In discussion on consciousness and the hard problem, there is an unquestioned background assumption, namely, our experience is stored in the brain. Yet Bergson argued that this very question, “Is experience stored in the brain?” is the critical issue in the problem of consciousness. His examination of then-current memory research led him, save for motor or procedural memory, to a “no” answer. Others, for example Sheldrake, have continued this negative assessment of the research findings. So, has this assumption actually been (...) proven since Bergson? Do we know how experience is stored? Or that it is stored? Here, a recent review and model of memory is examined to see where this assumption actually stands. Again, the assessment will be that nothing has changed. The core of the problem, it will be argued, lies in two things: Firstly, the search for how/where experience is stored is motivated—rephrasing Bergson—in the classic metaphysic, a framework on space and time whose logic cannot be coherently, logically adhered to in attempting to explain how experience is stored. Secondly, the search generally assumes an inadequate theory of perception that is implicitly based in this classic metaphysic. If framed within Bergson’s model of perception and his temporal metaphysic, conjoined with J. J. Gibson’s model, the storage-search appears misguided from the start. (shrink)

Following the 1988 publication of Bergsonism by Gilles Deleuze, many contemporary critics such as Leonard Lawlor and Paul Douglass have re-contextualized Bergson within poststructuralism. In so doing, Bergsonian theory enables us to readdress questions associated with concepts of temporality and their relation to language. In considering this re-appropriation, Suzanne Guerlac in Thinking in Time: an introduction to Henri Bergson (2006), asks why Bergson has never been considered in relation to Derrida, given that the two philosophers share fundamental concerns about time (...) and writing. Following Derrida’s critique of Husserl in La Voix et le phénomène (1967), it is perhaps the case that many critics categorize Bergson as a phenomenologist. However, I aim to develop the argument that Guerlac instigates and show that Derrida’s critique of Husserl in fact establishes a close proximity with Bergson’s view that Western metaphysics suppresses time as durée . I will show how both Bergson and Derrida operate with the understanding of a particular rupture in the full presence of the present, an expansion of consciousness as a ‘now’ to include a constant deferral to memory. While this overlap establishes an affinity, I conclude by showing that it simultaneously marks a point of diffraction with regard to how both seek to methodologically embody such a concept of time. (shrink)

This volume brings Bergson's key ideas from Matter and Memory into dialogue with contemporary themes on memory and time in science, across analytic and continental philosophy. Focusing specifically on the application of Bergson's ideas to cognitive science, the circuit between perception and memory receives full explication in 15 different essays. By re-reading Bergson through a cognitive lens, the essays provide a series of alternative analytic interpretations to the standard continental approach to Bergson's oeuvre, without fully discounting either approach. The relevance (...) of philosophies of mind and memory sit alongside the role of a metaphysics of time in exploring connections to psychology, biology, and physics. This eclecticism includes an exciting focus on numerous topics that are not given sufficient attention in extant studies of Bergson, including the precise nature of his ideas on dualism, memory, and ecological theories of perception, especially in relation to his contemporaries. Led by leading Bergson scholars from France and Japan, this book maps the rich terrain of Bergson's contemporary relevance alongside the historical context of his ideas. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reflections on DuchampBergson ReadymadeFederico Luisetti (bio)Translated by David Sharp[I]nside the person we must distinctly perceive, as through a glass, a set-up mechanism.—Henri Bergson, Laughter: An Essay on the Meaning of the Comic (1901)In spite of the enormous critical attention paid to Marcel Duchamp’s art and theoretical background, the dialogue with Bergsonism is mostly confined to scattered references and erudite observations.1 Paradoxically, the major obstacle to this encounter has been (...) the immense popularity of Henri Bergson’s philosophy since the initial decade of the twentieth century. Such success has come with a price, however, for the proliferation of neutralizing schematizations has progressively suffocated the specificity of his thought and subsequently impeded the understanding of his epistemological radicalism, so cherished by Duchamp and the historical avant-garde.2Consider, for example, how the specter of Bergson constantly hovers over Linda Dalrymple Henderson’s authoritative discussion of Duchamp’s scientific sources. Although Henderson recognizes the diffuse presence in Duchamp of various Bergsonian motives, because she regards Bergson as the antiscientific philosopher of the “inner self” and of “profound self-expression,”3 Bergsonian notions seem to her incompatible with the artistic revolution prompted by Duchamp. A historiographical exorcism is therefore needed in order to heal the consequences of the traumatic Bergson-Duchamp incest. Herein lies Henderson’s solution: since Duchamp rejects the aesthetic principles of the Puteaux Cubists, he also abandons Bergsonism, which represents their philosophical matrix. Thus, the Bergsonian ideas “undoubtedly” present in Duchamp’s artistic lexicon are nothing but debris accumulated in the course of his battle with the Cubist disciples of Bergson.4To counter these approaches, in the following pages I will map Duchamp’s absorption and creative distortion of Bergsonism,5 concentrating on key terms of both Bergson’s philosophy and Duchamp’s speculations on art: space, “readymade,” delay, body, virtual, circuit, machine.6 I will then discuss the theoretical implications of Duchamp’s Bergsonism and place the readymade7 within its proper context: the deconstruction of the Western metaphysics of reflection. [End Page 77]SpaceBeginning with Time and Free Will (1889), Bergson distinguishes between two types of multiplicities: on the one hand, “duration” (durée), “an internal multiplicity of succession, of fusion, of organization, of heterogeneity, of qualitative discrimination... a virtual and continuous multiplicity that cannot be reduced to numbers,” and on the other, “a multiplicity of exteriority, of simultaneity, of juxtaposition, of order, of quantitative differentiation... a numerical multiplicity, discontinuous and actual.”8 This opposition is generally understood as a clear-cut differentiation between the inner experience of time and the objective consistence of space. In Time and Free Will and Matter and Memory (1896), there are several passages that can be read accordingly, since duration is often described as a continuous, indivisible temporal experience, and space as that which “by definition, is outside us.”9Yet for Bergson space and time are mixed terms, and their internal complexity does not coincide with the semantic distinction between the two multiplicities. Deleuze has clearly formulated the central difficulty that a reductionist theory of space and time would imply, a problem of which Bergson is fully aware. Since the concept of duration has an ontological span, space must find a place within time and vice versa: “If things endure, or if there is duration in things, the question of space will need to be reassessed on new foundations. For space will no longer simply be a form of exteriority.... Space itself will need to be based in things... to have its own ‘purity’” [Deleuze, Bergsonism 49]. Hidden behind the motif of the “spatialization of time,” Bergson has devised a stratified theory of space, whose origins we can trace back to his philosophical apprenticeship [see Heidesick 29–42].Departing from Kant, Bergson introduces a boundary between the “perception of extension” and the “conception of space,” between qualitative space, which he calls “extensity” (étendue), and “abstract,” “homogeneous” space: “We must thus distinguish between the perception of extensity and the conception of space.... [S]pace is not so homogeneous for the animal as for us... determinations of space, or directions, do not assume for it a purely geometrical form” [Bergson, Time... (shrink)

One of the major works of an important modem philosopher, Matter and Memory investigates the autonomous yet interconnected planes formed by matter and perception on the one hand and memory and time on the other. Henry Bergson (1859-1941) was awarded the Nobel Prize in 1927. His works include Time and Free Will, An Introduction to Metaphysics, Creative Evolution, and The Creative Mind.

