence, the proposed reading of the volume presented here will start from the absolute ontological novelty introduced both by the Cappadocians and Augustine, who, from two different perspectives, held that in divinis relationships are not accidental. We wonder here: to whom is Aquinas closer? What is the meaning of this question for ecumenism?To answer such questions, this contribution will be articulated around three dogmatic cores: (1) relation in divinis; (2) the Holy Spirit; (3) how the transition from the triune God to creation is elaborated. These three elements could be recognized behind in the following quote from White's book:Creatures resemble the Trinity, then, in a threefold way. They bear the ontological insignia of the Father insofar as each one of them is substantial and enduring. However they also refer back to him as each originates from another, and is given being. Their derived existence is itself a testimony to the gift of being, which stems ultimately from the divine paternity. Insofar as creatures are intelligible, they bear the imprint of the generated Word, through whom God made all things, and who is the source of order and intelligibility in creation. Insofar as they are good in themselves and tend toward perfection, they resemble the goodness of the Spirit, the Love in whom God has made all that is good. Human beings, who are made in the image of God, resemble the Trinity in a particularly privileged way, as persons, with immaterial faculties of intellect and will. They are able to image [End Page 510] the Trinity both individually and collectively, by spiritual communion in truth and in love.4The text describes very clearly the program of a Trinitarian ontology, without departing, however, from the spirit of Thomas. The questions that will guide this contribution would like to make possible a real dialogue with the Thomist tradition on this point, so as to foster that relational dimension that seems to structure White's synthesis itself. It is to be hoped that this will also help the ecumenical enterprise, which the postmodern crisis makes... (shrink)

continent. 2.2 (2012): 155–158 Michel Serres. Biogea . Trans. Randolph Burks. Minneapolis: Univocal Publishing. 2012. 200 pp. | ISBN 9781937561086 | $22.95 Conveying to potential readers the significance of a book puts me at risk of glad handing. It’s not in my interest to laud the undeserving, especially on the pages of this journal. This is not a sales pitch, but rather an affirmation of a necessary work on very troubled terms: human, earth, nature, and the problematic world we made. (...) It is this world that aspirates the silence (so to speak), and therefore the subject which, along with the development of the “made world” exports the excess augmentation of the cosmically missing, this silence of the natural, et cetera. Had we learned from Locke that lesson of “labor,” to consume what we need… but perhaps we need more than what matters? Serres’ Biogea has several functions on this manner, if it is indeed a book to be consumed. First, readers searching for novelistic entertainment have a place to dwell. Biogea deserves a place in your back pocket; biographical generosity and poetic fluidity should satisfy most textual fetishes. For lay philosophers who want to refresh their acumen, Biogea deserves a place on the book shelf, one already reads a sorely needed postmodern tune-up here. Serres’ style is clearly French; he leaves few cheese crumbs on his words, rather preciseness and breathing in the work give way to a sweeping manner that breaks the narrative line of sight. A circular narrative and anachronistic fragmentation of terms allows an abyssal atmosphere to swell, if only to pump into the book the externality of its broader text. Biogea aspires to a higher standard and the book, at times, is thinking this negentropic problem too. Univocal, the publisher, has crafted a book appropriate for the hands to hold and the translations are an achievement of an otherwise difficult writer to translate. Terms are the conditions of a broader text. It is important to note that Serres’ content is as much a thinking of terminal ports. There is a regard for the transportation technology of the written word. For me, this is the mark of genius, a craftiness that tells of a book device that I may trust. Serres is an accomplished thinker and a necessary voice to check the putative trendiness of anti-postmodernist and market-driven theory of endless cultural liquidation. Offering interventions on subjectivity as an open system we are given a chance to affirm the human, not merely to discard it, but to engage its poetic image emotion, the calibratory silent sense of the analogic world; the terms on which we base our efforts. 1 The human is the center of its own negation, constantly mediating it. Something deeper at stake appears in the work then, and it is quite obvious from the onset. Certainly, a book is an intensification of possible text and those who brought this actual book into existence have captured a rarity in regards to the subject matter and artistic accomplishment. I mentioned terms as conditions, so let us understand Biogea as bio-yea, a yes to bios . An affirmation of living and accepting presence for all of its defiance of images, words, and things temporal. Therefore Serres’ existence and its existants plays parts; out of linearity and still like a porous bone pumping blood it manufactures into the fleshy life it becomes. Starting from a man named silence chaos emerges, or the man “Old Taciturn” takes up a journey anticipating a great flood. In other words, a development akin to the one in Genesis. In dealing with this ancestral occupation, fusing Genesis with contemporary philosophical terms, Serres initiates this anachronistic fragmentation under the forming subjectivity of his own autobiography. This mutation in the open system is precisely one of Serres’ terms. There an abyss is at work, stated, but also measured by heels on the ground—the abyss dispatching earthen tensions, that which plays our tunes, that which we abide by and recognize in volcanoes, rivers, oceans, earthquakes and weaponry in the battles of the world. Set in later stages of the book, such tensions are harnessed through scientific principles in an attempt to unify the terms of natural force if only to terminate the world. Thus the elevation of the earth into the world is clearly set forth. Here already, and few pages in, a resonance is set forth under appellations such as the river Garonne, a subjectivity as much as it is inhuman, the river is the inhuman that makes us human. I get the sense that Serres is taking up a challenge issued by Wallace Stevens; namely, that the great poems of heaven and hell have been written, but that only the poem of the earth has resisted composition. 