Abstract

We experience time in different ways, and we construct different kinds of representation of time. What kinds of representation are there and how do they work? In particular, how do we integrate temporal features of the world into our understanding of the mechanisms underlying representations in the media of perception, memory, art, and narrative? Le Poidevin’s well written and carefully argued book is an exploration of these questions. Although interesting in its own right, Le Poidevin pursues this question as a means of exploring another pressing issue, namely the metaphysics of time. The central posit of the book is that we can learn a lot about time from ordinary representations of time, and accordingly the book is an exploration of what representations of time can tell us about the metaphysical structure of time itself. This viewpoint is justified by the adoption of a causal theory of representation, the claim that representations are causally linked to what they represent and that this is what determines both their content and their epistemic status. The central metaphysical concern of the book is the reality of the passage of time. Does time in reality pass, and can events therefore be located in the past, present, or future, or does time not pass and nothing in reality changes its position in time? In McTaggart’s terms, this is the distinction between the A-theory and the B- theory of time.