Gaston Bachelard's philosophical exploration challenges conventional assumptions regarding the relationship between time and memory. Departing from the common perception of time as a passive container for memories, Bachelard introduces an idea of the past that is predicated on a relational understanding of time. This paper will begin by contrasting Bachelard's relational view of time with Henri Bergson's substantivalist stance. Bachelard's metaphysical position on time provides the conceptual groundwork for his challenging of the fixity of past temporal experiences, and his (...) redefining of duration as a rational construct. Finally, this paper will explore Bachelard’s concept of rhythmanalysis, or the process by which the individual is able to make sense of the different rhythms or frequencies of time. Bachelard does not define the past as a fixed temporal series of memories. Rather, memories and the past are fluid and continually open to interpretation by the individual. The relationship between time and memory, for Bachelard, is subsequently predicated on a constructive process which is characterized by the ability of the individual to reframe or reinterpret that process. (shrink)

The notion of memory storage, central to most contemporary theories of remembering, is challenged from a philosophical perspective as being contradictory and untenable. It criticizes this storage hypothesis as relying upon a linear explanation of time, an assumption which results in infinite regression, solipsism, and a failure to contact the real past. A model based on the phenomenological viewpoints of Edmund Husserl and Maurice Merleau-Ponty is offered as an alternative paradigm. Finally, a research method suggested by this descriptive approach to (...) memory is presented and illustrated. (shrink)

This dissertation argues that on the basis of their elaboration of and appeal to the Virtual, Henri Bergson and Gilles Deleuze operate a profound transformation of the Kantian conception of the transcendental. This implies a novel account of experience and its conditions, resulting in what I call Transcendental Experience---whereby the primary condition of experience, that is, time, becomes immanent to what it conditions. Through this revaluation of the transcendental, Bergson and Deleuze are ultimately providing us with an alternative to both (...) Kant's and Phenomenology's theories of subjectivity. Rooted in real experience rather than abstract forms, this approach points to the primacy of the unconscious over consciousness as the ground of subjectivity. With Bergson and Deleuze, then, it is ultimately to the ontological unconscious that we must refer thought and experience, thereby accounting for a radically novel conception of subjectivity, in terms of inhuman and inorganic difference or alteration rather than some postulated transcendental ego. ;Hoping to provide a contribution to the current scholarship concerning Bergson and Deleuze, I examine closely both what they have in common and where they diverge. Accordingly, I dedicate the first part of the dissertation to a comprehensive examination of Bergsonian metaphysics. I conclude that through his observation of the immediate data of consciousness, perception and memory in terms of concrete duration, he is able to offer a new philosophical method based in an original notion of intuition---a method which, I claim, eventually allows him to solve the problem of dualism. The second part of this project then turns to an examination of Deleuze's Transcendental Empiricism which, I argue, is directly inspired from Bergson's method of intuition. There, I focus on Deleuze's differential ontology, which leads me to an exploration of the role he ascribes to the Sensible, and consequently, to the artistic experience, as the primary ground---which, he shows, is also an ungrounding---of consciousness. Finally, I argue that over and above Bergson's ultimate privileging of continuity, Deleuze's prioritization of discontinuity allows him to address the great traditional philosophical problems while opening the future for thought and experience. (shrink)

Bergson's 1896 theory of perception/memory assumed a framework anticipating the quantum revolution in physics, the still unrealized implications of this framework contributing to the large neglect of Bergson today. The basics of his model are explored, including the physical concepts he advanced before the crisis in classical physics, his concept of perception as ‘virtual action’ with its relativistic implications, and his unique explication of the subject/object relationship. All form the basis for his solution to the ‘hard’ problem. The relation between (...) Bergson and Gibson as natural complements is also explored, with Bergson providing the framework that explicates Gibson's concept of direct perception, with Gibson's resonance model as a precursor to dynamic systems models of the brain and his reliance on invariance laws defining perceived events providing more detail for the mechanisms Bergson only envisioned from afar, and with Bergson providing the basis for an otherwise missing Gibsonian model of direct memory. (shrink)

This chapter begins with a study of Fereydoun Hoveyda’s essay called “Sunspots” that describes the dynamics of cinema and the way one feels when attending it. It explains how cinema defines how modern time is known by man, how memory and desire provide qualities to known space, and how cinema itself shapes man’s encounter with place and landscape. Cinema, according to Hoveyda, captures and channels a constantly unfolding force that runs through the represented spaces and temporal rhythms of a (...) film and also through the audience in the dark room. This is when cinema works best, where it pulsates with energy; when the animus of a scene arcs like electricity from moment to moment, from screen to audience, and then back again. This energy emanating from the cinema screen is as vital as that of the sun’s, hence the name “Sunspots.”. (shrink)