2 On this level we cannot avoid the killing factor of silence, given that our cognition blocks its pure, radical obliteration. Thus a silence of attunement to the earth is in a novel dialectic of the rithmic and rhythm. A technological world, a triumph of termination is set forth. If a text imposes its will given the reader who authorizes it, it is made to convey or convect a presupposition to a reader or its inhabitant(s). Text is therefore both, in-content, contenting, contentedness, and in reading it, a way to navigate self-destruction (dis-content). Here then would one note that the “inhuman” reveals itself, “an aperiodic rhythm of lovers and beloved…the sea as our friend…but as our enemy…maternal vivifying sea.” The sea is an open book, or vaginal birth canal, where the engagement of text comes forth: “…woman sea, open vulva.” One sees like the sea, but only after it, when the uninhabitable truth of inhabiting it switches the polarity of the sailors soul: “I was seeing like the sea” (9-11). In other words, we are invited to embrace the nonsense of the visible. At this point I am taken to Jean-François Lyotard’s work The Inhuman , specifically the first entry on negentropy that would be congruent with Serres’ thematic. 3 The human being exports, deports, or transplants its relation through text, through the system— and this is its sense or relation to silence, to music. Unaware of Serres’ proximity to this work, the concept of gender interrelation as regards a solar catastrophe runs clear. It would be, on this basis, that Serres references his peers, the other texts that, as mentioned above, are discarded in philosophy today. For students of philosophy what we have here is perhaps a gift, a needed project. If silence and death are at work, there is a political valence to deal with, and here, much like the domain of the text and the dominion of the reader, we confront the world of natural, fluid violence. The anti-postmodernist critique is in part based on a weak idea that the loss of ideology, of a world vision, motivates the “correlationist” project. 4 Serres seems to offer another way to view this when he notes that whereas persons “sometimes kill,” it is clearly “the collective” that “always kills” (17). What is the collective today, if not an organizing function we never see yet acts in its favor in the name of truth? One feels a sense of enigma here, if only to link to what Stevens remarked of communism as a “grubby faith,” providing this applies for capitalism as well, namely any ideology of progress overly interested in absolutes. Here we get the sense that the inhuman, silence, this type of killing, always killing, could not be matched by human-made, political dynamos. Or that if it comes to an equilibrium, a catastrophe is never too far from us to read with our heels. We are left to note that the forces of nature presuppose and permeate political systems, the more these systems obtain force, the more the system takes upon itself the proper name of nature that motivates its dissemination, albeit falsely. This note, that in an age of ecocide and technological captivity (sustainability and transparency) political regimes won’t grow our soul-learning ears any larger than our tongues, stands clear to us. The promise of technological desubjectification is here pushed aside. Regarding politics, Serres illustrates this fact: Where did this corpse come from? Who was it? Who killed it? I don’t know. I won’t try to find out. I refuse to get vengeance for it. And I only see Garonne. For our victims, today, are the rivers, too. Their waters have irrigated my life, enchanted my thought, invigorated my body; I’ve known them to be threatening, untamable, as dangerous as the sea when it rages. Yes, murderous. They decided to control their courses; dams, sometimes senseless, destroying sites and valleys, reduced entire populations to servile displacements; programs for the irrigation of thirsty farmland, often beneficial of course, completed their drying up.(22) Serres enters into his idea concerning the captivity of language from the natural into a world system: For thousands of years, we have been licking things with our tongues, covering and daubing them so as to appropriate things for ourselves. If language boils down to a convention, this convention took place between the speakers without consulting the thing named, become as a result the property of those who covered it in this way with their drawn or voiced productions. Malfeasance analyzes these acts of appropriation. Thus every inert object, every living thing as well, sleeps under the covers of signs, a little in the way that, today, a thousand posters shouting messages and ugly riots of color drown, with their filthy flood, the landscapes, or better, exclude them from perception because the meaning, almost nil, of this false language and these base images forms an irresistible source of attraction to our neurons and eyes. This appropriation covers the world’s beauty with ugliness. (38-39) Technological concealment coming to bear, we begin to get a sense of another commentary on the condition of sensing, driving home the necessity of a text dealing with such subject matter to be what its terms insist. Thus toward new openings: The new opening. As low beneath our feet as you like, the Biogea opens us to another space, high enough for us to be able to acquire a wisdom there, that of redeveloping this same place differently from our fathers, this place that’s still politically cut up by old hatreds, beneath the flood of tears and blood that we call history. Without this soft place, spiritually very old, but newly conceived in this way, without the juridical construction of a common good, opposed to our filthy ownership, I don’t see how our planet, hard, will survive. Hardness that depends on a softness, material belonging that depends on this temporary rented location (51). Serres enters into