Reading “The Tale of Genji”: Sources from the First Millennium. Edited by Thomas Harper and Haruo Shirane. New York: Columbia University Press, 2015. Pp. xx + 610. $65.

This essay considers the way in which 'The Tale of Genji' by Murasaki Shikibu is wholly conceived within a Buddhist world-view, much as 'The Divine Comedy' is conceived within that of Christianity. The entire plot instantiates Buddhist views. Unlike another great work of literature on the theme of time, Proust's 'A la recherche du temps perdu', Lady Murasaki, consistently with her Buddhist outlook, offers us no consolation for the sufferings of this world.

This book is a new study of the leading seventeenth-century samurai Confucian, Kumazawa Banzan (1619-91). It describes his stormy life as a samurai, his interpretation of Confucian philosophy, and his imaginative commentary on Japan's greatest literary monument, The Tale of Genji. More than warrior and philosopher, Banzan is presented as a critic of the Japanese society of his day.

The essays in this collection engage with Murasaki Shikibu's The Tale Genji as a work of philosophical significance, analyzing the text from a wide range of perspectives. The essays touch on almost all branches of philosophy and engage with topics such as the exercise of power, the concept of space, construction of personhood, cultural and artistic practices, and gender.

I approach Murasaki Shikibu’s marvelous literary pearl The Tale of Genji (Genji Monogatari) as analogous to glistening orbs that “come out of the disease of suffering oysters,” the suffering being the death of her beloved husband Fujiwara no Nobutaka (950?–1001). In addition to drawing evidence from the novel itself, I have relied on Murasaki’s lesser-known Poetic Memoirs and Diary that offer important insights into her state of mind and circumspect literary style. The Lotus Sūtra is the key (...) that unlocks Murasaki’s philosophical intent, with its use of parables and poems to provoke deeper understandings of Buddhism and personal realizations. The Buddhist principle of impermanence (Sanskrit anitya; Japanese mujōkan) serves as both the aesthetic of aware and an unavoidable fact that residents of the Heian court (like those in the Lotus Sūtra’s Burning House) choose to ignore or escape by reveling in superficial pursuits of beauty and political power. Various characters in the novel attempt to follow the path to the epistemological awakening the author Murasaki sought for herself. (shrink)

The Tale of Genji: Translation, Canonization, and World Literature. By Michael Emmerich. New York: Columbia University Press, 2013. Pp. xv + 494. $95, $35.

Diogenes, Ahead of Print. The Tale of Genji is the probably the earliest prose fiction in the world that still lives today as a masterpiece since the first decade of the 11th century. This 1200-page Japanese classic was written by a noble court woman, Murasaki Shikibu, and it spans almost three quarters of a century. The first part has to do with the life and loves of the nobleman known as “The Shining Genji”, and the final chapters (...) follow the fate and fortunes of the characters that survived after Genji’s death. There have been four English translations of the novel: one partial translation by a Japanese translator and three other complete translations by different English native speakers in the 20th century. This paper studies the Turkish translation process of The Tale of Genji from Edward G. Seidensticker’s English version. It points out the plentitude of potential translation choices and tries to explore the reasons of translators for their decisions. It compares the translators’ strategies and assesses their impact on the meanings and functions of the allusions and the connections between the adopted strategies. (shrink)

The 1000-year-old novel The Tale of Genji, written by Murasaki Shikibu around 1002 CE, shows the operation of general principles of sociobiology. Isolated from western influences and cloaked in Japanese traditions, the common traits associated with reproductive processes are clearly evident. The novel depicts the differential investment of males and females in offspring, male competitive behaviors, and concerns for paternity, kin selection, reciprocal social exchange, species-typical emotional expression, female mate choice, positive assortative mating, and acknowledgment of hereditary transmission (...) of physical and psychological traits. The nature of human behavior in Genji’s time seems little different than now and has all the attributes of species-specific and universal traits. Indeed, it can be argued that the fundamental characteristics of Homo sapiens have never changed, being influenced only in form by culture. The qualitative and quantitative evaluation of ancient texts is a strong methodology for understanding the invariant nature of human behavior. (shrink)

