The writings of the Church Fathers form a distinct body of literature that shaped the early church and built upon the doctrinal foundations of Christianity established within the New Testament. Christian literature in the period c.100–c.400 constitutes one of the most influential textual oeuvres of any religion. Written mainly in Greek, Latin and Syriac, Patristic literature emanated from all parts of the early Christian world and helped to extend its boundaries. The History offers a systematic account of that literature and (...) its setting. The works of individual writers in shaping the various genres of Christian literature is considered, alongside three general essays, covering distinct periods in the development of Christian literature, which survey the social, cultural and doctrinal context within which Christian literature arose and was used by Christians. This is a landmark reference book for scholars and students alike. (shrink)

Technology and animals often serve as the boundaries by which we define the human. In this issue contributors explore these categories as necessary supplements or as porous membranes which disturb the scaffolding of how the human is constructed. A lingering question throughout is whether we have ever been human or if such a category is a non-localizable ideal or perhaps a misnomer. In this collection of essays, internationally known theorists muddle the categorical boundaries such that animals and technologies become necessary (...) components rather than limits for what it means to be human. They examine a range of subjects, including apophatic animality, critical media objects-to-think-with, biosemiotic insect resonances, the monstrous and horrific which dislodges our cultural animals, and the problem of thinking of animality as stupidity. Novels, films, digital objects, scientific laboratories, philosophical texts, animals on the road and in the fields serve as sites for inquiry. The result of these investigations is the spectral possibility that we are not the humans we make ourselves out to be. This book was originally published as a special issue of Angelaki. (shrink)

In these collaborative, theoretical and performative pieces our aim is towards radical expansions of various formal parameters in western philosophy through art praxis that de-centres the roles played by the animal subject, industrial technologies, and soil in modernist paradigms. Exceeding these conventions demands pushing against/past blockages (aporias) to broader engagement with whatever refigured subjectivities are called into constellative gathering in the process. The immanent multiplicity of constellative (Soilogic) analysis ‘cuts in all directions’ in its insistence on attempting to ‘upend’ multiple (...) disciplines simultaneously rather than remaining mere cross-disciplinary embellishment between art and philosophy. Opening new ruptures in horizons of interpretation and maintaining them through artistic and philosophical agitation involves a ‘fidelity to the impossible’ (Young), and a reach beyond the known and tried. It is also a reach towards a blurring of Techne and poeisis in the inter(fur)faces of Dawn (a dark Horse), Gladys (a Goat), and the debris field of the zeppelin USS Macon that crashed into the ocean and sank off the coast of Monterey, CA in 1935. Initially we did so by painting portraits of Nietzsche and Benjamin on Dawn, putting them into conversation with each other on the question of Animality. We then attempted to make ‘haptic’ contact with the Macon while posing performative questions about interrelations, telepathies and hauntings among Animalities, Techne and more-than-humanist Materialities. (shrink)

Did Augustine anticipate postmodern criticism, particularly in his theory of signs? While there are superficial similarities, Augustine's position is fundamentally invested in issues of truth and reference that postmodernism brackets out.

The task of transforming Durkheim's sociological perspective into an explanation of poverty in rural areas carries a triple handicap: Durkheim was not concerned with material well-being, he did not conceptualize structures of inequality, and his explanation of the division of labor was flawed. His late book on religion, however, contains an explanation of institutional innovation which offers a new starting point for understanding formal dimensions such as differentiation and pluralism, and these in turn as they are related to poverty. When (...) these dimensions are combined with technical organization, differences in welfare can be explained. When the summary formula for this combination of structure and technology is compared with those for Marxist and conventional economic explanations, the result is a dramatic contrast between the two materialist theories and a true sociological position. (shrink)

In 1583, Edward Kelley claimed to have made a number of archaeological discoveries on Northwick Hill in Worcestershire, including a forged document, the “Northwick scroll”, purportedly giving the location of treasure hidden by the Danes. The scroll was subsequently deciphered by Kelley’s employer, John Dee. Kelley’s hoax, which had to fool one of the country’s most learned men, was carefully constructed and drew on recent antiquarian work. However, Kelley also relied on older traditions of magical treasure hunting, thereby combining two (...) apparently antithetical approaches to the past. The article uses the example of Kelley’s hoax to argue that hoaxes served a useful and illuminating function in the early development of archaeology by testing the boundaries of plausibility. Furthermore, Kelley’s synthesis of learned antiquarianism and treasure hunting challenges the view that Elizabethan antiquaries were unwilling to excavate. Kelley’s methodologies in constructing the hoax echoed those of William Camden and others by linking excavated objects with chronicles and landscape features to create an integrated account of an imagined past. However, the hoax’s success also rested on Dee’s willingness to become a treasure hunter, demonstrating that elite learned antiquarian endeavours were not always distant from the aims of traditional “hill diggers”. (shrink)

Em sua primeira obra de não ficção, Fernanda Young se insere no acalorado debate sobre o que significa ser homem e ser mulher hoje. Em textos autobiográficos, ela se revela como uma das tantas personagens femininas às quais deu voz, sempre independentes e a quem a inadequação é um sentimento intrínseco. E esse constante deslocamento faz com que Fernanda seja capaz de observar o feminino e o masculino em todas as suas potencialidades. É daí que surge o 'Pós-F', pós-feminismo e (...) pós-Fernanda, um relato sincero sobre uma vida livre de estigmas calcada na sobrevivência definitiva do amor, no respeito inquestionável ao outro e na sustentação do próprio desejo. No livro, que é ilustrado com desenhos da autora, Fernanda oferece sua visão de mundo na tentativa de superar polarizações e construir algo maior, em que caibam todos os gêneros. (shrink)