a summit on the content and the structure of his work. Archimedes is brought in with the concept of three volcanoes. Meaning fire, but as well earth, water, air. For it was Archimedes’ war machines that sought to lift the earth, thus bringing in the question of principles of science: “can a principle be invented while controlling its consequences?” (66-7). May the earth be put in a sentence, terminated by terminology, appellations, gone wild? By means of these element-dominating laws, this old physicist began to tear nature away from the ancient myths; by a strange return, today we’re plunging our successes back into the anxieties and terrors from which that ancient physics was born. Yes, our new history of science and technology is plunging, today, as though in a loop, into the fundamental human myths from which Empedocles’ first laws came. A major progression and a regression on the nether side of the origins. Consequently, the contemporary time requires that we try to return to that unity in which the principles of hate and love are at the same time human, living, inert and global. We will never attain a deontology of our knowledge and actions without thinking the subjective, the objective, the collective, and the cognitive all together simultaneously. Here, hate and love are the result of these four components.(71) Working then on the concept of fire-starting mirrors to the atomic annihilation of the Second War, Serres works into the subjectivity in question on the matter of rhythm—say rithmic— precisely at that point: Knowledge is changing today. The all-political is dying; the monarchy of the sciences said to be hard is coming to a close. The science of the things of the world will have to communicate just as much as the things of the world do, which do it much better than humans do, who don’t always want to do it. Let’s celebrate two changes this morning. The first one strikes a new blow to our narcissism. No, knowledge and the world don’t resemble our analytical enjoyments of refined cutting up, of endless debates and of exclusions full of hate. They, on the contrary, form a bloc and a sum, alliance and alloys. Uniting the fields of knowledge among themselves the way the things are connected among themselves, the second newness puts into place sets united by interlacing, webs and simplexes that combine with the things of the world, themselves combined, the combined knowledge that understands them.(130-1) Biogea closes on its opening flood thematic, approaching the initial telos of Genesis. Here the trees are brought into a position with atmosphere, the opaque abyssal reservoir, the tomb of the sun, sea in the polarity of the earthen heaven and hell. The poem of the earth then is silent but deadly, indeed, as funny as that phrase is, mainly a tomb gas. The meaning of the living and the non-meaning of things converge in the muteness of the world; this meaning and non-meaning plunge there and come out, the ultimate eddy. Mundus patet: through a fissure, through an opening, a fault, a cleft come noises, calls as small as these apertures. I’m listening, attentive, I’m translating, I’m advancing in the scaled-down meaning and science. Mundus patet: should the world open greatly, it will launch me into its silence. The totality remains silent. Knowledge expanded in elation. White origin of meaning, fountain of joy. (198) Final Remarks One test of a review is the long term trajectory the referee thinks the book will have. I see Serres’ text lending greatly into the vision of Biogea . In fact, in the vision of the novel inquiries of Stephen Jay Gould’s work there is something to be thought on the level of the individual and the species; namely, that humanity and its uniqueness is in its deferral, its thinking and naming, a thinking surrounded by silence that filters into everything, that pulls us through the world, the kinetic pulse we recognize, and all of that we cleave away in the base philosophical maxim of difference itself. Unique individuals are spatial creatures: we dwell, and we ought to get good at it. Yet this is an imaginative space that, if you are crazy enough to believe it, de-term-ine the conditions of its own terms. That is why we are not merely creating spaces on the acceleration of time, or so this ignoramus thinks, to accidentally transcend. Imagination already has this insatiable silence that we drink up and fail to manifest. Space is timeless. The imagination itself, shared by humans for themselves, their objects, and the species as a whole, is a non-defined space of relation; a whole human trajectory as part of nature, and part of worlds that are the other side of thinking nature, the consequence of it, at least our attempt to do so. Our survival is based on our deliberation, our caution, our natural deconstructive sense toward this silence that is already part of the song, sung, singing of this century without end. Good books will let us inhabit this space and recognize a form of life. Serres’ text moves toward dwelling, as noted, in masterful and accessible ways. The pitched battles are the falling replays of anemic and dead politics. As soon as we realize there is humanity, we may be able to enjoy the end of it, our inhuman capability of listening to silence. NOTES 1. See Michel Serres. The Parasite . Minneapolis: University of Minnesota Press. 2007. 2. Wallace Stevens, “Imagination as Value” [ca. 1945], in Collected Poetry and Prose . New York: The Library of America. 1997. 724-39. 3. Jean-François Lyotard. The Inhuman: Reflections on Time . Trans. Geoffrey Bennington & Rachel Bowlby. Stanford, CA: Stanford University Press. 1992. 4. See the introduction: Quentin Melliassoux. After Finitude: An Essay on the Necessity of Contingency . Trans. Ray Brassier. New York: Continuum. 2008. EDITOR'S NOTE: This review was updated on August 8, 2012. Substantial edits include block quotes from the book under review as well as the inclusion of comments from the author. (shrink)

