Results for 'Sound '

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Bibliography: Sound in Philosophy of Mind
  1. Courtney S. Campbell.Sounds Of Silence - 1991 - Theological Developments in Bioethics, 1988-1990 1:23.
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  2.  16
    authoritative General Handbook of Instructions (hereafter Instructions), these initial documents addressed such· problems· as abortion, artificial.Courtneys Campbell & Sounds Of Silence - forthcoming - Bioethics Yearbook.
  3. Dorottya Fabian.Classical Sound Recordings - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
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  4.  23
    From bias to sound intuiting: Boosting correct intuitive reasoning.Esther Boissin, Serge Caparos, Matthieu Raoelison & Wim De Neys - 2021 - Cognition 211 (C):104645.
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  5. Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness”.J. Kevin O’Regan & Ned Block - 2012 - Review of Philosophy and Psychology 3 (1):89-108.
    Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of Philosophy (...)
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  6. What is the role of sound evidence in evolution education? A research program following students' narratives in Brazil and elsewhere.Nelio Bizzo - 2019 - In Alandeom W. Oliveira & Kristin Leigh Cook (eds.), Evolution education and the rise of the creationist movement in Brazil. Lanham: Lexington Books.
     
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  7. In Defense of Medial Theories of Sound.Phillip John Meadows - 2018 - American Philosophical Quarterly 55 (3):293-302.
    In the recent literature on the nature of sound, there is an emerging consensus rejection of what might be thought of as the scientifically informed commonsense position: that sounds, whatever else they may be, must be entities that mediate between the source of the sound and the subject hearing it. This paper offers an argument for such "medial" theories of sound. This argument is intended to shift attention from the two considerations that have dominated the debate thus (...)
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  8.  43
    The Aesthetic Preference for Nature Sounds Depends on Sound Object Recognition.Stephen C. Van Hedger, Howard C. Nusbaum, Shannon L. M. Heald, Alex Huang, Hiroki P. Kotabe & Marc G. Berman - 2019 - Cognitive Science 43 (5):e12734.
    People across the world seek out beautiful sounds in nature, such as a babbling brook or a nightingale song, for positive human experiences. However, it is unclear whether this positive aesthetic response is driven by a preference for the perceptual features typical of nature sounds versus a higher‐order association of nature with beauty. To test these hypotheses, participants provided aesthetic judgments for nature and urban soundscapes that varied on ease of recognition. Results demonstrated that the aesthetic preference for nature soundscapes (...)
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  9.  17
    The personal gift in sound business enterprises: Bounded rationality, incommensurable values and economic agency.Jude Chua & Oskari Juurikkala - manuscript
    This paper defends a normative basis for entrepreneurial ventures, and draws the conclusion that any enterprise, insofar as it is reasonable, has in final analysis to be a (free) gift to promote good. Building on Herbert Simon's idea of "satisficing" and developing it in line with axiological insights of the new classical natural law theory, this paper makes the argument that a choice to proceed reasonably in any entrepreneurial venture will be guided by rationality that is bounded. Bounded rationality entails (...)
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  10. When the ear dreams : Dolby digital and the imagination of sound.Vivian Sobchack - 2011 - In Jacques Khalip, Robert Mitchell, Giorgio Agamben, Cesare Casarino, Peter Geimer & Mark Hansen (eds.), Releasing the Image: From Literature to New Media. Stanford, California: Stanford University Press.
     
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  11.  34
    The Role of High-Level Processes for Oscillatory Phase Entrainment to Speech Sound.Benedikt Zoefel & Rufin VanRullen - 2015 - Frontiers in Human Neuroscience 9.
  12. Phonography and the invention of sound.Marc Battier - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
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  13. Tribute to a footbridge : contact dance and sound spaces improvisations in Choisy-le-Roi.Vincent Rioux - 2017 - In Christine Guillebaud (ed.), Towards an anthropology of ambient sound. New York, NY: Routledge.
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  14. Developing a cognitive heuristic model of sound art.Linda-Ruth Salter & Barry A. Blesser - 2017 - In Marcel Cobussen, Vincent Meelberg & Barry Truax (eds.), The Routledge companion to sounding art. Abingdon, Oxon: Routledge.
     
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  15. Is Slote's Argument against the Practical Character of Morality Sound?Horacio Spector - 1988 - Rechtstheorie 19.
     