In an effort to reassess the status of Phenomenology of Perception and its relation to The Visible and the Invisible, this essay argues that Merleau-Ponty's engagement with Husserl's text and his discussion of the “field of presence” in La temporalité are intended to think through the field in which time makes its appearance as one of passage. Time does not show itself as presence or in the present but manifests itself as Ablauf, as lapse or flow, an écoulement that is (...) simultaneously an explosion, an éclatement. Merleau-Ponty's account of temporality in these pages is thus legible as recovering the primordial experience of time as a self-differentiating déhiscence in its dual power of articulation and erosion. Time is thus simultaneously the vehicle of the world's appearance and of its “disarticulation”, the passage of a rhythm of affirmation and disintegration. Merleau-Ponty's account of temporality in Phenomenology of Perception is oblique, somewhat fragmentary and circuitous.11 References to Merleau-Ponty's works cite the French followed by the English translation. I will use the abbreviation PhP for Phenomenology of Perception and VI for The Visible and the Invisible. Other texts by Merleau-Ponty will be referenced by the title. References to Husserl and Heidegger use the German followed by the translation. I will use the abbreviations ZB for the Zeitbewußtsein lectures; FT for Formale und transzendentale Logik; EU for Erfahrung und Urteil; and SZ for Sein und Zeit. View all notes While of course this phenomenon comes under close scrutiny in La temporalité, a brief inspection of this text as a whole finds it to be virtually everywhere.22 The theme of temporality is introduced as early as the Preface to Part I, “Experience and Objective Thought” and appears again in almost every subsequent chapter: the first chapter of Part I ; in his discussion on number blindness and Goldstein's patient known as Schneider in La spatialité du corps et la motricité ; in the sexuality chapter ; in the discussion of memory in La corps comme expression et la parole ; in Le sentir ; in the discussion of depth in L'espace ; in La chose et le monde naturel ; in Autrui et le monde humain and in Le cogito. Rather than providing the perhaps much called for synopsis of these scattered accounts of time or trying to locate a unified account in Phenomenology of Perception through such a synopsis, this essay will focus only on La temporalité, particularly the discussion of Husserl's diagram from the Zeitbewußtsein and the “champ de présence”. View all notes It is this apparent ubiquity that will motivate scholars such as Renaud Barbaras to claim that “… the entire structure of Phenomenology of Perception rests on a chapter devoted to temporality”.33 Barbaras The Being of the Phenomenon, 218. View all notes In spite of this ubiquity and apparent centrality, however, the treatment of temporality seems to neglect a systematic and thoroughgoing approach, and whether this work manages to address this theme with a sufficient degree of rigor remains open to debate. Furthermore, beyond the scattered and fragmented appearance of temporality in the text, the chapter devoted to its exploration contains numerous, well-recognized problems.44 Merleau-Ponty's misinterpretation of Bergson in this chapter has received much warranted attention. Alia Al-Saji, for example, has criticized Merleau-Ponty's account of temporality in this chapter of Phenomenology of Perception for this misreading as well as its perhaps too uncritical infatuation with Husserl and his emphasis on presence. See Lawlor Thinking Through French Philosophy, Al-Saji “The Temporality of Life” and “A Past Which Has Never Been Present” and Barbaras “The Turn of Experience”. View all notes Among these difficulties, Merleau-Ponty's engagement with Husserl's lectures on time-consciousness, the Vorlesungen zur Phänomenologie des inneren Zeitbewußtseins,55 The 1928 publication of the Zeitbewußtsein, edited by Heidegger, is what appears in the bibliography of Phenomenology of Perception. This version, from the Jahrbuch für Philosophie und phänomenologishe Forschung, as Brough notes, appears as “Part A” of Husserliana X. The notes that constitute this version of the text, furthermore, as Heidegger mentions in his preface to the Jahrbuch version and which Brough repeats were heavily edited by Husserl's assistant at the time, Edith Stein. Merleau-Ponty's references to the Zeitbewußtsein cut across various moments of the text and do not focus on one section in particular, and in fact, he actually references section 11, “Urimpression und retentionale Modifikation”/“Primal impression and retentional modification” in his discussion of the field of presence. As Al-Saji has noted, the extent to which Merleau-Ponty's account of time in La temporalité centres the account of time on “the living present” can be shown to be at play behind the misreading of Bergson. While I do not wish to dispute the specifics of her compelling reading, it is nonetheless worth noting that Al-Saji's reading of the Zeitbewußtsein only focuses on Appendix V, “Gleichzeitigkeit von Wahrnehmung und Wahrgenommenem”/“Simultaneity of Perception and the Perceived”. View all notes looms large, as it seems that his discussion of what he designates as le champ de présence or “field of presence” commits him to the ontological primacy of the present in his account of time. As a result, this earlier work appears to confine itself to a metaphysics organized around the privilege and authority of the present in establishing the structure of time.66 Leonard Lawlor has convincingly argued against this interpretation. Following the famous remark at the end of Le Sentir about “a past which has never been present”, Lawlor argues that precisely because Merleau-Ponty's critique of Bergson is a straw man – that is, because his critique of Bergson is based on a misreading – a closer inspection of Le Sentir and La temporalité shows Merleau-Ponty to be committed to the ontological primacy of an “originary” past. See Lawlor Thinking Through French Philosophy, 89. Marratto, following Lawlor, takes up the charge of a metaphysics of presence in Phenomenology of Perception in dialogue with Derrida. Marratto argues that Derrida's reading selectively overlooks “the very imporant dimensions of difference, discontinuity, and delay and non-self-presence in Merleau-Ponty's descriptions”, located particularly in the latter's theory of subjectivity. I agree with Marratto's assessment, and my aim here is to deepen it by turning in more detail to La temporalité. View all notes This apparent commitment to the ontological primacy of the present, for some readers, has also functioned as an index for tracking the revision of Phenomenology of Perception that is said to figure in The Visible and the Invisible, where a metaphysics of the present is replaced with a commitment to the primacy of an original past, signalling a significant break in the development of Merleau-Ponty's thought.77 This has bearing on the debate mentioned above as the question of temporality and Merleau-Ponty's evolving relationship with Bergson are also cited as part of the index for tracking the differences between Phenomenology of Perception and The Visible and the Invisible. What we see, according to this reading, is Merleau-Ponty move away from a more strictly phenomenological orientation of Phenomenology of Perception, an orientation that is said to adversely mediate his early, critical stance with respect to Bergson, toward a progressively less Husserlian and more Bergsonian stance in The Visible and the Invisible. While he does not specifically address Merleau-Ponty's engagement with Bergson, Marratto's reading also places a special emphasis on the significance of the past, specifically Merleau-Ponty's reference to a “past which has never been present”. It is also not my intention to enter into the question of Merleau-Ponty's relationship with Bergson. Rather, I will restrict my remarks specifically to Merleau-Ponty's engagement with Husserl and the Zeitbewußtsein in La temporalité in order to show that there are grounds for at least questioning one of the premises of the interpretation mentioned above, namely that Phenomenology of Perception is unequivocally legible as committed to the ontological primacy of the present. As will become clear later in the essay, I also dispute interpretations that would place the emphasis on the ontological primacy of an original past. For my own views on the significance of a “past which has never been present”, see Whitmoyer “The Primary Silence of the Past”. View all notes In considering the manner in which the Zeitbewußtsein figures in La temporalité and Merleau-Ponty's discussion of the field of presence, it will do to think about the parameters in which his engagement with Husserl is staged more generally. It seems that Merleau-Ponty never considered his task in terms of the perhaps false alternative of fidelity and heresy, because “any commemoration is also a betrayal”, and because the task of the interpreter is, as he famously notes, thinking through that “unthought-of element … which is wholly his [Husserl's] and yet opens out on something else”.88 Merleau-Ponty, Signes, 203/160. This methodological dictum is developed in more detail in the notes to the course offered on Husserl's Origin of Geometry in 1959–1960. “We are saying not that Husserl was that, but that Husserl was not only what they say, was also another, bearer of an unthought”. View all notes Following Merleau-Ponty's own indications, we could suggest that Husserl's text, rather than a source of orthodoxy, functions as a point of orientation through which Merleau-Ponty marks out his own theory of temporality.99 I will not, therefore, address the question of the “accuracy” of his interpretation of Husserl because, according to Merleau-Ponty himself, this question presupposes that the author, in this case Husserl, has a privileged access to his thought, as if there is some kernel or essence of what a philosopher thought that interpreters can either get right or wrong. As the remarks in “The Philosopher and His Shadow” make clear, interpretation can never really avail itself of this presupposition and in this manner the question of accuracy is precisely the wrong question. View all notes This essay argues that his discussion of the Zeitbewußtsein in Phenomenology of Perception does not offer an account of time that “centers around the living present”, as some have argued,1010 Al-Saji “A Past Which Has Never Been Present”, 42–44. View all notes but that the discussion of the field of presence and what follows are rather intended to account for the field of temporal phenomenalization – not as a presence – but as écoulement, passage and flux. Time, therefore, does not appear in the present or as presence, but manifests itself as a flow and movement that is simultaneously an éclatement, an eruption, and a self-differentiating “dehiscence”.1111 A favorite word of Merleau-Ponty, borrowed from botany, where it designates the splitting open of a seed-pod or flower as well as medicine, where it refers to the splitting open of a healed or partially healed wound. The idea here is that, in its flow and passage, time splits open in a process of differentiation – which is simultaneously a process of degeneration, decay, and what Merleau-Ponty will term in The Visible and the Invisible, “disarticulation”. View all notes Time's passage is not determined, organized and oriented in advance in accordance with a transcendental synthesis that would give it shape and form, privileging one temporal dimension over another, so much as it is understood in terms of a splitting open, or to use another favoured locution of Merleau-Ponty, a “deflagration”.1212 In Eye and Mind, Merleau-Ponty speaks of the “deflagration of being”. Metaphors of explosiveness and dissonance populate his attempt to think being otherwise than as structure, form, and stability. Here I will focus particularly on écoulement, flux and éclatement, eruption, because these are the terms he uses in his discussion of time in La temporalité. See Merleau-Ponty L’Œil et l'esprit, 64/369. View all notes To this extent, Merleau-Ponty's account of temporality in Phenomenology of Perception cannot be said to orient itself in terms of the ontological primacy of any one temporal dimension – past, present, or future – but is more accurately understood as an attempt to recover the primordial experience of time as the simultaneity of écoulement and éclatement – an account that thinks time in its dual power of phenomenalization and erosion, the “pulse [pulsation] of my existence, its systole and diastole”.1313 Merleau-Ponty PhP, 337/332. View all notes Time is the vehicle of the world's appearance, and at the same time of its “disarticulation” [désarticulation],1414 This is a term Merleau-Ponty uses in The Visible and the Invisible in a well-known working note entitled “ Transcendence – forgetting – time”. See Merleau-Ponty VI, 247/197. View all notes the vehicle through which “becoming” – rather than being – shows itself. This process of phenomenalization, precisely because it is temporal, never achieves the density of fully realized being – the sense of this becoming is never fully articulate – but is perpetually subject to a temporal erasure that necessitates its repetition and reiteration. Time, in other words, is the principle of the world's eloquence – it is that thanks to which things have and make sense and simultaneously the principle of the world's murmuring stutter, the principle through which the sense of things remains incomplete and even erodes, decays, and degenerates. To begin, I will turn to Merleau-Ponty's reading of Husserl's diagram from the Zeitbewußtsein, which opens his attempt to “arrive at authentic time”.1515 Merleau-Ponty PhP, 477/483. View all notes Rather than simply rehearsing Husserl's discussion of primal impression, retention and protention, Merleau-Ponty's analysis of the diagram provides an opportunity for raising two problems: the problem of time's representability and the problem of its synthesis. Rather than through an “act intentionality” carried out by a transcendental subjectivity, time appears in accordance with an “operative intentionality” always already under way. Turning to the section of La temporalité aptly entitled “Passive Synthesis”, we see that Merleau-Ponty's analysis of the diagram leads him to the paradox of passive synthesis and what he calls, following Husserl, “transition synthesis”. Time does not show itself punctually – time appears neither as presence nor in the present – but only in the dual movement of its flux, its écoulement, and its éclatement, its explosive, self-differentiating unfurling. These reflections, finally, bring Merleau-Ponty into dialogue with Heidegger on what the latter called the Zusammenhang des Lebens. The “unity of a life”, accordingly, is not a question of any “resolution”, but is a function of our immersion in this temporal dehiscence. The important lesson to be learned from Merleau-Ponty's engagement with Husserl's Zeitbewußtsein is not something about the ontological primacy of one temporal dimension over another but what Merleau-Ponty famously calls in The Visible and the Invisible the “passivity of our activity”1616 Merleau-Ponty VI, 270/221. View all notes and our immersion in time's power of disarticulation. (shrink)