Nature did not equip any of its creatures with wheels, but that means of locomotion was discovered anyway; an even swifter vehicle for the mind has been found in the atom—that irreducible unit which by virtue of its ubiquity provides reason with immediate access to alien objects, naturalizes nature, and urges an essential likeness beneath appearances so diverse that only an improbable imagination would even have placed them in a single world. The goal of atomism is to find one entity, (...) a building block which then in multiples constitutes the structures of reality and appearance. All that is needed, given this once and future One, is a set of transformational rules—and everything comes to life that has been dreamed of in the topologies of geometry, physics, history, even of metaphysics: a full representation of the world as it has been, is, will be. The ideology of atomism includes the assumption that, for structures distinguishable into parts and wholes, the parts precede the whole, temporally and logically. For the atomist, all structures can be analyzed in this way; that, in fact, turns out to be his definition of structure. This premise is already evident in the building-block universe first depicted by Democritus and Leucippus; it is no less present in the heady days of twentieth-century physics . It is slightly more pliable in latter-day atomists like Claude Lévi-Strauss and Noam Chomsky and their descendent structuralists; but here, too, atomic units of linguistic or social discourse are claimed as blind first causes of the sighted and complex structures allegedly derived from them. And if the followers of even these contemporary advocates find themselves still waiting for the promises of atomism to be kept, the imaginative turns of those promises—the binary code, the rules of an innate grammar—keep old expectations alive. In contrast to this general ideological assertion, the search for artistic atoms by poetics and aesthetic theory has lagged noticeably. We can see this disparity in the characteristic resistance to fragmentation by works of art; for many writers, the will of artistic appearance to exhibit itself as a whole, to insist on an undivided surface rather than on the elements within or beneath it, is precisely what distinguishes the structures of art from others. Even where a craftsmanlike impulse breaks into the surface of artistic unity , the pieces are usually counted teleologically: they matter as contributions to an effect, retrospectively. The artist himself, it is implied, deployed them in the first place to anticipate the unified surface; we , in turn, then understand them only in terms of that whole, not—with the atomist—by conjuring a unity from the earlier accidental joining of what then become accidental parts. (shrink)

This article considers the attempt by a prominent fifteenth-century follower of Thomas Aquinas, Dominic of Flanders, to address John Duns Scotus’ most famous argument for the univocity of being. According to Scotus, the intellect must have a concept of being that is univocal to substantial and accidental being, and to finite and infinite being, on the grounds that an intellect cannot be both certain and doubtful through the same concept, but an intellect can be certain that something is a (...) being while doubting whether it is a substance or accident, finite or infinite. The article shows how Flandrensis’ reply in defence of analogy of being hinges on a more fundamental disagreement with Scotus over the division of the logically one. It also shows how Flandrensis’ answer to this question commits him to a position on the unity of the concept of being that lies between the positions of Scotus and of Flandrensis’ earlier Thomistic sources. (shrink)

Lucy Allais’s Manifest Reality presents a systematic discussion of the role that Kant assigns to concepts in making knowledge of objects possible. In this paper, I ascribe to Allais a version of non-conceptualism, according to which knowledge is a ‘hybrid’ or loose unity of concept and intuition; concept relates to intuition as form relates to matter in an artefact. I will show how this view has trouble accommodating the distinction between knowledge and accidentally true belief, and how it leads to (...) objectionable forms of idealism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.1 (2001) 1-16 [Access article in PDF] The Plot of History from Antiquity to the Renaissance Eric MacPhail In the Poetics Aristotle introduced the notion of plot or mythos as a distinctly poetic form of rationality and coherence absent from history. In the course of antiquity and the Renaissance Aristotle's notion of plot underwent a curious inversion by which history came to supplant (...) poetry as the main literary form of emplotment. To account for the readjustment or even reversal of Aristotle's distinction between history and poetry, we will examine the notions of order, causality, and chance expounded by classical historians and literary theorists before tracing their influence to Renaissance writers. In the Renaissance the transmission, conflation, and distortion of Aristotelian doctrine exerted a profound influence on historiography and literary criticism, particularly in the latter part of the sixteenth century. It is even possible to understand some of the new and hybrid forms of Renaissance fiction as a reaction to this transference of the idea of plot from poetry to history. While history may indeed possess no coherent plot, as Aristotle speculated, literary history can nevertheless reconstitute the genealogy of competing notions of plot and order in Renaissance narrative.We can situate Aristotle's definition of plot in the context of his inquiry into cause and coincidence. In book two of the Physics Aristotle proposes a rigorous typology of cause, distinguishing between formal, material, efficient, and final causes, and he also considers the status of chance and fortune as accidental causes or aitia kata symbebekos (197a5-6). 1 The Metaphysics takes up the question of to kata symbebekos, translated alternately as accident or coincidence, and in doing so develops several arguments that pertain to the treatment of plot in the Poetics and to the larger issue of the coherence of fiction and history. As Richard Sorabji points out, the key to Aristotle's notion of coincidence is the [End Page 1] paradox of existence without genesis or without coming into being. 