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  16.  23
    Do Investors See Value in Ethically Sound CEO Apologies? Investigating Stock Market Reaction to CEO Apologies.Daryl Koehn & Maria Goranova - 2018 - Journal of Business Ethics 152 (2):311-322.
    Since the late 1990s, the number of apologies being offered by CEOs of large companies has exploded. Communication and management scholars have analyzed whether and why some of these apologies are more effective or more ethical than others. Most of these analyses, however, have remained at the anecdotal level. Moreover, the practical, economic consequences of apologies have not been examined. Almost no rigorous or systematic empirical work exists that examines whether stakeholders reward firms whose CEOs give apologies that are more, (...)
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  17.  23
    (1 other version)Listening And Voice: A Phenomenology Of Sound.Don Ihde - 1976 - Ohio University Press.
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  18. its Role in Society with Sound Infusion.Alexis Dubeurdieu - 2012 - Ethos: Social Education Victoria 20 (2).
     
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  19. Developing awareness of cultural music and its role in society with sound infusion.Alexis Dubourdieu & Jane Ward - 2012 - Ethos: Social Education Victoria 20 (2):8.
     
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  20. String theory : Denis Diderot's philosophy of sound and everything.Veit Erlmann - 2017 - In Marcel Cobussen, Vincent Meelberg & Barry Truax (eds.), The Routledge companion to sounding art. Abingdon, Oxon: Routledge.
     
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  21. The Music Room in Early Modern France and Italy: Sound, Space and Object.Fortini Brown Patricia - 2012
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  22.  13
    Distributional learning of speech sound categories is gated by sensitive periods.Rebecca K. Reh, Takao K. Hensch & Janet F. Werker - 2021 - Cognition 213 (C):104653.
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  23.  31
    The effect of a change in direction of resultant force on sound localization: the audiogravic illusion.Ashton Graybiel & J. I. Niven - 1951 - Journal of Experimental Psychology 42 (4):227.
  24. Analysing Popular Music: Image, Sound and Text.[author unknown] - 2010
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  25. PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music.Marina Sudo - 2022 - In Mark Delaere (ed.), Noise as a constructive element in music: theoretical and music-analytical perspectives. New York: Routledge.
     
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  26. The Music Room in Early Modern France and Italy: Sound, Space and Object.Markham Michael - 2012
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  27.  20
    Socially Responsible Management as a Basis for Sound Business in the Family Firm.M. John Foster - 2018 - Philosophy of Management 17 (2):203-218.
    This paper examines the proposition that adopting a socially responsible, or philanthropic, management posture is not antithetic to the capitalist business model but rather can be seen as a sound approach to the development of long-term sustainability in business in a modern business environment, wherein a strand of corporate social responsibility is one core aspect of the composite utility function of the modern business. We suggest further that for many of the prominent/significant examples of the successful adoption of a (...)
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  28. A Note on Unprovability-Preserving Sound Translations.Takao Inoue - 1990 - Logique Et Analyse 33 (31):243-257.
     
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  29. Lawrence Ferrara, Philosophy and the Analysis of Music: Bridges to Musical Sound, Form and Reference Reviewed by.Arnold Berleant - 1992 - Philosophy in Review 12 (5):320-322.
     
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  30. "The right to be myself, as long as I live! As if I were a sound.": Postmodernism and the Music of John Cage”.Perloff Nancy - 2002 - In Johannes Willem Bertens & Joseph P. Natoli (eds.), Postmodernism: the key figures. Malden, Mass.: Blackwell.
     
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  31. Mics in the ears : how to ask people in Cairo to talk about their sound universes.Vincent Battest - 2017 - In Christine Guillebaud (ed.), Towards an anthropology of ambient sound. New York, NY: Routledge.
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  32. The Music Room in Early Modern France and Italy: Sound, Space and Object.Beltramini Guido - 2012
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  33.  6
    Riding the Waves: A Life in Sound, Science, and Industry.Leo Leroy Beranek - 2008 - MIT Press.
    The life and work of Renaissance man Leo Beranek: scientist, professor, engineer, busisess leader, inventor, entrepreneur, musician, television executive, philanthropist, and author.
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  34. The Music Room in Early Modern France and Italy: Sound, Space and Object.Berrada Tarek - 2012
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  35. Donald C. Lee, Toward A Sound World Order: A Multidimensional, Hierarchical Ethical Theory Reviewed by.Doug Simak - 1993 - Philosophy in Review 13 (2):103-105.
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  36. Mis-aulogy : Aristotle on the politics of Sound.Sara Brill - 2022 - In Jill Gordon (ed.), Hearing, sound, and the auditory in ancient Greece. Bloomington, Indiana: Indiana University Press.
     
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  37. What would be a digital sound?Aden Evens - 2017 - In Marcel Cobussen, Vincent Meelberg & Barry Truax (eds.), The Routledge companion to sounding art. Abingdon, Oxon: Routledge.
     