Yasunari Kawabata’s 1952 novel The Sound of the Mountain is widely praised for its aesthetic qualities, from its adaptation of aesthetics from the Tale of Genji, through the beauty of its prose and the patterning of its images, to the references to arts and nature within the text. This article, by contrast, shows that Kawabata uses these features to demonstrate the effects of the mass trauma following the Second World War and the complicated grief it induced, on the (...) psychology of moral/ethical understanding, decision-making and action. The stream of consciousness traces the protagonist’s growing awareness of social changes and the ensuing difficulties of ethical decision-making. (shrink)

La figure du chat fait son apparition dans la littérature japonaise au ixe siècle, mais son image évoluera de manière inattendue à l’époque médiévale. Des témoignages littéraires du xie et du xiie siècle, tels que les Notes de chevet de Sei Shônagon et Le Dit du Genji de Murasaki Shikibu, montraient clairement l’intérêt porté aux chats par les dames de cour. Pourtant, à partir du xiiie siècle, le félidé fera au contraire l’objet d’une forme de « diabolisation », et (...) c’est cette dimension plus inquiétante du chat que nous aimerions évoquer ici, à travers trois exemples tirés du Kokon chomon-jû, vaste recueil de contes et légendes. Cette œuvre méconnue en Europe est attribuée à Tachibana no Narisue et achevée en 1254. The figure of the cat made its appearance in Japanese literature in the 9th century, but its image evolved unexpectedly in medieval times. Literary evidence from the 11th and 12th centuries, such as the Bedside Notes by Sei Shônagon and The Tale of Genji by Murasaki Shikibu clearly showed the interest of court women in cats. However, from the 13th century, the feline became the object of a form of “demonization”, and it is this more disturbing dimension of the cat that we would like to describe here, through three examples taken from Kokon chomon-Jû, a vast collection of tales and legends. This work, unknown in Europe, has been attributed to Tachibana no Narisue and was completed in 1254. (shrink)

The Tale of Prince Samuttakote. A Buddhist Epic from Thailand. Trans. Thomas John Hudak. Ohio University 1993. xxix, 276 pp. + 6 b/w plates. Pbk $20.00, £14.95.

While Richard Joyce’s moral skepticism might seem to be an extreme metaethical view, it is actually far more moderate than it might first appear. By articulating four challenges facing his approach to moral skepticism, I argue that Joyce’s moderation is, in fact, a theoretical liability. First, the fact that Joyce is not skeptical about normativity in general makes it possible to develop close approximations to morality, lending support to moderate moral revisionism over moral error theory. Second, Joyce relies on strong, (...) contentious conceptual and empirical claims in support of his views. Third, Joyce’s evolutionary debunking argument threatens to backfire, generalizing to all normative judgments. Finally, Joyce fails to offer an adequate account of the normativity of desire. Each of these four challenges can be either sidestepped or embraced by radicalizing and defending a global form of normative skepticism. There are thus several ways in which global normative skepticism appears to be in a more robust dialectical position than Joyce’s moral skepticism. Furthermore, I argue, Joyce’s arguments against global normative skepticism are unconvincing. While this discussion is framed in terms of Joyce’s work, its arguments will apply to other moral skeptics who are not also global normative skeptics. The result is an invitation for Joyce and other moral skeptics to leave these problems behind and join the radical camp. (shrink)

"The Tale of Zen Master Bho Li is the story of an eight-year-old orphan who becomes a beloved Zen Master. Meet the cast of memorable companions who assist him on his captivating life's journey: The Firethroat - an exotic little bird that saves him from a life threatening circumstance ; Soyu Sei - the Dangerous Granny whose wise and tender guidance civilizes the feral child he'd become without taming his wild heart ; Master Wu - abbot of Silent Thunder (...) Zen Monastery, whose successor he would become ; and Master Bho Li's three most problematic disciples: Sei Wot, Noh Hui, and Wai Mi, from each of whom he learns an important lesson. (shrink)