2 Metaphysics VI, 2 maintains that "of things which are in other senses there is generation and destruction [genesis kai phthora], but of things which are accidentally [kata symbebekos] there is not" (1026b24). Metaphysics VI, 3 argues that if this were not so, if nothing existed without genesis, then everything would be of necessity in the sense that every future event could be traced back to a present cause. Genesis thus seems to signify an unbroken chain of causes while to symbebekotos, the coincidental, represents a break in the causal chain. For Aristotle the coincidental or the fortuitous "goes back to some starting point (arche), which does not go back to something else" (1027b12-14). A coincidence is an uncaused cause.Aristotle's Poetics furnishes a definition of plot or mythos that provides a link between the metaphysical discussion of cause and the fictional inquiry into chance. For Aristotle the dramatic plot is the integration of various actions, or synthesis ton pragmaton (1450a5), into a whole or olon consisting of a beginning, a middle, and an end (1450b27). The unity of action does not admit of any accidents within the plot as it moves continuously from beginning to middle to end, and yet the plot as a whole exemplifies the metaphysical notion of a coincidence. Aristotle defines the beginning of the plot or the arche as "that which does not itself follow anything by causal necessity but after which something naturally is or comes to be" (1450b28-29). Thus the mythos, like the coincidence, originates in an uncaused cause, that scandal abhorred by rationalism. Aristotle further complicates the question of causality when he denies to historical events the type of probability or necessity that he associates with dramatic actions. Chapter 23 of the Poetics exhorts the epic poet to emulate tragedy and shun the example of histories (1459a17-22), for while historical events may possess a chronological unity, they do not form any causal chain and thus do not exhibit any unity of action.In chapter 9 of the Poetics Aristotle... (shrink)

Tranquillity’s Secret Presents A New Understanding Of The World And Ourselves, And A Forgotten Meditation Technique That Protects You From Traumatic Harm. There Is A Way Of Seeing The World Different. -/- My goal in this book is two-fold: to introduce a revolutionary paradigm for understanding ourselves and the world; and to explain an ancient meditation technique that brought me to the insights upon which it is founded. This technique appears in different forms in the extant spiritual and religious traditions (...) over millennia which have used it — and in which it has been acknowledged as the most efficacious way to reach a direct experience of mind, or the most direct path to a union with God. Unfortunately, the proper way to use it has been largely lost over the last few centuries along with a clear understanding of why it was claimed to be so highly efficient. The primary reason for this loss is the mechanical materialism that frames all our scientific knowledge today. Lady Anne Conway, an English philosopher and a contemporary of René Déscartes, the French Metaphysician of the Seventeenth Century, was the first to characterize his philosophy as the “Mechanical philosophy.” It was Déscartes’ fascination with garden automata (moving statues) that he saw throughout Paris during his time, that led to his idea that the bodies of animals are nothing more than machines of varying complexity – which could be replaced by metal cogs, axles, and wheels. This very contemporary idea is in fact his legacy to humanity — along with the mind-body split that it entails — as mechanism became the standard to which Nature and all life was compared, and still is. This was the genesis of the modern reductive scientific understanding of life as discovered mechanisms made up of dead matter. -/- Although Déscartes’ philosophy was not materialism proper, as he held mind to not be material in nature, his was the most significant move to a cognitive framing of all phenomena as the result of mechanical interactions, and he went so far as placing all non-human animals into the machine-only category, because, he argued, they didn’t have minds. While a full account of Déscartes’ thought is not useful in this work, I want to use Lady Conway’s term to make a distinction between a mechanical materialism, which materialism has evolved into, and a less severe understanding that is not so destructive of the primacy of two aspects of being alive — mind and cognizance — which today are asserted to be by-products or epiphenomena of material processes in the brain by strict adherents to the mechanical philosophy. -/- This frame allows nothing but dead matter, and all that is comprised of dead matter, to be entertained as real. Anything beyond that is either ignored, or considered to be nothing more than figments of someone’s imagination — and this both limits and structures our thoughts about everything. Even those who believe they have moved on from this limiting understanding continue to be fenced in by language, which is structured by it — so that there is no escaping its limitations via a simple substitution or redefinition of concepts. Rather, it will take a truly revolutionary new paradigm and a concomitant reframing of our understanding of ourselves, this world, and reality, and how they come together in the new paradigm. I characterize the difficulty of this change as being like that of meeting an alien race and trying to work out how they see reality before communication can begin — which is very difficult to do when one’s own view is so limited. -/- I call this revolutionary paradigm Responsive Naturing. -/- Responsive Naturing replaces the current paradigm and its concomitant idea of deterministic causality which is foundational in scientific practice today. It can do this because, as you will see, it better accounts for all categories of phenomena, and thus includes all the most important human experiences, such as that of being alive, of beauty, of love, and the ultimate unity of all things. Responsive Naturing provides a sound foundation for the sciences, without the imposed limitation of mechanical materialist explanations, so that both science and spirituality can be founded upon this single common understanding of how things work. -/- This novel paradigmatic understanding of reality intrinsically applies to all dimensions of mental phenomena — be it of perceptions, sensations, or thoughts — and from the indeterminacy of quantum mechanics to the stochastic nature of most physical phenomena, to the often accidental, sometimes fortunate, but never sure, character of all human activities. This makes this