This thesis engages with central debates on the nature of temporal experience, drawing upon the thought of Henri Bergson. Part one, comprising two chapters, critically explores two issues at the forefront of contemporary research on the experience of time. The first chapter examines attempts by B-theorists of time to address the manifest flow of temporal experience, arguing that these have been thus far unsuccessful. The second chapter focuses on recent articulations of the Process View of temporal experience, (...) according to which temporal experience itself has temporal structure. Recent varieties of the Process View, I argue, do not satisfactorily accommodate the experientially robust insight which provides the most powerful motivation for the position. This insight is captured by what I call the Experiential Process Thesis: we have a pre-reflective sense that our experience of change itself unfolds through time. Part two, comprising three chapters, brings to bear perspectives from Bergson's work on debates concerning temporal experience. The third chapter connects themes from the first two. I argue that Bergson's account of temporal experience provides resources for a successful articulation of the Process View, insofar as it can accommodate the Experiential Process Thesis. What allows us to give shape to the thesis, on Bergson's account, is the explanatory role ascribed to an experiential feature of qualitative flow, which Bergson terms durée. The fourth chapter discusses (i) the relation between memory and temporal experience, and (ii) the unity of experience over time. I suggest that Bergson's account cogently motivates a memory theory of temporal experience - which takes memory to be partially constitutive of immediate temporal experience - in contrast with a recent formulation of the memory account. I then argue that a view of experiential unity over time appealing to Bergson's durée is a theoretically parsimonious and phenomenologically attractive alternative to a number of proposals from the recent literature. In the fifth chapter, I focus on a frequently-discussed feature of 'continuous novelty' in temporal experience. I examine a suggestion from Bergson's work, according to which this aspect is paradigmatically found in a sub-class of agential experiences, namely experiences of creative agency. (shrink)

Bergson’s model of time (1889) is perhaps the proto-phenomenological theory. It is part of a larger model of mind (1896) which can be seen in modern light as describing the brain as supporting a modulated wave within a holographic field, specifying the external image of the world, and wherein subject and object are differentiated not in terms of space, but of time. Bergson’s very concrete model is developed and deepened with Gibson’s ecological model of perception. It is applied to the (...) problems of consciousness, direct realism, qualia and illusions. The model implies an entirely different basis for memory and cognition, and a brief overview is given for the basis of direct memory, compositionality and systematicity. (shrink)

This book connects the philosophy of Henri Bergson to contemporary debates in metaphysics and analytic philosophy of religion. More specifically, the book demonstrates how Bergson’s philosophy of time can respond to the problem of foreknowledge and free will. The question of how humans can be free if God knows everything has been a perennial issue of debate in analytic philosophy of religion. The solution to this problem relies heavily on what one thinks about time. The problem of time is central (...) to Bergson’s philosophical system. In this book, the author offers a systematic application of Bergson’s thought to the freedom and foreknowledge problem. The first chapter presents a discussion of Bergson’s central concept of la durée (duration). The subsequent two chapters link la durée to the relation of time and space. Here the author provides a Bergsonian response to McTaggart’s argument for the unreality of time and develops a novel theory of time connected to Bergson’s analysis of temporal experience. The last three chapters explore the relation between free will, determinism, and divine foreknowledge. The author reconstructs Bergson’s theory of freedom and shows how it undermines the underlying dogmas of contemporary free-will theories. The author then argues that Bergson’s philosophy can be used to resolve the free will and foreknowledge problem in philosophy of religion. The monograph concludes by opening avenues for new research into Bergson and analytic philosophy of religion, such as the philosophy of religious language, the relation between God and modality, religious experience, and religious pluralism. (shrink)

Henri Bergson's philosophy is centered on forming a concept of lived time or durée, which he saw as a process of continuous variation and flux. He believed that the study of time should be the foundation of philosophy. By studying time, we find an integration of concrete, infinite, qualitative multiplicity within consciousness that we should use to understand the essence of reality. I show that his insights into the reality of duration come directly from a metaphysical or phenomenological interpretation of (...) integral and differential calculus. Drawing on the recently published lectures from 1902–1905, I show how An Introduction to Metaphysics schematizes the methodology of Matter and Memory and Time and Free Will by means of this mathematical analogy. To Bergson, the concepts of calculus are not mere metaphors; they unleash certain metaphysical implications that problematize the mind's relation to movement, life, consciousness, time, and consequently, reality itself. (shrink)

We present a framework for verifying systems composed of heterogeneous reasoning agents, in which each agent may have differing knowledge and inferential capabilities, and where the resources each agent is prepared to commit to a goal (time, memory and communication bandwidth) are bounded. The framework allows us to investigate, for example, whether a goal can be achieved if a particular agent, perhaps possessing key information or inferential capabilities, is unable (or unwilling) to contribute more than a given portion of its (...) available computational resources or bandwidth to the problem. We present a novel temporal epistemic logic, BMCL-CTL , which allows us to describe a set of reasoning agents with bounds on time, memory and the number of messages they can exchange. The bounds on memory and communication are expressed as axioms in the logic. As an example, we show how to axiomatise a system of agents which reason using resolution and prove that the resulting logic is sound and complete. We then show how to encode a simple system of reasoning agents specified in BMCL-CTL in the description language of the Mocha model checker (Alur et al., Proceedings of the tenth international conference on computer-aided verification (CAV) , 1998), and verify that the agents can achieve a goal only if they are prepared to commit certain time, memory and communication resources. (shrink)

This chapter discusses the problem of time in the thought of Bergson, showing how the evolution of the concept of duration is conducive to new developments in the philosophy of intuition. Duration, which in the Essay connotes the experience of a non-measurable lived experience, while in Matter and Memory it assumes rhythms of different intensities to justify the relationship between perception and memory, as well as in Creative Evolution is judged as the fabric of reality itself, in Duration and Simultaneity (...) it is posited not only as a criterion to discern what is real and what is artificial, but also to justify the measurement of reality, that is to say, to restore the point of contact between time as duration and space, that seemed previously compromised by the loss of ontological consistency of extension as the dimension of the body. In this paper, then, Bergson, also by virtue of a controversial, detailed comparison with the theory of relativity, finally arrives to support the hypothesis of a single temporal dimension, curved and dynamic, where space comes to be outlined as the abstract tangent of time. It is at this level, then, that it becomes possible to examine the emergence of the concepts within the meanders of intuition as concepts imbued with meaning: here is the primary source of that continuous “added” element of new nuclei of creativity that characterizes the very logic of Bergsonian living where what, as ideal relationship, is time, as a real relationship, becomes life, i.e., the continuous opening of a register in which time is inscribed, becoming incarnate thus in the very nature of every organism. (shrink)

O objetivo deste artigo é o de explorar as relações entre psicologia, metafísica e literatura, a partir do exame do Ensaio sobre os dados imediatos da consciência; mais exatamente, a partir da compreensão dos "sentimentos profundos", que representa, no Ensaio, o momento privilegiado para apreender a estrutura temporal da consciência. Porém, o presente estudo não abordará unicamente o texto de Bergson, suas descrições dos sentimentos profundos (como as emoções estéticas e morais), o que muito provavelmente seria repetitivo. O uso (...) de um exemplo extraído da própria literatura (no caso, o romance Grande sertão: veredas, de Guimarães Rosa) será imprescindível aqui para compreender a possibilidade de uma descrição qualitativa do "fluxo da consciência", revelando sua estrutura temporal. A partir disso, espera-se determinar com um pouco mais de clareza as interações entre psicologia, metafísica e literatura, na filosofia de Bergson. This paper aims to explore the relation between psychology, metaphysics and literature, through an examination of Bergon's Time and Free Will: An Essay on the Immediate Data of Consciousness, or, more precisely, through the description of "deep feelings", which represent in the Essay a privileged moment for understanding the temporal structure of consciousness. However, this study will not be restricted only to Bergson's text and its descriptions of deep feelings (such as aesthetic and moral emotions), which would probably be repetitive. Instead, we shall use a work of literature (Guimarães Rosa's novel, Grande sertão: veredas) to exemplify the possibility of a qualitative description of "stream of consciousness", revealing its temporal structure. We hope in this way to clarify the interaction between psychology, metaphysics and literature in the philosophy of Bergson. (shrink)