Murasaki Shikibu is from the Fujiwara clan of poets, lawyers and government officials. Her thought is grounded in a combination of Japanese animist Shinto, Japanese versions of Mayahana Buddhism (Tendai and Shigon), as well as Confucianism and its Daoist foundations. Murasaki’s great philosophical epic novel, Genji Monagatori (Tale of Genji), her diary, (Murasaki Shikibu Nikki) and her Poetic Memoirs (Murasaki Shikibu shū) discuss metaphysical issues such as the nature of being, women’s souls, women’s rights, the nature of (...) love, and other topics too detailed to present here. Murasaki is Japan’s first-known female philosopher. Her serially-published epic has been translated into many languages and has never been out of print. (shrink)

This paper critically analyses the hypothesis of the aetiological link between EDCs and trans identities from a scientific point of view, evincing its lack of evidence. It also problematizes the hypothesis by drawing from gender studies scholars who have denounced the transsex panic underlying the scientific literature on the effects of EDC on non-human animals, as well as from philosophical, biological, STG studies’, and neuroscientific elaborations that address sex-gender identities. It finds that the hypothesis that causally links prenatal exposure to (...) EDCs and trans identities, which fuses biological determinism with a toxic and perturbing element, not only obscures the dynamic processual and relational character of trans identities, but also offers a pathologising understanding of them. (shrink)

Sand and Pebbles : The Tales of Muju Ichien, A Voice for Pluralism in Kamakura Buddhism. Robert E. Morrell. State University of New York Press, Albany 1985. xxii + 383 pp. Cloth $39.50; paper $14.95.

While neuroscientists often characterize brain activity as representational, many philosophers have construed these accounts as just theorists’ glosses on the mechanism. Moreover, philosophical discussions commonly focus on finished accounts of explanation, not research in progress. I adopt a different perspective, considering how characterizations of neural activity as representational contributes to the development of mechanistic accounts, guiding the investigations neuroscientists pursue as they work from an initial proposal to a more detailed understanding of a mechanism. I develop one illustrative example involving (...) research on the information-processing mechanisms mammals employ in navigating their environments. This research was galvanized by the discovery in the 1970s of place cells in the hippocampus. This discovery prompted research in what the activity of these cells represents and how place representations figure in navigation. It also led to the discovery of a host of other types of neurons—grid cells, head-direction cells, boundary cells—that carry other types of spatial information and interact with place cells in the mechanism underlying spatial navigation. As I will try to make clear, the research is explicitly devoted to identifying representations and determining how they are constructed and used in an information processing mechanism. Construals of neural activity as representations are not mere glosses but are characterizations to which neuroscientists are committed in the development of their explanatory accounts. (shrink)

Some philosophers defend the view that epistemic agents believe by lending credence. Others defend the view that such agents lend credence by believing. It can strongly appear that the disagreement between them is notational, that nothing of substance turns on whether we are agents of one sort or the other. But that is demonstrably not so. Only one of these types of epistemic agent, at most, could manifest a human-like configuration of attitudes; and it turns out that not both types (...) of agent are possible. (shrink)

This article investigates the effect of perceived uncertainty on two types of screening strategies – exclusion and inclusion. Results from five studies showed that perceived uncertainty inc...

The Suparṇādhyāya or “The Tale of the Eagle” is a Sanskrit poem dating approximately to the latter part of the first millennium BCE. While the text itself does not become a significant part of the Sanskrit literary tradition, the story it tells does, though in forms preserved in other literature. This paper attempts to understand the purpose of the Suparṇādhyāya and the context for which it was composed. It argues that the text was originally created as an entertainment for (...) young brahmin males who were memorizing the Veda under the direction of a teacher in a Vedic school. It concludes that the text was recited during days off from Veda study not only as an entertainment, but also as an encouragement to continue that study and as an education in the power and importance of the texts the students were memorizing. (shrink)