new paradigm immediately productive in a practical way — it simply works, as I will show. It empowers us in ways that our disjointed and parochial schools of thought lock us out of completely, opening up new possible methods of looking at problems and finding solutions across disciplines. However, understanding the repercussions of the new paradigm upon one’s cognitive frame and the concomitant structure of language is difficult to comprehend simply because it is alien to the existing frame and paradigm. The impetus to make the effort is becoming quite clear: -/- Today, the sciences are ruled by the limiting cognitive framing of mechanical materialism, and over the last century, the limitations of that frame and its associated scientific paradigm of physical causality have become obvious: science has become schizophrenic. On one hand, some scientists say everything is strictly determined by the laws of nature, and neither free will nor conscious intent have any involvement in what happens; but others say that the state of the underlying quanta that make-up everything is indeterminate until consciously observed with the intent to measure it. Mechanical materialism is why scientists say you have no free will, while you obviously experience that you do — and you are held responsible for your actions by society because you do. It is also why scientists cannot find a non-speculative explanation of consciousness on an evolutionary or biological level, even though being conscious is the most obvious aspect of being alive. And these contradictions have infected every aspect of our lives, and our world, by limiting our ability to see the world any other way. Even the formulation of spiritual doctrines is constrained today by this cognitive frame’s presence in our language. This is not an academic matter, as we see clearly in our failure, so-far, to change the path that has brought us to a global environmental collapse and the ecocide of life on Earth. -/- What is unique about the book’s approach is that it does not speculate about what might be the case, like so much of philosophy does. Instead, it relies upon meditative and contemplative insights that were gleaned directly from a dedicated advanced meditation practice over 60+ years of the author’s life. These insights were then confirmed by subsequent research into similar forms of this advanced meditation technique found across the world and throughout human history. In conjunction with my meditation practice, I have doctoral-level education in Philosophy and a 30-year career in Software Engineering. The latter was in part focused on automated software development, during which I was confronted with the unsolvable enigma — within the mechanical materialist understanding that I was enculturated into, and inculcated with — of Human Creativity. An enigma that set me on my path of discovery. -/- I have discovered, and continue to discover, just how productive this novel paradigm is in understanding ourselves and our world, by its ability to explain — in detail — so many of our experiences that are today either inexplicable, paradoxical, or ignored “for the present” by scientists until some hoped for mechanical description can be found. For the most part, scientists constrain themselves to describing mechanisms, but describing how is not explaining why — and that is why so much of our modern knowledge has a best-used-by-date. On the other side, seemingly all spiritual traditions accept this modern characterization of the world, ourselves, and reality that is manifest in our language, so that even spiritual phenomena and ideas are necessarily structured by it. We accept the ideas of separate beings, intentional entities, levels of consciousness, and attainment of enlightenment or unification with God, all of which are necessary because dead matter, and unconsciousness, are considered to be the starting point. It isn’t. Rather than just present this novel paradigm as a fait accompli, the book’s five sections bring the reader through stages of reconfiguration of our understanding: -/- Volume 1. The Way of Unsaying — The need for the articles in the first volume is not to tell the reader how things are, but to unsay the things that they have heard throughout their lives and have taken to heart. This is accomplished by exposing the logical and explanatory limitations of those ideas that usually go unnoticed. This is necessary to do in order to open the reader’s mind to other ways of accounting for phenomena, and navigating life, so that the reader will understand: first, why the meditation technique I will present is so effective; and second, why the novel paradigm that I propose will truly advance human knowledge and enable us to change our way of being in the world. In order to liberate oneself from seeing the world in a particular way I use skillful means to unseat all the understandings that we have all been inculcated with. This can be destabilizing, and you might find yourself getting annoyed, or even frightened. To paraphrase a Buddhist proverb: Better not to start; but if started, better to finish: -/- Volume 2. The Way of Contemplation — In this volume, the paradigm of Responsive Naturing is developed, building upon the dialogs in volume 1. This volume challenges the reader, since breaking free of one’s existing cognitive frame and paradigmatic understanding is not a trivial exercise, and neither is restructuring one’s thoughts to fit into a new paradigm. This section explains what Responsive Naturing means, how it works in both spiritual and scientific senses, my specific arguments for why it is the answer to our need for a better way to account for phenomena and experience, and how our way of being in the world can change because of it. I attempt to show, via a myriad of independent fields of study, just how powerful this paradigm is in explaining the various phenomena that until now, either had no scientific explanation, or had an incoherent and never proven one. -/- Volume 3. The Way of Tradition — This volume provides the reader with traditional descriptions of similar types of meditation to that which I am presenting. These techniques are related by the unusual support for meditation that they use: that of Inner Spontaneous Sound. This information is provided for two reasons: 1) to validate the technique I present in volume 4, The Way of