Henri Bergson (1859-1941) was once the most famous philosopher in the world, but his reputation waned in the latter half of the 20th century. Barry Allen here makes the case for Bergson as a great philosopher, one whose thought has much to contribute to contemporary philosophical questions. Living in Time presents chapters on each of Bergson's four major works, explaining his theories of time, perception, memory, and panpsychic consciousness, his innovative concept of virtual existence, his objection to Darwin, his controversy (...) with Einstein, his philosophy of creative evolution, and his social philosophy of closed and open society. In particular Allen focusses on Bergson's powerful ideas on time. Classical arguments for determinism fallaciously apply spatial concepts to consciousness; once we take time seriously, which means acknowledging its reality as duration and its difference from space, Bergson showed that the arguments for determinism become insupportable. Bergson's ideas on time and evolution offer a comparison with Nietzsche, which Allen develops, exposing both philosophical concurrence and systematic difference. The book's conclusion discusses the question of Bergson and naturalism and summarizes the ontology of the virtual that emerges as a core part of Bergson's thought. (shrink)

The recent renewal of interest in the philosophy of Henri Bergson has increased both recognition of his influence on twentieth-century philosophy and attention to his relationship to phenomenology. Until now, the question of Martin Heidegger’s debt to Bergson has remained largely unanswered. Heidegger’s brief discussion of Bergson in Being and Time is geared toward explaining why he fails in his attempts to think more radically about time. Despite this dismissal, a close look at Heidegger’s early works dealing with temporality reveals (...) a sustained engagement with Bergson’s thought. In The Origin of Time, Heath Massey evaluates Heidegger’s critique of Bergson and examines how Bergson’s efforts to rethink time in terms of duration anticipate Heidegger’s own interpretation of temporality. Massey demonstrates how Heidegger follows Bergson in seeking to uncover “primordial time” by disentangling temporality from spatiality, how he associates Bergson with the tradition of philosophy that covers up this phenomenon, and how he overlooks Bergson’s ontological turn in Matter and Memory. Through close readings of early major works by both thinkers, Massey argues that Bergson is a much more radical thinker with respect to time than Heidegger allows. (shrink)

This paper explores the influence of Henri Bergson’s (1859–1941) philosophy of time on three early twentieth-century British philosophers: Karin Costelloe-Stephen (1889–1953), Hilda Oakeley (1867–1950), and May Sinclair (1863–1946). I demonstrate that three central claims of Bergson’s account of temporal experience (novelty, memory, and indivisibility) were creatively incorporated into their accounts of time. All these philosophers place time at the centre of their philosophical systems, so this study of their views on time and temporality can deepen our understanding of their (...) systems more broadly. Further, this study helps us appreciate the reception of Bergson’s thought in British philosophy after it was ferociously attacked by Bertrand Russell in 1912, and can provide more detailed contours on the joint fortunes of temporal experience and Bergson's thought in the history of twentieth-century philosophy. I conclude by emphasizing reasons why contemporary philosophers should pay particular attention to the three figures’ treatment of Bergson. (shrink)

In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration ( durée ) as a becoming that endures in time. Reifications of this complex philosophical concept become artistically expressed, I argue, in the form and content of South African artist William Kentridge's series of 'charcoal drawings for projection.' These exhibited art works provide intriguing and illuminating 'philosophical' examples of animated audio-visual media, which expressively plicate distinct images of movement and time. The composition of Kentridge's (...) films at once illuminate a regime of animated 'movement-images' that can trace their aetiological roots to classical forms of film and animation, whilst concurrently folding in complex philosophical expressions of time as duration which invoke the crystalline 'time-image' concepts of philosophers such as Bergson and Deleuze, as well as literary authors like Marcel Proust. Over and above these co-existent regimes of movement and time, Kentridge's artistic technique and exhibition practices further expose a multifarious 'geology' of other embedded time lines that serve to enrich/complicate these temporal expressions. I argue here that diegetic time- and movement-images ostensibly co-exist alongside different 'archaeologies' of time relevant to the context and creation of the artworks. For this reason, the animated drawings formulate intriguing artistic/philosophical expressions that muse on the nature of matter, memory, time and space. (shrink)

Focusing on the philosophical puzzle of time and its relation with being and presence the paper explores the volatile relationalities un/tying them in shaping our conceptualisation of memory as re-turning. With such an approach the paper analyses the paradoxes that always haunt any attempt at thinking time, being and presence in their specificity as well as within their general embrace. It is through such play of the specific and general, the paper submits, that the thinking of memory and its acts (...) of re-turning comes to be conceptualised in terms of linear, teleological, homogenous understanding of continuity. Turning towards Bergson and Heidegger’s approaches to the question of time, presence and being the paper attempts to open-up the layered paradoxes that not only shape any act of turning but also the thinking of possible itself as a general category for conceptualising memory as re-turning. Bringing in the question of language and its ontological and temporal concerns, the paper thus brings in the concept of “poetics” to hint at the continuous negotiation that thinking of such interstices in language demands. It is towards such contingencies of the (un)timely, the paper submits, that any attempt at thinking memory as re-turning gestures. (shrink)

The summa of a distinguished philosopher's career, and full treatment of the temporal in philosophical terms, this volume shows us that by taking time seriously we can discover something essential to almost every question of human concern. Are we IN time? Charles Sherover asks, and in pursuing this question he considers time in conjunction with cognition, morality, action, physical nature, being, God, freedom, and politics. His essays, while drawing upon Royce, Heidegger, Kant, Leibniz, and even Hartshorne and Bergson, defy (...) categorization by method or school; instead, they reveal the diversity and divergence of thinking about time as well as the myriad features and values within the omnipresence of time and change. The volume begins with an overview of the history of thought on time and a clarification of some fundamental conceptual distinctions in temporal ideas. Sherover then offers a critique of Kant, the first thinker to recognize that all human experience has a temporal form. In a series of essays on metaphysics--a valuable corrective to the dominant metaphysical tradition of talking about being as if time does not matter--he pursues temporal responses to such problems as being, internal relations, individuation, mind, and free will. Finally, in essays on time, freedom, and the common good, Sherover argues that these three phenomena are intrinsically related to one another, the fulfillment of each involving the other two. Throughout, these essays brilliantly depict human life and thought thoroughly steeped in time and argue for the significance of the future for human activity. Portraying the openness of the future as the basis for purposiveness and freedom, knowledge and moral action, social life and religious hope, Sherover's work conveys a hopeful message of human finitude that nonetheless allows us a measure of control over events in our own time. (shrink)

The article provides proof that the concept of time articulated in Russian philosophy of the nineteenth century was very close to the understanding of time in the philosophy of Henri Bergson. This explains the close attention of Russian culture to the philosophical system of the French thinker at the beginning of the twentieth century. It also allows us to hypothesize about the possible influence of the ideas of Russian philosophers of the late nineteenth century on Bergson. Bergson’s most original idea (...) is the recognition of the metaphysical primacy of the subjective, inner time of the human in relation to physical time. In physical time, only the moment of the present has real existence; in internal time, designated by Bergson as duration, all moments of the past are preserved as real, and this is expressed by memory. Internal time turns out to be the spiritual Absolute from which the entire material world originates. A very similar metaphysical concept is presented in Pyotr Chaadaev’s Philosophical Letters. According to Chaadaev, each person is directly involved in the spiritual Absolute, which has the characteristic of integral time. In this time, all moments are in unity, and there is no division into the past, present, and future; this division arises only in the time intrinsic to the material reality that originates from the spiritual Absolute. In the religious teaching of Leo Tolstoy, personality is defined as the appearance of God within the limits of material existence, so a person is simultaneously involved in the earthly physical time and absolute time, which manifests itself through memory. The article concludes that Bergson’s ideas determined the most important features of Russian avant-garde culture of the twentieth century; in particular, thanks to them, the opposite trends of Russian thought were brought to unity: metaphysics of pan-unity and personalism. (shrink)

This paper examines the intersecting of the themes of temporality and truth in Deleuze's philosophy. For the ancients, truth was something eternal: what was true was true in all times and in all places. Temporality (coming to be and passing away) was the realm of the mutable, not the eternal. In the seventeenth century, change began to be seen in a positive light (progress, evolution, and so on), but this change was seen to be possible only because of the immutable (...) laws of nature that govern change. It was not until philosophers such as Bergson, James, Whitehead – and then Deleuze – that time began to be taken seriously on its own account. On the one hand, in Deleuze, time, freed from its subordination to movement, now becomes autonomous: it is the pure form of change (continuous variation) that lies at the basis of Deleuze's metaphysics in Difference and Repetition (and is explored more thematically in The Time-Image). As a result, on the other hand, the false, freed from its subordination to the form of the true, assumes a power of its own (the power of the false), which in turn implies a new ‘analytic of the concept’ that Deleuze develops in What Is Philosophy? (shrink)