_Finding Wisdom in East Asian Classics_ is an essential, all-access guide to the core texts of East Asian civilization and culture. Essays address frequently read, foundational texts in Chinese, Japanese, Korean, and Vietnamese, as well as early modern fictional classics and nonfiction works of the seventeenth century. Building strong links between these writings and the critical traditions of Confucianism, Buddhism, and Daoism, this volume shows the vital role of the classics in the shaping of Asian history and in the development (...) of the humanities at large. Wm. Theodore de Bary focuses on texts that have survived for centuries, if not millennia, through avid questioning and contestation. Recognized as perennial reflections on life and society, these works represent diverse historical periods and cultures and include the _Analects of Confucius_, _Mencius_, _Laozi_, _Xunxi_, the _Lotus Sutra_, Tang poetry, the _Pillow Book_, _The Tale of Genji_, and the writings of Chikamatsu and Kaibara Ekken. Contributors explain the core and most commonly understood aspects of these works and how they operate within their traditions. They trace their reach and reinvention throughout history and their ongoing relevance in modern life. With fresh interpretations of familiar readings, these essays inspire renewed appreciation and examination. In the case of some classics open to multiple interpretations, de Bary chooses two complementary essays from different contributors. Expanding on debates concerning the challenges of teaching classics in the twenty-first century, several pieces speak to the value of Asia in the core curriculum. Indispensable for early scholarship on Asia and the evolution of global civilization, _Finding Wisdom in East Asian Classics_ helps one master the major texts of human thought. (shrink)

Fragment 43a of the Hesiodic Catalogue of Women tells the lively tale of Mestra, a female shape-shifter who supports her father through serial marriages. I argue that this narrative demonstrates a typical mythic pattern, in which female shape-shifting is both a method of avoiding marriage and emblematic of an unmarried woman's unstable social position. I argue further that this version of Mestra's story in particular represents an attempt to mediate a question that was becoming increasingly important in sixth-century Athens, (...) namely: to which household does a bride belong, her father's or her husband's? (shrink)

The present study poses a simple question, namely, what are the specific forces that might at times hinder rather than advance individual moral development? To answer this inquiry, I will investigate the writings of Kierkegaard and Dostoevsky, examining the two aesthetic protagonists found in their works—Johannes the Seducer and Dmitri Karamazov. I will utilise the Kierkegaardian framework of the three existential stages to illustrate that it is an over-reliance on gratification, coupled with an instrumental approach towards beings that not only (...) prevents these two aesthetes from behaving morally, but also from even recognising the ethical perspective as a viable existential position. (shrink)

Williams and DeSteno (2010) and Gladkova (2010) question the validity, utility, and theoretical support for the bifurcation of pride into hubristic and authentic facets. Though these commentators highlight unanswered questions and important directions for future research, we argue that the broad, evolutionarily informed framework for the two facets, presented in our target article nonetheless provides the best fit and explanation for the existing pattern of evidence. We offer several empirical suggestions for future studies addressing the questions raised by the commentators, (...) and emphasize the need for emotion researchers to hew closely to empirical data in developing theoretical accounts. (shrink)

Early commentators and traditionists embed and amplify Q 2:102—an enigmatic allusion to angelic complicity in the transmission of esoteric knowledge to humankind—within a rich layer of interpretive lore frequently bearing the rubric “Tale of Hārūt and Mārūt.” A close study of this verse alongside its external narrative embellishments uncovers a wealth of structural and contextual motifs that suggestively link the “Tale” with biblical and parascriptural myths about “fallen angels” and their perceived role in the corruption of antediluvian humanity. (...) The present article catalogs a representative number of these motifs, speculates about their mode of transmission, and offers some guidelines for analyzing the different versions of the “Tale” that surface centuries later in medieval Jewish interpretive and mystical literature. Particular attention is devoted to unpacking the identity of the woman who is responsible for the seduction of the angels. (shrink)

A work in the history of systematic philosophy that is itself animated by a systematic philosophic aspiration, this book by one of the most prominent American ...