Meditation, by showing the high esteem that these techniques have been held in by all spiritual traditions, and 2) to present a rational explanation for the technique’s effectiveness, based upon responsive naturing. Volume 4. The Way of Meditation — This volume describes the practice that I call “Great Responsiveness Meditation” which will allow the reader to: 1) engage in a long-term meditative and contemplative practice in order to attain the insights that are the foundation for the novel paradigm that I am presenting; and 2) to benefit from two unique side-effects of using inner spontaneous sound: one which protects the meditator during traumatic and extreme emotional experiences, especially of the kind now expected because of the current global environmental and societal crises; and the other — which is widely attested to — is an alchemical-like change in the meditator, who quickly displays compassion without self-centered concern. In Buddhism, this is known by the Sanskrit word “Mahākaruṇā,” which is the type of responsive compassion displayed by all enlightened beings. It is a permanent change in how we live our life, and it enables each of us to overcome our worst inculcated selfish behaviors. 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The sun is in fact the same thing as the brightest object in the sky, but it would seem that the sun and the brightest object might have been different. Socrates may now be the same thing as the seated thing (because Socrates is now seated), but it would seem that Socrates and the seated thing will later be different (once Socrates rises). Now Aristotle’s usual way of describing such situations is to say that such pairs of entities are accidentally (...) the same or accidentally one,Aristotle writes both of sameness and of unity, and, though it is not clear that the terms can be used interchangeably, the accounts of each are too similar to ignore and so I shall move freely between the two notions. the idea being that the sun and the brightest objectIt is worth pointing out that a correlate of ‘object’ or ‘thing’ does not standardly appear in Aristotle’s Greek descriptions of such cases. Greek allows the nominalization of any adjective merely by prefixing a definite article to it. Thus Aristo .. (shrink)

In the paper, I defend the claim that agent who caused unintentional loss should take responsibility for it. Such kind of responsibility is neither a result of being guilty, being moral responsible for the loss, nor is just the expression of one’s sensitivity to other people’s hurt, but it has proper objective reasons. Human being experiences unity of his agency both in intentional actions and in actions which result in unintended harm. Moral agent is not only autonomous author of the (...) action but also, through his corporeality, is somebody vulnerable to influence of accidental, unintended factors. In order to preserve personal integrity agent is obliged to admit the relation between his action and caused harm. Reasons to take responsibility for unintended results of action do not only relate to structure of human agency, but also relate to the structure of action itself and its relation to acting person. These issues are presented in two first paragraphs of the article. Characteristic features of obligation to take responsibility for unintended loss is presented in the last part of the article. Such responsibility is not a matter of voluntary agency, does not lie in the core of one’s agency but concerns what belong to “penumbra of agency.” Agent through act of his will makes himself responsible. Act of taking responsibility encompasses such behaviours like explanation, apology, help. (shrink)

Questions could and should be raised about the political profile of English Romanticism both in particular and in general. Wordsworth’s poetry is especially useful to me here because of the way in which, through formal discontinuities, it dramatizes political conflicts. Reacting against these discontinuities, aesthetically minded critics have simply tended to leave out of the canon those poems which have the greatest capacity to help us become aware of a political poetics. In this respect it may well be that Wordsworth (...) is the most stylistically perverse of the Romantic poets. Not the most difficult to read, necessarily—Percy Bysshe Shelley’s breath-suspending songs and William Blake’s determination to produce “variety in every line” with the aim of unfettering poetry surely make more aggressive and obvious demands on the reader.1 But in these cases we can be reasonably sure that the difficulties are part of a conscious and coherent intention to set imagination to work in kindling sparks from ashes. Wordsworth also set out to do this, and we can agree that he did so with some success in some poems. But critics from Samuel Taylor Coleridge onward have rightly questioned the unity of Wordsworth’s canon in this respect. In Biographia Literaria, Coleridge notices the “inconstancy of the style,” an unevenness and a general inability to satisfy the demands of “good poetry” conceived as something possessing an organic form.2 This concern with a wholeness and consistency of artifice is more Coleridge’s than Wordsworth’s, and it seems to me that it is precisely the disjunctions in the poems that embody some of their most original and historically urgent meanings. The blemishes recorded by Coleridge—alternating and dissimilar states of feeling, overminuteness in description, and obsession with “accidental circumstances” , overuse of the dramatic mode, disproportion of thought to event, and so forth—can in fact serve as eloquent signals for discerning the complexities of the poems as they address a historical crisis in consensus embodied exactly in the unstable vehicle of the Wordsworthian speaker.3 3. I have explored the “formal” implications of this crisis in Irony and Authority in Romantic Poetry , and the terms of its historical discourse in Wordsworth and the Figurings of the Real . David Simpson is professor of English at Northwestern University. He is the author of Irony and Authority in Romantic Poetry , Wordsworth and the Figurings of the Real , and Fetishism and Imagination: Dickens, Melville, Conrad and editor of German Aesthetic and Literary Criticism: Kant, Fichte, Schelling, Schopenhauer, Hegel. (shrink)

