(1983). The illustrations of birds in the Vatican manuscript of De arte venandi cum avibus of Frederick II. Annals of Science: Vol. 40, No. 6, pp. 597-634.

W. B. Gallie; I *—The Presidential Address: Rationality and the Use of Force, Proceedings of the Aristotelian Society, Volume 71, Issue 1, 1 June 1971, Pages 1–.

As I had rejected en bloc references to Bacchanalia as indications of date, it was a mere chance which led me, after the above had left my hands, to look up Cas. 980 ‘ nunc Bacchae nullae ludunt,’ quoted in Schanz, R. Lit.3, p. 78. As this affords an excellent opportunity of testing my conclusions, perhaps a word or two will not be out of place.

First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

1. The use of the imperfect τικτε ‘was the mother of’, with τíκτουσα; νίκων, ο νικντες; διδος is well known, and no doubt correctly explained. Reference is frequently made to Virgil's quem dat Sidonia Dido, but δίδου seems not to be used, no doubt because it is so extensively used in the sense of ‘offered’. In T. 7. 56. 3 περιεγíγνοντο seems to be a substitute for νíκων, ‘were victorious’; cf. φερε in Find. O. 10 , 74 ‘was prizewinner’ —the (...) other winners all have an aorist. So too Pyth. 3. 44. (shrink)

One Morality or many? Liberal morality and Socialist morality; bourgeois morality and Georges Sorel's “morality of producers”; Protestant morality and Catholic; Greek morality and Christian; “aristocratic” morality and “slave” morality, “open” morality and “closed” morality—what, if any, is the relevance of such distinctions as these to moral philosophy?

Is The Prelude a philosophical poem? It is, of course, many things besides: it is an autobiography; it contains profound reflections on psychology, education and politics; and there are passages of an almost purely lyrical character. Does it also contain philosophical poetry? On this question, the critics of Wordsworth are divided. Coleridge and Raleigh answer Yes; Arnold, Bradley, Dr. Leaves, from their different points of view, agree in answering No. I believe that the first answer is right, although it has (...) usually been supported by the wrong reasons. I believe the second answer to be wrong, although many of the arguments that are supposed to lead to it are in themselves sound enough. Those who say that The Prelude is not a philosophical poem, usually mean that it does not offer a coherent system of philosophy—that it expresses an original outlook and a personal wisdom, but that the only systematic philosophy in it comes at second-hand from Hartley or Coleridge and contributes not at all to the poem. And this is largely true. But the mistake is, to identify philosophy with system, philosophizing with “a philosophy.” This is a mistake that has been repudiated again and again by many of the greatest philosophers, from Socrates and Plato to Locke and Kant and others. I shall argue that The Prelude achieves philosophical poetry, because in it Wordsworth grapples with philosophical problems—problems which arise out of the story of his own early life—which are actually forced upon him by the poem itself; and because he tries to answer these problems in a way which would be possible only in poetry. (shrink)

Miss Steuart, in her recent edition of the Annals of Ennius, prints the notorious line, ‘O Tite, tute, Tati, tibi tanta tyranne tulisti,’ among the fragmenta spuria, and shows that the attribution of it to Ennius is late and uncertain. That it is old is shown by the fact that it is quoted in the Ad Herennium. Miss Steuart classes it among the ‘freak’ lines by which Hardie thought Lucilius illustrated his hundred kinds of Solecism.