This article examines how some of Simone de Beauvoir's ethical notions about the Self-Other relation explored in her theoretical philosophy of the 1940s were developed in her subsequent autobiography. It argues that Beauvoir represents reciprocal alterity in these autobiographical texts through a testimonial engagement with autobiography conceptualized as an act of bearing witness for the Other, through the privileging of various interlocutors and privileged others with whom "the real" is experienced and through a negotiation with the reader. The article also (...) explores the wider question of how Beauvoir's engagement with autobiography might constitute a mode of ethical engagement with the Other. (shrink)

This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies.

Simone de Beauvoir is one of the most well‐known chroniclers of the twentieth century and her formal volumes of autobiography are widely cited as a left‐wing intellectual's account of her era. Yet her life writing extended far beyond formal memoir to include diaries, letters, and biographical testimonies. In this chapter I analyze the broad movements of Beauvoir's engagement with the genre, from her early philosophical diaries to her formal memoirs and biographies, in the context of her own philosophical and literary (...) worldview. Her auto/biographical writings will emerge from this analysis as an individual case history in which Beauvoir tests out many of her philosophical notions concerning situated selfhood and bears witness to the major evolutions in twentieth century western society. (shrink)