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  38.  59
    The role of head movements and vestibular and visual cues in sound localization.H. Wallach - 1940 - Journal of Experimental Psychology 27 (4):339.
  39. Sounds: a philosophical theory.Casey O'Callaghan - 2007 - New York: Oxford University Press.
    ... ISBN0199215928 ... -/- Abstract: Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science traditionally has focused on a visual model. This book presents a systematic treatment of sounds and auditory experience. It demonstrates how thinking about audition and appreciating the relationships among multiple sense modalities enriches our understanding of perception. It articulates the central questions that comprise the philosophy of sound, and proposes a novel theory of sounds and their perception. Against the widely accepted (...)
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  40. Standing out from the crowd : vocal and sound techniques for catching peoples' attention in an Indian bus stand.Christine Guillebaud - 2017 - In Towards an anthropology of ambient sound. New York, NY: Routledge.
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  41.  53
    Disability and silver screening: Comparative analyses of Deaf Culture in Sound of Metal and CODA.Astha Singh - 2023 - Technoetic Arts 21 (1):99-106.
    Cinema serves as a mirror, reflecting the development or state of society. It plays an important function in entertainment and education and can bring about a shift in our perspectives and attitudes. The article includes a descriptive analysis of Deaf Culture as a prominent subject in the movies Sound of Metal () and CODA () and clarifies the most prevalent misconceptions about disability in both films. In recent years, filmmakers have made an effort to create true and authentic representations (...)
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  42. Movement II/Registers. "A voice deep inside" : Cavell, Streisand, and the reach of song's inner speech / Garrett Stewart ; Cavell as halted traveler : the experience of music / Richard Eldridge ; The sound of reality.Jocelyn Benoist - 2024 - In David LaRocca (ed.), Music with Stanley Cavell in mind. New York: Bloomsbury Academic.
     
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  43.  50
    The Time Dimension: Contribution toward a Theory of Sound Change.Matthew Chen - 1972 - Foundations of Language 8 (4):457-498.
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  44. Not just tones, noises too! : on sound poetry.Jean-Charles Depaule - 2017 - In Christine Guillebaud (ed.), Towards an anthropology of ambient sound. New York, NY: Routledge.
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  45.  16
    capacity for, and exercise of, sound judgment. While I think this represents a big improvement over the other accounts I have discussed, it is not hard to see that it.Teaching Wisdom - forthcoming - Philosophical Studies Series.
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  46. Netivei ohr: pele yo'etz (aleph-tav): including sound advice, pearls of wisdom, ethical teachings, parables..Nisim Yagen - 2011 - Flushing, N.Y.: Ohr Yaakov.
     
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  47. That Just Don't Sound Right: A Plea for Real Examples'.David L. Hull - 1997 - In John Earman & John D. Norton (eds.), The Cosmos of Science: Essays of Exploration. University of Pittsburgh Press.
     
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  48.  34
    An early critique of Bacon's Sylva Sylvarum: Edmund Chilmead's treatise on sound.Mordechai Feingold & Penelope M. Gouk - 1983 - Annals of Science 40 (2):139-157.
    SummaryEdmund Chilmead (1610–54), a little-known scholar and musician, was the author of a possibly unique testimony to the interest among English natural philosophers in the nature of sound and philosophical music theory during the years following the publication of Francis Bacon's Sylva Sylvarum (1626). Chilmead's ‘An Examination … of the Naturall History’ is a manuscript treatise which takes the form of twenty ‘Quaeres’ on the second and third centuries of experiments of the Sylva which are concerned with the nature (...)
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  49.  38
    “What makes a reasoning sound” is the proof of its truth: A reconstruction of Peirce’s semiotics as epistemic logic, and why he did not complete his realistic revolution.Dan Nesher - 2018 - Semiotica 2018 (221):29-52.
    Charles S. Peirce attempted to develop his semiotic theory of cognitive signs interpretation, which are originated in our basic perceptual operations that quasi-prove the truth of perceptual judgment representing reality. The essential problem was to explain how, by a cognitive interpretation of the sequence of perceptual signs, we can represent external physical reality and reflectively represent our cognitive mind’s operations of signs. With his phaneroscopy introspection, Peirce shows how, without going outside our cognitions, we can represent external reality. Hence Peirce (...)
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  50.  20
    Letter and Speech Sound Association in Emerging Readers With Familial Risk of Dyslexia.Joanna Plewko, Katarzyna Chyl, Łukasz Bola, Magdalena Łuniewska, Agnieszka Dębska, Anna Banaszkiewicz, Marek Wypych, Artur Marchewka, Nienke van Atteveldt & Katarzyna Jednoróg - 2018 - Frontiers in Human Neuroscience 12.
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