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  1.  24
    Ein Katholizismus zwischen Affirmation und Rekonfiguration. Der Fall Portugal.Steffen Dix - 2008 - Zeitschrift für Religionswissenschaft 16 (2):157-176.
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  2.  46
    Miguel de Unamuno und Antero de Quental Iberische Religionskritik, einbrechende Moderne und die Tragik des Verlustes.Steffen Dix - 2007 - Zeitschrift für Religions- Und Geistesgeschichte 59 (4):311-330.
    In recent years the study of local religious histories, especially in Europe, has gained in prominence. Because of the encounters between different cultural traditions in the Middle Ages and the voyages of discovery, the religious history of the Iberian Peninsula became one of the most complex in Europe. This article focuses on one portion of this history around the turn of the 19th/20th century, and in particular on two attempts to blame the Catholic religion for the general crisis in Spain (...)
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  3.  62
    The Plurality of Gods and Man, or “The Aesthetic Attitude in All Its Pagan Splendor” in Fernando Pessoa.Steffen Dix - 2010 - The Pluralist 5 (1):73-93.
    Following a lengthy period in which they were glorified and worshiped, several illustrious personages led a seemingly miserable and almost forgotten existence for two thousand years until they appeared sporadically in nineteenth and twentieth-century literature, philosophy, and poetry. Apart from a brief moment during the Renaissance, the ancient Greek gods only managed to emerge from their existential shadows at the time of Romanticism, when few poets failed to provide these gods with a fleeting haven in some of their verse, even (...)
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  4.  14
    Vom bleibenden Recht der Antike in der künstlerischen Moderne Europas: Fernando Pessoa und Giorgio de Chirico.Steffen Dix - 2022 - Zeitschrift für Religions- Und Geistesgeschichte 74 (3):251-272.
    Modernism in the early 20th century has usually been viewed as a radical break with the past and tradition. Nevertheless, there are a great deal of direct references to classical antiquity in many works of modernist artists. This apparent contradiction forces us to rethink the notion of a radical break between the new and the past. It is with this in mind that the present article focuses on one of the most exiting periods in European cultural history. In particular, the (...)
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  5. 1. Front Matter Front Matter (pp. i-vii).John Kaag, Beth Eddy, Tommy J. Curry, Jane Duran, Steffen Dix, Seyed Hassan Hosseini & Sami Pihlström - 2010 - The Pluralist 5 (1).
     
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