What is the nature of time? This new study engages with the philosophy of Henri Bergson on time and proposes a new way of thinking about the effects of future events on the past. According to Bergson, time is an integral feature of real things, just as much as their material or size. When a flower grows, it takes a period of real time for it to flourish, which cannot be quickened or slowed down, nor can it be eliminated from (...) the process of growth. Bergson named this real time 'duration' and argued that everything and everyone exist as duration, and that internal processes flow into one another, with no clear boundaries that separate one phase of duration from another. According to Bergson's philosophy, the past does not disappear but smoothly flows into the present, forming an indivisible dynamic unity. But what if the causal flow of temporal reality is not unidirectional? What if not only past events influence future ones, but future ones in their turn have retrospective effect on past occurrences? The author of this book analyses these key questions, asserts that the changeability of the past follows from Bergson's theory of time and proposes a theory of embodied time that involves the retrospective enrichment of reality. (shrink)

The thesis uses key insights from the philosophy of Henri Bergson (1859-1941) to propose a new model of God’s relation to time. Chapter 1 is an introduction to Bergson’s philosophy against the background of Russell’s “The Philosophy of Bergson.” It provides an exposition of two key themes from Bergson central to my argument: the relation between time and space (Chapters 2-4) and the relation between free will and determinism (Chapter 5). Chapter 2 has a twofold task. First, it provides a (...) Bergsonian response to McTaggart’s argument for the unreality of time. Second, it uses the underlying metaphysics of McTaggart’s argument to demonstrate that two distinct temporal realms can be extracted from Bergson’s philosophy: (i) la durée and (ii) a mathematical time-ordering generally classified by analytic philosophy as the B-series. Chapter 3 relates this double-tier framework to temporal ontologies in analytic philosophy. I argue that such a framework supports an “ontological idealism about time.” I argue for relativizing temporal existence to distinct points or sets of points of spacetime that leads to a radical mind-dependence of temporal extension of objects. Chapter 4 explores how the durée-based ontology argued for in Chapter 3 impacts the relation between God and time. I argue that analytic philosophy has failed to capture key ontological facets of the God-time relation and that a return to divine “causal knowledge” is required. I demonstrate that the existence of temporal objects comes from two sources: (i) their mind-dependent temporal aspect and (ii) timeless divinely-created esse. Chapter 5 applies this framework to the problem of divine foreknowledge and human free will. I demonstrate that although Bergson’s theory can defend the existence of human freedom, his thought needs to be supplanted with divine “causal knowledge” to guarantee divine omniscience. (shrink)

Henri Bergson was one of the most celebrated and influential philosophers of the twentieth century. He was awarded in 1928 the Nobel prize for literature for his philosophical work, and his controversial ideas about time, memory and life shaped generations of thinkers, writers and artists. In this clear and engaging introduction, Mark Sinclair examines the full range of Bergson's work. The book sheds new light on familiar aspects of Bergson's thought, but also examines often ignored aspects of his work, such (...) as his philosophy of art, his philosophy of technology and the relation of his philosophical doctrines to his political commitments. After an illuminating overview of his life and work, chapters are devoted to the following topics: the experience of time as duration the experience of freedom memory mind and body laughter and humour knowledge art and creativity the élan vitalas a theory of biological life ethics, religion, war and modern technology. With a final chapter on his legacy, Bergsonis an outstanding guide to one of the great philosophers. Including chapter summaries, annotated further reading and a glossary, it is essential reading for those interested in metaphysics, time, free will, aesthetics, the philosophy of biology, continental philosophy, and the role of European intellectuals in WWI. lt;/LI> laughter and humour knowledge art and creativity the élan vitalas a theory of biological life ethics, religion, war and modern technology. With a final chapter on his legacy, Bergsonis an outstanding guide to one of the great philosophers. Including chapter summaries, annotated further reading and a glossary, it is essential reading for those interested in metaphysics, time, free will, aesthetics, the philosophy of biology, continental philosophy, and the role of European intellectuals in WWI. (shrink)

The summa of a distinguished philosopher's career, and full treatment of the temporal in philosophical terms, this volume shows us that by taking time seriously we can discover something essential to almost every question of human concern. Are we IN time? Charles Sherover asks, and in pursuing this question he considers time in conjunction with cognition, morality, action, physical nature, being, God, freedom, and politics. His essays, while drawing upon Royce, Heidegger, Kant, Leibniz, and even Hartshorne and Bergson, defy (...) categorization by method or school; instead, they reveal the diversity and divergence of thinking about time as well as the myriad features and values within the omnipresence of time and change. The volume begins with an overview of the history of thought on time and a clarification of some fundamental conceptual distinctions in temporal ideas. Sherover then offers a critique of Kant, the first thinker to recognize that all human experience has a temporal form. In a series of essays on metaphysics--a valuable corrective to the dominant metaphysical tradition of talking about being as if time does not matter--he pursues temporal responses to such problems as being, internal relations, individuation, mind, and free will. Finally, in essays on time, freedom, and the common good, Sherover argues that these three phenomena are intrinsically related to one another, the fulfillment of each involving the other two. Throughout, these essays brilliantly depict human life and thought thoroughly steeped in time and argue for the significance of the future for human activity. Portraying the openness of the future as the basis for purposiveness and freedom, knowledge and moral action, social life and religious hope, Sherover's work conveys a hopeful message of human finitude that nonetheless allows us a measure of control over events in our own time. (shrink)

The article focuses on two lecture courses - The Idea of time and The History of the Idea of Time - delivered by the French philosopher Henri Bergson at Collge de France in 1901-1903. While these courses cannot replace Bergsons published works for understanding his philosophy, they can shed new light on Bergsons popularity. Due to the requirements of the genre, Bergson presents his views in a most succinct and convincing manner and showcases his most original ideas. In these lectures (...) Bergson reinterprets traditional philosophical categories such as the absolute and the relative, the infinite and the finite, and explores two major modes of cognition - conceptual and intuitive knowledge. Major thrust of Bergsons arguments is targeted at conceptual cognition because it is incapable of grasping the duration. Conceptual cognition relies on signs to operate representations of reality. Bergson demonstrates that signs, including concepts, are general, fixating and they appeal to action. Conceptual cognition, therefore, is based on fragmenting continuous processes in reality. However, when discussing intuitive cognition Bergson provides but an outline by referring to intellectual sympathy, plunging into the thing in itself. Despite this apophatic description of the alternative - intuitive - mode of cognition Bergson insists on fundamental transformation of philosophy. We conclude that already in the early 1900s Bergson has in mind an entire project of reconstituting metaphysics and reorienting it towards the problem of time, what might be described as temporal turn in philosophy of the twentieth century. (shrink)

