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Stephen Cox [17]Stephen D. Cox [2]Stephen S. Cox [2]
  1.  84
    Ayn Rand: Theory versus creative life.Stephen Cox - 1986 - Journal of Libertarian Studies 8 (1):19-29.
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  2.  47
    The Nathaniel Branden Annotated Bibliography.Roger E. Bissell, Stephen Cox, Robert L. Campbell, Roderick T. Long & Chris Matthew Sciabarra - 2016 - Journal of Ayn Rand Studies 16 (1-2):260-294.
    This bibliography constitutes the most extensive compilation of references on Nathaniel Branden yet published.
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  3.  46
    Rand, Paterson, and the Problem of Anarchism.Stephen Cox - 2013 - Journal of Ayn Rand Studies 13 (1):3.
    This essay is concerned with individualist arguments for and against anarchism. It analyzes the views of Ayn Rand, Isabel Paterson, and libertarian anarchists, with special emphasis on the concepts of consent, non-initiation of force, and non-self-sacrifice. The essay concludes with a critical assessment of individualist anarchist and limited-government theories, suggesting that while some are more useful than others, none can be considered complete, conclusive, or fully consistent.
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  4.  20
    Artificial Feeding: Laying to Rest Some Misconceptions.Stephen S. Cox - 1984 - Hastings Center Report 14 (6):48-48.
  5.  49
    Devices of deconstruction.Stephen Cox - 1989 - Critical Review: A Journal of Politics and Society 3 (1):56-76.
    THE TAIN OF THE MIRROR: DERRIDA AND THE PHILOSOPHY OF REFLECTION by Rodolphe Gasché Cambridge: Hanard University Press, 1986. 356 pp., $25.00, $12.95 (paper) DERRIDA ON THE THRESHOLD OF SENSE by John Llewelyn New York: St. Martin's Press, 1986. 137 pp., $27.50, $10.95 (paper).
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  6.  17
    Essays on Ayn Rand's Anthem.Stephen Cox - 2006 - Utopian Studies 17 (2):392-396.
  7.  25
    Posthumous Publications.Stephen Cox - 2020 - Journal of Ayn Rand Studies 20 (1):125-136.
    Posthumous publication of Ayn Rand's novella Ideal and her play The Unconquered provides an opportunity to assess her early work. The Unconquered is an unfortunate theatrical dramatization of her novel We the Living. Ideal, which was written first as a novella and then as a play, is the inadequate presentation of a provocative idea. Editorial packaging of The Unconquered is extensive and informative; of Ideal, slight and confused. Especially regrettable is the theory of genres presented in place of editorial commentary (...)
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  8.  47
    Representing Isabel Paterson.Stephen Cox - unknown
    One night about fifteen years ago, I found myself driving a rental car up and down the main street of a tiny Connecticut town, feverishly hunting for an address. I had gotten lost on my trip into the hinterland, and by the time my car turned hesitantly up the drive of an old house that seemed to match the numbers on my notepad, I was hours late for my appointment. When the thick door creaked open, I started my apologies, but (...)
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  9.  37
    Rejoinder to Roderick T. Long.Stephen Cox - 2013 - Journal of Ayn Rand Studies 13 (2):224-245.
    This response to Roderick T. Long's defense of anarchism attempts to show that the ethical and the practical arguments for anarchism do not converge; that anarchism satisfies neither Ayn Rand's demand for objective justice nor Isabel Paterson's demand for structured checks on the abuse of power; that the chief economic argument for the practicality of anarchism, the argument from competition, is contrary to basic economic principles; and that crucial anarchist claims defy ordinary and defensible notions of justice, usefulness, and reasonableness. (...)
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  10.  48
    The Titanic and the art of myth.Stephen Cox - 2003 - Critical Review: A Journal of Politics and Society 15 (3-4):403-434.
    The myths engendered by the Titanic disaster suggest the essentially literary character of myths, the importance of individuals in their creation and consumption, the frequent insistence of their consumers on literal‐historical truth, and thus the importance of discerning whether, and why, the creators of a myth distort the truth. The myth of the Titanic should be understood as a literal‐historical myth with an especially strong literary character and claim to truth; a myth whose interest has not been exhausted by time (...)
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