Philosophers seeking to formulate a philosophy of mind that offers an alternative to the cur-rently dominant reductionist positions frequently appeal to the Kantian thesis that the mind is essentially spontaneous. Yet it is far from clear what the content of this thesis is, and what recommends it. In this paper, I discuss this question and propose a new answer – one that makes better philosophical and textual sense of Kant’s own claims than I believe has hitherto been offered. I do (...) this by focusing on Kant’s claim that, in particular, the represen-tation of categorial unity is spontaneous, rather than receptive. What I call the Single Spe-cies View of Spontaneity locates the rationale for this thesis in the fact that all representa-tion of categorial unity takes place in judgment and that judgment must be conceived as spontaneous. Against this I argue that Kant accepts a Two Species View of Spontaneity, according to which categorial unity can be represented in acts other than judgment. I defend this view by giving an account of Kant’s motivation for regarding categorial unity as spon-taneous, which has both a negative and a positive component. The negative component shows that categorial unity could not be accounted for by a mind whose representational capacities are entirely receptive. The positive component argues that Kant’s conception of cognition as the non-accidental agreement of a representation with its object requires him to hold that the mind is capable of an exercise of spontaneity that is directly involved in sense-perception and, therefore, distinct from judgment. It thus emerges that, properly under-stood, Kant’s thesis about the spontaneity of the mind has a much wider scope and rests on very different grounds than is commonly believed. (shrink)

This paper is concerned with the implications of Husserl's phenomenological reformulation of the problem of error. Following Husserl, I argue that the phenomenon of error should not be understood as the accidental failure of a fully constituted cogito, but that it is itself constitutive of the cogito's formation. I thus show that the phenomenon of error plays a crucial role in our self-understanding as unified subjects of experience. In order to unpack this 'hermeneutical function' of error, I focus on (...) three inter-related notions which are recurrently used by Husserl to refer to the central aspects of error apprehension: explosion (Explosion), replacement (Ersatz), and cancellation (Durchstreichung). My discussion, however, does not remain committed to the Husserlian framework as such. This is not only because Husserl's notion of explosion proves itself untenable, but because the Husserlian paradigm does not make room for a linguistic dimension intrinsic, in my view, to the realization of error. Hence, I proceed by reconstructing the Husserlian terms as tropes of realization, as narratological devices in the 'language game' of error. I argue that these hermeneutical devices are necessary for maintaining what Nietzsche would call the self's 'semblance of unity'. The assumption of one single subject is perhaps unnecessary; perhaps it is just as permissible to assume a multiplicity of subjects, whose interaction and struggle is the basis for our thought and our consciousness in general? (Nietzsche, The Will to Power #490). (shrink)

It is usually assumed that Heraclitus is, exclusively, the philosopher of flux, diversity and opposition while Parmenides puts the case for unity and changelessness. However, there is a significant common understanding of things, not simply an accidental similarity of understanding. Both philosophers, critically, distinguish two realms: on the one hand, there is the one, common realm, identical for all, which is grasped by the ‘logos that is common’ or the steady nous that follows a right method in order to (...) interpret the real. On the other hand, the realm of multiplicity seen and heard by the senses, when interpreted by ‘barbarian souls’, is not understood in its common unity. Analogously, when grasped by the wandering weak nous it does not comprehend the real’s basic unity. In this paper I attempt to defend the thesis that both thinkers claim that the common logos or the steady intellect grasp and affirm the unity of the real. (shrink)

Despite the renewed interest in Aristotle’s Generation of Animals in recent years, the subject matter of GA V, its preferred mode(s) of explanation, and its place in the treatise as a whole remain misunderstood. Scholars focus on GA I-IV, which explain animal generation in terms of efficient-final causation, but dismiss GA V as a mere appendix, thinking it to concern (a) individual, accidental differences among animals, which are (b) purely materially necessitated, and (c) are only tangentially related to the (...) topics discussed in the earlier books. In this paper, we defend an alternative and more integrated account of GA V by closely examining Aristotle’s methodological introduction in GA V.1 778a16-b19 and his teleological explanation of the differences of teeth in GA V.8. We argue for the unity of both GA V and of GA as a whole and present a more nuanced theory of teleological explanation in Aristotle’s biology. (shrink)

Bryant’s paper, "A Logic of Multiplicities: Deleuze, Immanence, and Onticology," is useful for showing how the historical legacy of hierarchy in its many philosophical forms is still present, important, and, in fact, required even by those such as Bryant who would seek to deconstruct or ignore it. The following response will discuss Bryant’s presentation of his alternative position and throughout point out: a) the straw-man versions of hierarchy that Bryant employs; b) why what Bryant claims to be inherent negatively in (...) hierarchy is not the case; c) how Bryant’s position actually relies upon hierarchy for its own explication, and finally; d) the various principles of hierarchical metaphysics that are required in order to make sense of experience and reality. These latter include the notions that i) there are many kinds of hierarchy; ii) Being and Unity are prior to Multiplicity; iii) relation without substance is incoherent; iv) hierarchy is not inherently tyrannical; v) the distinction between essentially and accidentally ordered causal series is a real and useful one; and vi) the existence of hierarchy is more self evident than is flat ontology. (shrink)