Henri Bergson created a rich and detailed theory of consciousness beginning with the publication of Time and Free Will in 1889 and continuing through the publication of The Two Sources of Morality and Religion in 1932. His theory had much in common with William James’s views in that both emphasized consciousness as a continuous process. James's famous ‘stream of consciousness’ is strikingly similar to Bergson's early notion of duration (duree), even if Bergson more strongly emphasized the temporal qualities of (...) consciousness. Bergson later modified his understanding of consciousness, creating a metaphysical vision that he hoped might not only overcome determinism and materialism, but also offer a sophisticated way to understand parapsychological phenomena such as telepathy and clairvoyance (topics of concern to many major theorists of the time). During his life, Bergson’s ideas were widely celebrated in the United States and in Europe. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Deleuze, Bergson, Merleau-Ponty: The Logics and Pragmatics of Creation, Affective Life, and Perception by Dorothea E. OlkowskiElodie BoublilOLKOWSKI, Dorothea E. Deleuze, Bergson, Merleau-Ponty: The Logics and Pragmatics of Creation, Affective Life, and Perception. Bloomington: Indiana University Press, 2021. 180 pp. Cloth, $63.00; paper, $28.00[End Page 152]Dorothea E. Olkowski's latest book carefully examines "the relationship between the creation of ideas and their actualization in relation to semiology, logic and (...) the cosmos in the philosophies of Deleuze, Bergson, and Merleau-Ponty." However, this work is neither an extensive or historical account of Deleuze's, Bergson's, and Merleau-Ponty's philosophies, nor an attempt to homogenize their views on space, time, or perception. Instead, it subtly compares their differences and similarities to move beyond metaphysical dualism, and fruitfully rethinks the relations between formal logic and ontology. Indeed, the author aims to draw a "theory of form," based on the logic of sensation, ultimately designed "to take the place of a theory of the real, of material physical forces."Chapter 1 retraces the history of postmodernist claims and their philosophical legacy. Olkowski explains that postmodernism is not first and foremost a political worldview or a debunking of objectivity in natural sciences. Instead, "it begins as a formal system or series of formal systems." Olkowski explores how Deleuze draws on the knowledge of modern science and logic (Bolzano, Cavaillès) and on Bergson's critical analysis of it to elaborate his logic of sensation. Bergson's conception of affectivity impacted Deleuze's and Merleau-Ponty's theories of corporeality and sensation, and their understanding of perception. Bergson's concept of "body image" specifically influenced Deleuze's elaboration of the concept of "movement-image," through which he tried to overcome the dichotomy set up by mind–body dualism.Chapter 2 focuses on Deleuze and Guattari's critique of logic as an attempt to find a third way between idealism and materialism and to overcome the disconnection between formal logic and lived experience. It reviews their critique of Euclidean geometry, their objections to formal logic as set out by Frege and Russell, and their assessment of phenomenology in order to eventually show Deleuze's affinity with Peirce's pragmatist approach. Then, the author aims to determine if Deleuze's attempt could be compatible with the phenomenology of Merleau-Ponty and Bergson's understanding of quality and multiplicity.Chapter 3 focuses on Bergson. Recalling the controversy with Russell, Einstein, and Langevin, Olkowski refers to Merleau-Ponty's defense of Bergson's concept of intuition to prove the accuracy of his reflection on creative forces and pure duration. As she explains, "[T]he intent here is to clarify the relations between these different aspects of Bergson's thought and draw out how Deleuze makes use of these structures derived from Bergson's philosophy." This leads her to explore, more specifically, how Deleuze reworks the concept of "multiplicity" along the lines of Bergson's analysis of the élan vital.In chapter 4 the author focuses on Deleuze's work on cinema to deepen the philosophical correlation between Bergson's concepts, Deleuze's analysis, and the influences of Merleau-Ponty and Pierce. It aims to rethink the relation between movement and time, notably through the notions of time-image and movement-image. Olkowski notably showcases Deleuze's concept of destiny, "which is the pure power of time that [End Page 153] overflows all possible reaction. It defeats, immobilizes, and petrifies figures in their own affectivity; it sends them to their fate, destroying conventions along the way. For Merleau-Ponty, as for Bergson, acts are still possible in a network of temporal relations so that motion and time are destiny but differently than for Deleuze."Chapter 5 addresses the Phenomenology of Perception and how Merleau-Ponty provides an opportunity to rethink perception. In this book and his Courses on Nature, Merleau-Ponty "does not dismiss either position—that of objective science or that of the natural attitude—but argues that although each contains an element of truth, it is perception and only perception that allows us to bridge the gap between physical reality and behavior/comportment." Deleuze will depart from... (shrink)

It is often thought that there is little that seems more obvious from experience than that time objectively passes, and that time is, in this respect, quite unlike space. Yet nothing in the physical picture of the world seems to correspond to the idea of such an objective passage of time. In this paper, I discuss some attempts to explain this apparent conflict between appearance and reality. I argue that existing attempts to explain the conflict as the result of a (...) perceptual illusion fail, and that it is, in fact, the nature of memory, rather than perception, that explains why we are inclined to think of time as passing. I also offer a diagnosis as to why philosophers have sometimes been tempted to think that an objective passage of time seems to figure directly in perceptual experience, even though it does not. (shrink)

In About Time, William Friedman provides a new integrated look at research on the psychological processes that underlie the human experience of time.

Recent philosophy has witnessed a renewed interest in the works and ideas of Henri Bergson (1859–1941). But while contemporary scholarship has sought to rehabilitate Bergson’s insights on time, memory, consciousness, and human freedom, comparatively little attention has been paid to Bergson’s relationship to pantheism. By revisiting the ‘pantheism’ controversy surrounding Bergsonian philosophy during Bergson’s lifetime, this article argues that the panentheistic notion of ‘being-in-God’ can serve as an illuminating framework for the interpretation of Bergson’s philosophy. By examining the ‘pantheist’ readings (...) of Bergson and comparing and contrasting Bergson’s philosophy of life with Spinoza’s panentheistic metaphysics, this paper shows that an account of ‘being-in-Life’ is key to Bergson’s metaphysical outlook as well as his account of philosophy as a practice of ‘intuitive’ thinking. In so doing, this paper highlights some of the implicit religious motifs not only in Bergson’s metaphysical outlook but also in his conception of the task of philosophy. (shrink)

Memories, sensory experiences, expectations and intentions, as well thoughts, fears, and hopes: all share a fundamental trait, the fact that our conscious psychological states take place in time, and often are about time in some way or other. Temporality is an inescapable feature of the mind which has preoccupied philosophers (and psychologists) in diverse traditions such as Locke, Hume, Reid, Kant, Helmholtz, James, Husserl, Broad, and Bergson. The Temporal Mind: A Philosophical Introduction is the first book to offer a (...) detailed critical survey of recent work on the perception of time and the temporal features of the mind. Philippe Chuard introduces some of the central topics in contemporary discussions of the temporal mind and the perception of time: how psychological states occur in time and convey temporal information the stream of consciousness, duration, and how short conscious experiences may be the continuity and unity of conscious experience how sensory perception in particular can represent the timing of perceived events the debate between extensionalism, retentionalism, and the snapshot conception of temporal experiences temporal illusions (such as the flash-lag effect) and what they reveal about temporal representation temporality and the role of explanations in neuroscience. Including additional features such as suggested further readings sections and a glossary, The Temporal Mind is an ideal starting point for any student in philosophy of mind and perception, as well as for those in related fields such as psychology and cognitive science. (shrink)

This chapter discusses interesting connections that hold between time and memory. It helps to pull temporal aspects of memory apart, and to tries to clarify them. Discussions in the chapter focus on memory for events, concentrating on a specific kind of memory for events, the “episodic” memory. The chapter first addresses a question on the metaphysics of memory. Then, it tries to specify which conditions an experience must fulfill in order to count as a memory experience. Next, the chapter (...) tries to determine whether memories represent any temporal properties of remembered events and, if so, which properties exactly. It purports to characterizes the content of memories, and determine whether time is somehow represented in mnemonic content. The chapter moves on to explain that, in memory, remembered events are not really experienced as being in the past. It concludes that the notions of time and memory are closely related. (shrink)

We experience time in different ways, and we construct different kinds of representation of time. What kinds of representation are there and how do they work? In particular, how do we integrate temporal features of the world into our understanding of the mechanisms underlying representations in the media of perception, memory, art, and narrative? Le Poidevin’s well written and carefully argued book is an exploration of these questions. Although interesting in its own right, Le Poidevin pursues this question as (...) a means of exploring another pressing issue, namely the metaphysics of time. The central posit of the book is that we can learn a lot about time from ordinary representations of time, and accordingly the book is an exploration of what representations of time can tell us about the metaphysical structure of time itself. This viewpoint is justified by the adoption of a causal theory of representation, the claim that representations are causally linked to what they represent and that this is what determines both their content and their epistemic status. The central metaphysical concern of the book is the reality of the passage of time. Does time in reality pass, and can events therefore be located in the past, present, or future, or does time not pass and nothing in reality changes its position in time? In McTaggart’s terms, this is the distinction between the A-theory and the B- theory of time. (shrink)

The debate between Einstein and Bergson is a salient episode in the history of modern physics and a telling example of the interaction between science and philosophy. This paper initially discusses five reasons why Bergson criticised Einstein for giving up absolute time. The most important one was Bergson’s commitment to an intuitionist, anti-Kantian metaphysics informed by common sense. Apart from that, he knew that the theory of special relativity permits “duration” in the form of the passage of proper time, to (...) which Bergson referred as “real time”. Neither static eternalism nor dynamic eternalism are acceptable from Bergson’s philosophical perspective, which acknowledges the role of temporal experience and everyday thinking in addition to science and metaphysics. He understood temporal passage as creation of new existence, anticipating what later became known as the growing block theory of time. The pointy relativistic variant of this theory, which divides the universe into blocks of growing past light cones, does justice to large parts of his philosophy, including the distinction between the actual and the virtual. Supporters of Bergson’s account of duration should adopt this theory of time. (shrink)

"Since the end of the last century," Walter Benjamin wrote, "philosophy has made a series of attempts to lay hold of the 'true' experience as opposed to the kind that manifests itself in the standardized, denatured life of the civilized masses. It is customary to classify these efforts under the heading of a philosophy of life. Towering above this literature is Henri Bergson's early monumental work, Matter and Memory."Along with Husserl's Ideas and Heidegger's Being and Time, Bergson's work represents one (...) of the great twentieth-century investigations into perception and memory, movement and time, matter and mind. Arguably Bergson's most significant book, Matter and Memory is essential to an understanding of his philosophy and its legacy.This new edition includes an annotated bibliography prepared by Bruno Paradis.Henri Bergson was awarded the Nobel Prize in 1927. His works include Time and Free Will, An Introduction to Metaphysics, Creative Evolution, and The Creative Mind. (shrink)

Memory occupies a fundamental place in philosophy, playing a central role not only in the history of philosophy but also in philosophy of mind, epistemology, and ethics. Yet the philosophy of memory has only recently emerged as an area of study and research in its own right. -/- The Routledge Handbook of Philosophy of Memory is an outstanding reference source on the key topics, problems and debates in this exciting area, and is the first philosophical collection of its kind. The (...) forty-eight chapters are written by an international team of contributors, and divided into nine parts: -/- The nature of memory The metaphysics of memory Memory, mind and meaning Memory and the self Memory and time The social dimension of memory The epistemology of memory Memory and morality History of philosophy of memory. -/- Within these sections, central topics and problems are examined, including: truth, consciousness, imagination, emotion, self-knowledge, narrative, personal identity, time, collective and social memory, internalism and externalism, and the ethics of memory. The final part examines figures in the history of philosophy, including Aristotle, Augustine, Freud, Bergson, Wittgenstein and Heidegger, as well as perspectives on memory in Indian and Chinese philosophy. -/- Essential reading for students and researchers in philosophy, particularly philosophy of mind and psychology, the Handbook will also be of interest to those in related fields, such as psychology and anthropology. (shrink)

A set of eight mini-discourses. 1. The conceivability of the physical world's running in the opposite temporal direction. 2. Augustine's reason for thinking this is not conceivable for the world of the mind. 3. Trying to imagine being a creature that lives atemporally. 4. Memory's need for causal input. 5. Acting in the knowledge that how one acts is strictly determined. 6. The Newcomb problem. 7. The idea that all voluntary action is intended to be remedial. 8. Haunted by (...) the strangeness of the idea of the past qua past. (shrink)

Deleuze's references to Woolf's work, and his work on Bergson, allow for a more far-reaching as well as more nuanced and diverse account of her correspondences with Bergson than have been noted. Her early collection of stories, Monday or Tuesday, reveals a powerful, many-sided metaphysical and aesthetic inspiration that bears out in detailed, various and fundamental ways what can be called the Deleuzian or Bergsonian aspects of Woolf's creativity and style at this crucial phase of her development as a writer.

Continuists maintain that, aside from their distinct temporal orientations, episodic memory and future-oriented mental time travel (FMTT) are qualitatively continuous. Discontinuists deny this, arguing that, in addition to their distinct temporal orientations, there are qualitative metaphysical or epistemological differences between episodic memory and FMTT. This chapter defends continuism by responding both to arguments for metaphysical discontinuism, based on alleged discontinuities between episodic memory and FMTT at the causal, intentional, and phenomenological levels, and to arguments for epistemological discontinuism, based (...) on alleged discontinuities with respect to the epistemic openness of the past and future, the directness or indirectness of our knowledge of past and future, and immunity to error through misidentification. The chapter concludes by sketching a positive argument for continuism. (shrink)

In his analysis of memory, Henri Bergson introduces the key concept of ‘virtuality’, understood as a non- actual reality, an unpredictable and pre-human élan vital. Several years later, the virtual will play a key role in the way that Gilles Deleuze tries to conceive the notion of a ‘plane of immanence’, that is, a whole that guides an inexhaustible process of actualisation. Deleuze, however, refers not only to Bergson but to Gilbert Simondon and to his concept of ‘preindividual field’, which (...) corresponds to a metastable state, full of potential energy, from which a structured process can arise. This article undertakes an analysis of the different theoretical pathways leading to the concept of the virtual in Bergson, Simondon and Deleuze. It will investigate the transformations of this concept by focusing on the memory of the present individuated by Bergson, then applied to the cinema of the time- image by Deleuze, and on the figure of the crystal as an emblematic materialisation of the virtual, deeply present in the philosophy of both Deleuze and Simondon. The intention is to show – apart from the inevitable differences ‒ the significant continuity between these three authors, who share a common attempt to build an affirmative ontology of life. Combined Bergsonian and Simondonian influences lead in Deleuze to a metaphysics of becoming, where virtuality is always on the point of actualising itself in percepts, affects and concepts. (shrink)

Why do we remember? And, for that matter, what is remembering? Placed between body and mind, the phenomenon of memory simultaneously involves biological, psychological, semiotic, and metaphysical elements. Memory’s place at the heart of our understanding of ourselves is why many of the greatest philosophers of all the time have dealt with the problem – or, better, have had to deal with it. Plato, Aristotle, Augustine, Descartes, Locke, Kant, Hegel, Bergson, Russell, and Wittgenstein, are just a few among many who (...) have proffered explanations. While all such proposals have been deficient in their own ways, each has advanced our understanding of the myriad phenomena associated with memory. With recent developments in phenomenology, analytic philosophy, and the empirical sciences interest in memory has intensified. In the 20th century, philosophers were particularly interested in identifying its causes, the ontology of mnemonic traces, the mechanisms of recall, and its epistemic characteristics. Moreover, as philosophy has directed its sight towards social objects and structures, questions involving memory have developed political and social dimensions as well – extending the debate to collective memory. What are the mechanisms of intersubjective memorization and recall of information, ideas, and representations? What are the ethical dimensions and consequences of public memory? (shrink)

"With its signal distinction between 'intuition' and 'analysis' and its exploration of the different levels of Duration, _An Introduction to Metaphysics_ has had a significant impact on subsequent twentieth century thought. The arts, from post-impressionist painting to the stream of consciousness novel, and philosophies as diverse as pragmatism, process philosophy, and existentialism bear its imprint. Consigned for a while to the margins of philosophy, Bergson’s thought is making its way back to the mainstream. The reissue of this important work comes (...) at an opportune time, and will be welcomed by teachers and scholars alike." --Peter A. Y. Gunter, University of North Texas. (shrink)

This article investigates the place that habit occupies in different ‘architectures of the person’, focusing particularly on constructions of the relations between habit and other components of personhood that are marked by time. Three such positions are examined: first, the relations between thought, will, memory, habit and instinct proposed by post-Darwinian accounts of ‘organic memory’; second, Henri Bergson’s account of the relations between habit, memory and becoming; and, third, the temporal aspects of Pierre Bourdieu’s concept of habitus understood as (...) a set of hereditable dispositions. These different ‘architectures of the person’ are considered with regard to the role they accord habit in trans-generational mechanisms of inheritance; the historicised forms of embodied personhood that they propose; and the manner in which they account for the emergence of a capacity for freedom that can (partially) offset the weight of the inherited past. It is argued that the imputation of such a capacity to some forms of personhood, but not others, is both shaped by and provides the conditions for the operation of liberal forms of government. The manner in which the conduct of those who exhibit such a capacity for freedom is brought under the direction of varied ‘authorities of freedom’ is given particular consideration. (shrink)

An account of the development of temporal understanding is proposed which links such understanding with the development of episodic memory. We distinguish between different ways of representing time in terms of the kinds of temporal frameworks they involve. Distinctions are made between frameworks that are perspectival or nonperspectival and those that represent recurrent sequences or particular times. Even primitive temporal understanding integrates both perspectival and nonperspectival components. However, since early frameworks are event-based and localized, they are not (...) yet sufficient for episodic memory in that they do not enable the child to think of events as having occurred at particular points in time. We describe the emergence of new kinds of frameworks in terms of the development of temporal decentering. Two levels of temporal decentering are distinguished, with the higher level involving an appreciation of how event representations depend on one's temporal perspective. (shrink)